Roland's GR-55 Guitar Synthesizer is a revolutionary new product combining PCM synthesis with digital instrument modeling derived from the respected VG-99 V-Guitar System. The GR-55 represents Roland's latest breakthrough advances in guitar synthesis, offering playability, features, and sound quality that far surpasses the capabilities of previous generations of guitar synthesizers.
Driven by Roland's newest proprietary digital processing technology, the GR-55 delivers lightning-fast tracking performance and previously impossible sound-making capabilities. It features two independent synthesizer sound engines, each loaded with over 900 of Roland's latest sounds, including pianos, organs, strings, vintage and modern synths, percussion, and many more. A third sound engine is driven by Composite Object Sound Modeling (COSM), the guitar modeling technology behind Roland's famous VG-99 V-Guitar System. With COSM, the GR-55 can emulate electric and acoustic guitars, basses, and other instruments, as well as guitar and bass amplifiers.
The GR-55 allows players to combine all three sound engines, plus their guitar's normal input, to create any sound from the familiar to the original. An independent multi-effects processor is available for a huge array of tone-shaping options, plus global reverb, chorus, delay effects and EQ to add final sweetening to any sound.
The GR-55 puts guitarists instantly in touch with a huge library of amazing sounds, with no editing required. The onboard lineup of ready-to-use presets takes the pain out of the process, from pop to rock and beyond, with quick-access category buttons. Creating and editing sounds is a breeze for guitarists as well, thanks to a large LCD display, simple front panel, and the intuitive EZ Edit and Sound Style features. Also, onboard is a phrase looper that lets players capture on-the-fly recordings with unlimited sound-on-sound style overdubs.
The GR-55 also features a USB song player that lets users play WAV files stored on USB flash memory, and song playback can be controlled with the onboard pedals. The GR-55 also functions as an audio/MIDI interface for computers, with a rear-panel USB 2.0 port for a quick and easy connection. Users can easily integrate with their favorite digital audio workstation software, recording GR-55 sounds as audio in the DAW and using the GR-55's super-fast pitch-to-MIDI capabilities to trigger MIDI sounds such as virtual synths and samplers with their guitar.
The GR-55 is equipped with Roland's industry-standard 13-pin GK interface. To access the GR-55's enormous palette of sounds, guitarists must use an instrument equipped with a GK-compatible pickup such as Roland's GK-3 Divided Pickup, which is available with the GR-55 (see dropdown menu to the right and select the "With Pickup" option). The GK-3 can be easily installed on most steel string guitars with no modification to the instrument. In addition, many different GK-ready instruments are commercially available from various top guitar manufacturers.
The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Proprietary Trans Linear Control (TLC) circuit enables Aguilar to achieve unprecedented levels of performance in a small package.
The TLC Compressor features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you'll be able to dial in just the right sound. Aguilar's TLC Compressor gives you a range of control usually found only in expensive studio compressors.
$ 199.99 $ 229.99This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer® features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage.
Sold Out $ 614.99
Wireless guitar system with pedal-style receiver.
Audio-Technica's System 10 Stompbox digital high-fidelity guitar wireless system combines the advanced 24-bit operation, easy setup and clear, natural sound quality of other System 10 configurations with unique functionality for guitarists, bassists and other instrumentalists. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 Stompbox offers a rugged, metal, pedal board-mountable receiver with foot switch, two switched TRS balanced 1/4" outputs and an output mode selector. With the tap of a foot, musicians can toggle between outputs (e.g., for switching amps) or mute and unmute one output without muting the other (e.g., for convenient tuning). And a single receiver can be paired with up to eight UniPak body-pack transmitters, allowing users to easily switch between instruments without having to move a body-pack from one instrument to the next.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
Each Stompbox system includes an ATW-R1500 Stompbox receiver, an ATW-T1001 UniPak body-pack transmitter with an AT-GcW guitar cable, and hook & loop strips for adding receiver to an effects pedal board. The ATW-R1500 is a digital receiver with sturdy, metal-body construction, easy-to-read digital ID and transmitter battery level displays, and AF Peak and Pair indicator lights.
ATW-1501 System 10 Stompbox Digital Wireless Guitar System
The 427 is the modern muscle car of distortion pedals, with a big, meaty tone that's ready to kick ass. Another Paul Gagon creation, 427 builds on his experience crafting pedals for the gods of rock, but this one's got a distinctly American voice.
427 fires up with a potent variation of Gagon's proven LED-based distortion circuit as used in the BBE Blacksmith, with the power flowing to a sweepable EQ (CSEQ) section inspired by an early '70s Big Muff Pi and optimized for maximum flexibility.
On a mission to raise hell on rock-and-roll streets from New York to L.A., 427 delivers more raw power than yesteryear's muscle with better handling. With a beefy mil-spec circuit board sporting big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, 427 is engineered to be deliver rock-solid performance and never leave you stranded. And when you aren't in the mood to lay down serious rubber, 427's true hardwire bypass lets your tone slip by without so much as angry glance from the tone police.