$ 85.00 $ 185.00
A newly redesigned rotary speaker simulator with tons of style and unbelievable tone.
The Soul Vibe, winner of the Guitar World Platinum Award, is back with a new look that really suits the "vibe" of this delicious pedal. Countless guitarists claim that Soul Vibe is the most convincing of analog rotary simulators, delivering on that Leslie experience complete with slight pitch changes as the horn comes and goes. Now Soul Vibe looks as sweet as it sounds. Check out that delicious root beer metallic finish, inspired by the warm, wood finished cabinet of a Leslie. Cr¨me brownface amp knobs are the perfect complement, adding to the visual warmth, while the matching cr¨me logo script puts this gorgeous new Soul Vibe in a class all its own. Just imagine plugging into this pedal and doing your best Gilmour or Trower licks. Yeah, we thought you'd like that.
What hasn't changed is the Soul Vibe's commitment to an authentic rotary experience with the convenience, reliability and durability you've come to expect from BBE, including 1% metal-film resistors and true hardwire bypass. If rotary is your vibe, get a Soul Vibe and discover that heaven is still in heavy rotation.
This is a USED item being sold in "Excellent" condition.
Recreates three of the most sought-after classic guitar amps, with three gain modes and three mic placements for a total of 27 possible configurations.
You get a truckload of great amps in one convenient stomp box, allowing you to go from clean or crunch to super-fat distortion in a flash.
Operation is simple; just choose the type of amp, from the smooth Calif (Californian), the bright, punchy TWED (Tweed), or the BRIT (British) with its incredible sustain and aggressive mids. Then select the gain mode, CLN (clean), HOT or HI G (high gain). Lastly, choose the mic placement from the three available selections. This feature is a BEHRINGER exclusive, allowing you to place the œvirtual mic in any of three positions:
(OFF X)”At the edge of the speaker cone, producing a smoother, softer sound with less midrange content
(CNTR)”Positioned at the center of the cone, for more upper mids and beefy low-end
(CLSIC)”Slightly in front of the cabinet, for high midrange content with tons of definition
We™ve also included a dedicated Drive control, for adjusting the amount of gain. This control effectively mimics the amount of push applied to the output stage of a tube amplifier, from a gentle nudge to full-out, tube-melting overdrive. Further tone shaping is provided by a highly musical 2-band EQ.
The GDI21 can be used for direct recording output, with speaker simulation or, when used in bypass mode, as a superb active DI box. A 1/4" output jack is provided for connecting to your amp and the gold-plated, balanced XLR connector will link you cleanly to the front of house console. Ground loop problems are nonexistent, thanks to the onboard ground lift switch.
Whether you use it on the stage or for recording, the GDI21 is the ultimate choice for musicians seeking an extremely versatile array of time-tested, classic tones. With the GDI21, you get the sound of three classic guitar amps and a superb DI box, all for the price of a single stomp box!
Create rich multilayered performances in real time!
With the Boss RC-20XL Loop Station loops and riffs can be stacked repeatedly until the entire massive 16 minutes of recording space is full. Never before has it been so easy to create a large one-person-band sound in real time. Save up to 11 loops at a time. Undo function makes it easy to create perfect loops. Built-in auto quantize for simple and accurate loop timing. Change loop tempo without changing pitch. Footswitchable loop select with optional FS-6 footswitch. (See accessory box on this page.)
$ 149.99 $ 449.99
Digitech's Integrated Effects Switching System takes multi-effects to a whole new level.
The DigiTech RP1000 guitar pedal is loaded with over 160 effects and 200 presets giving you a splendid range of tones. With an integrated effects switching system, no longer will you have to do the pedal tap dance-just select your preset and your tone is engaged, just the way you like it. This DigiTech pedal comes with a built-in phrase looper with 20 seconds of record time. You can also route external effects pedals through it using the stompbox loop.
The Digitech RP1000 comes with an Amp/Cabinet bypass switch that allows you to turn off the RP1000's internal amplifiers and cabinets so your amp's tone stands alone.
Simplicity of a Guitar Pedal
Popular on the Digitech RP500, the RP1000 multi-effects pedal also features the pedal board Mode that turns footswitches 6 through 10 into stompbox-style effect on/off controls.
100 different pedal boards
When the Amp/Cabinet Bypass is used in conjunction with the pedal board mode, the RP1000 turns into 100 different pedal boards. You get instant access to both preset changes and stompbox on/off control-truly the best of both worlds.
The DigiTech RP1000 pedal is built like a tank from a cast-metal chassis to the 14 vacuum-style switches. A large 10 character LED display makes for easy stage use topped by a built-in expression pedal to control wahs, volume, whammy, and other parameters.
Your sound is king; the control of your sound is imperative. The RP1000 pedal gives you added control to express yourself the way you want-no longer will the lack of control stand in the way of your expression.
Choose from the extensive list of guitar effects including:
Compressor / Sustainers based on:
Boss CS-2Compressor / Sustainer
DigiTech Main Squeeze Compressor
Wah / Volume based on:
Dunlop Cry Baby Wah
DigiTech Full Range Wah
Vox Clyde McCoy Wah
Distortions and Overdrives based on:
SCREAMER (Ibanez TS-9)
TS 808 (Ibanez TS-808 Tube Screamer)
SPARKDRIVE (Voodoo Lab Sparkle Drive)
OD OVERDRIVE (Guyatone Overdrive OD-2)
DOD 250 (DOD 250 Overdrive/Preamp)
RODENT (Pro Co RAT)
MX DISTORTION (MXR Distortion +)
DS (Boss DS-1 Distortion)
GRUNGE (DigiTech Grunge)
ZONE (Boss MT-2 Metal Zone)
DigiTech Death Metal
GONKULATOR (DOD Gonkulator Ring Modulator)
8TAVIA (Roger Mayer Octavia)
FUZZLATOR (Demeter Fuzzulator)
CLASSIC FUZZ (DOD Classic Fuzz)
FUZZY FACE (Arbiter Fuzz Face)
BIG PI (Electro-Harmonix Big Muff Pi)
DigiTech Redline Overdrive
Amplifiers and Acoustics:
57 CHAMP ('57 Fender Tweed Champ)
57 DELUXE ('57 Fender Tweed Deluxe)
59 BASSMAN ('59 Fender Tweed Bassman)
62 BROWN BASSMAN ('62 Fender Brownface Bassman)
65 TWIN REVERB ('65 Fender Blackface Twin Reverb)
65 REVERB ('65 Fender Blackface Deluxe Reverb)
65 JTM-45 ('65 Marshall JTM-45)
68 SUPER LEAD PLEXI ('68 Marshall 100 Watt Super Lead (plexi)
68 JUMP PANEL ('68 Marshall Jump Panel)
77 MASTER VOLUME ('77 Marshall Master Volume)
83 JCM800 ('83 Marshall JCM800)
93 JCM900 ('93 Marshall JCM900)
01 JCM2000 ('01 Marshall JCM2000 (Solo Channel)
62 AC15 ('62 Vox AC15)
63 AC30 TOP BOOST ('63 Vox AC30 Top Boost)
69 HIGH WATTAGE ('69 Hiwatt Custom 100 DR103)
81 MARK IIC ('81 Mesa Boogie Mark II C)
01 DUAL RECTIFIED ('01 Mesa Boogie Dual Rectifier)
99 LEGACY VL-100 (Carvin Legacy VL-100)
96 MATCH HC-30 ('96 MatchlessTM HC30)
88 SLO-100 ('88 Soldano SLO-100)
Peavey 5150 II
DigiTech Bright Clean
DigiTech 2101 Clean Tube
DigiTech High Gain
DigiTech MONSTER - Maxed-out gain
DigiTech "TWEEDFACE"-Tweed preamp w/Blackface poweramp
DigiTech "65 Blackface Bassman"-'65 Blackface preamp w/ Bassman poweramp
DigiTech STONERROCK-Thick, sludgy distorted amp tone
DigiTech DARKMETAL-Responsive, tight metal tone
DigiTech TRANSISTOR-Solid state transistor amp sound
DigiTech BROWNSOUND-Hot rodded 80's stack tone
DigiTech MOSH-Chunky metal tone with just the right amount of sizzle
2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
DIRECT No amp model
CHAMP 1X8 (1x8 '57 Fender Tweed Champ)
DELUXE 1X12 (1x12 '57 Fender Tweed Deluxe)
DELUXE REVERB 1X12 (1x12 '65 Fender Blackface Deluxe Reverb)
BRITISH 1X12 (1x12 '62 Vox AC15 w/20W Vox Speaker)
BLONDE 2X12 (2x12 '57 Fender Blonde Bassman)
TWIN 2X12 (2x12 '65 Fender Blackface Twin Reverb)
BRITISH 2X12 (2x12 '63 Vox AC0 Top Boost w/ Jensen Blue Backs)
BASSMAN 4X10 (4x10 '59 Fender Tweed Bassman )
BRITISH 4X12 (4x12 Marshall 1969 Straight w/ Celestion G12-T70)
GREENBACK 4X12 (4x12 Marshall 1969 Slant w/ Celestion 25W Green backs)
FANE 4X12 (4x12 Hiwatt Custom w/ Fane Speakers)
BOUTIQUE 4X12 (4x12 '96 VHT Slant w/ Celestion Vintage 30's)
VINTAGE 4X12 (4x12 Johnson Straight w/ Celestion Vintage 30's)
4X12 4x12 DigiTech Solo
2X12 2x12 DigiTech Bright
4X12 4x12 DigiTech Metal
4X12 4x12 DigiTech Rock
4X12 4x12 DigiTech Alt Rock
4X12 4x12 DigiTech Vintage
4x12 DigiTech Chunk
4x12 DigiTech Spank
4x12 DigiTech Speaker Compensation
DIRECT No cabinet model
Chorus Stompbox Models based on:
Boss CE-2 Chorus
DigiTech Dual Chorus
TC Electronics Chorus
DigiTech GLISTENING Chorus
Flanger Models based on:
DigiTech Triggered Flanger
Electro Harmonix Electric Mistress
Phaser Models based on:
MXR Phase 100
Electro Harmonix Small Stone
Pitch Models based on:
DigiTech Pitch Shift
Boss OC-2 Octaver
Vibrato / Rotary Models based on:
DigiTech Vibro / Pan
Tremolo Models based on:
Fender Opto Tremolo
Vox Bias Tremolo
DigiTech Scattertrem-Dual tremolo effect
Envelope / Special Models based on:
DOD FX25 Envelope Filter
DigiTech Auto Yah
DigiTech Synth Talk
DigiTech Step Filter
DigiTech Sample & Hold
DM Analog Delay - based on Boss DM2 Analog Delay
Echo Plex - based on Maestro EP-1 Tube Echoplex
Reverbs based on:
EMT Plate - based on EMT 240 Plate Reverb
Spring - based on Fender Twin Reverb
*Other product names modeled in the DigiTech RP1000 are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. Ibanez Tube Screamer, Voodoo Labs Sparkle Drive, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, Roger Mayer Octavia, Demeter Fuzzulator, Arbiter Fuzz Face, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, MXR DynaComp, TC Electronic, EH Electric Mistress, EH Small Stone, Boss Octaver, Unicord Univibe, Fender Opto Tremolo, Vox Bias Tremolo, Maestro Echoplex, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Fender Blackface, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Soldano, Jensen Blue Backs, Celestion, Johnson Amplification and VHT Amplification are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product.
The low-frequency power to move heaven and earth.
The EBS OctaBass is a first-class, all-analog octave divider. It creates a single note one octave below the pitch of the note you play, even recognizing two- or three-note chords. The incredibly fast tracking circuitry lets you play at the speed you want, not at the speed the divider will allow. It has Normal and Octave level knobs as well as a switch that lets you select from three modes: High (synth), Mid (classic divider), and Low (sub-shaking lows).
OctaBass Triple Mode Octave Divider Pedal
Henretta Engineering is the creation of long-time gigging guitar player and tinkerer, Kevin Henretta. In 2009, armed with a formal background in hard sciences and years of industrial experience as a design engineer, Kevin set out to make a distortion pedal that gave him warm sustained saturation without sacrificing attack and feel. That resulted in the Choad Blaster (also named Chord Blaster), which has gain recognition for its unique sound, responsiveness, and versatility. The following year, Kevin attempted what seemed like an impossible task at the time and ultimately created the Orange Whip compressor, a hand-made, all-analog compressor circuit housed in the tiny 2” x 2” boxes players had been using for auxiliary tap tempo switches. This started a line of small no-knob pedals and initiated a set-and-forget utilitarian design philosophy that addresses the worry of complicated pedal board setup, removes the distraction of obsessive on-the-fly adjustments, and refocuses players’ attention onto the instrument - the guitar. Currently in 2015, Henretta Engineering is still developing its line of no-knob pedals while also releasing the occasional “traditional” pedal that still embodies the simplicity and utility for which the brand has become known.
This is a very gently USED item being sold 'as is' in "Excellent" condition.
POD® HD represents a giant leap forward for amp modeling. It is the only desktop multi-effect to boast 16 state-of-the-art Line 6 HD amp models, 100+ modern and vintage-styled M-class effects, and a collection of essential digital and analog ins and outs. POD HD is the most up to date version of the original, time-tested lineage of Line 6 desktop direct-recording devices.
Creating these new HD amp models was no small feat. We mixed 15 years of amp modeling experience with 2 years of new research and development to build an entirely new amp modeling technology from the ground up. During that time, we hunted down 16 incredible amplifiers and — with the help of some of LA's top tube amp experts — restored each one back to peak condition. The new modeling technology uses 10 times more amplifier information than before, including single-ended class A tube stages, class AB push/pull interactions, power supply behavior, and more. The result is exceptional warmth, feel, sustain and articulation for your recordings.
Tube amp fanatics have long enthused that their favorite stacks and combos aren't merely "amps" but instruments themselves, with playability equal to that of the guitar plugged into them. New HD modeling takes the POD HD experience to that same exalted level, capturing the genuine playability that great guitarists demand – with nothing to mic up or isolate.
The engineers behind POD HD made it easy to access its deep programmability. POD HD was designed by guitarists for guitarists. Plug in and record on the fly – spend time
playing rather than programming. Edit and organize all your sounds via computer with the included editor/librarian software. (Mac®/PC) POD HD connects to just about anything and everything in your studio with its stereo balanced outs, USB 2.0, S/PDIF out, 1/4-inch input and XLR input.
What you need – where you need it POD HD goes on your left, on your right, or sits in your lap. The desktop design allows you to integrate it into your studio your way. Also, POD HD easily fits in your gig bag or back pack, making your studio as mobile as you are. The easy-to-read display and real knobs assure you of complete control in the fastest possible time. No pointing and clicking, no stopping what you’re doing to walk to a rack of gear.
The Line 6 POD XT Live Pedal is the POD XT in footcontroller form. With its rugged steel construction, 11-channel select and effect on/off footswitches, and a built-in wah/volume/tweak pedal, POD XT Live puts the power of the POD at your feet for onstage use. Included are 84 pro-quality stompbox and studio effects, 36 amp models, plus 24 cab, and 4 mic models--all built from the award-winning technology found in the Vetta II amp and storable to 128 programmable channels. Unlike the other members of the POD family, POD XT Live guitar pedal also features a Variax digital input so you can call up a fully customized guitar, amp, or effects setup ” all by stepping on a single footswitch. USB digital I/O combined with Line 6 Edit software allows computer-based tone editing and direct digital recording.
This is a USED item being sold in 'Very Good' condition. Includes bag and AC adapter.
Compressore is no mere stomp box”it's a state-of-the-art compression tool.
Markbass Compressore is a high-quality tube compressor pedal that features all the individual controls normally found on professional studio outboard compressors: gain, threshold, ratio, attack, release and volume. Not only designed for bass, this Markbass pedal can also be used with guitars or any acoustic or electric instruments, in either live or studio applications, thanks to its state-of-the-art component quality. The bass pedal's ECC 81 tube compresses your signal, evening out the sharp peaks of your playing in a natural, transparent way. At the same time, it also adds warmth and harmonics to your sound. Like all Markbass pedals, this one features "true bypass." So when the compressor is off, your signal goes directly from the input jack to the output jack without any degradation of audio quality.
While some compressor pedals offer individual control of nearly all compression parameters, the controls on most comp boxes adjust two simultaneously, and some only have a single "compression" knob. The Markbass Compressore features all the individual controls you would normally find on professional studio outboard compressors.
Compressore Tube Bass Compressor Pedal
$ 75.00 $ 124.99
The driving guitar force behind Creed helped design the Morley Mark Tremonti Wah -- the most advanced, hottest wah around. No switch, just step on it to engage the wah and step off to disengage. Boost knob adds 20dB of wah boost and the tone is a perfect hybrid of classic and contemporary wah voices. Electro-optical design means there are no pots to wear out. Clear-Tone buffer circuit, diamond plate footpad, and LED indicator. Works great with bass guitar. Includes 2-year warranty.
$ 69.99 $ 114.99
Developed from the ground up using carefully selected components, the Distortion III pedal delivers everything from sweet singing overdrive to massive distortion crunch! It's natural and amp-like distortion is versatile enough to appeal to any playing style and transparent enough to let your guitar's personality shine through. Like all MXR pedals, the Distortion III features a heavy-duty casing, switch and jacks for a lifetime of use.
The initials MXR are synonymous with the effects pedal innovations that have shaped the tone of modern electric guitar. Since the 1970's, MXR has produced some of the best stomp boxes available; now comes the inspired MXR Distortion III. Starting with its proprietary circuit design that delivers rich harmonic content, the D-III carries on the MXR tradition of tough, rugged and tonally tasty stomp boxes. With its die cast chassis, robust stomp switch and carefully selected components the D-III guitar effects pedal is truly a modern day classic.
$ 79.99 $ 142.99
This compact but powerful MXR guitar pedal is all you need to unleash the most devastating contemporary metal guitar tones ever heard. The FullBore distortion pedal turbocharges your guitar signal with lethal amounts of ultrahigh gain. This is combined with a built-in Noise Gate to knock out the noise associated with extreme gain levels while also adding definition and tightness to syncopated metal riffs.
The effect pedal's extensive EQ controls, with Bass, Mid, sweepable Mid-Freq and Treble knobs let you sculpt your tone with fiendish precision. The additional Scoop switch provides an instant high and low frequency boost that'll rumble the room while also adding clarity. Available from MXR, the world leader in analog pedal technology.
M116 Fullbore Metal Distortion Guitar Effects Pedal
This is a USED item being sold in "Very Good/Excellent" condition.
$ 149.99 $ 159.99
The MXR Carbon Copy Analog Delay Pedal features a completely analog audio path for the ultimate in rich, warm delay--made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)--all in a pedal no bigger than a Phase 90. In addition, the M169 pedal has two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy effect pedal will take you from crisp "bathroom" slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hard-wire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.
This is a USED item being sold in "Very Good/Excellent" condition.
$ 179.99 $ 269.99
The original Ditto Looper rocked guitarists with a lust for looping like nothing else. Finally something that was simple, made for guitarists and sounded great. What would possibly be better? Well, how about all of that, plus new, next level looping features forged from pure awesome?
Guitarists love Ditto Looper like nothing else. Its ultra simple design and guitar-centric features like true-bypass, analog dry-through, high quality audio, as well as 5 minutes of looping time and unlimited overdubs resonated with guitarists around the world. So why mess with what we nailed the first time?
Let ya in on a little secret? We love effects. But to us they need to make sense, and the resurgence of loopers fueled by Ditto Looper had more and more guitarists scream: loop-laden effects please! Ditto Looper X2 allows you to play loops in reverse, half-speed or both at the same time. Which, as you might imagine, can make for a subtle performance or a jaw dropping show that makes the audience stop dead in their tracks.
Your loops are a reflection of you. So, to have them trapped in a tiny box just doesn't make any sense. Now, you are free to export your loops and work with them in a DAW of your choice, or you can import loops and even backing tracks to and take them to gigs. Small sentence, HUGE advantage for gigging musicians!
This is a USED item being sold in "Excellent" condition.
$ 65.00 $ 129.00
This TC Electronic Vortex Flanger Guitar Effects Pedal will take you from a classic flange sound to a 747 taking off! Vortex Flanger allows you to toggle between a classic flange or a through zero tape-flange plus a custom TonePrint of your choice, while the Speed, Depth, Feedback and Delay-Time controls give you a creative and expansive palette of tonal options.
Vortex Flanger is built with guitarists in mind; so it features a small footprint, easy-access battery hatch and is built with the highest-grade components. Vortex Flanger has a true bypass design, and features analog-dry-through.
This pedal ranges from a brain twisting through-zero-flange tape echo over more contemporary sounds to an all-out flange-war, which ensures you will always be able to find the appropriate flange for the job at hand. Vortex Flanger's through-zero option also gives you the ability to get both a negative and a positive effect to your flange sounds, while the other options allow you to go from a classic tube-type flanger to a more soft sounding tape flanger. The knobs allow you to set the speed of the modulation, but also the depth and the intensity, giving you a set of well-rounded controls. You are also able to set the delay time, which is they key to finetuning the effect, no matter if you're going for subtle flanging or more extreme jet flanging sounds. Finally, the Feedback knob allows you to feed the modulated signal back into the pedal, which basically gives you more of everything that's so cool about flanging.
But there is more to Vortex Flanger than meets the eye. It's called TonePrint. Via a simple USB-connection, TonePrint allows you to download custom tunings made by your favorite guitarists straight into your pedal, easy, free and fast. A vast and ever-expanding roster of the finest guitarists alive are working to give you their custom TonePrint settings.
“The Ace Thirty has been a labour of love for us all here at Wampler Pedals; in particular Brian who has been working on this for around 3 years. Although other pedals have been released in that time, this is the one he always came back to, always the one that has been in the back of his mind. As with other pedals in the Heritage range, the Ace Thirty is a total tone shaper, not just a voiced overdrive. Whether running at fully clean or completely overdriven, the tones are a very faithful replication of the amps that inspired it, VOX. With the included Class A pre gain booster, the Ace Thirty will cover the full range of the world famous tones people love and expect.”
The pedal has a volume, gain, bass, treble, top cut and boost level controls (with separate stomp activation) as well as a gain switch to replicate the differing overdrive patterns of the AC30 and AC15.
This is a USED item being sold in "Like New" condition.