$ 259.00 $ 369.00
The ND-1 Nova Delay raises the bar for guitar effect pedals and redefines what it means to be "state-of-the-art." It's built upon the legacy and knowledge of TC's world-renowned TC 2290 Dynamic Digital Delay.
With 6 different stereo delay types and the option to store up to 9 presets customizable by an array of style parameters ranging from vintage tape to digital delay. This effect pedal easily serves all delay requirements of modern guitar players who seek unique sounds.
Each of these types can be modified with a delay style - a unique feature of ND-1 Nova Delay that allows you to mix and match your delay type and style infinitely.
With the ND-1 Nova Delay, both single delay and dual delay lines can be applied to any type and style using the tap tempo switch or delay time knob to determine the delay time that ranges from 1 to 2290 ms.
Three different types of modulation (light, medium and heavy) can be applied to any of the delay types - a feature originating from the TC 2290 Dynamic Digital Delay processor.
The all-new Audio Tapping technology enables you to set the tempo of the delay by playing a rhythm into the pedal while holding down the tap tempo switch. You can now set the tempo of the delay using your most important asset: Your playing.
Other great ND-1 Nova Delay features include the pedal's ability to choose between ms (milliseconds) and bpm (beats per minute) readout, decide if you want spillover on individual settings and turn global tempo - where tap tempo determines delay time on user presets - on and off.
ND-1 Nova Delay Guitar Effects Pedal
The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Proprietary Trans Linear Control (TLC) circuit enables Aguilar to achieve unprecedented levels of performance in a small package.
The TLC Compressor features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you'll be able to dial in just the right sound. Aguilar's TLC Compressor gives you a range of control usually found only in expensive studio compressors.
$ 199.99 $ 229.99This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer® features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage.
The 427 is the modern muscle car of distortion pedals, with a big, meaty tone that's ready to kick ass. Another Paul Gagon creation, 427 builds on his experience crafting pedals for the gods of rock, but this one's got a distinctly American voice.
427 fires up with a potent variation of Gagon's proven LED-based distortion circuit as used in the BBE Blacksmith, with the power flowing to a sweepable EQ (CSEQ) section inspired by an early '70s Big Muff Pi and optimized for maximum flexibility.
On a mission to raise hell on rock-and-roll streets from New York to L.A., 427 delivers more raw power than yesteryear's muscle with better handling. With a beefy mil-spec circuit board sporting big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, 427 is engineered to be deliver rock-solid performance and never leave you stranded. And when you aren't in the mood to lay down serious rubber, 427's true hardwire bypass lets your tone slip by without so much as angry glance from the tone police.
$ 119.99 $ 169.00
The BBE Free Fuzz effects pedal works for guitar and bass and was patterned after a rare and sought-after silicon transistor fuzz pedal made famous by players like Jimi Hendrix in the late '60s. The BBE effects pedal provides a wide range of creamy, dynamic fuzz effects with an almost endless amount of sustain for soloing and chunky rhythms.
Free Fuzz Effects Pedal