$ 169.00 $ 249.00
A FATTER, FUNKIER PEDAL FOR BASSISTS
The BOSS SYB-3 was the world’s first bass synthesizer to be packed into a compact pedal, and it found favor with experimentalists and tone aficionados alike. Today, the next-generation bass-synth pedal has arrived: the SYB-5. Utilizing the latest in DSP technology, the SYB-5 faithfully reproduces the classic sound characteristics of analog synthesizers with enhanced punch and power.
11 DSP variations of saw, square, and pulse synth waves
Enhanced Wave Shape mode provides sharper sounds
Hold notes with the onboard pedal and jam over the top
Control filter cutoff and LFO rate via EV-5 Expression Pedal (sold separately)
BOSS five-year warranty
Enhanced Sound With the Latest DSP
All of the 11 internal synth sounds have been markedly refined and enhanced to produce a fatter, more cutting sound than ever. The sounds are built on variations of three oscillator Waves (Saw, Square, Pulse) and filters that modulate according to the envelope and LFO changes you apply. You won’t believe how much synth-bass beef can come from such a small pedal.
Enhanced Playability Via External Control
An external pedal input jack has been added to the SYB-5 for connecting an EV-5 Expression Pedal (sold separately), which allows you to control filter cutoff and LFO rate in real time with your foot. In Modes 1−9 you can use the SYB-5’s onboard pedal to hold a note while playing a bass phrase over it. Time for a bass solo? You bet!
The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Proprietary Trans Linear Control (TLC) circuit enables Aguilar to achieve unprecedented levels of performance in a small package.
The TLC Compressor features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you'll be able to dial in just the right sound. Aguilar's TLC Compressor gives you a range of control usually found only in expensive studio compressors.
$ 199.99 $ 229.99This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer® features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage.
The 427 is the modern muscle car of distortion pedals, with a big, meaty tone that's ready to kick ass. Another Paul Gagon creation, 427 builds on his experience crafting pedals for the gods of rock, but this one's got a distinctly American voice.
427 fires up with a potent variation of Gagon's proven LED-based distortion circuit as used in the BBE Blacksmith, with the power flowing to a sweepable EQ (CSEQ) section inspired by an early '70s Big Muff Pi and optimized for maximum flexibility.
On a mission to raise hell on rock-and-roll streets from New York to L.A., 427 delivers more raw power than yesteryear's muscle with better handling. With a beefy mil-spec circuit board sporting big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, 427 is engineered to be deliver rock-solid performance and never leave you stranded. And when you aren't in the mood to lay down serious rubber, 427's true hardwire bypass lets your tone slip by without so much as angry glance from the tone police.
$ 119.99 $ 169.00
The BBE Free Fuzz effects pedal works for guitar and bass and was patterned after a rare and sought-after silicon transistor fuzz pedal made famous by players like Jimi Hendrix in the late '60s. The BBE effects pedal provides a wide range of creamy, dynamic fuzz effects with an almost endless amount of sustain for soloing and chunky rhythms.
Free Fuzz Effects Pedal