This is a 1968 Kalamazoo KG1 made by Gibson in Kalamazoo, Michigan. This VINTAGE instrument is all original with the exception of the Bad Ass bridge.
Here is a little history on this particular model.
Kalamazoo was an American budget guitar brand, created by Gibson to market cheaper guitars than the fine instruments they were already making for professional musicians. This marque had been used by Gibson previously in the 1930s and 1940s, and was resurrected to cope with the massive demand for entry level guitars after the beat boom of 1964/1965. They were made in Kalamazoo, but not at the Parsons street facility (plant I), rather a newer building at 416 E. Ransom Street (plant II).
The KG guitar was a simple solid-body electric, using Gibson parts on a fibre-board body made by a manufacturer in Wisconsin. The parts used also appeared on other lower-end Gibson solid-bodies: the pickups were straight from the Gibson Melody Maker, the bridge and vibrola from the Melody Maker and the Gibson SG Special and Gibson SG Jr.
It was aimed at younger players; primary colours and surf styling - early models had a Fender Mustang shape (and were available in the same three colours of the Mustang, red, white and blue), although this changed to the SG style as the sixties wore on, and that shape became more fashionable. Despite the fibre-board body, the Kalamazoo guitars had a nice maple neck with rosewood fingerboard; bolted on (rather than set as was Gibson's norm), and the same electronic components as some more expensive Gibsons.
With Gibson quality and components, and a fair price, it is not surprising these guitars sold well; a total of 23994 KG guitars were shipped between 1965 and 1969, in three colours: Flame Red, Glacier White, Las Vegas Blue.
This is a Nicolaus Amati Copy circa 1920 violin being sold with bow and case. The case appears to be original.
Niccolo Amati was a teacher of Stradavari. Born 1596, Died 1684. His violins are considered technically perfect, and are copied much. He started with a smaller model than Stradavari. Then Niccolo worked on a "Grand Model."
Nicolo (1596-1684), son of Hieronymus, grandson of Andrea, and nephew of Antonio, is considered the greatest instrument maker of the family. His instruments are much admired for their beautiful and penetrating, though not powerful, tone. Violins, violas, cellos, several three- string bass viols, and at least one pochette by his hand are known.
In 1957 in an effort to bolster their stand up bass business Gibson purchased their arch rival the Epiphone Guitar Company and moved production to Kalamazoo, Michigan. Along with the sought after bass tooling Gibson acquired access to many storied models and a brand name with a history of quality and prestige. With plans to expand retail distribution by differentiating Epiphone dealers from Gibson dealers, Gibson began production of a new line of "Kalamazoo-made and designed" Epiphones in 1959.
For over a decade from 1959 through early 1970 Epiphone solid body guitars and basses were produced in limited numbers right along side some of the greatest Gibson's of all time. These Epiphone guitars represented some of the highest quality and best sounding instruments of their generation. They provided unique shapes, pickup arrangements, and tonal signatures not seen on comparable Gibson models of the day.
The Epiphone Olympic started out looking similar to a Les Paul Special Doublecut From 1960 until 1962. In 1963, Epiphone redesigned the Olympic to match its other solid body guitars such as the Coronet and Wilshire. The original Olympic body shape became the Olympic Special with slight modification to the lower horn, which was shortened and re-angled slightly.
The Olympic, Crestwood, Coronet and Wilshire guitars are often confused with the ET-Series, which were a Japanese-made amalgamation of the older Epiphone body shapes and designs.
This is a 1965 Epiphone Olympic Special being sold in "Excellent" condition. Includes non-original case.
This guitar is all original except the rear pickup was rewound with vintage style wire by our friends at Taylor Guitars. 1963 Fender Stratocaster. Hardshell case included.
Like 1962, very little changed about the Stratocaster for the production year of 1963. Sales were still extremely strong, and the Stratocaster continued to etch out its place as the one of the world's most popular and iconic instruments. Some very minor changes seen in 1963 include a subtle shift in the shape of the pickup selector switch and a change in the location of the pickguard screw above the front two pickups. Also, by 1963 the "veneer" style of Rosewood fingerboard had become standard.
Years of Production: 1954 - present
Unique to this Year: No more date markers on body. Veneer Rosewood fingerboard becomes standard.
Body Style: Offset solidbody
Wood Composition: Alder body, Maple neck with slab or veneer Rosewood fingerboard
Design Elements: Bolt-on neck, dot inlays, 3 single-coil pickups, 3-way pickup selector
Finish Specifications: Sunburst was a standard finish for the '63 Stratocaster
Notable Players: Buddy Holly, Bob Dylan, Stevie Ray Vaughn, Jimi Hendrix