$ 129.00 $ 199.00
THE WORLD’S FIRST POLYPHONIC OCTAVE PEDAL.
The BOSS OC-3 Super Octave gives guitarists high-quality octave effects with a single stomp. Three modes are provided, including a new Polyphonic Octave mode, a Drive mode with distortion, and the original OC-2 mode. The versatile OC-3 also has separate inputs for both guitar and bass.
World’s first compact pedal with true Polyphonic Octave effects
New Drive mode adds distortion to octave notes for a fatter, more aggressive tone
Includes the original OC-2 mode, capable of producing notes one and two octaves down
Poly Octave effect adjustable to play within a specific note range
Bass input for adapting octave sound to bass guitars
BOSS five-year limited warranty
All-New Octave Effects
The OC-3 picks up where the best-selling OC-2 left off, giving guitarists two brand new octave effects. Using the Polyphonic Octave mode, octaves can now be added when playing chords-a first in a compact pedal. More aggressive sounds can be had using the new Drive mode, which adds a touch of distortion to the octave sounds.
If You Loved the OC-2...
Don't worry. BOSS knows how much guitarists depend on the original OC-2 sound. That's why the OC-3 includes that classic “dual octave” effect, but with even better stability. This gives you the ability to blend up to three individual sounds: the original note, a note one octave below and one that's two octaves below.
Bass Players Welcome
The OC-3 isn't just for guitar, it's also for bass. By connecting a bass guitar to the dedicated Bass input, the OC-3 automatically optimizes itself to suit the range of a bass guitar. Now bass players can upgrade to the ultra-stable octave sounds of the OC-3.
The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Proprietary Trans Linear Control (TLC) circuit enables Aguilar to achieve unprecedented levels of performance in a small package.
The TLC Compressor features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you'll be able to dial in just the right sound. Aguilar's TLC Compressor gives you a range of control usually found only in expensive studio compressors.
$ 199.99 $ 229.99This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer® features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage.
Sold Out $ 614.99
Wireless guitar system with pedal-style receiver.
Audio-Technica's System 10 Stompbox digital high-fidelity guitar wireless system combines the advanced 24-bit operation, easy setup and clear, natural sound quality of other System 10 configurations with unique functionality for guitarists, bassists and other instrumentalists. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 Stompbox offers a rugged, metal, pedal board-mountable receiver with foot switch, two switched TRS balanced 1/4" outputs and an output mode selector. With the tap of a foot, musicians can toggle between outputs (e.g., for switching amps) or mute and unmute one output without muting the other (e.g., for convenient tuning). And a single receiver can be paired with up to eight UniPak body-pack transmitters, allowing users to easily switch between instruments without having to move a body-pack from one instrument to the next.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
Each Stompbox system includes an ATW-R1500 Stompbox receiver, an ATW-T1001 UniPak body-pack transmitter with an AT-GcW guitar cable, and hook & loop strips for adding receiver to an effects pedal board. The ATW-R1500 is a digital receiver with sturdy, metal-body construction, easy-to-read digital ID and transmitter battery level displays, and AF Peak and Pair indicator lights.
ATW-1501 System 10 Stompbox Digital Wireless Guitar System
The 427 is the modern muscle car of distortion pedals, with a big, meaty tone that's ready to kick ass. Another Paul Gagon creation, 427 builds on his experience crafting pedals for the gods of rock, but this one's got a distinctly American voice.
427 fires up with a potent variation of Gagon's proven LED-based distortion circuit as used in the BBE Blacksmith, with the power flowing to a sweepable EQ (CSEQ) section inspired by an early '70s Big Muff Pi and optimized for maximum flexibility.
On a mission to raise hell on rock-and-roll streets from New York to L.A., 427 delivers more raw power than yesteryear's muscle with better handling. With a beefy mil-spec circuit board sporting big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, 427 is engineered to be deliver rock-solid performance and never leave you stranded. And when you aren't in the mood to lay down serious rubber, 427's true hardwire bypass lets your tone slip by without so much as angry glance from the tone police.