Digitech DOD Bifet Boost 410 Guitar Effects Pedal
$ 99.99 $ 149.99
The DOD Bifet Boost 410 (2014) has the tone and volume to boost your solos into orbit. New for the DOD Bifet Boost 410 (2014), is a selectable Buffer On/Off toggle switch. This switch gives the Bifet Boost the flexibility to be used anywhere in your FX chain. Use it first in the chain with the buffer off so that the buffer won't affect fuzz pedals, or put it last in the chain with the buffer on to counter the signal loss of today's larger packed pedal boards. True bypass allows your guitar tone to remain pristine even when the DOD 410 (2014) is off. This is a big difference from the original which would color your bypassed tone. The modern 9V DC power supply input make the pedal more pedal board friendly.
Based on original DOD Bifet Preamp 410 circuit design with updated components.
- Buffer On/Off switch
- True Bypass
- Crisp blue LED status indicator
- Modern 9V DC power supply input (can also run on 9V alkaline dry battery, sold separately)
- Lightweight aluminum chassis
- Input: 1 x ¼" instrument
- Output: 1 x ¼"
- Dimensions (LxWxH): 4.68" x 2.63"x 2.25"
- Weight: .62 lb.
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Aguilar TLC Compressor Compression Pedal
$ 269.00
The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Proprietary Trans Linear Control (TLC) circuit enables Aguilar to achieve unprecedented levels of performance in a small package.
The TLC Compressor features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you'll be able to dial in just the right sound. Aguilar's TLC Compressor gives you a range of control usually found only in expensive studio compressors.
- Threshold control: variable from -30 to -10 dBu
- Slope control: variable from 2:1 to infinity
- Attack control: variable from 10ms to 100ms
- Level control: -infinity to -3dBu
- Low Distortion: (<0.2 %)
- Gig-saver bypass (signal passes even if your battery dies)
- Power: Nine-volt battery or optional universal power supply
- Heavy Duty steel construction
- Battery life >100 hours
- Inputs: One 1/4" jack
- Outputs: One 1/4" jack
- Controls: Engage switch
- Warranty: Three-year limited
Aguilar Tone Hammer Preamp/Direct Box
$ 199.99 $ 229.99
This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer® features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage.To give this tone shaping unit the ultimate flexibility we are introducing our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure and EQ with the "stomp" of a button. You can now go from modern slap sounds to vintage or overdriven. 18 volt operation gives the Tone Hammer® plenty of headroom to reproduce the most dynamic playing style. Separate Gain and Master controls allow you to dial in just the right gain structure for any instrument.
The Tone Hammer® is the essential preamp/direct box for every bassist's tool box.
Audio-Technica ATW1501 System 10 Digital Stompbox System
Sold Out $ 614.99
Wireless guitar system with pedal-style receiver.
Audio-Technica's System 10 Stompbox digital high-fidelity guitar wireless system combines the advanced 24-bit operation, easy setup and clear, natural sound quality of other System 10 configurations with unique functionality for guitarists, bassists and other instrumentalists. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 Stompbox offers a rugged, metal, pedal board-mountable receiver with foot switch, two switched TRS balanced 1/4" outputs and an output mode selector. With the tap of a foot, musicians can toggle between outputs (e.g., for switching amps) or mute and unmute one output without muting the other (e.g., for convenient tuning). And a single receiver can be paired with up to eight UniPak body-pack transmitters, allowing users to easily switch between instruments without having to move a body-pack from one instrument to the next.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
Each Stompbox system includes an ATW-R1500 Stompbox receiver, an ATW-T1001 UniPak body-pack transmitter with an AT-GcW guitar cable, and hook & loop strips for adding receiver to an effects pedal board. The ATW-R1500 is a digital receiver with sturdy, metal-body construction, easy-to-read digital ID and transmitter battery level displays, and AF Peak and Pair indicator lights.
Consumer Alert:
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCCs wireless microphone website at: www.fcc.gov/cgb/wirelessmicrophones.
- Digital 24-bit/48 kHz wireless operation
- 2.4 GHz range - completely free from TV interference
- Three levels of diversity assurance: frequency, time, & space
- Two switched TRS balanced 1/4" output jacks
- Output mode selector and foot switch to toggle between outputs
- Multi-pairing function to link a single receiver with up to eight body-pack transmitters
- Transmitter battery level display on receiver
- Automatic frequency selection for seamless, interference-free operation
- Extremely easy operation with instantaneous channel selection, sync, and setup
- State-of-the-art digital receiver housed in a strong, metal, stompbox-style body
- Included hook & loop strips for adding receiver to effects pedal board
- Universal (center + or -) 9v-12v DC input
ATW-1501 System 10 Stompbox Digital Wireless Guitar System
- Operating Frequencies 2.4 GHz ISM band
- Dynamic Range >109 dB (A-weighted), typical
- Total Harmonic Distortion <0.05% typical
- Operating Range 18.3 m (60') radius, 36.6 m (120') diameter typical
- Open range environment with no interfering signals
- Operating Temperature Range 0 C to +40 C (32 F to 104 F)
- Battery performance may be reduced at very low temperatures
- Frequency Response 20 Hz to 20 kHz
- Depending on microphone type
RECEIVER SPECIFICATIONS
- Receiving System Diversity (frequency/time/space)
- Maximum Output Level 1/4" (6.3 mm), TRS balanced: +12 dBV
- Power Supply 100-240V AC (50/60 Hz) to 12V DC .5A (center positive) switched mode external power supply
- Dimensions 101 mm (3.98") W x 44 mm (1.73") H x 130 mm (5.12") D
- Net Weight 565 grams (19.9 oz)
- Accessories Included Power supply, hook & loop fastener x2
BODY-PACK TRANSMITTER SPECIFICATIONS
- RF Power Output 10 mW
- Spurious Emissions Following federal and national regulations
- Input Connections Four-pin Locking Connector
- Pin 1: GND
- Pin 2: INST INPUT
- Pin 3: MIC INPUT
- Pin 4: DC BIAS +9V
- Batteries Two 1.5V AA
- not included
- Battery Life >7 hours (alkaline)
- Depending on battery type and use pattern
- Dimensions 70.2 mm (2.76") W x 107.0 mm (4.21") H x 24.9 mm (0.98") D
- Net Weight 100 grams (3.5 oz)
- without batteries
- Accessory Included AT-GcW Guitar Input Cable
BBE 427 Distortion Guitar Effects Pedal
$ 115.99
The 427 is the modern muscle car of distortion pedals, with a big, meaty tone that's ready to kick ass. Another Paul Gagon creation, 427 builds on his experience crafting pedals for the gods of rock, but this one's got a distinctly American voice.
427 fires up with a potent variation of Gagon's proven LED-based distortion circuit as used in the BBE Blacksmith, with the power flowing to a sweepable EQ (CSEQ) section inspired by an early '70s Big Muff Pi and optimized for maximum flexibility.
On a mission to raise hell on rock-and-roll streets from New York to L.A., 427 delivers more raw power than yesteryear's muscle with better handling. With a beefy mil-spec circuit board sporting big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, 427 is engineered to be deliver rock-solid performance and never leave you stranded. And when you aren't in the mood to lay down serious rubber, 427's true hardwire bypass lets your tone slip by without so much as angry glance from the tone police.
FEATURES
- Gain, level and continuously-sweepable EQ tone control
- LED-based gain circuit for smooth, high-output distortion
- 1MEG Ohms input impedance for proper pickup loading
- 10kOhms output impedance when engaged
- 1% metal-film resistors for consistency
- High-voltage poly caps for better tone
- Military-spec circuit board for reliability
- Blue status LED for high visibility and low power consumption
- Easy access battery compartment
- True hardwire bypass
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