$ 199.99 $ 220.00
The Radial JDX Direct-Drive is a unique and powerful device that emulates the sound of a guitar amplifier while doubling as a direct box. Unlike a typical direct box that merely transfers the sound of the pedals to the PA, the Direct-Drive simulates the tone and feel of a real guitar amp, producing a much more realistic sound. In other words, with the Direct-Drive on your pedalboard, you can do a gig without carrying an amp to the club.
The design begins with a traditional .25 in. guitar input and passive thru-put to feed a stage amp. This is then followed by a dedicated tuner output that is buffered in order to eliminate loading on the pickup or noise from the quartz clock. The guitar signal is then passed through a series of carefully sculpted filters to create Radial’s signature JDX tone. This is modeled after the sound of a Shure SM57™ in front of a Marshall™ 4x12 cabinet. The Direct-Drive goes further with two more voicing settings: the first adds a vintage Marshall tube head character to the signal path while the second delivers a tone reminiscent of an early Fender Twin. The two amp tones can be further tailored using a presence switch for extra sparkle. The guitar signal exits the Direct-Drive via either a 1/4" guitar-level output or via a balanced XLR to feed the PA. The direct box output is outfitted with a 180° polarity reverse switch to help phase-align monitors with the stage amp along with a ground lift switch to help eliminate hum and buzz caused by ground loops. The Direct-Drive may be powered using a standard 9V power supply or typical pedalboard power brick.
As with all Radial products, the Direct-Drive is made to handle the rigors of professional touring with 14-gauge steel throughout. This not only helps prevent damage to the internal PCB, it also reduces susceptibility to noise from external magnetic fields.
$ 299.99 $ 399.99
Put some ‘BOOM’ into your lightshow! Create pure lighting excitement for any event with the 4-FX-IN-1 Boom Box FX1. Cover the room in light from the unique party dome or classic Derby effect, wash the dance floor in colors and mesmerize the crowd with the Galaxian style red and green laser!
The Boom Box FX1, part of the Startec Series, create’s an event to remember! With 4 different lighting effects in one from 9 built-in lightshows and 63 preset color combinations you have hours of fun built into one lighting fixture.
ADJ Boom Box FX1 Effect Light Features
ADJ Boom Box FX1 Effect Light Specifications
$ 219.99 $ 279.99
Headset condenser microphone with maximum dynamic range for perfect vocal sound. Its cardioid polar pattern effectively rejects unwanted ambient noise. An ideal choice for frontmen, singing keyboardists, drummers, guitarists, and dancers. The microphone arm mounts either on the left or right side of the headband as desired. The C 520 provides the perfect solution for any performer needing a handsfree microphone.
A transducer shock mount reduces handling noise to a minimum. The moisture shield prevents perspiration from penetrating into the transducer element, ensuring a high degree of humidity protection for the microphone.
Requires phantom power.
If you're an energetic performer, a headworn condenser is the way to go.
C 520 Headworn Condenser Microphone
The C7 Reference Condenser Vocal Microphone from AKG is a handheld condenser microphone that delivers premium studio-quality sound with hassle-free operation. It can be used to capture lead and background vocals with clarity and sparkling high end in applications for live stage, theater, rehearsals, and more.
Powered with 48V phantom power, the C7 allows lead and background vocals to shine through. Featuring specially engineered circuitry and custom-designed components, the C7 prevents feedback, handling noise, and pop noise from interfering with your performance. No matter where you're performing, this microphone delivers premium, worry-free vocal reproduction so you can focus on what really matters.
$ 199.00 $ 249.00
On stage or in the studio the AKG D 112 Kick Drum Mic is the microphone to use to clean up the dirty low down. Stays free of distortion even at high sound pressure levels. Solid and powerful response below 100Hz. Very low diaphragm resonance, relatively narrow-band rising high-frequency response at 4kHz, and extremely robust construction are other outstanding features. Also works great for bass cabs, trombone, and other low-frequency instruments.
Channel Strips of the Stars: Ronan Chris Murphy
World-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains:
"Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica; for kick drums, AKG D112s into A Designs Pacificas (189903). (I prefer the Shure Beta 52 (#270267) for kick but they (D112s) were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."