$ 399.00 $ 559.00
The Line 6 M9 Stompbox Modeler has enough stunning guitar pedal sounds to spark the gear lust in every guitarist-Swirling phasers, tangy choruses, syrupy sweet reverbs, and more. The comprehensive list of available M9 models features all the effects from best-selling Line 6 pedals. Access all the famous sounds from DL4 Delay Modeler, DM4 Distortion Modeler, FM4 Filter Modeler, MM4 Modulation Modeler, Verbzilla, Echo Pro, and more.
M9 Stompbox Modeler is set up like three FX units. Each effects unit can have two stomps at the ready, and any three effects can play simultaneously. Use one effect at a time, arrange effects in tried-and-true combinations, or create your own original blends.
Use the Line 6 M9 Stompbox Modeler to create 6 different stompbox arrangements, or pedal board "scenes"-one for your metal band, one for your punk band, one for your Top 40 gig-you get the picture. No more tearing up Velcro just to switch out one or two pedals. Plus, the Line 6 M9 pedal features MIDI in/out, for you to back up your scenes to your computer or control the unit with a MIDI controller.
Inspired by the simplicity of classic stompboxes, the Line 6 M9 guitar effects pedal is incredibly easy to use. Tweak your tones on the fly using the dedicated knobs and easy-to-read LCD window. Just turn the knobs and you're done-no menus, no saving, no hassles-and your tweaks remain, even after you power down.
Complete with a full-featured, 28-second looper, Line 6 M9 Stompbox Modeler allows for extended in-the-moment looping. It has all the necessary looper controls with dedicated footswitches to make looping easy: Record, Record/Overdub, Play/Stop, Play Once, Undo/Redo, Half Speed and Reverse (The looper can be used simultaneously with the three FX Units.).
The Line 6 M9 multi effect pedal features plenty of ins and outs. 1/4" mono/stereo inputs and outputs (with True Analog Bypass or DSP Bypass) let you put M9 Stompbox Modeler before, after, or between your other pedals. Connect expression pedals to the two 1/4" expression pedal jacks to morph smoothly between tones. MIDI in/out, which is perfect for backing up your "scenes", also makes the Line 6 effects pedal compatible with many popular MIDI control systems.
The Line 6 M9 guitar pedal is built tank-tough with all-metal construction. From the chassis to the footswitches, M9 withstands constant stomping. Together with its built-in chromatic tuner, the Line 6 M9 Stompbox Modeler's generations of sonic treasures and brain-dead-simple design will prove indispensable-not to mention highly addictive.
The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Proprietary Trans Linear Control (TLC) circuit enables Aguilar to achieve unprecedented levels of performance in a small package.
The TLC Compressor features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you'll be able to dial in just the right sound. Aguilar's TLC Compressor gives you a range of control usually found only in expensive studio compressors.
$ 199.99 $ 229.99This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer® features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage.
Sold Out $ 614.99
Wireless guitar system with pedal-style receiver.
Audio-Technica's System 10 Stompbox digital high-fidelity guitar wireless system combines the advanced 24-bit operation, easy setup and clear, natural sound quality of other System 10 configurations with unique functionality for guitarists, bassists and other instrumentalists. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 Stompbox offers a rugged, metal, pedal board-mountable receiver with foot switch, two switched TRS balanced 1/4" outputs and an output mode selector. With the tap of a foot, musicians can toggle between outputs (e.g., for switching amps) or mute and unmute one output without muting the other (e.g., for convenient tuning). And a single receiver can be paired with up to eight UniPak body-pack transmitters, allowing users to easily switch between instruments without having to move a body-pack from one instrument to the next.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
Each Stompbox system includes an ATW-R1500 Stompbox receiver, an ATW-T1001 UniPak body-pack transmitter with an AT-GcW guitar cable, and hook & loop strips for adding receiver to an effects pedal board. The ATW-R1500 is a digital receiver with sturdy, metal-body construction, easy-to-read digital ID and transmitter battery level displays, and AF Peak and Pair indicator lights.
ATW-1501 System 10 Stompbox Digital Wireless Guitar System
The 427 is the modern muscle car of distortion pedals, with a big, meaty tone that's ready to kick ass. Another Paul Gagon creation, 427 builds on his experience crafting pedals for the gods of rock, but this one's got a distinctly American voice.
427 fires up with a potent variation of Gagon's proven LED-based distortion circuit as used in the BBE Blacksmith, with the power flowing to a sweepable EQ (CSEQ) section inspired by an early '70s Big Muff Pi and optimized for maximum flexibility.
On a mission to raise hell on rock-and-roll streets from New York to L.A., 427 delivers more raw power than yesteryear's muscle with better handling. With a beefy mil-spec circuit board sporting big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, 427 is engineered to be deliver rock-solid performance and never leave you stranded. And when you aren't in the mood to lay down serious rubber, 427's true hardwire bypass lets your tone slip by without so much as angry glance from the tone police.