Before the outbreak of the first world war , gibson dominated the market with their mandolins . Their guitars such as the L-1 and L-3 were well established , but as the big orchestral jazz bands were gaining popularity ,
gibson introduced a finer grand concert size guitar model with the same timbers and old style design like the L1 and L3 called the gibson l4 .
Unlike the gibson L1 and L3 which had 19 frets, in 1912 the l-4 featured 20 frets, 16" wide body ,oval soundholes , "the gibson" logo on the peghead , fingerboards had an end piece that surpassed the soundhole very similar to their line of mandolins ,
elevated tortoise pickguards, tailpiece with black pins , dot inlays on fingerboards , maple back and sides , mahogany necks ,
and were made in black top finishes ( sunburst finishes available during the late teens and throughout the 20s) . Round soundholes in 1928 . ( 1rst pic 1920s l4 , 2nd pic 1933 l4 )
In 1920 right after orville gibson died in 1918 , a man named Lloyd Loar joined the gibson company and changed the history of archtop guitars by designing the infamous L-5 which featured f-holes like their mandolins (no round or oval soundholes ) .
The gibson l-5 laid the foundation for all archtop acoustic guitars and jazz guitars until today . ( Considered the most significant and historical archtop acoustic guitar in the world )
Because of the l-5s' popularity , in 1935 gibson added f-holes to their gibson L-4s' and natural finishes were available during the early 40s , crown pegheads were added in 1946 and double parallelograms inlays on the fingerboards were added in 1947 . ( see 3rd pic , picture courtesy of ebay )
The gibson l-4 guitars were discontinued in 1956 , they sounded great and were considered less expensive alternative guitars for the l-5 and more prestigious models than the l-1 and l-3.
This is a Nicolaus Amati Copy circa 1920 violin being sold with bow and case. The case appears to be original.
Niccolo Amati was a teacher of Stradavari. Born 1596, Died 1684. His violins are considered technically perfect, and are copied much. He started with a smaller model than Stradavari. Then Niccolo worked on a "Grand Model."
Nicolo (1596-1684), son of Hieronymus, grandson of Andrea, and nephew of Antonio, is considered the greatest instrument maker of the family. His instruments are much admired for their beautiful and penetrating, though not powerful, tone. Violins, violas, cellos, several three- string bass viols, and at least one pochette by his hand are known.
$ 495.99This 3/4 sized Pfretzsefzner Violin Outfit is previously owned and is in very good VINTAGE condition. It has a couple of scratches chips along the edges. There is no major or structural issues. Includes case and bow. Actual item pictured for your review, please see photos for condition.