$ 209.99 $ 259.99
The Fuzz Head from Keeley is a unique lead boost that combines the best of fuzz and overdrive effects. Transparent, dynamic, and fully tweakable, with an NPN Germanium transistor at its heart but much more up its sleeve.
With external Fuzz and Head controls, you can easily call up a number of dynamic fuzz and overdrive effects. The unique Si/Ge switch allows you to control a secondary clipping stage by adding a pair of diodes (one Germanium, one silicon) into the circuit for smoother clipping, more saturation, and loads of sustain.
Pedal tweakers will love the internal gain control, which sets the overall range of the external Fuzz control, and the internal tone control or sharpening high-end or cutting it back. A small, flathead screwdriver is all that's needed to fine tune your tone. Three swappable capacitors are also included with the Fuzz Head, so that if you must change the low-end response of the pedal, you can.
A killer lead boost that blends fuzz and overdrive.
The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Proprietary Trans Linear Control (TLC) circuit enables Aguilar to achieve unprecedented levels of performance in a small package.
The TLC Compressor features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you'll be able to dial in just the right sound. Aguilar's TLC Compressor gives you a range of control usually found only in expensive studio compressors.
$ 199.99 $ 229.99This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer® features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage.
The 427 is the modern muscle car of distortion pedals, with a big, meaty tone that's ready to kick ass. Another Paul Gagon creation, 427 builds on his experience crafting pedals for the gods of rock, but this one's got a distinctly American voice.
427 fires up with a potent variation of Gagon's proven LED-based distortion circuit as used in the BBE Blacksmith, with the power flowing to a sweepable EQ (CSEQ) section inspired by an early '70s Big Muff Pi and optimized for maximum flexibility.
On a mission to raise hell on rock-and-roll streets from New York to L.A., 427 delivers more raw power than yesteryear's muscle with better handling. With a beefy mil-spec circuit board sporting big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, 427 is engineered to be deliver rock-solid performance and never leave you stranded. And when you aren't in the mood to lay down serious rubber, 427's true hardwire bypass lets your tone slip by without so much as angry glance from the tone police.
$ 119.99 $ 169.00
The BBE Free Fuzz effects pedal works for guitar and bass and was patterned after a rare and sought-after silicon transistor fuzz pedal made famous by players like Jimi Hendrix in the late '60s. The BBE effects pedal provides a wide range of creamy, dynamic fuzz effects with an almost endless amount of sustain for soloing and chunky rhythms.
Free Fuzz Effects Pedal