Pro Audio
AKG D12VR Reference Kick Drum Microphone
$ 603.00 $ 755.09
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic
- Type: dynamic pressure gradient transducer
- Polar pattern: cardioid
- Frequency range: 17 - 17000 Hz (±2 dB)
- Sensitivity: 1,2 mV/Pa ± -58 dBV (at 1000 Hz passive)
- Max. SPL: 164 dB SPL (for 0,5 % THD)
- Impedance: <200 ohms (at 1000 Hz)
- Recommended load impedance: >1000 ohms
- Environment temperature range: -10 C - +70 C
- relative humidity at +20 C: 90 %
- Connector: three-pin male standard XLR
- Finish front grille: glossy galvanized nickel matte,
- rear grille: matte black paint
- Dimensions: 125 mm x 101 mm x 66 mm (4.9" x 3.9" x 2.6")
- Net weight: 500 g (1.1 lbs)
AKG D40 Professional Dynamic Instrument Microphone
Sold Out $ 154.86
SOUND IN MOTION
for drums, percussion, wind instruments and guitar amps on stage
The D40 professional instrumental microphone with its solid all-metal body will stand up to the hardships of night-after-night onstage use with a smile. Its patented Varimotion diaphragm uses a unique laminated material to damp high resonance peaks, leading to a quantum leap in audio performance. The transducer is protected by a sturdy wire-mesh cap and can take extremely high sound pressure levels with ease.
An integrated stand adapter in combination with the included H440 mounting bracket makes the D40 a highly versatile tool for use on drums, percussion, wind instruments and guitar amps.
TECHNICAL SPECIFICATION
General
- Audio Frequency bandwidth: 75 to 17000 Hz
- Sensitivity: 2.2 mV/Pa
- Electrical Impedance: 200 Ohms
- Recommended Load Impedance: 2000 Ohms
- Polar Pattern: cardioid
Audio Output
- Type: Balanced XLR
- Gender: Male
- Contacts: 3-pin
Design
- Body: Metal
- Finish: dark stage blue
Dimensions / Weight
- Length: 104 mm
- Height: 79 mm
- Diameter: 44 mm
- Net Weight: 245 g
AKG Perception 45 Instrumental Set Wireless System
$ 249.00 $ 379.00
The Perception Wireless Instrumental Set comprises an SR 45 receiver and PT 45 bodypack transmitter, the smallest and lightest transmitter in its class. It can be used with many AKG miniature microphones, and the battery compartment cover doubles as a convenient tool for setting input gain for the application at hand.
The system comes complete with a universal power supply with US/UK/EU adapter, MKG L cable with ¼" jack plug and mini XLR connector, and one AA size dry battery.
In combination with the C 519 ML (sold separately) also suitable for wind instruments.
SR 45 Stationary Receiver
The SR 45 Stationary Receiver delivers a diversity system, professional XLR and Jack outputs, and the SMPS solution. The audio level and squelch threshold are adjustable on the receiver. It is a stationary receiver for use with all transmitters of the Perception wireless system.
The SR 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
PT 45 bodypack transmitter
The PT 45 bodypack transmitter lets you use both dynamic microphones and condenser microphones operating on a supply voltage of approx. 4 V. Naturally you may also connect an electric guitar, electric bass or keytar.
The PT 45 operates within a switching bandwidth of up to 30 MHz in the 500 to 560 MHz UHF carrier frequency range and offers up to 8 selectable carrier frequencies.
Consumer Alert (for US users)
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: The system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.
Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888- CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones
A wireless system ideal for an exceptionally wide range of applications.
- 30 MHz selection bandwidth (depending on local frequency plans)
- 8 hours of operation with a single AA size battery
- Compatible with all AKG MicroMics
- Low battery indicator
- Smallest and lightest bodypack transmitter in its class
- Complete with MKG L cable for direct connection to electric guitar or bass
- IncludedPT 45 bodypack transmitterAA batteryMKG L cableSR 45 receiverSMPS switched mode power supplyGuarantee cardFrequency tableManual supplement sheet
Order a wireless system that faithfully reproduces the sound of your favorite instrument.
SPECIFICATIONS
Perception Wireless Instrumental Set
- SR 45 Stationary Receiver
- Carrier frequency range: 500 - 560 MHz
- Modulation: FM
- Audio bandwidth: 40 - 20,000 Hz
- T.H.D. at 1 kHz: typ. 0.8%
- Signal/noise ratio: typ. 105 dB(A)
- Squelch threshold: 100 to -70 dBm adjustable
- Audio outputs: Balanced XLR and unbalanced 1/4" (6.3 mm) jack: adjustable from mic to line level. Output level at rated deviation: 500 mV RMS
- Dimensions: 7.87" x 7.48" x 1.73", (200 x 190 x 44 mm)
- Net weight: 12.69 oz, (360 g)
- PT 45 bodypack transmitter
- Carrier frequency range: 500 - 560 MHz
- Modulation: FM
- Audio bandwidth: 40 - 20,000 Hz
- T.H.D. at 1 kHz: typ. 0.8%
- Signal/noise ratio: typ. 105 dB(A)
- RF output: 10 mW
- Power requirement: 1x 1.5 V AA size battery
- Battery life: 10 hours
- Dimensions: 2.36 " x 2.91" x 1.18", (60 x 74 x 30 mm)
- Net weight: 2.11 oz, (60 g)
Audio-Technica AT2020 Cardioid Condenser Microphone
$ 99.00 $ 169.00
The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling.
Requires phantom power.
- Condenser
- Cardioid pattern
- Side address
- 16mm low-mass diaphragm
- 20Hz-20kHz frequency response
- 144dB SPL handling
- Rugged body
- Element: Fixed-charge back plate, permanently polarized condenser
- Polar pattern: Cardioid
- Frequency response: 20-20,000Hz
- Open circuit sensitivity: -37 dB (14.1 mV) re 1V at 1 Pa
- Impedance: 100 ohms
- Maximum input sound level: 144dB SPL, 1kHz at 1% THD
- Noise: 20dB SPL
- Dynamic range (typical): 124dB, 1kHz at Max SPL
- Signal-to-noise ratio: 74dB, 1kHz at 1 Pa
- Phantom power requirements: 48V DC, 2 mA typical
- Weight: 12.1 oz.
- Dimensions: 6-1/3" long, 2" diameter
- Output connector: 3-pin XLRM-type
- Included accessories: Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
- Audio-Technica case style: R7
Audio-Technica ATM230 Dynamic Instrument Microphone
$ 139.00 $ 249.00
The ATM230 hypercardioid instrument microphone brings a compact drum model to Audio-Technica’s popular Artist Series line. The mic’s proprietary capsule is designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end. The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. All this makes the ATM230 ideally suited for miking toms, snare and other percussion instruments.
The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.
- Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Handles very high SPL at close range
- Big, warm low-frequency response with excellent attack
- Low-profile design permits versatile placement around drum kit
- Rugged, all-metal design and construction for years of trouble-free use
- Includes AT8665 drum mount and a soft protective pouch
| ELEMENT | Dynamic |
| POLAR PATTERN | Hypercardioid |
| FREQUENCY RESPONSE | 30-12,000 Hz |
| OPEN CIRCUIT SENSITIVITY | –54 dB (1.9 mV) re 1V at 1 Pa |
| IMPEDANCE | 600 ohms |
| WEIGHT | 292 g (10.3 oz) |
| DIMENSIONS | 82.5 mm (3.2") long, 38.0 mm (1.5") maximum diameter |
| OUTPUT CONNECTOR | Integral 3-pin XLRM-type |
| ACCESSORIES FURNISHED | AT8665 drum mount for 5/8"-27 threaded adaptor; 5/8"-27 to 3/8"-16 threaded adaptor; soft protective pouch |
| AUDIO-TECHNICA CASE STYLE | R2 |
Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone
$ 99.99 $ 169.99
The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.
ATM650 Hypercardioid Dynamic Instrument Microphone
- ELEMENT: Dynamic
- POLAR PATTERN: Hypercardioid
- FREQUENCY RESPONSE: 80-17,000 Hz
- OPEN CIRCUIT SENSITIVITY: —56 dB (1.5 mV) re 1V at 1 Pa
- IMPEDANCE: 300 ohms
- WEIGHT: 279 g (9.8 oz)
- DIMENSIONS: 164.2 mm (6.46") long, 38.8 mm (1.53") diameter
- OUTPUT CONNECTOR: Integral 3-pin XLRM-type
- ACCESSORIES FURNISHED: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
- AUDIO-TECHNICA CASE STYLE: T5
Beyerdynamic Opus 51 Professional Instrument Microphone
$ 439.99
The Piano is an expressive instrument with a wide dynamic range and multiple sound sources coming from the strings and frame into which it is constructed. All of these subtle sounds and nuances have to be captured to make the Piano sound natural and to transfer the emotion with which it is played. The Opus 51 is purpose built for this type of instrument. Using the ™boundary effect™ it captures direct and reflected sounds from all parts of the instrument in perfect balance and at an equal level taking some of the guesswork out of microphone placement. As the Opus 51 effortlessly captures low frequency audio as well as the high frequency detail it also can be used perfectly for Kick Drums.
Beyerdynamic Opus 88 Condenser Clip-On Microphone
$ 219.99
The Beyerdynamic Opus 88 condenser microphone is a perfect choice for close miking toms and snare drums, and is designed to excel at professional sound reinforcement or recording. The snare drum is hit most often, the hardest, and produces a very complex sound pattern. The Opus 88 mic has been optimized for the snare, both electrically and physically, to capture a precise sound. With its patented microphone clamp with integrated preamplifier and 3-pin XLR plug the Opus 88 can easily and quickly be mounted to the rim. The short flexible gooseneck and the horizontal swivel joint ensures optimal positioning.
Requires phantom power.
Opus 88 Condenser Clip-On Microphone
- Transducer type: Condenser (back electret)
- Operating principle: Pressure gradient
- Polar pattern: Cardioid
- Open circuit voltage at 1 kHz (0dB = 1V/Pa) : 5 mV/Pa = -46 dBV
- Nominal impedance: 200 Ohms
- Load impedance: > 1 k Ohms
- Frequency response: 30 - 20,000 Hz
- Max. SPL at 1 kHz: 136 dB (at 48 V phantom power) / 126 dB (at 12 V phantom power)
- S/N ratio rel. to 1 Pa: 64 dB
- A-weighted equivalent SPL: 22 dB
- Current consumption: < 6 mA
- Connection: 3-pin XLR, male
- Supply voltage: 11 - 52 V phantom (recommended phantom power: 48 V)
- Clamp (W x H) : 85 x 118 mm
- Gooseneck length: 20 mm
- Total length: 120 mm
- Weight incl. Clamp: approx. 145 g
CAD e60 Externally Biased Cardioid Condenser Microphone
$ 199.99 $ 299.00
One of Al Di Meola's two favorite acoustic guitar mics for live performance, the Equitek e60 Cardioid Condenser Microphone has externally-biased point-source transduction with a high-power transformerless drive in a bulletproof road-ready housing. Take it on tour for high-impact instrumentation. Features include three-frequency hi-pass filter, 10dB attenuator and integral stand clamp. The microphone's applications include acoustic instrument, guitar cabinets, bass cabinets, strings, piano, cymbals/overheads, kick drum, snare drum, hi-hat.
24V or 48V phantom power required.
FEATURES
- Operating Principle: Externally-biased condenser
- Polar Pattern: Cardioid
- Frequency Response:30Hz to 20KHz
- Sensitivity: -41dBV (8.9mV) @ 1 Pa
- Impedance: 300 ohms
- Max SPL: 140dB, 1% THD, attenuator engaged
- Self Noise: 22dBA
- Hi-pass Filter: 40Hz, 85Hz and 122Hz, 6dB/oct
- Attenuator: 10dB
- Power Requirements: P24, P48, 2mA
CAD ICM417 Cardioid Condenser Microphone
$ 79.99 $ 89.99
Packaged in a rugged small, all metal body, the ICM417 electret condenser microphone provides natural, transparent sound quality. The transformerless design of this cardioid condenser provides optimum low frequency response and low distortion. Designed for use with cymbals, overheads, and stringed instruments, the wide, flat frequency of the ICM417, coupled with the CAD exclusive I.N.R. shockmount, make this an extremely high quality percussion microphone, as well.
Gold Tone ABS Amplified Banjo & Resonator Microphone & Preamp System
$ 261.00
The ABS system is quickest and easiest way to amplify your banjo or resonator guitar. It combines a dynamic microphone (with the versatile cardioid pattern) and a compact gooseneck coupled to a shock mounted adjustable bracket that has no exposed wiring. The ABS reliably captures the sound of your banjo or reso-guitar at the precise spot you prefer for the tone you're after, without the annoyance of extraneous vibrations. ABS can be moved from one instrument to another in seconds and includes a stomp-box preamp (our 9-volt-powered ABS-2). A footswitch can increase gain (volume) to punch out lead breaks. An AC adapter is available (ABS-ADT). Connection to the sound system or amp is via standard 1/4" guitar cable; two cables are required for connection with preamp and amplifier. ABS comes in a hard plastic carrying case with fitted foam inserts for the mic and pedal.
Samson HM40 Horn/Woodwind Condenser Microphone
$ 199.99 $ 599.99
- Cardioid pickup pattern for outstanding sound
- Horn bell clamp included for easy attachment to horn
- P3 connector for use with many Samson beltpack systems
Samson Q Kick Dynamic Drum Microphone
$ 79.99 $ 199.99
An incredibly well-made kick drum mic. Rigid, and featuring a huge diaphragm element, the Q Kick sounds better than mics costing hundreds more.Features
- Large diphragm dynamic element
- Cardioid polar pattern reduces feedback
- Gold-plated XLR connector
- Mic stand swivel mount included
- Carry pouch included
Sennheiser E609 Silver Dynamic Instrument Microphone
Sold Out $ 119.00
The rugged workhorse with a practical shape.
The super-cardioid e 609 silver instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
-
Rugged metal body
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Advanced shock-mount design
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Super-cardioid pick-up pattern
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Hum compensating coil
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Made in Germany
Sennheiser Evolution e604 Stage Dynamic Instrument Microphones 3-Pack
$ 349.99 $ 439.99
The response and cardioid pattern of the Sennheiser e 604 Drum Microphone is optimized for use on drum sets, while also producing exceptional results on brass and woodwinds. Sennheiser e 604 mics handle very high SPLs, with clear, balanced, low-distortion signals similar to high-end studio condenser mics. Lightweight voice coils provide extended high frequency and rapid transient response. Tough reinforced fiberglass bodies take knocks and shocks and suppress impact noise.
FEATURES
- Rugged reinforced glass-fibre body
- Low sensitivity to impact and handling noise
- Very high sound pressure handling capability
- Easy to position due to compact design
- Integral stand mount
Audio
- Analog or digital: Analog
- Frequency response: 40Hz – 18kHz
- Max SPL: Not specified
- Connectivity: XLR
Pattern and Type
- Capsule: Dynamic
- Polar pattern: Cardioid
- Type: Clip on
- Switches: No
- Phantom power required: No
Size and Weight
- Diameter: 1.3 in.
- Length: 2.3 in.
- Weight: 2.1 oz.
Included Accessories
- Case: Yes
- Clip: Yes
- Shockmount: N/A
- Power supply: N/A
- Cable: No
- Stand: No
Shure 520DX Omnidirectional Dynamic Harmonica Microphone
$ 139.00 $ 179.00
Let the Shure 520DX Green Bullet Mic give you that warm, distorted Chicago blues tone associated with Little Walter. Dual-impedance internally selectable, built-in mic cord, supplied with 1/4" phone plug connector.
FEATURES
- Perfect shape for cupping harp
- Gorgeous distortion
- Road-tough casing
Shure Beta 52A Kick Drum Microphone
$ 189.00 $ 236.00
BETA 52A
Kick Drum Microphone
Drum microphone provides low-frequency bass punch and SPL handling. It includes dynamic locking stand adapter for easy set-up, steel mesh grille for durability, shock mount for sound isolation, and neodymium magnet for high signal-to-noise ratio.
PRODUCT DETAILS
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
- 1 - 26A21 Storage Bag
In the box
- 1 - 26A21 Storage Bag
- 1 - 95A2050 5/8” to 3/8” (Euro) Thread Adapter
Shure Beta 56a Instrument Microphone
$ 169.00 $ 239.00
BETA 56A
Instrument Microphone
Compact drum microphone engineered for close miking of snare and toms.
The Shure BETA®56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.
A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
Features
Tailored frequency response provides drums, amplified instruments, and horns with studio quality sound
Built–in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
Compact design reduces stage clutter
Hardened steel mesh grille resists wear and abuse
Neodymium magnet for high signal–to–noise ratio output
Minimally affected by varying load impedance
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Legendary Shure quality and reliability
Shure Beta 57A Supercardioid Dynamic Instrument Microphone
$ 149.00 $ 199.00
Dynamic instrument microphone provides high gain before feedback in demanding environments. It features a steel mesh grille for durability, shock mount to minimize transmission of unwanted noise, and a neodymium magnet for high signal-to-noise ratio.
Shure Beta 91A Instrument Microphone
Sold Out $ 319.00
The Shure Beta 91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL).
A 2-position contour switch maximizes attack and clarity depending on application. Select the flat response setting for natural sound in most applications or the "low-mid scoop" setting for a strong low frequency "punch" with plenty of higher frequency attack. Requires phantom power. Comes with zippered pouch.
Combines superior attack and punch for studio-quality sound.
- Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
- Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
- Frequency response tailored for kick drum/low frequency applications
- Wide dynamic range for use in high SPL environments
- Two-position contour switch to maximize attack and clarity
- Requires no external mounting or accessories for ease of use and storage
- Furnished with zipper pouch
SPECIFICATIONS
Beta 91A Kick-Drum Mic
- Type: Electret Condenser
- Frequency Response: 20 to 20,000 Hz
- Polar Pattern: Half-cardioid (cardioid in hemisphere above mounting surface)
- Impedance:146 Ohms
- Sensitivity (at 1 kHz, open circuit voltage) -48.5 dBV/Pa (3.8mV) 1 Pascal=94 dB SPL
- Maximum SPL (1 kHz at 1% THD): 1000 Ohm load: 151 dB, 2500 Ohm load: 155 dB
- Signal-to-Noise Ratio (referenced at 94 dB SPL at 1 kHz) 64 dB S/N ratio is difference between 94 dB SPL and equivalent SPL of self noise, A-weighted
- Dynamic Range (at 1 kHz) 1000 Ohm load: 121.5 dB
- 2500 Ohm load: 125.5 dB
- Common Mode Rejection (20 Hz to 20 kHz): > 55 dB
- Clipping Level (20Hz-20 kHz at 1% THD) 1000 Ohm load: 7.50 dBV, 2500 Ohm load: 12.5 dBV THD of microphone preamplifier when applied input signal is equivalent to cartridge output at specified SPL
- Self Noise (typical, equivalent SPL, A-weighted): 29.5 dB SPL-A
- Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
- Weight: Net: 470 g (16.6 oz.)
- Frequency Contour Switch: 7 dB of attenuation centered at 400 kHz
- Connector: Three-pin professional audio (XLR), male, balanced
- Power Requirements: 11-52 Vdc phantom power, 5.6 mA
Shure Beta 98H/C Instrument Microphone
$ 219.00 $ 299.00
BETA 98H/C
Instrument Microphone
A versatile solution for brass or percussion instruments. No external mounting hardware required.
The BETA®98H/C and the wireless version WB98H/C are premium cardioid condenser instrument microphones that clamp onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.
Features
- The Beta 98 H/C and WB98 H/C feature transformerless preamplifier circuitry which improves linearity across the full frequency range.
- The pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.
- Its high maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments.
- The Beta98H/C features a 3 m (10 ft.) high-flex cable with attached preamplifier (XLR connection)
- The WB98H/C features a 1.6 m (5.3ft) high-flex cable terminating in a 4-pin mini-connector, for use with wireless bodypack transmitters
- Tailored frequency response for open, natural sound reproduction
- Compact, lightweight construction provides a low degree of visibility
- Gooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioning
- Legendary Shure ruggedness and reliability
- Interchangeable replacement cartridges:
- RPM108 : Cardioid
- RPM110 : Supercardioid
Shure PGA81-XLR Cardioid Condenser Instrument Microphone
$ 135.00 $ 175.00
- Flat-response microphone cartridge design for clear reproduction of acoustic instrument sound sources in more sensitive environments.
- Cardioid polar pattern picks up audio from the source while rejecting unwanted noise
- Updated industrial design with black metallic finish and grille for unobtrusive visual presence
- Available with XLR Cable (4.57 m)
- Stand adapter for mounting to a microphone stand
- Zipper pouch included for additional protection during storage or transport
- Legendary Shure quality design and construction for exceptional performance in rigorous environments
The PGA81 is a professional quality instrument microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.
- 1 Stand adapter
- 1 Zipper pouch
- 1 XLR-XLR cable (PGA81-XLR)
Shure PGADrumKit7 7-Piece Drum Microphone Kit
Sold Out $ 699.00
The PGADRUMKIT7 includes a complete microphone package for reinforcing kick drums, snare drums, rack toms, floor toms, congas and cymbals for performance and recording.
The PGADRUMKIT7 Drum Microphone Kit is a complete package of professional quality microphones designed to provide excellent sound for full drum kit performance and recording.
- 1 PGA52 Cardioid Dynamic Kick Drum Microphone
- 3 PGA56 Cardioid Dynamic Snare/Tom Microphones
- 1 PGA57 Cardioid Dynamic Instrument Microphones
- 2 PGA81 Cardioid Condenser Instrument Microphones
- 3 A25D Break-resistant Microphone Clip
- 3 AP56DM Break-resistant Drum Rim Mounts
- 7 XLR-XLR cables 4.6m
- 1 Zippered carrying case
Shure SM57-LC Instrument Microphone
$ 99.00 $ 124.00
SM57
Dynamic Instrument Microphone
A snare crack. An arpeggiated chord. A powerful saxophone solo. Whether on stage or in the studio, the notes that flow from your instrument connects your audience on a visceral level. And such sounds need a mic that can handle its strength. For every acoustic condition, the SM57 delivers the power of your playing to every fan in the house.
PRODUCT DETAILS
- 1 - A25D Swivel Stand Adapter
- 1 - 95A2313 Storage Bag
Made for the stage
The contoured frequency response makes it simple to engineer clean audio for a live sound mix.
Handles the pressure
Hard knocks are just part of the show sometimes, and the SM57 is built to take them on. A hit from a high kick or a flying drumstick can’t shut it down.
Only the loud you want
With a uniform cardioid pattern and a pneumatic shock mount system, you get a whole lot of tone without the handling or background noise.
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