$ 299.99 $ 559.00
Ampeg’s Portaflex PF-500 bass head delivers a staggering 500W of power in an ultra-compact design providing pure Ampeg tone in an extremely portable package. Precise tone controls and gig-friendly input/output options provide ultimate flexibility. Pair it with our PF Series flip-top cabinets for the vintage styling and portability of Ampeg’s iconic Portaflex originals.
RMS power output: 500W @ 4 ohms
Power amp: Class D
Tone controls: Bass, mid, treble
Mid-tone control: 5-position
Ultra Hi/Lo boosts
Balanced direct out
Pre/post EQ option
-40 dB pad
FX loop with dedicated mix control (footswitchable)
Power amp in/ preamp out
1/8” headphone out / line in
-15 dB input pad
Power supply: switching
Dimensions ( H x W x D inches): 3 x 14 x 11
Handling weight: 11 lbs / 5 kg
$ 85.00 $ 185.00
A newly redesigned rotary speaker simulator with tons of style and unbelievable tone.
The Soul Vibe, winner of the Guitar World Platinum Award, is back with a new look that really suits the "vibe" of this delicious pedal. Countless guitarists claim that Soul Vibe is the most convincing of analog rotary simulators, delivering on that Leslie experience complete with slight pitch changes as the horn comes and goes. Now Soul Vibe looks as sweet as it sounds. Check out that delicious root beer metallic finish, inspired by the warm, wood finished cabinet of a Leslie. Cr¨me brownface amp knobs are the perfect complement, adding to the visual warmth, while the matching cr¨me logo script puts this gorgeous new Soul Vibe in a class all its own. Just imagine plugging into this pedal and doing your best Gilmour or Trower licks. Yeah, we thought you'd like that.
What hasn't changed is the Soul Vibe's commitment to an authentic rotary experience with the convenience, reliability and durability you've come to expect from BBE, including 1% metal-film resistors and true hardwire bypass. If rotary is your vibe, get a Soul Vibe and discover that heaven is still in heavy rotation.
This is a USED item being sold in "Excellent" condition.
Articulate in the studio and as ferocious as an angry junkyard dog onstage, the Metropolis beckons you to rule your city...
The Trilogy is complete with our new, or should we say, vintage Metropolis. Forever classic, the chimey EL-84 tone blossoms into an extremely touch sensitive and dynamically expressive voice. Metropolis features a single channel circuit that responds to every nuance of your attack and shift of the guitars controls. When coupled with our optional specially designed combo or extension speaker cabinet the result is incredible projection and richness that must be experienced to be believed.
A kaleidoscope of tonal colors can be coaxed from Metropolis's two distinctly voiced inputs (non-reverb model) and the five position Schizo control. Really a sonic blender control the Schizo switch alters the voicing of the amps Gain and EQ structure and combined with the individual tone, gain and master volume controls many stellar sounds await. Deep 3-D ambience is available from the tube driven reverb option. Optional Reverb "Tone and Drive" controls allow even greater control over the reverbs attack, body and tonal shape.
This is a USED amplifier being sold in 'Excellent' condition. Photos are the actual item for sale.
Single channel all tube design
15 or 30 watt EL84 Class A cathode biased power amp
5AR4 tube rectifier
Gain, Bass, Treble, Middle, Volume & Presence control
Schizo 6 Position tone gain structure rotary switch
Reverb and Dry (zero download) input
Single 16 and dual 8 ohm speaker outputs
BOLT'S 100-WATT GUITAR AMP SERIES,
designed and built in the USA, features boutique amp quality, tone and design at mid-range prices. Bolt also raises the bar for tube amp design by incorporating a computer chip that continually monitors the power and preamp tubes to ensure they deliver cranked amp tone at any volume and EQ setting. Combine this with three channels, each featuring level and gain, selectable active/ passive EQ, and three selectable voicings, and you have guitar amps that allow guitarists to find the exact tone and sound they want at any volume, no matter what style of music they play.
Lead, Crunch, and Clean Channels
Protection Racket PR5028W 28x12x12 Bag with Wheels
This is a USED Bolt BTH-100 guitar amplifier head being sold in "Like New" condition. This head has been very well cared for, and it shows! Included with this head is a Protection Racket Wheeled, padded bag which is also in "Excellent" condition. Footswitch, cables all included.
Sold Out $ 499.99
Stuffed full of '80s rock and metal sounds.
The gain structure and tone character of the 6262 is built on the same fundamentals as the 6260 but more midrange, making them perfect for '80s rock and metal. You also get full control of EQ, Presence and Reverb on both channels.
A lot of amp manufacturers call their Treble/Mid/Bass knobs œtone controls. Bugera calls theirs "EQ" because they spent a lot of time making sure that they each have a unique character. Treble really screams; Mid puts you about six rows into the audience; Low can add more growl than an angry Kodiak bear.
The Presence control is tailored to smooth out your tone or add enough bite to cut through any cymbal. It can bring new life to darker sounding instruments.
This is a USED amplifier being sold in 'Very Good' condition.
“Crafter has quite rightly paid a lot of attention to its choice of electronics onboard. Sporting a preamp system that mixes the electric tones of the lipstick pickup with an LR Baggs Element pickup, the Crafter very importantly features a phase switch for the fight against feedback and a blend slider for morphing between the two pickup types. For the right person, this is an instrument that will support your songwriting and open up a world of tones that just aren’t available on a standalone acoustic or electric.”- Music Radar Review
This is a USED guitar being sold in "Excellent" condition.
$ 149.99 $ 199.99
When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.
The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best.
Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.
This is a USED item being sold in "Excellent" condition.
The dbx AFS-224 Stereo/Dual Mono Feedback Suppression Processor provides all the feedback elimination processing and control necessary for both installation and live use. The dedicated processor offers up to 24 filters per channel with filter Qs up to 1/80th of an octave. The AFS-224 also has selectable modes, live filter lift, and types of filtration, all readily available via the intuitive user interface.
AFS-224 Stereo/Dual Mono Feedback Suppression Processor
$ 299.99Arched top, a gleaming triple-black finish, black hardware, blade pickups. A set neck gives extra sustain capability. Long-scale neck with full upper access gives your fingers plenty of room to rip. This guitar is USED and in "Very Good" condition. There are some small areas with buckle rash on the back of the body, and some very light scratches.
The Evo Tevo is a perfect blend of vintage design, old world craftsmanship and decades of guitar building technology. Entirely constructed of select Honduran mahogany, the Evo Tevo achieves incredible sustain and astonishing tones. The guitar also features a neck joined at the body with Dean's exclusive angular neck joint. The neck joint was specially designed to attain the optimum in playability and ultimate resonance. Electronics include two Dean humbuckers, 1 volume, 1 tone, 3-way pickup toggle selector for lots of tonal choices.
This USED instrument is in "Very Good" condition.
The Dean Michael Angelo Batio Electric Guitar is spec,d by Batio to be an incredibly fast guitar. Its neck is super thin, slightly rounded for extra comfort and joins the body at a straight angle for extended playability. It has a rosewood fingerboard and block inlays that are easy to spot on stage.
This is a USED guitar being sold in "Very Good" condition. There is one small indentation just under the toggle switch.
$ 149.99 $ 449.99
Digitech's Integrated Effects Switching System takes multi-effects to a whole new level.
The DigiTech RP1000 guitar pedal is loaded with over 160 effects and 200 presets giving you a splendid range of tones. With an integrated effects switching system, no longer will you have to do the pedal tap dance-just select your preset and your tone is engaged, just the way you like it. This DigiTech pedal comes with a built-in phrase looper with 20 seconds of record time. You can also route external effects pedals through it using the stompbox loop.
The Digitech RP1000 comes with an Amp/Cabinet bypass switch that allows you to turn off the RP1000's internal amplifiers and cabinets so your amp's tone stands alone.
Simplicity of a Guitar Pedal
Popular on the Digitech RP500, the RP1000 multi-effects pedal also features the pedal board Mode that turns footswitches 6 through 10 into stompbox-style effect on/off controls.
100 different pedal boards
When the Amp/Cabinet Bypass is used in conjunction with the pedal board mode, the RP1000 turns into 100 different pedal boards. You get instant access to both preset changes and stompbox on/off control-truly the best of both worlds.
The DigiTech RP1000 pedal is built like a tank from a cast-metal chassis to the 14 vacuum-style switches. A large 10 character LED display makes for easy stage use topped by a built-in expression pedal to control wahs, volume, whammy, and other parameters.
Your sound is king; the control of your sound is imperative. The RP1000 pedal gives you added control to express yourself the way you want-no longer will the lack of control stand in the way of your expression.
Choose from the extensive list of guitar effects including:
Compressor / Sustainers based on:
Boss CS-2Compressor / Sustainer
DigiTech Main Squeeze Compressor
Wah / Volume based on:
Dunlop Cry Baby Wah
DigiTech Full Range Wah
Vox Clyde McCoy Wah
Distortions and Overdrives based on:
SCREAMER (Ibanez TS-9)
TS 808 (Ibanez TS-808 Tube Screamer)
SPARKDRIVE (Voodoo Lab Sparkle Drive)
OD OVERDRIVE (Guyatone Overdrive OD-2)
DOD 250 (DOD 250 Overdrive/Preamp)
RODENT (Pro Co RAT)
MX DISTORTION (MXR Distortion +)
DS (Boss DS-1 Distortion)
GRUNGE (DigiTech Grunge)
ZONE (Boss MT-2 Metal Zone)
DigiTech Death Metal
GONKULATOR (DOD Gonkulator Ring Modulator)
8TAVIA (Roger Mayer Octavia)
FUZZLATOR (Demeter Fuzzulator)
CLASSIC FUZZ (DOD Classic Fuzz)
FUZZY FACE (Arbiter Fuzz Face)
BIG PI (Electro-Harmonix Big Muff Pi)
DigiTech Redline Overdrive
Amplifiers and Acoustics:
57 CHAMP ('57 Fender Tweed Champ)
57 DELUXE ('57 Fender Tweed Deluxe)
59 BASSMAN ('59 Fender Tweed Bassman)
62 BROWN BASSMAN ('62 Fender Brownface Bassman)
65 TWIN REVERB ('65 Fender Blackface Twin Reverb)
65 REVERB ('65 Fender Blackface Deluxe Reverb)
65 JTM-45 ('65 Marshall JTM-45)
68 SUPER LEAD PLEXI ('68 Marshall 100 Watt Super Lead (plexi)
68 JUMP PANEL ('68 Marshall Jump Panel)
77 MASTER VOLUME ('77 Marshall Master Volume)
83 JCM800 ('83 Marshall JCM800)
93 JCM900 ('93 Marshall JCM900)
01 JCM2000 ('01 Marshall JCM2000 (Solo Channel)
62 AC15 ('62 Vox AC15)
63 AC30 TOP BOOST ('63 Vox AC30 Top Boost)
69 HIGH WATTAGE ('69 Hiwatt Custom 100 DR103)
81 MARK IIC ('81 Mesa Boogie Mark II C)
01 DUAL RECTIFIED ('01 Mesa Boogie Dual Rectifier)
99 LEGACY VL-100 (Carvin Legacy VL-100)
96 MATCH HC-30 ('96 MatchlessTM HC30)
88 SLO-100 ('88 Soldano SLO-100)
Peavey 5150 II
DigiTech Bright Clean
DigiTech 2101 Clean Tube
DigiTech High Gain
DigiTech MONSTER - Maxed-out gain
DigiTech "TWEEDFACE"-Tweed preamp w/Blackface poweramp
DigiTech "65 Blackface Bassman"-'65 Blackface preamp w/ Bassman poweramp
DigiTech STONERROCK-Thick, sludgy distorted amp tone
DigiTech DARKMETAL-Responsive, tight metal tone
DigiTech TRANSISTOR-Solid state transistor amp sound
DigiTech BROWNSOUND-Hot rodded 80's stack tone
DigiTech MOSH-Chunky metal tone with just the right amount of sizzle
2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
DIRECT No amp model
CHAMP 1X8 (1x8 '57 Fender Tweed Champ)
DELUXE 1X12 (1x12 '57 Fender Tweed Deluxe)
DELUXE REVERB 1X12 (1x12 '65 Fender Blackface Deluxe Reverb)
BRITISH 1X12 (1x12 '62 Vox AC15 w/20W Vox Speaker)
BLONDE 2X12 (2x12 '57 Fender Blonde Bassman)
TWIN 2X12 (2x12 '65 Fender Blackface Twin Reverb)
BRITISH 2X12 (2x12 '63 Vox AC0 Top Boost w/ Jensen Blue Backs)
BASSMAN 4X10 (4x10 '59 Fender Tweed Bassman )
BRITISH 4X12 (4x12 Marshall 1969 Straight w/ Celestion G12-T70)
GREENBACK 4X12 (4x12 Marshall 1969 Slant w/ Celestion 25W Green backs)
FANE 4X12 (4x12 Hiwatt Custom w/ Fane Speakers)
BOUTIQUE 4X12 (4x12 '96 VHT Slant w/ Celestion Vintage 30's)
VINTAGE 4X12 (4x12 Johnson Straight w/ Celestion Vintage 30's)
4X12 4x12 DigiTech Solo
2X12 2x12 DigiTech Bright
4X12 4x12 DigiTech Metal
4X12 4x12 DigiTech Rock
4X12 4x12 DigiTech Alt Rock
4X12 4x12 DigiTech Vintage
4x12 DigiTech Chunk
4x12 DigiTech Spank
4x12 DigiTech Speaker Compensation
DIRECT No cabinet model
Chorus Stompbox Models based on:
Boss CE-2 Chorus
DigiTech Dual Chorus
TC Electronics Chorus
DigiTech GLISTENING Chorus
Flanger Models based on:
DigiTech Triggered Flanger
Electro Harmonix Electric Mistress
Phaser Models based on:
MXR Phase 100
Electro Harmonix Small Stone
Pitch Models based on:
DigiTech Pitch Shift
Boss OC-2 Octaver
Vibrato / Rotary Models based on:
DigiTech Vibro / Pan
Tremolo Models based on:
Fender Opto Tremolo
Vox Bias Tremolo
DigiTech Scattertrem-Dual tremolo effect
Envelope / Special Models based on:
DOD FX25 Envelope Filter
DigiTech Auto Yah
DigiTech Synth Talk
DigiTech Step Filter
DigiTech Sample & Hold
DM Analog Delay - based on Boss DM2 Analog Delay
Echo Plex - based on Maestro EP-1 Tube Echoplex
Reverbs based on:
EMT Plate - based on EMT 240 Plate Reverb
Spring - based on Fender Twin Reverb
*Other product names modeled in the DigiTech RP1000 are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. Ibanez Tube Screamer, Voodoo Labs Sparkle Drive, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, Roger Mayer Octavia, Demeter Fuzzulator, Arbiter Fuzz Face, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, MXR DynaComp, TC Electronic, EH Electric Mistress, EH Small Stone, Boss Octaver, Unicord Univibe, Fender Opto Tremolo, Vox Bias Tremolo, Maestro Echoplex, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Fender Blackface, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Soldano, Jensen Blue Backs, Celestion, Johnson Amplification and VHT Amplification are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product.
The Swollen Pickle mkII Jumbo Fuzz is the most sought-after and corpulent Way Huge guitar effects pedal, and now it's back! A charter member of the Way Huge line has returned, and just like when it debuted in 1997, it still has "more fuzz than a moldy peach!" The Swollen Pickle mkII doles out super high-gain fuzz with copious amounts of smooth low-end to all who dare plug into it.
With a twist of the Sustain control, the Swollen Pickle mkII Jumbo Fuzz takes you from mild crunch to Armageddon. The Filter control retains its trademark insane range of heavily band-pass-filtered tones, distinguished by remarkable girth and sizzle, and the Loudness puts out enough volume to clobber any amp.
Updated Swollen Pickle mkII Jumbo Fuzz features include a tone stack Scoop control that elicits classic Swollen Pickle guitar pedal mid-scoop or a flat mid-frequency sweep, and a Crunch knob to adjust the compression intensity of the fuzz.
Finally, under the hood, the Swollen Pickle mkII fuzz pedal has 2 internal mini controls-Voice sets the intensity of the external Scoop control from light to heavy mid cut, and Clip varies between two sets of clipping diodes for smooth or opened fuzz sustain.
Each Way Huge effect pedal is rigorously tested to ensure quality, durability, and reliability to deliver many years of exceptional performance. All Way Huge pedals offer a heavy-duty footswitch with quiet relay-based true bypass, a blue LED indicator, 2.1mm power jack with AC protection, easy access (non-detachable) battery door, a super-duty .09 aluminum anodized chassis, high grade components, great tone, and a cool name.
Launched in 1992 by Jeorge Tripps, Way Huge Electronics began as a result of Tripps' search for great tone, and his desire to perform with reliable, rugged and pedal board-friendly effects that had the magic of his coveted vintage pedals. The very first pedal-simply labeled "Fuzz Box"-was quickly followed by such staples to the product line as the Red Llama Overdrive, Foot Pig Fuzz and Green Rhino Overdrive II, which quickly found their way into the hands and onto the pedal boards of the world's guitar elite. Ensuing years would see the introduction of pedals such as the Swollen Pickle Jumbo Fuzz, Aqua-Puss Analog Delay, and the Saffron Squeeze. Over the span of a few years, Tripps helped revolutionize what would later be known as the 'boutique' effects market. In late December 1999, the company closed its doors as Tripps pursued other opportunities, sending demand for Way Huge products soaring, and driving online auctions well into the hundreds-sometimes thousands-for used Way Huge pedals. Now teaming up up with Dunlop, Way Huge pedals will once again be available to the masses, so all can enjoy their finely tuned electronics, high-grade circuitry and road ready construction, built under the watchful eye of Mr. Huge himself.
This is a USED viola outfit made by Eastman Music Company. It is in "excellent" condition.
Samuel Eastman model 100 instruments have become a staple of string programs everywhere. Outstanding features include aged solid tonewoods, genuine hand- inlaid purfling, genuine ebony fittings, and a glowing amber-brown varnish that is durable as well as attractive. These fully carved instruments provide quality of sound and craftsmanship to beginning and advancing players.
This is a USED Egnater by Rocktron TOL 50 guitar amplifier head and speaker cabinet with 2 button footswitch and plain black covers. These pieces are in "Very Good" condition.
Rocktron/Egnater TOL 50 $1295 (original MSRP).
Has 10-watt setting. Beside the main power switch is a standby switch with a special feature: you can select 50 or 10 Watt for output power. Has fx level/mix control, the latter being of dual duty also. Can switch between series and parallel effect modes. In the series position, the control functions as a master volume; in parallel it controls the effect volume. Send and return jacks. Slave Out jack. Recording Out jack; the direct signal from the output stage can be routed from here to mixer, separate effects units, or additional amps systems. A push-pull pot sets the signal level, between 0 and -15 dB. Has an internal and an external speaker jack with impedance selector. TOL = Tone Of Life.
$ 249.00 $ 448.99
Les Paul 100
The Les Paul 100 is a superb instrument for players looking for an affordable but reliable electric guitar that has the classic look, sound and feel of a Les Paul. The Les Paul 100 is cut to the same specs as Les' 1952 original and has everything new and professional guitarists look for in a quality instrument.
As with all Epiphones, the Les Paul 100 comes with our world famous Limited Lifetime Warranty and Gibson 24/7/365 Customer Service. What are you waiting for? Pick up a Les Paul 100 and make your own history today!
This is a USED guitar being sold in "Very Good" condition. There are a few chips in the finish on the backside of the guitar, around the edge near the bottom. Hardshell case is included.
$ 1,999.99 $ 2,699.99
The Music Man John Petrucci 6-String Electric Guitar has a maple neck featuring an adjustable truss rod and 5-bolt mounting to the basswood body for perfect alignment and no slipping. A sculpted neck joint allows free access to upper frets. The Petrucci 6 guitar's rosewood fretboard has 24 wide, high-profile frets. Schaller locking tuners and custom John Petrucci tremolo complete the hardware. 2 Custom DiMarzio humbucking pickups were specially designed for Petrucci. Piezo bridge adds bright, natural string vibration tones to the mix. 3-way selector has a custom center-position configuration.
This is a USED guitar being sold in 'Excellent' condition. Original hardshell case included.
ESP's LTD MH-100QM NT electric guitar features a double-cutaway basswood body with a quilted-maple top and a see-thru black cherry finish. Its bolt-on maple neck, measuring 25.5" in scale, is fitted with a rosewood fingerboard and 24 extra-jumbo frets. The strings are attached through the back of the body, increasing the natural sustain of the wood, then intonated by a tune-o-matic bridge, and secured at the headstock by a set of LTD tuners.
For electronics, this guitar is outfitted with two ESP-designed passive humbucking pickups, an LH-150N in the neck position and LH-150B at the bridge. Master volume and master tone knobs, and a three-way pickup selector switch provide control over the electronics' various timbres.
This is a USED guitar that is in "Good" condition. It is in very good working condition. It has numerous finish scratches, nicks, buckle rash on the back of the body that were very difficult to make visible in photos. This is a great guitar for that student who isn't ready to make a huge investment but still wants a cool guitar!
The American Deluxe Jazz Bass launched in 1998 as an upgraded J Bass. The American Deluxe included higher-end electronics including active EQ and Noiseless pickups.
This is a USED bass being sold in 'Excellent' condition. Original hardshell case included. This bass was modified with a Hipshot Tuner (original tuner in case)
$ 1,499.99 $ 2,650.00
The American Vintage series introduces an all-new lineup of original-era model year guitars that bring Fender history and heritage to authentic and exciting new life. With key features and pivotal design elements spanning the mid-1950s to the mid-1960s, new American Vintage series instruments delve deep into Fender's roots—expertly preserving an innovative U.S. guitar-making legacy and vividly demonstrating like never before that Fender not only knows where it's going, but also remembers where it came from.
The American Vintage Series has long presented some of Fender's best selling guitars (their early-'80s introduction, in fact, was one of the first signs that Fender was "back" as the CBS era ended). Today, Fender has boldly cleared the slate to make way for a fresh American Vintage series with new features, new specs and the most meticulous level of vintage accuracy yet. Rather than just replacing the previous models with different ones, we've completely and comprehensively re-imagined the entire vintage-reissue concept—restoring original tooling dies, voicing new pickups, reformulating vintage colors and more—based on actual vintage guitars we tracked down to make sure we had it right. We did the work, and it shows, because there's pure tonal magic in each new American Vintage instrument.
Nowhere is this re-dedication to detail more evident than on the American Vintage '52 Telecaster® guitar, which returns to the fold with body, neck and pickups refined with the best features (tones, curves, perimeters, radii and more) from a handful of extraordinary '52 Telecaster specimens we examined. Premium features include an ash body with a singe-ply black pickguard and thin nitrocellulose lacquer finish in lighter Butterscotch Blonde, deep maple neck with "U"-shaped profile and generously rolled edges, sculpted headstock volute for even more first-position comfort, long-lost recessed-top "barrel" switch tip, vintage tuner spacing for truly straight string pull over the bone nut, vintage-style bridge with three brass saddles, and knurled chrome domed control knobs.
This is a USED guitar being sold in 'Excellent' condition. Original case included.
|Model Name:||American Vintage '52 Telecaster®, Maple Fingerboard, Butterscotch Blonde|
|Body Finish:||Fender Flash Coat Lacquer|
|Neck Finish:||Fender Flash Coat Lacquer|
|Neck Shape:||"U" Shape|
|Scale Length:||25.5" (648 mm)|
|Fingerboard Radius:||7.25" (184.1 mm)|
|Number of Frets:||21|
|Nut Width:||1.650" (42 mm)|
|Truss Rods:||Vintage-Style Heel Adjust|
|Truss Rod Nut:||Vintage-Style Slotted|
|Bridge Pickup:||American Vintage '52 Single-Coil Tele|
|Neck Pickup:||American Vintage '52 Single-Coil Tele|
|Controls:||Master Volume, Master Tone|
|Pickup Switching:||3-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup|
|Bridge:||3-Saddle American Vintage Strings-Through-Body Tele with Brass Saddles|
|Tuning Machines:||Single Line "Fender Deluxe" Vintage Style|
|Control Knobs:||Knurled Dome|
|Switch Tips:||Barrel Style|
|Strings:||Fender® USA 250R NPS, (.010-.046 Gauges)|
|Unique Features:||Slightly lighter Butterscotch Blonde finish; Large maple neck with re-sculpted U-shaped profile and comfortably rolled edges; All-new pickups wound to period-correct specs and sound; "Barrel" switch tip and knurled chrome domed control knobs|
|Included Accessories:||Vintage '52 Tele Strap, Cable, and Cloth; Vintage Wiring Kit, '50s Tele Information Kit, Bridge Cover, Owner's Manual, Saddle Height Wrench|
$ 1,499.99 $ 2,600.00
The Artist series puts the essence of true musical collaboration in the hands of players and fans, with instruments that bear the names of the world’s most influential guitarists and bassists.
Nitrocellulose lacquer is one of the great original-era Fender electric guitar finishes, and is still used today on select instruments. Thin, porous and delicate, it’s a premium finish prized for sonic qualities that let body woods breathe with their true tonal character, and for an appearance that ages and wears in a distinctive way appealing to many players.
The neck of Johnson’s finely crafted signature Strat is fashioned from extra-strong quartersawn maple, with a sharper 1950s-style “V” profile (the shape of the neck in cross section) ideal for players with larger hands whose thumb extends over the edge of the fingerboard.
Eric Johnson is known for being meticulous about tone, and the sound of his signature Stratocaster comes from three specially voiced Eric Johnson single-coil pickups with countersunk mounting screws.
This instrument features a fingerboard radius (the amount of curvature across the width of the fingerboard) that, at 12”, is substantially more flattened than both a vintage-style 7.25” radius and a modern 9.5” radius. Feels notably flat even though there’s still slight curvature, and is great for bending notes without fretting out.
These tuners have a cool vintage-style look and are height-staggered in pairs, with posts that get progressively shorter from the low strings to the high strings. This creates optimal string break angles from the nut to the tuners, with no consequent need for string trees.
According to Johnson’s own specs, his signature Stratocaster has no tremolo cavity cover on the back and no screw holes for one.
This is a USED guitar being sold in "Excellent" condition. This guitar is near mint however there are lacquer cracks on the back of the headstock that the original owner states were there when it arrived from the factory. They appear to have been caused by the small screws that hold the tuning keys to the headstock. There is a minor indentation of the edge of the lower body. We have attempted to capture these imperfections in the photos.
Fender's great-sounding, top-selling 65-watt combo gets a makeover! Fender Frontman amps deliver quality tone at a great price, with the unmistakable Fender Blackface look.
The 65-watt Frontman 65R features a single 12" Special Design speakers, classic styling, simple controls, a good variety of clean and distorted tones, distortion and channel switching, reverb and a vintage-style footswitch. Oh yeah--and it's really loud! One of the best "bang-for-the-buck" amps you'll find!
This is a USED amplifier being sold in "excellent" condition.
$ 1,299.99 $ 1,999.99
The G&L ASAT® Special just might be the quintessential G&L guitar, viewed by many as Leo’s ultimate single-cutaway. Back in 1985, Leo Fender† launched this model under the G&L Broadcaster name, which prompted a response from Fred Gretsch of Gretsch Guitars over the name just as it had thirty-five years earlier. History buffs will recall that the Broadkaster® name is owned by Gretsch, and once again, a Broadcaster from Leo was required to have its name changed. This time around, the name became "ASAT" which is US military shorthand for an "Anti-Satellite" missile.
The ASAT Special, as the model became known, features jumbo single-coil Magnetic Field Design™ pickups, each with a narrow bobbin aperture for a coil which is shallow yet wide. In this regard, an MFD™ jumbo single coil is similar to a P-90 or Jazzmaster® pickup, yet the MFD principle provides a punchier bottom end and brighter top end sparkling with harmonics. Leo further departed with the past with the addition of his innovative Saddle-Lock™ bridge which transfers string energy right into the body end-grain for an incredibly resonant instrument. The result is one of the most versatile guitars ever, serving up ballsy twang to searing blues to smooth jazz tones. The semi-hollow Swamp Ash body on this version brings a certain "hi-fi" quality to the tone, softening the attack and slightly scooping the mids for accentuated highs and lows.
Founded by Leo Fender in 1980, G&L USA instruments continue to be made in the historic G&L facility on Fender Avenue in Fullerton, California, the Birthplace of Bolt-on™.
This is a very clean ASAT Special done in Silver Metalflake finish, chrome hardware, black pick guard and pickups, rosewood fretboard, hardshell case included.