$ 224.00 $ 312.00
12 in. Two-Way Stage Monitor Loudspeaker System
The JRX212 is a portable, twelve-inch, two-way speaker system designed specifically for live performance stage monitoring applications.
JBL 12 in low frequency driver with a 64 mm (2.5 in) diameter edgewound ribbon voice coil which provides more cross-sectional wire area in the voice coil gap than round wire designs, for greater efficiency and power handling.
JBL 2414H-C 25 mm (1 in) polymer diaphragm compression driver improves high frequency performance as well as system reliability.
The advanced network topology crossover design shapes frequency response and delivers "coherent summation" in the crossover region.
High-voltage capacitors and inductors with massive cores and heavy gauge wire enable the crossover network to handle high power without saturating.
Progressive Transition™ high frequency waveguide provides superior coverage control, reduced distortion, and smoother frequency response.
The rugged, acoustically superior enclosure is constructed from 19 mm (.75 in) MDF (Medium Density Fiberboard) using advanced adhesives and mechanical fastener technology for extreme durability and improved low-frequency performance.
SonicGuard™ protects the high frequency driver from excess power without interrupting the performance.
Non-resonant, all-steel handles are used.
Attractive 18-gauge hexagon perforated, steel grille protects components from damage.
Dual-angle pole-mount socket allows the speaker to tilt 10°for more uniform audience coverage.
Power Rating 250 W / 1000 W
Frequency Range (-10 dB) 60 Hz - 20 kHz
Frequency Response (±3 dB) 80 Hz - 18 kHz
Sensitivity (@1m) 98 dB SPL (1w/1m)
Nominal Impedance 8 ohms
Recommended Amplifier Power 250 W to 500 W into 8 ohms
Maximum SPL 128 dB
Nominal Dispersion 90º x 50º
Crossover Frequency 2.1 kHz
(H x W x D) 584 mm x 399 mm x 325 mm
(23 in x 15.7 in x 12.8 in)
Weight 19.5 kg (43 lb)
High Frequency Driver JBL 2414H-C , 1" exit compression driver mounted on Progressive Transition™ Waveguide
Low Frequency Driver JBL M112-8
Input Connectors Neutrik® Speakon® NL-4 (x1); .25 in
TS phone jack (x1); parallel
$ 299.99 $ 399.99
Put some ‘BOOM’ into your lightshow! Create pure lighting excitement for any event with the 4-FX-IN-1 Boom Box FX1. Cover the room in light from the unique party dome or classic Derby effect, wash the dance floor in colors and mesmerize the crowd with the Galaxian style red and green laser!
The Boom Box FX1, part of the Startec Series, create’s an event to remember! With 4 different lighting effects in one from 9 built-in lightshows and 63 preset color combinations you have hours of fun built into one lighting fixture.
ADJ Boom Box FX1 Effect Light Features
ADJ Boom Box FX1 Effect Light Specifications
$ 219.99 $ 279.99
Headset condenser microphone with maximum dynamic range for perfect vocal sound. Its cardioid polar pattern effectively rejects unwanted ambient noise. An ideal choice for frontmen, singing keyboardists, drummers, guitarists, and dancers. The microphone arm mounts either on the left or right side of the headband as desired. The C 520 provides the perfect solution for any performer needing a handsfree microphone.
A transducer shock mount reduces handling noise to a minimum. The moisture shield prevents perspiration from penetrating into the transducer element, ensuring a high degree of humidity protection for the microphone.
Requires phantom power.
If you're an energetic performer, a headworn condenser is the way to go.
C 520 Headworn Condenser Microphone
The C7 Reference Condenser Vocal Microphone from AKG is a handheld condenser microphone that delivers premium studio-quality sound with hassle-free operation. It can be used to capture lead and background vocals with clarity and sparkling high end in applications for live stage, theater, rehearsals, and more.
Powered with 48V phantom power, the C7 allows lead and background vocals to shine through. Featuring specially engineered circuitry and custom-designed components, the C7 prevents feedback, handling noise, and pop noise from interfering with your performance. No matter where you're performing, this microphone delivers premium, worry-free vocal reproduction so you can focus on what really matters.
$ 199.00 $ 249.00
On stage or in the studio the AKG D 112 Kick Drum Mic is the microphone to use to clean up the dirty low down. Stays free of distortion even at high sound pressure levels. Solid and powerful response below 100Hz. Very low diaphragm resonance, relatively narrow-band rising high-frequency response at 4kHz, and extremely robust construction are other outstanding features. Also works great for bass cabs, trombone, and other low-frequency instruments.
Channel Strips of the Stars: Ronan Chris Murphy
World-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains:
"Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica; for kick drums, AKG D112s into A Designs Pacificas (189903). (I prefer the Shure Beta 52 (#270267) for kick but they (D112s) were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."