The Alesis QuadraVerb is a 16Hz-20kHz bandwidth stereo programmable effects box with four digital effects (EQ, Pitch Change, Delay, Reverb). The effects can be used in parallel or in serial (or a combination). Specs say the dynamic range is 85dB, less than .1% distortion. Processor speed is 24 MIPS (no Z80 in this baby!). Conversion scheme is 16-bit linear PCM. It's fully MIDI-fied.
This is a USED item being sold in "Very Good" condition.
Solid mahogany top, and mahogany back and sides produce a dark lush look as well. Die-cast tuners for solid tuning.
This is a USED guitar being sold in 'Very Good' condition.
$ 85.00 $ 185.00
A newly redesigned rotary speaker simulator with tons of style and unbelievable tone.
The Soul Vibe, winner of the Guitar World Platinum Award, is back with a new look that really suits the "vibe" of this delicious pedal. Countless guitarists claim that Soul Vibe is the most convincing of analog rotary simulators, delivering on that Leslie experience complete with slight pitch changes as the horn comes and goes. Now Soul Vibe looks as sweet as it sounds. Check out that delicious root beer metallic finish, inspired by the warm, wood finished cabinet of a Leslie. Cr¨me brownface amp knobs are the perfect complement, adding to the visual warmth, while the matching cr¨me logo script puts this gorgeous new Soul Vibe in a class all its own. Just imagine plugging into this pedal and doing your best Gilmour or Trower licks. Yeah, we thought you'd like that.
What hasn't changed is the Soul Vibe's commitment to an authentic rotary experience with the convenience, reliability and durability you've come to expect from BBE, including 1% metal-film resistors and true hardwire bypass. If rotary is your vibe, get a Soul Vibe and discover that heaven is still in heavy rotation.
This is a USED item being sold in "Excellent" condition.
Articulate in the studio and as ferocious as an angry junkyard dog onstage, the Metropolis beckons you to rule your city...
The Trilogy is complete with our new, or should we say, vintage Metropolis. Forever classic, the chimey EL-84 tone blossoms into an extremely touch sensitive and dynamically expressive voice. Metropolis features a single channel circuit that responds to every nuance of your attack and shift of the guitars controls. When coupled with our optional specially designed combo or extension speaker cabinet the result is incredible projection and richness that must be experienced to be believed.
A kaleidoscope of tonal colors can be coaxed from Metropolis's two distinctly voiced inputs (non-reverb model) and the five position Schizo control. Really a sonic blender control the Schizo switch alters the voicing of the amps Gain and EQ structure and combined with the individual tone, gain and master volume controls many stellar sounds await. Deep 3-D ambience is available from the tube driven reverb option. Optional Reverb "Tone and Drive" controls allow even greater control over the reverbs attack, body and tonal shape.
This is a USED amplifier being sold in 'Excellent' condition. Photos are the actual item for sale.
Single channel all tube design
15 or 30 watt EL84 Class A cathode biased power amp
5AR4 tube rectifier
Gain, Bass, Treble, Middle, Volume & Presence control
Schizo 6 Position tone gain structure rotary switch
Reverb and Dry (zero download) input
Single 16 and dual 8 ohm speaker outputs
BOLT'S 100-WATT GUITAR AMP SERIES,
designed and built in the USA, features boutique amp quality, tone and design at mid-range prices. Bolt also raises the bar for tube amp design by incorporating a computer chip that continually monitors the power and preamp tubes to ensure they deliver cranked amp tone at any volume and EQ setting. Combine this with three channels, each featuring level and gain, selectable active/ passive EQ, and three selectable voicings, and you have guitar amps that allow guitarists to find the exact tone and sound they want at any volume, no matter what style of music they play.
Lead, Crunch, and Clean Channels
Protection Racket PR5028W 28x12x12 Bag with Wheels
This is a USED Bolt BTH-100 guitar amplifier head being sold in "Like New" condition. This head has been very well cared for, and it shows! Included with this head is a Protection Racket Wheeled, padded bag which is also in "Excellent" condition. Footswitch, cables all included.
$ 149.99 $ 199.99
When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.
The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best.
Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.
This is a USED item being sold in "Excellent" condition.
The dbx AFS-224 Stereo/Dual Mono Feedback Suppression Processor provides all the feedback elimination processing and control necessary for both installation and live use. The dedicated processor offers up to 24 filters per channel with filter Qs up to 1/80th of an octave. The AFS-224 also has selectable modes, live filter lift, and types of filtration, all readily available via the intuitive user interface.
AFS-224 Stereo/Dual Mono Feedback Suppression Processor
Powered speakers are beautiful things. Everything you need bundled into simple, tidy, portable packages. Just grab 'em and go, right? Well, you may think your powered speaker system is complete, but you're missing half the picture. DriveRack PX is the other half. With the PX, dbx has created a processor specifically tailored for powered speakers.
Utilizing dbx's highly acclaimed DriveRack technology, the PX picks up where your powered speakers leave off. The DriveRack PX Powered Speaker Optimizer has everything you need to get the most out of your stereo powered speaker system. It even includes stereo or mono subwoofer support. With the included dbx M2 measurement mic, Auto-EQ corrects for audible deficiencies in the room environment. Dbx's patented Advanced Feedback Suppression (AFSTM) kills nasty feedback, allowing problem-free operation at higher sound levels, while dbx's patented Subharmonic Synthesizer extends bass response for enhanced bottom end.
With all that, you also get classic dbx compression and the protection offered by dbx's graceful PeakStopPlus limiting. Your ears, your audience, and your powered speakers will forever thank you. In spite of all that sophistication, rest assured dbx won't overcomplicate the simplicity of your rig. Dbx's exclusive Setup, Auto-EQ, AFS Wizards, and out-of-the-box support for a host of JBL and other popular powered speakers, make setup a snap. Louder, cleaner, better sound than you thought possible from your powered speakers.
DriveRack PX Powered Speaker Optimizer
$ 299.99Arched top, a gleaming triple-black finish, black hardware, blade pickups. A set neck gives extra sustain capability. Long-scale neck with full upper access gives your fingers plenty of room to rip. This guitar is USED and in "Very Good" condition. There are some small areas with buckle rash on the back of the body, and some very light scratches.
The Evo Tevo is a perfect blend of vintage design, old world craftsmanship and decades of guitar building technology. Entirely constructed of select Honduran mahogany, the Evo Tevo achieves incredible sustain and astonishing tones. The guitar also features a neck joined at the body with Dean's exclusive angular neck joint. The neck joint was specially designed to attain the optimum in playability and ultimate resonance. Electronics include two Dean humbuckers, 1 volume, 1 tone, 3-way pickup toggle selector for lots of tonal choices.
This USED instrument is in "Very Good" condition.
The Dean Michael Angelo Batio Electric Guitar is spec,d by Batio to be an incredibly fast guitar. Its neck is super thin, slightly rounded for extra comfort and joins the body at a straight angle for extended playability. It has a rosewood fingerboard and block inlays that are easy to spot on stage.
This is a USED guitar being sold in "Very Good" condition. There is one small indentation just under the toggle switch.
$ 169.99 $ 269.99
The sound of classic studio optical compression of the 60's and 70's at your feet! The first compressor pedal not to suck the life out of your tone. Operation is fairly straightforward. There are two inputs on the front side of the unit: a 1/4" input jack on the right and a 1/4" output jack on the left with a battery-ground switch on the input jack. There are two controls on the unit: compress and volume, plus a foot switch to bypass the effect, and an LED to indicate effect operation. On the side there is a trim pot to set the overall gain of the unit. Compress affects the amount of gain reduction (compression) of the input signal. Turning this clock wise will give you up to 30dB of gain reduction (depending on input gain). Please note that the Compulators max gain is 26dB (see Trim Pot) so in some circumstances if your instrument is very hot you could achieve less than unity gain if you turn up the compress knob too much. Volume increases and decreases the output volume of the Compulator. Use this for level matching between the effected and unaffected signal. Trim pot sets the gain of the compressor's pre-amplifier. If distortion occurs turn this down until the signal is clean. The unit is set at the factory at 20dB of gain which is perfect for most instruments. If you have weaker pickups or want to push the envelope turn it up to its max gain 26dB. Power supply: 9 volts DC. Either external or internal. For internal power, use a 9 volt battery. To access, remove the four screws on the sides of the unit and pull apart. Note: battery must have at least 7 volts for unit to work! External power supply using mini plug, tip positive, 9 volt DC regulated (100 milliamp or more).
This is a USED pedal being sold in "Like New" condition.
$ 149.99 $ 449.99
Digitech's Integrated Effects Switching System takes multi-effects to a whole new level.
The DigiTech RP1000 guitar pedal is loaded with over 160 effects and 200 presets giving you a splendid range of tones. With an integrated effects switching system, no longer will you have to do the pedal tap dance-just select your preset and your tone is engaged, just the way you like it. This DigiTech pedal comes with a built-in phrase looper with 20 seconds of record time. You can also route external effects pedals through it using the stompbox loop.
The Digitech RP1000 comes with an Amp/Cabinet bypass switch that allows you to turn off the RP1000's internal amplifiers and cabinets so your amp's tone stands alone.
Simplicity of a Guitar Pedal
Popular on the Digitech RP500, the RP1000 multi-effects pedal also features the pedal board Mode that turns footswitches 6 through 10 into stompbox-style effect on/off controls.
100 different pedal boards
When the Amp/Cabinet Bypass is used in conjunction with the pedal board mode, the RP1000 turns into 100 different pedal boards. You get instant access to both preset changes and stompbox on/off control-truly the best of both worlds.
The DigiTech RP1000 pedal is built like a tank from a cast-metal chassis to the 14 vacuum-style switches. A large 10 character LED display makes for easy stage use topped by a built-in expression pedal to control wahs, volume, whammy, and other parameters.
Your sound is king; the control of your sound is imperative. The RP1000 pedal gives you added control to express yourself the way you want-no longer will the lack of control stand in the way of your expression.
Choose from the extensive list of guitar effects including:
Compressor / Sustainers based on:
Boss CS-2Compressor / Sustainer
DigiTech Main Squeeze Compressor
Wah / Volume based on:
Dunlop Cry Baby Wah
DigiTech Full Range Wah
Vox Clyde McCoy Wah
Distortions and Overdrives based on:
SCREAMER (Ibanez TS-9)
TS 808 (Ibanez TS-808 Tube Screamer)
SPARKDRIVE (Voodoo Lab Sparkle Drive)
OD OVERDRIVE (Guyatone Overdrive OD-2)
DOD 250 (DOD 250 Overdrive/Preamp)
RODENT (Pro Co RAT)
MX DISTORTION (MXR Distortion +)
DS (Boss DS-1 Distortion)
GRUNGE (DigiTech Grunge)
ZONE (Boss MT-2 Metal Zone)
DigiTech Death Metal
GONKULATOR (DOD Gonkulator Ring Modulator)
8TAVIA (Roger Mayer Octavia)
FUZZLATOR (Demeter Fuzzulator)
CLASSIC FUZZ (DOD Classic Fuzz)
FUZZY FACE (Arbiter Fuzz Face)
BIG PI (Electro-Harmonix Big Muff Pi)
DigiTech Redline Overdrive
Amplifiers and Acoustics:
57 CHAMP ('57 Fender Tweed Champ)
57 DELUXE ('57 Fender Tweed Deluxe)
59 BASSMAN ('59 Fender Tweed Bassman)
62 BROWN BASSMAN ('62 Fender Brownface Bassman)
65 TWIN REVERB ('65 Fender Blackface Twin Reverb)
65 REVERB ('65 Fender Blackface Deluxe Reverb)
65 JTM-45 ('65 Marshall JTM-45)
68 SUPER LEAD PLEXI ('68 Marshall 100 Watt Super Lead (plexi)
68 JUMP PANEL ('68 Marshall Jump Panel)
77 MASTER VOLUME ('77 Marshall Master Volume)
83 JCM800 ('83 Marshall JCM800)
93 JCM900 ('93 Marshall JCM900)
01 JCM2000 ('01 Marshall JCM2000 (Solo Channel)
62 AC15 ('62 Vox AC15)
63 AC30 TOP BOOST ('63 Vox AC30 Top Boost)
69 HIGH WATTAGE ('69 Hiwatt Custom 100 DR103)
81 MARK IIC ('81 Mesa Boogie Mark II C)
01 DUAL RECTIFIED ('01 Mesa Boogie Dual Rectifier)
99 LEGACY VL-100 (Carvin Legacy VL-100)
96 MATCH HC-30 ('96 MatchlessTM HC30)
88 SLO-100 ('88 Soldano SLO-100)
Peavey 5150 II
DigiTech Bright Clean
DigiTech 2101 Clean Tube
DigiTech High Gain
DigiTech MONSTER - Maxed-out gain
DigiTech "TWEEDFACE"-Tweed preamp w/Blackface poweramp
DigiTech "65 Blackface Bassman"-'65 Blackface preamp w/ Bassman poweramp
DigiTech STONERROCK-Thick, sludgy distorted amp tone
DigiTech DARKMETAL-Responsive, tight metal tone
DigiTech TRANSISTOR-Solid state transistor amp sound
DigiTech BROWNSOUND-Hot rodded 80's stack tone
DigiTech MOSH-Chunky metal tone with just the right amount of sizzle
2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
DIRECT No amp model
CHAMP 1X8 (1x8 '57 Fender Tweed Champ)
DELUXE 1X12 (1x12 '57 Fender Tweed Deluxe)
DELUXE REVERB 1X12 (1x12 '65 Fender Blackface Deluxe Reverb)
BRITISH 1X12 (1x12 '62 Vox AC15 w/20W Vox Speaker)
BLONDE 2X12 (2x12 '57 Fender Blonde Bassman)
TWIN 2X12 (2x12 '65 Fender Blackface Twin Reverb)
BRITISH 2X12 (2x12 '63 Vox AC0 Top Boost w/ Jensen Blue Backs)
BASSMAN 4X10 (4x10 '59 Fender Tweed Bassman )
BRITISH 4X12 (4x12 Marshall 1969 Straight w/ Celestion G12-T70)
GREENBACK 4X12 (4x12 Marshall 1969 Slant w/ Celestion 25W Green backs)
FANE 4X12 (4x12 Hiwatt Custom w/ Fane Speakers)
BOUTIQUE 4X12 (4x12 '96 VHT Slant w/ Celestion Vintage 30's)
VINTAGE 4X12 (4x12 Johnson Straight w/ Celestion Vintage 30's)
4X12 4x12 DigiTech Solo
2X12 2x12 DigiTech Bright
4X12 4x12 DigiTech Metal
4X12 4x12 DigiTech Rock
4X12 4x12 DigiTech Alt Rock
4X12 4x12 DigiTech Vintage
4x12 DigiTech Chunk
4x12 DigiTech Spank
4x12 DigiTech Speaker Compensation
DIRECT No cabinet model
Chorus Stompbox Models based on:
Boss CE-2 Chorus
DigiTech Dual Chorus
TC Electronics Chorus
DigiTech GLISTENING Chorus
Flanger Models based on:
DigiTech Triggered Flanger
Electro Harmonix Electric Mistress
Phaser Models based on:
MXR Phase 100
Electro Harmonix Small Stone
Pitch Models based on:
DigiTech Pitch Shift
Boss OC-2 Octaver
Vibrato / Rotary Models based on:
DigiTech Vibro / Pan
Tremolo Models based on:
Fender Opto Tremolo
Vox Bias Tremolo
DigiTech Scattertrem-Dual tremolo effect
Envelope / Special Models based on:
DOD FX25 Envelope Filter
DigiTech Auto Yah
DigiTech Synth Talk
DigiTech Step Filter
DigiTech Sample & Hold
DM Analog Delay - based on Boss DM2 Analog Delay
Echo Plex - based on Maestro EP-1 Tube Echoplex
Reverbs based on:
EMT Plate - based on EMT 240 Plate Reverb
Spring - based on Fender Twin Reverb
*Other product names modeled in the DigiTech RP1000 are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. Ibanez Tube Screamer, Voodoo Labs Sparkle Drive, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, Roger Mayer Octavia, Demeter Fuzzulator, Arbiter Fuzz Face, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, MXR DynaComp, TC Electronic, EH Electric Mistress, EH Small Stone, Boss Octaver, Unicord Univibe, Fender Opto Tremolo, Vox Bias Tremolo, Maestro Echoplex, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Fender Blackface, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Soldano, Jensen Blue Backs, Celestion, Johnson Amplification and VHT Amplification are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product.
The Swollen Pickle mkII Jumbo Fuzz is the most sought-after and corpulent Way Huge guitar effects pedal, and now it's back! A charter member of the Way Huge line has returned, and just like when it debuted in 1997, it still has "more fuzz than a moldy peach!" The Swollen Pickle mkII doles out super high-gain fuzz with copious amounts of smooth low-end to all who dare plug into it.
With a twist of the Sustain control, the Swollen Pickle mkII Jumbo Fuzz takes you from mild crunch to Armageddon. The Filter control retains its trademark insane range of heavily band-pass-filtered tones, distinguished by remarkable girth and sizzle, and the Loudness puts out enough volume to clobber any amp.
Updated Swollen Pickle mkII Jumbo Fuzz features include a tone stack Scoop control that elicits classic Swollen Pickle guitar pedal mid-scoop or a flat mid-frequency sweep, and a Crunch knob to adjust the compression intensity of the fuzz.
Finally, under the hood, the Swollen Pickle mkII fuzz pedal has 2 internal mini controls-Voice sets the intensity of the external Scoop control from light to heavy mid cut, and Clip varies between two sets of clipping diodes for smooth or opened fuzz sustain.
Each Way Huge effect pedal is rigorously tested to ensure quality, durability, and reliability to deliver many years of exceptional performance. All Way Huge pedals offer a heavy-duty footswitch with quiet relay-based true bypass, a blue LED indicator, 2.1mm power jack with AC protection, easy access (non-detachable) battery door, a super-duty .09 aluminum anodized chassis, high grade components, great tone, and a cool name.
Launched in 1992 by Jeorge Tripps, Way Huge Electronics began as a result of Tripps' search for great tone, and his desire to perform with reliable, rugged and pedal board-friendly effects that had the magic of his coveted vintage pedals. The very first pedal-simply labeled "Fuzz Box"-was quickly followed by such staples to the product line as the Red Llama Overdrive, Foot Pig Fuzz and Green Rhino Overdrive II, which quickly found their way into the hands and onto the pedal boards of the world's guitar elite. Ensuing years would see the introduction of pedals such as the Swollen Pickle Jumbo Fuzz, Aqua-Puss Analog Delay, and the Saffron Squeeze. Over the span of a few years, Tripps helped revolutionize what would later be known as the 'boutique' effects market. In late December 1999, the company closed its doors as Tripps pursued other opportunities, sending demand for Way Huge products soaring, and driving online auctions well into the hundreds-sometimes thousands-for used Way Huge pedals. Now teaming up up with Dunlop, Way Huge pedals will once again be available to the masses, so all can enjoy their finely tuned electronics, high-grade circuitry and road ready construction, built under the watchful eye of Mr. Huge himself.
This is a USED viola outfit made by Eastman Music Company. It is in "excellent" condition.
Samuel Eastman model 100 instruments have become a staple of string programs everywhere. Outstanding features include aged solid tonewoods, genuine hand- inlaid purfling, genuine ebony fittings, and a glowing amber-brown varnish that is durable as well as attractive. These fully carved instruments provide quality of sound and craftsmanship to beginning and advancing players.
This is a USED Egnater by Rocktron TOL 50 guitar amplifier head and speaker cabinet with 2 button footswitch and plain black covers. These pieces are in "Very Good" condition.
Rocktron/Egnater TOL 50 $1295 (original MSRP).
Has 10-watt setting. Beside the main power switch is a standby switch with a special feature: you can select 50 or 10 Watt for output power. Has fx level/mix control, the latter being of dual duty also. Can switch between series and parallel effect modes. In the series position, the control functions as a master volume; in parallel it controls the effect volume. Send and return jacks. Slave Out jack. Recording Out jack; the direct signal from the output stage can be routed from here to mixer, separate effects units, or additional amps systems. A push-pull pot sets the signal level, between 0 and -15 dB. Has an internal and an external speaker jack with impedance selector. TOL = Tone Of Life.
Epiphone's Masterbilt Collection delivers instruments of unsurpassed value, playability, and tone, and this guitar is no exception. It offers the feel and sound of a pre-war axe with vintage-style appointments, tone, and the '30s-era, V-shape mahogany neck. It also comes with an expertly voiced solid cedar top, a solid rosewood body, vintage-style 12-fret rosewood fretboard, and pearl diamond inlays.
This is a USED guitar being sold in 'Excellent' condition. Gigbag included.
Epiphone, the world leader in archtop design, presents the Les Paul ES PRO™, a true ES-style archtop that combines Epiphone's long tradition of building superior archtops with the classic sound and profile of the world's #1 electric guitar, the Les Paul. Featuring an ES-style body f-holes with traditional ES-body bracing, Epiphone ProBuckers™ with coil-splitting, a Dual-Action Truss Rod, Grover® Rotomatic machine heads, LockTone™ bridge, and stopbar tailpiece.
The Les Paul ES PRO archtop hollowbody features a Flame Maple Top and Maple Body with the classic Les Paul profile with carved f-holes inspired by legendary ES-style archtops like the Casino, Sheraton, and the "335." The body top and back has single layer white binding along with a cream pickguard. The Les Paul style 24.75" scale neck has single layer Pure White binding and is made from Mahogany with a 1960s SlimTaper™ D-profile. The Rosewood fingerboard has medium jumbo frets, a 12" radius, and "Trapeze" pearloid inlays found on 50s era Les Pauls. Inside the ES-PRO hollow body is a center block and counter brace, both hallmarks of a true ES-style archtop.
ProBucker Pickups with "P.A.F" Sound: Like many Epiphone Les Pauls, the new Les Paul ES-PRO is powered by Epiphone's critically acclaimed ProBucker™ pickups, designed to recreate the first generation of hand wound Les Paul humbuckers from the 1950s that today can only be found in rare "Sunburst" Les Pauls that go for over $150,000 on the vintage market.
Epiphone ProBucker humbucker pickups are made with the same 42 gauge Elektrisola wire as the originals plus 18% Nickel Silver unit bases and covers, the same alloy used by Gibson for their BurstBucker™ pickups. The Les Paul ES-PRO features an Epiphone ProBucker-2™ in the neck position and a slightly "hotter" Epiphone ProBucker-3™ in the bridge position for leads. Both pickups also come with coil-splitting, activated by a simple push/pull of each pickup's volume control, which allows players to mix single coil and humbucker tones together in endless combinations. Each pickup has "Les Paul" style volume and tone controls with Gold RidgeTop™ "top hat" knobs with metal pointers. The 3-way Pickup Selector has a white toggle cap. The Les Paul ES-PRO's archtop body design combined with its vintage-toned ProBucker™ pickups makes it one of today's most versatile electric guitars. And, it's available for the fraction of the cost of a vintage ES-style archtop or Les Paul!
Solid Epiphone Hardware: The Les Paul ES PRO comes with world class rock solid Epiphone hardware including a solid nickel fully adjustable LockTone™ bridge and stopbar tailpiece, a solid nickel Heavy-Duty Non-Rotating 1/4" output jack with square jack plate, and legendary Grover® Rotomatics™ machine heads with an 18:1 turning ratio for fast and accurate tuning.
Les Paul ES PRO Specifications:
|Top Material:||Flame Maple Laminated; 3-Layer|
|Body Material:||Laminated Maple, 3-Layer|
|Neck Shape:||1960s SlimTaper™ D-Profile|
|Truss Rod:||Adjustable, Dual Action|
|Fingerboard Material:||Rosewood w/Trapezoid Pearloid Inlays|
|Nut:||White Synthetic Bone|
|Headstock Inlay:||"Epiphone" Logo In Pearloid|
|Neck Pickup:||Epiphone ProBucker-2™|
|Bridge Pickup:||Epiphone ProBucker-3™|
|Controls:||3-Way Pickup Selector w/White Toggle Cap, Neck Pickup Volume with Coil-Splitting, Bridge Pickup Volume with Coil-Splitting, Neck Pickup Tone, Bridge Pickup Tone|
|Knobs:||Gold RingTop™ "Top Hat" w/Metal Pointers|
|Binding:||Top: 1-Layer Pure White, Fingerboard: 1-Layer Pure White, Body Back: 1-Layer Pure White|
|Bridge:||Epiphone LockTone™ Tune-o-matic|
|Tailpiece:||Epiphone LockTone™ Stopbar|
|Output Jack:||Epiphone Heavy-Duty, Non-Rotating 1/4" w/Square jack Plate|
|Machine Heads:||Grover® Rotomatics™, 18:1 Ratio|
$ 249.00 $ 448.99
Les Paul 100
The Les Paul 100 is a superb instrument for players looking for an affordable but reliable electric guitar that has the classic look, sound and feel of a Les Paul. The Les Paul 100 is cut to the same specs as Les' 1952 original and has everything new and professional guitarists look for in a quality instrument.
As with all Epiphones, the Les Paul 100 comes with our world famous Limited Lifetime Warranty and Gibson 24/7/365 Customer Service. What are you waiting for? Pick up a Les Paul 100 and make your own history today!
This is a USED guitar being sold in "Very Good" condition. There are a few chips in the finish on the backside of the guitar, around the edge near the bottom. Hardshell case is included.
ESP's LTD MH-100QM NT electric guitar features a double-cutaway basswood body with a quilted-maple top and a see-thru black cherry finish. Its bolt-on maple neck, measuring 25.5" in scale, is fitted with a rosewood fingerboard and 24 extra-jumbo frets. The strings are attached through the back of the body, increasing the natural sustain of the wood, then intonated by a tune-o-matic bridge, and secured at the headstock by a set of LTD tuners.
For electronics, this guitar is outfitted with two ESP-designed passive humbucking pickups, an LH-150N in the neck position and LH-150B at the bridge. Master volume and master tone knobs, and a three-way pickup selector switch provide control over the electronics' various timbres.
This is a USED guitar that is in "Good" condition. It is in very good working condition. It has numerous finish scratches, nicks, buckle rash on the back of the body that were very difficult to make visible in photos. This is a great guitar for that student who isn't ready to make a huge investment but still wants a cool guitar!
Sold Out $ 499.99
An amazing collection of reverbs along with delays, pitch shifting, and other effects.
The Space from Eventide presents an unprecedented collection of reverb algorithms combined with delays, pitch shifting, tremolo, modulation, and special effects in a compact pedal.
Space features 12 of Eventide's signature reverb combination effects taken from the H8000FW and Eclipse V4, along with some startling new magic! These unique effects, previously available only in Eventide rack processors, are now available in a compact, roadworthy pedal.
12 of Eventide's Signature Reverb Combo Algorithms
Space Reverb Guitar Effects Pedal
This is a USED pedal being sold in "Like New" condition.
Sold Out $ 399.99
2 independent 3-second delays for your guitar.
The Eventide TimeFactor Twin Delay Pedal serves up studio-quality sound, and 10 Stereo or Dual Mono Delay effects. Included are Digital Delay, Band Delay, Vintage DDL, Filter Pong, Tape Echo, MultiTap Delay, Modulated Delay, Reverse Delay, Ducked Delay, and Looper.
With the TimeFactor Pedal you can change programs instantly. Enjoy realtime control with 10 knobs, MIDI, or an expression pedal. Set effect rates with Tap Tempo and MIDI Clocksync. The Eventide TimeFactor has 27 User Presets, a 12-second Looper, unlimited presets through MIDI, and true analog bypass.
Rugged cast metal construction, metal footswitches for Instant Preset access, mono or stereo operation, and gutter or line level inputs and outputs.
Nothing Sounds Iike an Eventide
Through the decades, top players have depended on Eventide: Jimmy Page, Frank Zappa, Brian May, Eddie Van Halen, Steve Vai, Robert Frlpp, John Petruccl, and Adrian Belew, to name a few. Now, for the first time, these effects are portable AND affordable. Stomp-box simple, TimeFactor fits on your pedal board or in your gigbag.
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedaIs.
Studio Quality Effects at Your Feet
Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's 10 best delay effects from the past 35
years without compromising quality OR flexibility.
NO DEAD ENDS
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
This is a USED pedal being sold in "Like New" condition.
$ 599.99 $ 1,040.00
Deluxe instruments deliver all the nostalgia of classic Fender plus some stage- and studio-friendly extras. Fresh looks, modern electronics and distinct vibes give each instrument a character and functionality that’s all its own.
For the guitarist who wants the ultimate in Telecaster® tonal versatility, great value and a touch of Music City U.S.A. style, the Deluxe Nashville Tele is the perfect choice. Its special three-pickup design features a hot Tex-Mex™ Stratocaster® middle pickup flanked by two hot Tex-Mex Telecaster neck and bridge pickups, delivering remarkably varied Telecaster tones from snappy to sparkling to screaming. Add in the five-way Strat-o-Tone™ switching, and you’re playing one of the most versatile Telecaster models Fender has ever made—a true Deluxe performer with great sound, style and affordability.
This instrument features a modern neck designed for comfort and performance, with a contemporary “C”-shaped profile (the shape of the neck in cross section) and a smooth back finish. Ideal for those who play with the thumb on the back or side of the neck.
A distinctive three-pickup instrument, the Deluxe Nashville Tele also features five-way pickup switching that delivers a Stratocaster-like control configuration for maximum tonal versatility.
The Deluxe Nashville Tele is an unusually versatile take on the original in that it has three pickups rather than the traditional two, consisting of Tex-Mex™ single-coil Telecaster neck and bridge pickups flanking a Tex-Mex single-coil Stratocaster middle pickup, all with higher output for everything from soaring clean tone to earthy Texas grit.