dbx RTA-M Reference Microphone for DriveRack PA
$ 99.99
Requires phantom power.
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ADJ Startec Series Boombox FX1 Effects Light
$ 299.99 $ 399.99
Put some ‘BOOM’ into your lightshow! Create pure lighting excitement for any event with the 4-FX-IN-1 Boom Box FX1. Cover the room in light from the unique party dome or classic Derby effect, wash the dance floor in colors and mesmerize the crowd with the Galaxian style red and green laser!
The Boom Box FX1, part of the Startec Series, create’s an event to remember! With 4 different lighting effects in one from 9 built-in lightshows and 63 preset color combinations you have hours of fun built into one lighting fixture.
ADJ Boom Box FX1 Effect Light Features
- 9 Exciting built-in shows
- Produces 63 Preset Color Combinations
- Stand Alone or Master/Slave Set Up
- Linkable via 3-pin XLR cable
- 4-button DMX display on rear panel
- Strobe and Chase LED Effect
- DMX-512 Protocol
- NO Duty Cycles! - Run all night!
- IEC AC IN/OUT on rear to daisy chain power (8 Fixtures Max. @ 120V and 16 Fixtures Max. @230V)
- Safety Loop on rear panel
- UC IR Remote Control (Sold Separately) & Airstream IR Compatible
- Long life LEDs (Rated at approximately 50,000 hours)
- Light Source: Dome: 6 x 3W LEDs (1 Red, 1 Green, 1 Blue, 1 White, 1 Amber, & 1 UV); Wash: 8 x 1W LEDs (2 Red, 2 Green, 2 Blue, & 2 Amber); Derby Effect: 2 x 10W Quad LEDs (RGBW) + Red & Green Laser
ADJ Boom Box FX1 Effect Light Specifications
- High Output 4-FX-IN-1: One Dome effect, one Derby effect, one Strobe/Chase and one green & red Laser effect
- 2 DMX Channel Modes: 3 Channels and 22 DMX Channels
- 3 Operation modes: Sound Active, Show Mode or DMX Controllable
- Power Draw: 66W Max (Full On)
- Multi Voltage: 100V-240V, 50/60Hz
- Dimensions (LxWxH): 9.5 x 25 x 12.5 inches (239x634x319mm)
- Weight: 14.2 lbs. / 6.5kg.
AKG C520 Headworn Vocal Microphone
$ 219.99 $ 279.99
Headset condenser microphone with maximum dynamic range for perfect vocal sound. Its cardioid polar pattern effectively rejects unwanted ambient noise. An ideal choice for frontmen, singing keyboardists, drummers, guitarists, and dancers. The microphone arm mounts either on the left or right side of the headband as desired. The C 520 provides the perfect solution for any performer needing a handsfree microphone.
A transducer shock mount reduces handling noise to a minimum. The moisture shield prevents perspiration from penetrating into the transducer element, ensuring a high degree of humidity protection for the microphone.
Requires phantom power.
Consumer Alert:
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCCs wireless microphone website at: www.fcc.gov/cgb/wirelessmicrophones.
- Head-worn microphone with continuously adjustable behind-the-neck headband
- External shock mount for high mechanical-noise rejection
- Miniature gooseneck for precise positioning near the user's mouth
- Microphone arm provides choice of left or right-hand use
- Phantom powered
If you're an energetic performer, a headworn condenser is the way to go.
C 520 Headworn Condenser Microphone
- Polar pattern: cardioid
- Frequency response: 60-20 kHz
- Sensitivity: 5 mV/Pa (46 db)
- Maximum sound pressure level: 130/132 dB SPL, (for 1%/3% THD)
- Equivalent noise level: 31 dB-A
- Signal/noise ratio (A-weighted): 63 dB
- Impedance: <=200 ohms
- Recommended load impedence: >=2000 ohms
- Power requirement: 9 to 52 V phantom power to DIN 45596
- Current consumption: approx. 2 mA
- Connector: 3-pin XLR
- Cable length: 10 ft. (3 m)
- Finish: matte black
- Dimensions (length x diameter): 7.7" x 5.3" (microphone only), 179.1 mm x 51 mm (microphone only)
- Net weight: 0.9 oz, (26 g)
- Standard accessories: W44 windscreen
AKG C7 Reference Condenser Vocal Microphone
$ 249.99
The C7 Reference Condenser Vocal Microphone from AKG is a handheld condenser microphone that delivers premium studio-quality sound with hassle-free operation. It can be used to capture lead and background vocals with clarity and sparkling high end in applications for live stage, theater, rehearsals, and more.
Powered with 48V phantom power, the C7 allows lead and background vocals to shine through. Featuring specially engineered circuitry and custom-designed components, the C7 prevents feedback, handling noise, and pop noise from interfering with your performance. No matter where you're performing, this microphone delivers premium, worry-free vocal reproduction so you can focus on what really matters.
- Condenser Sound Quality
- The C7 microphone features a custom-tuned supercardioid condenser capsule with hand-selected components, so your voice is reproduced with pristine clarity and sparkling highs. The C7 also handles incredibly high sound pressure levels, for maximum fidelity during your loudest performances
- Open-Space Capsule Technology
- The C7 mic's innovative open-space capsule technology delivers a supercardioid pattern across the entire frequency spectrum that virtually eliminates on-stage feedback
- Proprietary Shock Absorber Suspension
- The C7 features a proprietary mechano-pneumatic shock absorber suspension that ensures handling noise won't clutter your sound. The capsule sits on top of a unique rubber, preventing vibrations from reaching the capsule
- Multi-Layer Pop Noise Protection System
- The C7 features a three-layer pop noise rejection system to protect your vocals from annoying plosives. This multi-layer system includes the proprietary mic grill, dense foam underneath the grill, and a mesh layer that encases the capsule
- Rugged Construction
- With extremely rugged zinc alloy construction and spring steel grill, the C7 stands up to the most demanding tour schedules. And its 24-karat gold-plated capsule protects the microphone against moisture and corrosion
AKG D112 Instrument Microphone
$ 199.00 $ 249.00
On stage or in the studio the AKG D 112 Kick Drum Mic is the microphone to use to clean up the dirty low down. Stays free of distortion even at high sound pressure levels. Solid and powerful response below 100Hz. Very low diaphragm resonance, relatively narrow-band rising high-frequency response at 4kHz, and extremely robust construction are other outstanding features. Also works great for bass cabs, trombone, and other low-frequency instruments.
Channel Strips of the Stars: Ronan Chris Murphy
World-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains:
"Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica; for kick drums, AKG D112s into A Designs Pacificas (189903). (I prefer the Shure Beta 52 (#270267) for kick but they (D112s) were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."
FEATURES
- Handles up to 168db SPL with no audible distortion
- Low diaphragm resonance
- Extremely robust construction
- 2-year parts and labor warranty
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