$ 99.99 $ 134.00
Glassy, shimmering, and bubbly– the Hammertone™ Chorus is a simple and powerful modulation device designed to deliver pristine choral sweeps. Pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.
$ 79.99 $ 108.00
The Hammertone™ Fuzz captures the iconic splat, saturation and horn-like sustain used on the formative records of rock’n’roll history. Despite its small size, this purple-tinged, psychedelic stompbox is feature-packed with three classic controls, two silicon diodes and an octave fuzz mode – allowing you to recreate the legendary sounds of the ‘60s & ‘70s or forge your own unique tone.
$ 299.99 $ 360.00
An innovator and pivotal influence on effect-laden guitar tones, Kevin Shields awakened iconic sonic walls of fuzz like the world had never heard as he defined the tone of alternative rock in the ‘80s and ‘90s. His tool of choice for fuzz laden chaos: an original Fender® Blender effect pedal, prized for its dynamic response and gripping fuzz splatter. Now, through over four years of co-development Fender and Shields have resurrected this mythical 1970’s fuzz and injected a subversive feature set, creating the all-new Fender Shields Blender.
At its core, the Fender Shields Blender echoes the tone of Shields' own vintage 1970s Fender Blender, thanks to carefully hand tracing the circuit from his personal fuzz box. Built around this vintage circuit are entirely new ways of controlling and blending the original fuzz voice, all crafted with performance in mind utilizing four easy-access footswitches. Two footswitchable channels of fuzz, each with dedicated level controls, offer the ability to blend the fuzz voice with your clean signal or to blend the fuzz voice with a beefy suboctave fuzz, while the sag footswitch introduces sputtering and ducking effects like never before heard, all controlled by the intensity of your playing dynamics.
$ 349.99 $ 419.98
The relationship between time-based effects, like delay and reverb, is critical to operating them correctly. The Reflecting Pool® Delay/Reverb pedal combines these two classic effects into one comprehensive chassis, making it easy to integrate into any pedalboard. Utilizing cutting-edge DSP for rich and complex algorithms, Reflecting Pool® faithfully recreates classic sounds, while also conjuring otherworldly new ones. Type, Variation and Quality controls make it easy to precisely shape your sound, the Time toggle adds rhythmic subdivisions, and the Tap Tempo footswitch makes sure everything stays in time.
Designed by our in-house team of experts, the Reflecting Pool® Delay/Reverb is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, and the Amp Jewel LED gives your pedalboard the classic Fender look. The switchable LED-backlit knobs show your control settings on a dark stage at a glance.
$ 249.99 $ 300.00
Fender helped generate the classic guitar tones that inspired players to create new music, and now with the Santa Ana Overdrive, it brought its expertise to stompboxes. Armed with FET technology, this pedal lets you dial in sounds varying from “just a little hairy” all the way to thick, fully saturated overdrive. The flexible tone controls unlock a wide range of sonic flavors. This pedal cleans up with the guitar’s volume control, just like Fender's famous amplifiers.
Designed by Fender's in-house team of experts, the Santa Ana Overdrive is an all-original circuit. They consulted with a plethora of players while designing this pedal, and the resulting stompbox is packed with stage-ready features.
The chassis is crafted from lightweight, durable anodized aluminum. The LED-backlit knobs show your control settings on a dark stage at a glance. They even made swapping batteries quicker and easier with their exclusive “patent applied for”, magnetically latched 9V battery door.
From the Amp Jewel LED all the way down to the character of your tone, the Santa Ana Overdrive is Fender through and through.
$ 1,699.99 $ 2,278.00
Tone Master Pro is the first no-compromise multi-effects guitar workstation that features the amazing sound quality that the Tone Master series is known for. Combining a powerfully intuitive interface and the most comprehensive I/O array available, the Tone Master Pro is the best sounding, most powerful and easiest to use guitar processor ever.
Tone Master Pro features over 100 of the world's most popular amps and effects, including all of the classic Tone Master Fender models, the first officially licensed EVH 5150 III Stealth model, and other can't live without classics that have all been perfectly replicated using our proprietary Tone Master Modeling process. Tone Master Pro's lightweight, rugged, stage-friendly form factor is as beautiful as it is functional. With a full-color touchscreen, stunning graphics, and intuitive user interface, dialing in the perfect tone has never been easier or more inspired.
Create Presets, customize your footswitch assignments and combine them to create Songs and organize into Setlists with ease. Tone Master Pro's 10 custom-designed footswitch encoders make editing a breeze, giving you instant access to all your presets and parameters and make adjustments just like you would on the real thing. Connect to our Tone Master Pro Control app via USB for creating, editing and sharing your own presets or for auditioning and downloading thousands of tones created by Fender's community of players and artists.
$ 269.99 $ 323.98
There’s no mistaking the sound of genuine Fender amp Tremolo and Reverb. These lush, dynamic amp effects inspired entire genres of music. The Tre-Verb pedal places independent Tremolo and Reverb effects at your feet in a compact, easy-to-use pedal. We included classic reverb voicings based on our renowned spring reverb units from 1963 and 1965 and multiple tremolo modes to make sure you can get the exact sound you need for your music. A full suite of tone-shaping controls, including tap tempo for the tremolo effect, make this pedal sonically flexible, while the stereo inputs and outputs ensure it’s easy to connect to any pedalboard or amp.
$ 129.99 $ 170.00
Few artists can lay claim to defining the sound of a genre, but Waylon Jennings is the undisputed outlaw of outlaw country. Defining a tone all his own drenched in a signature sweeping phase-shifting effect, Waylon toured through the most prominent phaser effect pedals that the '70s and '80s had to offer. And now the Waylon Jennings Phaser pedal takes you along for that same ride by emulating the stomp boxes he used to forge his own path.
Building on Fender's original four-stage phaser circuit developed in the 1970's, the Waylon Jennings Phaser provides three distinct flavors of phasing by switching between two, four, or six phase stages. When combined with the Range and Feedback controls, these three phase voices cover the gamut of phasing tones used by Jennings on stage and in studio. Skip right to the good stuff and turn on the Sweet Switch to jump right to the "sweet spot" of clean signal mixed with phase-shifting tones, perfect for adding the right amount of flavor to your favorite cowboy chords. Whether you're looking to nail Waylon's signature tone, or find a new one all your own, the Waylon Jennings Phaser can dial in just the right phase for you.
$ 89.95
A level-adjustable A/B pedal. A built-in DI output with ground-lift. A boost pedal. An output Y-splitter. A two-channel mixer. The AFX Pocket Blender is the ultimateA/B/Y pedal combining four essential tools:
Balanced D.I. Output with Ground Lift
Innovative Dual Path Routing
Super Compact Design Fits Almost Anywhere
Without even touching the A/B features, it’s a mini two-channel mixer allowing you to connect two audio sources and blend them together. This is perfect for dual-source systems such as Fishman soundhole pickups that feature a mic or body pickup.
Build on the simple blender by setting up an “A mix” and a “B mix” where pressing the footswitch toggles between one mix and the other. You could balance your onboard pickup (50%) with your onboard mic (50%) on mix A. Then on mix B, which you use to take solos, you could boost the pickup to 75% while leaving the mic on 50%. All with a single stomp of the footswitch.
And it’s not only an A/B pedal with a mixer, it is the heart of Fishman’s unique AFX Dual Path ecosystem. By using common TRS audio cables, you assign effects on either tip or ring signal paths and essentially switch between two ‘scenes,’ each with mix levels you control.
MODEL NUMBER |
PRO-AFX-DI2 |
AUDIO I/O |
1/4" TRS input and outputs, 1/4" balanced DI output with ground lift |
DSP |
N/A (all analog) |
DIMENSIONS |
1.9" W x 3.8" D x 1.92" H (49mm W x 97mm D x 49mm H) |
MATERIAL |
Durable aluminum enclosure |
CURRENT DRAW |
53mA, typical |
POWER |
910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative |
$ 119.95
Based on the highly-regarded Fishman Platinum series of instrument preamps, AFX Pro EQ Mini offers quality preamplification and critical equalization voiced specifically for acoustic instruments.
5-Band EQ Specially Voiced for Acoustic Instruments
True Bypass with Options for Buffered Bypass or Mute
Feedback-Fighting Phase Control
Innovative Dual Path Routing
Super Compact Design Fits Almost Anywhere
9V External Power Required (sold separately)
This is no off-the-shelf graphic EQ – plug in and your signal begins with a high-impedance instrument preamp to condition nearly any passive or active pickup.
Then, use the four bands of acoustic tone control
to sculpt your bass, mids, treble, and brilliance. A sweepable Low Cut fine-tunes the very low frequencies to reduce or enhance thumps and subs.
Finally, hold the footswitch to toggle your output polarity. Also known as “phase,” this simple circuit can tame low-frequency howl very effectively.
MODEL NUMBER |
PRO-AFX-EQ2 |
AUDIO I/O |
1/4" TRS input and output (TRS enables Dual Path Functionality) |
DSP |
32-bit processing |
DIMENSIONS |
1.9" W x 3.8" D x 1.92" H (49mm W x 97mm D x 49mm H) |
MATERIAL |
Durable aluminum enclosure |
CURRENT DRAW |
53mA, typical |
POWER |
910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative |
ANALOG SIGNAL PATH |
Input impedance: 10M Ohm | Output impedance: 1k Ohm | Signal-to-noise: -100dB | Dynamic range: 100dB |
DIGITAL SIGNAL PATH |
A/D, D/A conversion: 24-bit | Signal processing: 32-bit |
$ 119.95
AFX Broken Record packs high-quality audio looping and sampling into a tiny, yet deceptively-simple stompbox package. It features intuitive one-button operation, endless overdub capability and offers easy transfer to a computer.
Drag ’n Drop WAV File Transfer via USB
True Bypass with Buffered Bypass Option
24-bit / 44.1kHz Recording Quality
Innovative Dual Path Routing
Super Compact Design Fits Almost Anywhere
9V External Power Required (sold separately)
A single footswitch is all it takes to record, overdub, and play along with your coolest riffs and patterns.
Featuring high-quality 24-bit, 44.1kHz audio recording of up to 6 minutes, AFX Broken Record let’s you capture cool ideas and build on them, or even play along with pre-recorded audio you transfer from your computer.
Built-in memory will retain what you recorded even after the power is disconnected. So, you can unplug at your gig and transfer your loop to your computer later. This also means that the backing track you transfer from your computer will be ready and waiting for you to play back at your next performance.
MODEL NUMBER |
PRO-AFX-LP2 |
AUDIO I/O |
1/4" TRS input and output (TRS enables Dual Path Functionality) |
DSP |
32-bit processing |
BYPASS |
True Bypass with Buffered Bypass Option |
DIMENSIONS |
1.9” W x 3.8” D x 1.92” H (49mm W x 97mm D x 49mm H) |
MATERIAL |
Durable aluminum enclosure |
CURRENT DRAW |
53mA, typical |
POWER |
910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative |
ANALOG SIGNAL PATH |
Input impedance: 10M Ohm | Output impedance: 1k Ohm | Signal-to-noise: -100dB | Dynamic range: 100dB |
DIGITAL SIGNAL PATH |
A/D, D/A conversion: 24-bit | Signal processing: 32-bit |
$ 199.99
The Friedman Dirty Shirley all-tube amp is well known for being one of the most flexible and touch-responsive single-channel amplifiers on the market. Now you can get that same tonal versatility, sensitivity and harmonically rich overdrive in a pedal. The Dirty Shirley Overdrive packs the same intuitive control set as the amplifier, allowing you to dial in your perfect shade of rock in no time. It doesn't matter if you want a high-output cleaner tone for pushing your amp hard or a thick gritty drive that will sit well in any classic to modern rock band, a sweep of the gain control easily gets you there. If you ever want reign in the low end, for a punchier feel, simply flip the side-mounted Tight switch and away you go. If you want to experience the amp’s accolade-garnering tone in the convenience of a pedal, put the Dirty Shirley Overdrive on your board today.
British rock at its best
Though the Dirty Shirley overdrive can scream with an unabashedly rock 'n' roll voice, you'll be surprised at how truly versatile it is. To get more out of the amp you already have, roll the pedal's gain knob back, crank the volume and get a killer dirty boost. And of course, roll up the gain and witness how well the pedal responds to every touch and manipulation of your guitar's controls.
● Friedman Dirty Shirley amp tone in a compact pedal format
● Responds to guitar controls and picking nuance exactly like the amp
● Gain control takes you from gritty to hard rock in no time
Ready for your rig
The Dirty Shirley Overdrive pedal delivers tube like tone in a small pedal format which can be used either into a clean amp or to boost an already over-driven amp. If your amp, or other overdrive gets a bit loose in the low end, throw ON the Dirty Shirley's Tight switch to bring back the percussive attack you crave.
• Bass, Treble, Presence, Volume, Mid and Gain Controls
• Tight Switch
• True Bypass
• Voltage Requirements: 9-18v Center Negative
• Built in USA
$ 119.99 $ 194.99
Screamer Green Small aluminum pedal board with Gator carry bag and bottom mounting power supply bracket. Power supply not included.
Interior Dimensions
Exterior Dimensions
Shipping Dimensions
$ 119.99 $ 194.99
White Small aluminum pedal board with Gator carry bag and bottom mounting power supply bracket. Power supply not included.
Features
Interior Dimensions
Exterior Dimensions
Shipping Dimensions
$ 239.99 $ 279.98
GENZLER® AMPLIFICATION proudly announces the third effects pedal in the product line, the CRASH BOX 4™, CLASSIC BASS DISTORTION.
This new model continues the collaboration of the GENZLER AMPLIFICATION design team and Andy Field, former Genz Benz engineer. Together they possess decades of innovative audio product design and manufacturing expertise. The GENZLER® AMPLIFICATION pedal line continues to explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting concepts and blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective experiences to develop what they feel players would use and appreciate, going forward.
And now the new CRASH BOX 4™ takes up where their original 4 ON THE FLOOR™ Classic Overdrive Pedal leaves off. While the 4-OTF compares to the smooth, effortless shifting of a syncro-mesh, manual transmission —- the CRASH BOX 4™ is reminiscent of the rough shifting, gear grinding, non-syncro straight-cut, gear boxes in vintage off-road vehicles and heavy trucks – often called “heavy metal” vehicles.
The new CRASH BOX 4 PEDAL is an ALL-ANALOG distortion pedal that dynamically emulates 4 different distortion types found in popular tube and solid-state distortion circuit topologies and then gives the player additional flexibility and control over drive/gain, distortion path (only)–high pass and low pass filters and separately a clean signal path blend. The result is the ability to tailor and fine tune the distortion to fit a wide spectrum of music and playing techniques, without the loss of touch sensitivity, musicality, or the addition of excess noise.
1st GEAR: Reminiscent of a tube amp’s moderately driven channel (including natural harmonics) with a bit of compression when driven hard. Many players will find that this works well as a mellow/milder, smoother overdrive/distortion with plenty of even ordered harmonic richness , and dimensional texture.
2nd GEAR: Emulates a tube amp’s more heavily overdriven tone, with more odd order harmonics and compression, depth and top-end. While moderately compressed, there is still plenty of depth of tone, dynamics and feel present.
3rd GEAR: An aggressive up-shift from 2nd gear, this heavier and edgier distortion is higher in odd order harmonics as well as having greater compression for a tighter feel. The harder you dig in, the thicker the harmonics and texture, and the more compressed the feel, with greater sustain.
4th GEAR: This is the most aggressive gear of all — a heavy, symmetrical, mostly odd order harmonics style distortion. While there are a lot of harmonics and compression present, this gear does not give up tone but adds additional crush and increased sustain.
The CRASH BOX 4 is a dynamic and versatile distortion pedal and is an excellent compliment with our other pedals and either of our MAGELLAN 350 or MAGELLAN 800 bass amps.
Features:
$ 244.99 $ 285.98
GENZLER® AMPLIFICATION proudly announces the addition of a second pedal from the “redux collaboration” that brings Jeff Genzler and engineer Andy Field back together again — developing a new line of bass effect pedals under the Genzler Amplification brand.
The GENZLER® AMPLIFICATION pedal line will explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting circuits that were started but never used, blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective pasts to develop what they feel players would use and appreciate, going forward.
And now, the introduction of the second model in the line —- the Re/Q — DUAL FUNCTION EQUALIZATION pedal, which offers 2 specific and separate filter networks, HPF and LPF filters with on/off switching and a 5 band EQ network, with its own on/off switching. And the EQ network provides an EQ Output level of +/- 9dB. This versatile design allows the pedal to be used as a clean boost, and is a great combination with the 4 ON THE FLOOR, CLASSIC BASS OVERDRIVE pedal. This pedal also offers another level of versatility as it accepts nearly any power supply; 9 – 18 Volts, either polarity. (Power supply not included).
The re/Q™ DUAL FUNCTION EQ PEDAL is a low noise, ALL ANALOG multi-function HIGH PASS FILTER – LOW PASS FILTER and 5 BAND EQ pedal that gives the player complete tonal control over the cut-off of the extreme low and high frequencies, plus 5 bands of peak-dip equalization. The filter section is foot switched independently from the EQ section, and there is additional make-up gain or cut after the EQ for balancing of levels or to act as an additional boost/cut function when the EQ is switched into the signal path. The re/Q is also a great companion to our 4 ON THE FLOOR Classic Overdrive Pedal. It can be used to tailor your instrument’s tone for various overdrive settings, or increased boost levels for any of the Overdrive gears.
There are a wide variety of uses for the re/Q and is an excellent compliment to either of our MAGELLAN 350 or MAGELLAN 800 bass amps.
Features:
$ 75.00
This pedal is in good condition, small amounts of wear on pedal enclosure.
$ 59.99 $ 85.70
The BIGMINI is a compact chromatic tuner pedal that features two different modes: needle and strobe. The tuning range is from A0 (27.5 Hz) to C8 (4186 Hz), which allows for accurate detection of the low B on a 5 string bass. The pedal has adjustable calibration from 435Hz to 445Hz and features a flat mode for additional tuning flexibility. A true bypass switch provides the shortest, most direct signal path for the cleanest possible sound, while the bright LED display is clear and easy-to-read on even the darkest stages.
•Tuning Range: A0(27.50Hz) - C8(4186Hz)
•Calibration: A4 = 435 - 445 Hz
•Drop tune: Flat 4 semitones
•Required Current: 14mA@9V
•Power Supply: External DC 9 volt AC adapter(Center-negative)
Tuning mode: Needle mode - Strobe mode
True bypass switching provides the shortest, most direct signal path, as well as the cleanest tone.
Input is on the right side. Output is on the left side.
Required Current: 14mA@9V
Power Supply: External DC 9 volt AC adapter(Center-negative)
$ 179.99 $ 257.13
The Ibanez Tube Screamer, in its many versions and forms, can be found on pedal boards in every corner of the globe, on arena stages, in small studios, and bedrooms. Its warm overdrive is a sound many players, from advanced to beginner, could never do without.
Modeling and boutique pedal makers have copied the smooth and full tone of this pedal countless times. Now you can have Ibanez's faithful reissue at a price that doesn't break the bank. The reissue includes the JRC 4558D IC chip and analog circuitry, and features traditional overdrive, level, and tone controls.
•Overdrive, Tone and Level controls
•Required Current: 8mA@9V
•Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative)), Converter Cable included.
Overdrive, Tone and Level.
Input is on the right side. Output is on the left side.
Required Current: 8mA@9V
Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative)), Converter Cable included.
Made In Japan
$ 74.99 $ 114.27
For the guitarist who's looking to pack more onto to the pedal board, Ibanez offers the Tube Screamer Mini. Manufactured in Japan and measuring in at 1.375" wide and 3.5" long, the TSMINI has all the features that have made the TS808 a legend, including Overdrive, Tone and Level controls, analog circuitry and the legendary JRC4558 IC chip.
$ 199.00 $ 258.70
The Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use the Morning Glory. When you want to boost a crunchy tone into thicker sustain, use the Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use the Morning Glory. When you need to switch between two gain levels on the fly...Yeah, you get the idea.
The best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone, so just plug into our Morning Glory overdrive for yourself, and then you’ll understand.
- Gain control sweeps from completely clean to rock‘n’roll
- Tame high end on brighter rigs with the side-mounted bright-cut switch
- Increased headroom and output for use as a full-frequency boost
An update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.
- Switch to a more powerful sound with enhanced low end and grit
- Plug in your JHS Red Remote to switch between the two voices with a tap of your toe
- Handy LED changes from blue to red, indicating the status of the boost circuit
V1 = Bigger white enclosure with black knobs; no bright-cut switch; no logo.
V2 = Changed to smaller current enclosure; gold powder coat color.
V3 = Bright-cut toggle added.
V4 = Two times more headroom; Gain Toggle added; Red Remote system added.
$ 130.00 $ 170.00
The JHS Pedals Active A/B/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly.
Just plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal. Once hooked up, use the left footswitch to select between A and B channels. When the LED is red, the A channel is engaged. When the LED is green, the B channel is engaged. Hit the right “Y” footswitch to engage BOTH channels for full stereo output. Because the Active A/B/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum.
The Active A/B/Y has a high impedance buffered input. The outputs are isolated from each other to eliminate ground loops. The transformer isolated output, the A channel (red LED), has a signal polarity reversal switch that can be used in cases where there is signal cancellation. When the side switch is pushed in, the polarity is inverted. The signal polarity reversal switch only applies to the A channel (red LED).
With an output transformer, FET transistors for completely silent switching, the capability to use one or both outputs simultaneously, the JHS Pedals Active A/B/Y will be the one pedal that you can never leave home without!
$ 65.00 $ 86.00
There are two types of players, those that utilize an A/B box like our Mini A/B here, and those that don’t know what they’re missing. Add one to your pedalboard, and you’ll find the Mini A/B is full of indispensable benefits on the gig, in the studio, or even at home. At its core, the simple footswitch design selects between a pair of ¼” jacks on the left side of the unit. Hook one up and you’ll instantly be switching between amps, quickly swapping guitars between songs, using it to isolate your tuner from your signal, killing your stage sound as a mute, and more. And with its adorably tiny footprint, the Mini A/B will fit on even the most cramped pedalboards.
How many ways you utilize the JHS Mini A/B is only limited by your necessity. While it may not be a modulation pedal or fuzz (don’t worry, we have those for you too: Mini Foot Fuzz, Emperor), you’ll be hard pressed to find a pedal you step on more than this little gem.
- Instantly swap between two instruments
- Perfect for switching tones on dual-amplifier rigs
- Isolate your tuner from the signal chain, while achieving silent onstage tuning
- Leave output unplugged for a convenient mute function
Like its name suggests, the Mini A/B is a bite-sized wonder. We can achieve that because of its passive design, which also means it won’t cause any tonal loss. However, we did choose to include a bright LED indicator, letting you know which jack is selected. Don’t need that light? Just unplug the power cable. The Mini A/B will still work just fine.
- Small size is ideal for saving pedalboard space
- LED indicator tells you which ¼” you have selected
- Can run perfectly without power
- Built rugged
$ 45.00
Use our new Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote equipped pedal with any 1/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting. The Red Remote is currently compatible with the following JHS Pedals:
When using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch. For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's "GAIN" toggle will be deactivated and the Red Remote will switch the toggle on/off as you step on the footswitch.
To use the Red Remote, plug the remote into the jack of the pedal labeled "REMOTE..." ...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into.