$ 1,839.00 $ 2,299.00
The history of Rodríguez guitars is as rich as the wood from which they are crafted. Manuel Rodríguez — grandson of flamenco guitarist Manuel Rodriguez Perez Marequi and son of classical luthier Manuel Rodríguez Perez — learned the art of constructing a guitar firsthand. His apprenticeship began at the age of 13 in Madrid, where he also began exporting his finely crafted instruments to France, the United Kingdom, and the U.S. Fast forward to 1959, Manuel Sr. opened a shop Los Angeles, making classical guitars for a myriad of professional players, teachers, students, and even the Hollywood elite. He and his son moved back to Madrid in 1973 where Rodríguez guitars have been designed and built ever since. His son, Manuel Jr, continues on with the family tradition of crafting exquisite instruments with the fire and passion he learned from his heritage. Using only the finest tonewoods and expert craftsmanship, Manuel Rodríguez develops distinctive guitars fit for the world’s preeminent artists. Each instrument is as unique and individual as the musicians who play them. Embodying the skills he learned as an apprentice to the master luthiers of Spain, Manuel Jr. ensures each guitar is a work of art to be treasured for generations. “If that which cannot be repeated is art, then our guitars are also an artistic instrument. It is even more so when each artist constructs his guitar by creating exclusive ornamentation, using precious and unique woods, creating a mosaic, which distinguishes this soundhole from all the other soundholes. It is like a feather; a purfling that will never be repeated as far as color, thickness and taste are concern. We are therefore talking about an art piece that has a life of its own, produces elegant sound, and provides the guitarist with their own one-of-a-kind instrument to express their musical skill and harmonic knowledge. It is held in the hands and close to the body; it is an art piece of precious natural materials built to the luthier’s taste and woodworking skills; it is your trade, personality, and dignity in doing a good job.” — Manuel Rodríguez Jr.
The career of Manuel Rodríguez Pérez as a professional guitar-maker started back in 1905 when he was just 18 years old. He was an apprentice in Agustín de Andrés’ workshop. At that time, Julián Gómez Ramírez (who would later become the first skilled worker of José Ramírez guitars) worked there as well. Manuel Rodríguez Pérez then worked at Julián Gómez’s workshop and remained there until 1914 when World War I broke out. After Manuel’s return to Spain in 1914, he joined the workshop of José Ramírez I. After leaving the shop in 1930, Manuel went on to work with other famed luthiers (Santos Borreguero, Saturnino Rojas) and also handcrafted his own instruments on a special order basis.
In 1939, the Rodríguez family returned to Madrid. Soon after, Ramírez II called Marcelo and Manuel Rodríguez I to resume the activities in the Ramírez workshop. The workshop included a young Manuel Rodríguez II — who was just 13 years old at the time — as an apprentice. Manuel Rodríguez II undertook the task of handcrafting the inner parts of bandurrias, lutes and guitars, manufacturing sticks and bracings and also carrying out bel labrado (carving). On March 4th, 1954, shortly after joining the Ramirez workshop, Manuel Rodríguez II installed a workbench in his own house. He used it to fix instruments belonging to some of his amateur musician friends. This enabled him to manufacture his first guitars, bandurrias and lutes. He also produced a great amount of capos for the then popular flamenco musicians. The first guitar signed and labeled by Manuel Rodríguez II was a flamenco guitar. This was an evolution that made Manuel Rodríguez II’s name more widely known than his father’s – who only manufactured instruments for workshops and never signed any of them. In 1955, Manuel Rodríguez II set up his own workshop. During the following few years he exported guitars to France, United Kingdom and the USA. In June 1959, thanks to the support of a few UCLA professors, Manuel moved to Los Angeles. Manuel Rodríguez I passed away in 1958, having had the satisfaction of seeing his son firmly established in the trade. Many professional players, teachers and students visited his Hollywood shop from the summer of 1959 through the early ‘70s, when Manuel returned to Madrid.
1973 was the beginning of a new phase for Rodríguez guitars. Manuel Rodríguez Jr. decided to go beyond displaying and selling their guitars in their own workshop. He travelled and worked in London, visiting nearly every guitar expert, shop and school. Shortly thereafter, articles extolling the virtues of Rodriguez’ finely crafted instruments started appearing in international magazines, such as “Classic Guitar” and “Magazine Guitar International”. In 1994, Rodríguez founded their own guitar factory on the outskirts of Esquivias, in the province of Toledo, Spain, not far from Madrid. This is still a family-run company in which each member of the family plays an important role. In the late early 2000s, Manuel Jr noticed the trend in the market of moving production to make guitars more affordable: in an effort to keep his products competitive while maintaining the long-standing quality tradition of the Rodriguez name, he began a multi-year process of identifying a potential partner factory in Asia. Under the expert tutelage of Manuel Jr, this new factory partner has learned the exacting techniques pioneered and carried down by the Rodriguez family, and combined them with larger-scale production, allowing for lower-priced options while maintaining the expert build quality and superior sound that has become synonymous with the Rodriguez name. Of course, the facility in Spain still produces a largest portion of Rodriguez’ production, and continues the Rodriguez legacy. Over 100 years of knowledge, history, and passion find its way into each and every Rodriguez guitar.
$ 1,839.00 $ 2,299.00
The history of Rodríguez guitars is as rich as the wood from which they are crafted. Manuel Rodríguez — grandson of flamenco guitarist Manuel Rodriguez Perez Marequi and son of classical luthier Manuel Rodríguez Perez — learned the art of constructing a guitar firsthand. His apprenticeship began at the age of 13 in Madrid, where he also began exporting his finely crafted instruments to France, the United Kingdom, and the U.S. Fast forward to 1959, Manuel Sr. opened a shop Los Angeles, making classical guitars for a myriad of professional players, teachers, students, and even the Hollywood elite. He and his son moved back to Madrid in 1973 where Rodríguez guitars have been designed and built ever since. His son, Manuel Jr, continues on with the family tradition of crafting exquisite instruments with the fire and passion he learned from his heritage. Using only the finest tonewoods and expert craftsmanship, Manuel Rodríguez develops distinctive guitars fit for the world’s preeminent artists. Each instrument is as unique and individual as the musicians who play them. Embodying the skills he learned as an apprentice to the master luthiers of Spain, Manuel Jr. ensures each guitar is a work of art to be treasured for generations. “If that which cannot be repeated is art, then our guitars are also an artistic instrument. It is even more so when each artist constructs his guitar by creating exclusive ornamentation, using precious and unique woods, creating a mosaic, which distinguishes this soundhole from all the other soundholes. It is like a feather; a purfling that will never be repeated as far as color, thickness and taste are concern. We are therefore talking about an art piece that has a life of its own, produces elegant sound, and provides the guitarist with their own one-of-a-kind instrument to express their musical skill and harmonic knowledge. It is held in the hands and close to the body; it is an art piece of precious natural materials built to the luthier’s taste and woodworking skills; it is your trade, personality, and dignity in doing a good job.” — Manuel Rodríguez Jr.
The career of Manuel Rodríguez Pérez as a professional guitar-maker started back in 1905 when he was just 18 years old. He was an apprentice in Agustín de Andrés’ workshop. At that time, Julián Gómez Ramírez (who would later become the first skilled worker of José Ramírez guitars) worked there as well. Manuel Rodríguez Pérez then worked at Julián Gómez’s workshop and remained there until 1914 when World War I broke out. After Manuel’s return to Spain in 1914, he joined the workshop of José Ramírez I. After leaving the shop in 1930, Manuel went on to work with other famed luthiers (Santos Borreguero, Saturnino Rojas) and also handcrafted his own instruments on a special order basis.
In 1939, the Rodríguez family returned to Madrid. Soon after, Ramírez II called Marcelo and Manuel Rodríguez I to resume the activities in the Ramírez workshop. The workshop included a young Manuel Rodríguez II — who was just 13 years old at the time — as an apprentice. Manuel Rodríguez II undertook the task of handcrafting the inner parts of bandurrias, lutes and guitars, manufacturing sticks and bracings and also carrying out bel labrado (carving). On March 4th, 1954, shortly after joining the Ramirez workshop, Manuel Rodríguez II installed a workbench in his own house. He used it to fix instruments belonging to some of his amateur musician friends. This enabled him to manufacture his first guitars, bandurrias and lutes. He also produced a great amount of capos for the then popular flamenco musicians. The first guitar signed and labeled by Manuel Rodríguez II was a flamenco guitar. This was an evolution that made Manuel Rodríguez II’s name more widely known than his father’s – who only manufactured instruments for workshops and never signed any of them. In 1955, Manuel Rodríguez II set up his own workshop. During the following few years he exported guitars to France, United Kingdom and the USA. In June 1959, thanks to the support of a few UCLA professors, Manuel moved to Los Angeles. Manuel Rodríguez I passed away in 1958, having had the satisfaction of seeing his son firmly established in the trade. Many professional players, teachers and students visited his Hollywood shop from the summer of 1959 through the early ‘70s, when Manuel returned to Madrid.
1973 was the beginning of a new phase for Rodríguez guitars. Manuel Rodríguez Jr. decided to go beyond displaying and selling their guitars in their own workshop. He travelled and worked in London, visiting nearly every guitar expert, shop and school. Shortly thereafter, articles extolling the virtues of Rodriguez’ finely crafted instruments started appearing in international magazines, such as “Classic Guitar” and “Magazine Guitar International”. In 1994, Rodríguez founded their own guitar factory on the outskirts of Esquivias, in the province of Toledo, Spain, not far from Madrid. This is still a family-run company in which each member of the family plays an important role. In the late early 2000s, Manuel Jr noticed the trend in the market of moving production to make guitars more affordable: in an effort to keep his products competitive while maintaining the long-standing quality tradition of the Rodriguez name, he began a multi-year process of identifying a potential partner factory in Asia. Under the expert tutelage of Manuel Jr, this new factory partner has learned the exacting techniques pioneered and carried down by the Rodriguez family, and combined them with larger-scale production, allowing for lower-priced options while maintaining the expert build quality and superior sound that has become synonymous with the Rodriguez name. Of course, the facility in Spain still produces a largest portion of Rodriguez’ production, and continues the Rodriguez legacy. Over 100 years of knowledge, history, and passion find its way into each and every Rodriguez guitar.
$ 2,799.00 $ 3,636.00
A welcome addition to the Standard Series, the Martin's 0-18 has a scallop-braced Sitka spruce top with mahogany back and sides that serve as the solid foundation for this concert-sized beauty. The combination of a short expressive 24.9 in. scale with a modified low oval neck shape and the high performance parallel taper allows for easy action and fast playability. Open geared nickel tuners with phosphor bronze strings and an ebony fingerboard and bridge complete the look of this classic parlor guitar.
Includes hardshell case.
Serial Number: 2863582
Weight: 3.8 lbs
$ 1,799.00 $ 2,338.70
$ 1,999.00 $ 2,598.70
$ 2,799.00 $ 3,360.00
SPECS
Sold Out $ 3,640.00
SPECS
$ 2,799.00 $ 3,640.00
SPECS
$ 3,999.00 $ 5,198.70
The Martin 000-28EC Eric Clapton Signature Acoustic Guitar is handcrafted with a premium East Indian rosewood back and sides and a bookmatched top of select quartersawn Sitka spruce. Its smaller 000 body size and short 24-9/10" scale help produce delicate, balanced tones. The rosette and soundboard are inlaid with herringbone wood marquetry, and the body is bound with grained ivoroid. An ebony fingerboard features a long diamonds-and-squares pattern in abalone pearl. Eric's signature is inlaid in mother-of-pearl between the 19th and 20th frets. Tastefully appointed with hand-beveled tortoise pickguard, nickel-plated open-geared machines equipped with unique butterbean knobs. Each Martin Eric Clapton Signature Guitar bears an interior label, individually numbered in sequence. Includes limited lifetime warranty and deluxe Martin hardshell case.
Body
Neck
Electronics
Other
$ 3,999.00 $ 5,198.70
The Martin 000-28EC Eric Clapton Signature Acoustic Guitar is handcrafted with a premium East Indian rosewood back and sides and a bookmatched top of select quartersawn Sitka spruce. Its smaller 000 body size and short 24-9/10" scale help produce delicate, balanced tones. The rosette and soundboard are inlaid with herringbone wood marquetry, and the body is bound with grained ivoroid. An ebony fingerboard features a long diamonds-and-squares pattern in abalone pearl. Eric's signature is inlaid in mother-of-pearl between the 19th and 20th frets. Tastefully appointed with hand-beveled tortoise pickguard, nickel-plated open-geared machines equipped with unique butterbean knobs. Each Martin Eric Clapton Signature Guitar bears an interior label, individually numbered in sequence. Includes limited lifetime warranty and deluxe Martin hardshell case.
Body
Neck
Electronics
Other
Sold Out $ 5,198.70
The Martin 000-28EC Eric Clapton Signature Acoustic Guitar is handcrafted with a premium East Indian rosewood back and sides and a bookmatched top of select quartersawn Sitka spruce. Its smaller 000 body size and short 24-9/10" scale help produce delicate, balanced tones. The rosette and soundboard are inlaid with herringbone wood marquetry, and the body is bound with grained ivoroid. An ebony fingerboard features a long diamonds-and-squares pattern in abalone pearl. Eric's signature is inlaid in mother-of-pearl between the 19th and 20th frets. Tastefully appointed with hand-beveled tortoise pickguard, nickel-plated open-geared machines equipped with unique butterbean knobs. Each Martin Eric Clapton Signature Guitar bears an interior label, individually numbered in sequence. Includes limited lifetime warranty and deluxe Martin hardshell case.
Body
Neck
Electronics
Other
$ 2,199.00 $ 2,858.70
Martin’s 000C12-16E Nylon is ideal for any classical guitarist looking to take their classical guitar playing to the next level. This auditorium-style guitar features a spruce gloss top and satin-finished mahogany back and sides for bright treble response and plenty of volume. It comes equipped with Fishman® Matrix VT Enhance NT1 electronics and is strung with Martin Premium Classical strings.
Serial Number: 2772637
Weight: 3.8lbs
Overview
Top
$ 349.00 $ 454.00
Martin has banded together with Life is Good®, the original positive lifestyle brand, to create this unique and vibrant ukulele. The soprano uke,made from durable Hawaiian koa HPL, features a colorful collage of the most iconic Life is Good graphics from nearly 30 years of spreading the power of optimism. It includes a gig bag made from 100% recycled post-consumer polyester, top-notch puns, and the good vibes needed to turn moments into memories.
Serial Number: 10400
$ 349.00 $ 454.00
Martin has banded together with Life is Good®, the original positive lifestyle brand, to create this unique and vibrant ukulele. The soprano uke,made from durable Hawaiian koa HPL, features a colorful collage of the most iconic Life is Good graphics from nearly 30 years of spreading the power of optimism. It includes a gig bag made from 100% recycled post-consumer polyester, top-notch puns, and the good vibes needed to turn moments into memories.
Serial Number: 10344
Sold Out
The 000-18 has solid mahogany back and sides, Sitka spruce top, polished gloss finish and a hand-fit dovetail neck joint, producing a slightly brighter tone than its East Indian rosewood counterpart, the 000-28. Perfect guitar for the intermediate and advanced player.
SPECS
$ 5,699.99
This guitar is in excellent condition. Virtually no play wear on body or neck. Comes with OHSC.
This guitar was built as a part of Huber Breese's 50th Anniversary.
Serial Number: 2579106
Weight: 4.2 lbs
Sold Out
This guitar is used and in excellent condition. Nearly no signs of wear on the guitar. Comes with the original 75th Anniversary hardshell case. The price has been adjusted accordingly.
SCALE LENGTH | 25.4" |
---|---|
TOP BRACING PATTERN | X Scalloped, Forward Shifted |
TOP BRACES | Adirondack Spruce |
BACK & SIDE MATERIAL | Madagascar Rosewood |
BINDING | Grained Ivoroid |
PURFLING | Fine Herringbone |
NECK SHAPE | Modified V |
NUT MATERIAL | Fossilized Ivory |
HEADSTOCK | Solid/Long Diamond/Square Taper |
HEADPLATE | Solid Madagascar Rosewood |
FINGERBOARD | Solid Black Ebony |
FINGERBOARD WIDTH AT NUT | 1 3/4" |
FINGERBOARD WIDTH AT 12TH FRET | 2 1/4" |
BRIDGE STRING SPACING | 2 5/16" |
FINGERBOARD POSITION INLAYS | Diamonds and Squares Long Pattern |
TOP FINISH | Polished Gloss with Aging Toner |
NECK FINISH | Satin |
BRIDGE MATERIAL | Solid Black Ebony |
BRIDGE STYLE | 1930s Style Belly w/Long Saddle |
SADDLE | Fossilized Ivory |
TUNING MACHINES | Waverly Nickel w/Butterbean Knobs |
BRIDGE AND END PINS | Fossilized Ivory with Black Dots |
CASE | Harptone with 75th Anniversary Edition Embroidery |
INTERIOR LABEL | 75th Anniversary Edition Paper Label |
$ 2,999.00
This guitar is in excellent condition. Virtually no play wear. LR Baggs M80 sound hole pickup was installed.
Reminiscent of models from the “Golden Era”, the CEO-7 features a sunburst finish, golden age tuners and authentic headplate lettering. This new 14-fret short scale 00 “sloped shoulder” model features a solid Adirondack spruce top with solid mahogany back and sides for complex tonality.
Serial Number: 2675155
Weight: 4.0lbs
OVERVIEW
$ 7,362.88 $ 8,835.46
Serial Number: 2772341
Weight: 4.0lbs
Body
Neck
Hardware
$ 14,206.08 $ 17,047.30
Serial Number: 2772336
Weight: 4.0lbs
Body
Neck
Hardware
Sold Out $ 6,186.43
Serial Number: 2772339
Weight: 4.2lbs
Body
Hardware
$ 8,161.00 $ 9,800.00
NAMM 2024 Custom Shop D-14F (inspired by D-41).
Sold Out $ 7,754.88
Serial Number: 2772342
Weight: 4.6lbs
Body
Hardware
$ 6,584.48 $ 7,901.38
This guitar is spec'd out like a Golden Era D-28
Serial Number: 2772338
Weight: 4.6lbs
Body
Hardware