Pro Audio
AKG D12VR Reference Kick Drum Microphone
$ 603.00 $ 755.09
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic
- Type: dynamic pressure gradient transducer
- Polar pattern: cardioid
- Frequency range: 17 - 17000 Hz (±2 dB)
- Sensitivity: 1,2 mV/Pa ± -58 dBV (at 1000 Hz passive)
- Max. SPL: 164 dB SPL (for 0,5 % THD)
- Impedance: <200 ohms (at 1000 Hz)
- Recommended load impedance: >1000 ohms
- Environment temperature range: -10 C - +70 C
- relative humidity at +20 C: 90 %
- Connector: three-pin male standard XLR
- Finish front grille: glossy galvanized nickel matte,
- rear grille: matte black paint
- Dimensions: 125 mm x 101 mm x 66 mm (4.9" x 3.9" x 2.6")
- Net weight: 500 g (1.1 lbs)
AKG D40 Professional Dynamic Instrument Microphone
$ 139.00 $ 194.40
SOUND IN MOTION
for drums, percussion, wind instruments and guitar amps on stage
The D40 professional instrumental microphone with its solid all-metal body will stand up to the hardships of night-after-night onstage use with a smile. Its patented Varimotion diaphragm uses a unique laminated material to damp high resonance peaks, leading to a quantum leap in audio performance. The transducer is protected by a sturdy wire-mesh cap and can take extremely high sound pressure levels with ease.
An integrated stand adapter in combination with the included H440 mounting bracket makes the D40 a highly versatile tool for use on drums, percussion, wind instruments and guitar amps.
TECHNICAL SPECIFICATION
General
- Audio Frequency bandwidth: 75 to 17000 Hz
- Sensitivity: 2.2 mV/Pa
- Electrical Impedance: 200 Ohms
- Recommended Load Impedance: 2000 Ohms
- Polar Pattern: cardioid
Audio Output
- Type: Balanced XLR
- Gender: Male
- Contacts: 3-pin
Design
- Body: Metal
- Finish: dark stage blue
Dimensions / Weight
- Length: 104 mm
- Height: 79 mm
- Diameter: 44 mm
- Net Weight: 245 g
AKG P170 Instrument Microphone
$ 115.00 $ 150.00
The P170 is a small-diaphragm condenser microphone for recording percussion, acoustic guitars and perhaps most typically, drum set from the overhead position. Its lightweight 1/2" true condenser transducer diaphragm delivers outstanding clarity and transient response. It is an affordable alternative to the revered 'pencil' microphones. They are often purchased in pairs for overhead applications.
P170 Project Studio Condenser Microphone
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General
Audio Frequency bandwidth: 20 to 20000 Hz
Sensitivity: 15 mV/Pa
Equivalent Noise Level: 19 dB-A
Signal to Noise: 75 dB-A
Preattenuation Pad: -20 dB
Electrical Impedance: <= 200 Ohms
Recommended Load Impedance: >=1000 Ohm
Polar Pattern: Cardioid
Powering Interface
Voltage: 44 to 52 V
Current: <= 3 mA
Audio Output
Type: Balanced XLR
Gender: Male
Contacts: 3-pin
Dimensions / Weight
Height: 160 mm
Diameter: 22 mm
Net Weight: 130 g
Allen & Heath Zedi10FX 4-Channel Compact Mixer USED
$ 325.00
**This mixer is used and being sold on consignment. It is in excellent condition with little to no signs of wear. Comes with a Mackie carrying case. The price has been adjusted accordingly.
Specs
- Hybrid mixer with analog control and 4x4 USB audio interface (24-bit/96kHz)
- 4 mic/line inputs with separate XLR and TRS jacks
- 2 stereo line inputs via TRS
- 2 high-impedance Guitar DI inputs – no DI box needed
- Built-in FX engine with studio-quality reverbs, delays, and tap tempo
- 3-band MusiQ EQ for precise tonal shaping
- USB output source options for flexible routing
- Internal FX with tap tempo control
- 48V phantom power for condenser microphones
- Lo-cut filters for removing low-end rumble
- Dedicated aux output for monitors or headphone mixes
- Smooth 60mm main mix fader
- 8-LED metering for accurate signal monitoring
- Includes Cubase LE and Cubasis LE software for PC and iOS
- Rugged construction with internal power supply
Ampeg Micro-CL Stack - Black
$ 429.99 $ 558.98
Let’s face it. You are the type who would happily crank up a full Ampeg SVT stack in your living room. Heck, who needs neighbors anyway? And noise violations are really just a badge of honor, right? For the rest of us, there is the Ampeg Micro-CL Stack, delivering 100 watts of pure Ampeg tone. It’s perfect for those just getting into Ampeg or for the seasoned bassist looking to practice in far flung locations like the master bathroom.
- Includes tough 2 x 10" cab
- Stereo input / headphone out for silent practice
- Effects loop and direct out
HEAD
- Power output: 100 watts @ 8 ohms
- Preamp: Solid-state
- Power amp: Solid-state
- Tone controls: Bass, mid, treble
- Unbalanced line out
- FX loop
- Dual inputs (0dB & -15dB)
- 1/8" headphone out / line in
- Dimensions ( H x W x D inches): 7 x 12.2 x 10
- Handling weight: 13.8 lbs
CABINET
- 100 watts power handling @ 8 ohms
- 2 x 10" LF drivers
- Frequency response: 57 Hz – 5 kHz
- Sensitivity: 100 dB SPL @ 1w/1m
- Dimensions ( H x W x D inches): 24 x 13 x 11
- Handling weight: 33.2 lbs
ART X-11 Midi Master Controller USED
$ 80.00
90's Midi Controller. Sold as is without cables.
Audio-Technica 2000 Series ATW-2110a Wireless System
$ 329.99 $ 429.99
The Audio-Technica ATW-2110a Wireless UHF Body-Pack Microphone System bridges the gap between affordable wireless technology and professional level quality. The system operates on UHF frequencies over the 487.125 to 506.500 MHz band, and includes the ATW-T210 UniPak body-pack transmitter and ATW-R2100 diversity UHF receiver.
The ATW-R2100 receiver features True Diversity operation which selects between two receiver sections, reducing dropouts and radio frequency interference. The receiver features 10 user selectable UHF frequencies, allowing 10 systems to be used simultaneously. Single touch frequency scanning automatically selects clear frequencies in the area. The rear panel features a balanced XLR output and unbalanced 1/4" phone connection. A back-lit LCD provides channel, AF, RF and diversity status information.
The ATW-T210 UniPak transmitter is a lightweight body pack microphone transmitter that operates on the same frequencies as the receiver. The transmitter features a 4-pin Hirose connection input that is compatible with Audio-Technica "CW" lavaliers and head worn microphones, and select instrument cables. The transmitter operates up to 9 hours on two 1.5V AA batteries.
- Serious advances in affordable professional wireless
- Clear sound quality and rock-solid, dependable performance
- Automatic frequency scanning
- 10 compatible user-switchable channels in one of two UHF frequency ranges
- Antenna power available for powered antennas & other in-line RF devices
- True Diversity operation selects the better signal from the two receiver sections, reducing dropouts
- Tone Lock tone squelch system fights interference
- Rugged metal half-rack receiver with soft-touch controls and LCD display
- Balanced XLR and unbalanced 1/4" output jacks enable use with a wide variety of audio gear
- Switchable transmitter power output with high and low settings offered
- Includes rack-mount kit and detachable UHF antennas
- Ground-lift switch helps eliminate audible hum caused by ground loops between the sound system and receiver
- ATW-T220a Handheld Microphone/Transmitter features PRO 41 Capsule for maximum feedback rejection and consistent sound
Audio-Technica AT2020 Cardioid Condenser Microphone
Sold Out $ 169.00
The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling.
Requires phantom power.
- Condenser
- Cardioid pattern
- Side address
- 16mm low-mass diaphragm
- 20Hz-20kHz frequency response
- 144dB SPL handling
- Rugged body
- Element: Fixed-charge back plate, permanently polarized condenser
- Polar pattern: Cardioid
- Frequency response: 20-20,000Hz
- Open circuit sensitivity: -37 dB (14.1 mV) re 1V at 1 Pa
- Impedance: 100 ohms
- Maximum input sound level: 144dB SPL, 1kHz at 1% THD
- Noise: 20dB SPL
- Dynamic range (typical): 124dB, 1kHz at Max SPL
- Signal-to-noise ratio: 74dB, 1kHz at 1 Pa
- Phantom power requirements: 48V DC, 2 mA typical
- Weight: 12.1 oz.
- Dimensions: 6-1/3" long, 2" diameter
- Output connector: 3-pin XLRM-type
- Included accessories: Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
- Audio-Technica case style: R7
Audio-Technica AT899cW Subminiature Omnidirectional Condenser Microphone
$ 199.00
Audio-Technica’s omnidirectional AT899 is engineered for intelligible, accurate voice reproduction. Its low-profile design (a mere 5 mm in diameter) assures minimum visibility. The mic may be worn as a lavalier and is easily hidden in clothing or hair. It offers the convenience of battery or phantom power; its switchable low-frequency roll-off reduces popping.
- Maximum intelligibility and clean, accurate reproduction for vocalists, lecturers, stage and television talent, and houses of worship
- Low-profile design (a mere 5 mm in diameter) is ideal for applications requiring minimum visibility
- Operates on battery or phantom power
- All wireless models available in either low-reflectance black or beige
- Extensive array of provided accessories includes a clothing clip, viper clip, magnet clip and lanyard (black models only), windscreens, element covers, interchangeable single and double mic holders
- Accessories available separately include complete accessory kits, clothing clips, three-pack element covers and three-pack windscreens
- 9.8' (3.0 m) cable permanently attached to mic, TA3F connector at power module
| ELEMENT | Fixed-charge back plate, permanently polarized condenser |
| POLAR PATTERN | Omnidirectional |
| FREQUENCY RESPONSE | 20-20,000 Hz |
| LOW FREQUENCY ROLL-OFF | 80 Hz, 12 dB/octave |
| OPEN CIRCUIT SENSITIVITY | Phantom: -43 dB (7.0 mV) re 1V at 1 Pa Battery: -46 dB (5.0 mV) re 1V at 1 Pa |
| IMPEDANCE | Phantom: 200 ohms Battery: 250 ohms |
| MAXIMUM INPUT SOUND LEVEL | Phantom: 138 dB SPL, 1 kHz at 1% T.H.D. Battery: 116 dB SPL, 1 kHz at 1% T.H.D. |
| DYNAMIC RANGE (typical) | Phantom: 108 dB, 1 kHz at Max SPL Battery: 86 dB, 1 kHz at Max SPL |
| SIGNAL-TO-NOISE RATIO | 64 dB, 1 kHz at 1 Pa |
| PHANTOM POWER REQUIREMENTS | 11-52V DC, 2 mA typical |
| BATTERY TYPE | 1.5V AA/UM3 |
| BATTERY CURRENT / LIFE | 0.4 mA / 1200 hours typical (alkaline) |
| SWITCH | Flat, roll-off (recessed) |
| WEIGHT (MICROPHONE) | 0.02 oz (0.5 g) |
| WEIGHT (POWER MODULE) | 3.6 oz (102 g) |
| DIMENSIONS (MICROPHONE) | 0.63" (16.0 mm) long, 0.20" (5.0 mm) diameter |
| DIMENSIONS (POWER MODULE) | 5.71" (145.0 mm) long, 0.83" (21.0 mm) diameter |
| OUTPUT CONNECTOR (POWER MODULE) | Integral 3-pin XLRM-type |
| CABLE | 9.8' (3.0 m) long (permanently attached to microphone), 0.08" (2.0 mm) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module |
| ACCESSORIES FURNISHED | AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two element covers; two windscreens; battery; protective carrying case |
| AUDIO-TECHNICA CASE STYLE | M29 |
Audio-Technica ATH-M20x Professional Monitor Headphones
$ 59.00 $ 74.00
The ATH-Mx Series headphones are a reliable source for monitoring in home and professional studio environments. Because of the increased demand due to the popularity of the ATH-M50, Audio-Technica refreshed the entire line of these closed-back studio headphones for a redesigned feel. The ATH-M20x professional monitor headphones are a great introduction to the critically acclaimed M-Series line. Modern design and high-quality materials combine to deliver a comfortable listening experience, with enhanced audio and effective isolation. An excellent choice for tracking and mixing.
- 40 mm drivers with rare earth magnets and copper-clad aluminum wire voice coils
- Tuned for enhanced low-frequency performance
- Circumaural design contours around the ears for excellent sound isolation
- Convenient single-side cable exit
- Designed for studio tracking and mixing
Audio-Technica ATH-M20xBT Wireless Over-Ear Headphones
$ 79.00
The ATH-M20xBT over-ear wireless headphones include all the features you want and the audio quality you demand. Inspired by our #1 selling ATH-M20x wired professional studio headphones and featuring powerful 40 mm drivers for enhanced low-frequency performance, the ATH-M20xBT Bluetooth headphones deliver an incredible listening experience with full-range, high-fidelity audio and enhanced bass.
Audio-Technica ATH-M40x Professional Monitor Headphones
Sold Out $ 153.00
The M-Series ATH-M40x professional monitor headphones are tuned flat for incredibly accurate audio monitoring across an extended frequency range. Your studio experience is enhanced with superior sound isolation and swiveling earcups for convenient one-ear monitoring. Engineered with pro-grade materials and robust construction, the M40x excels in professional studio tracking and mixing, as well as DJ monitoring.
More About the M-Series Headphones
Critically acclaimed M-Series professional monitor headphones deliver accurate audio and outstanding comfort, perfect for long sessions in the studio and on the go. Contoured earcups seal tight for excellent sound isolation, with minimal bleed. And the pro-grade materials are durable, yet comfortable. Find out why online reviewers, top audio engineers, and cult followers agree, M-Series is an unmatched combination of audio and build-quality that gets the job done. Hour after hour, year after year.
| Type | Closed-back dynamic |
| Driver Diameter | 40 mm |
| Magnet | Neodymium |
| Voice Coil | CCAW (Copper-clad aluminum wire) |
| Frequency Response | 15 - 24,000 Hz |
| Maximum Input Power | 1,600 mW at 1 kHz |
| Sensitivity | 98 dB |
| Impedance | 35 ohms |
| Weight | 240 g (8.5 oz), without cable and connector |
| Cable | Includes two interchangeable cables: detachable 1.2 m - 3.0 m (3.9' - 9.8') coiled cable and detachable 3.0 m (9.8') straight cable |
| Accessories Included | Protective carrying pouch, 6.3 mm (1/4") screw-on adapter |
Audio-Technica ATH-M50x Professional Monitor Headphones
$ 159.00 $ 239.99
As the most critically acclaimed model in the M-Series line, the ATH-M50 is praised by top audio engineers and pro audio reviewers year after year. Now, the ATH-M50x professional monitor headphones feature the same coveted sonic signature, with the added feature of detachable cables. From the large aperture drivers, sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.
Also available in white (ATH-M50xWH) and limited edition dark green (ATH-M50xDG).
More About the M-Series Headphones
Critically acclaimed M-Series professional monitor headphones deliver accurate audio and outstanding comfort, perfect for long sessions in the studio and on the go. Contoured earcups seal tight for excellent sound isolation, with minimal bleed. And the pro-grade materials are durable, yet comfortable. Find out why online reviewers, top audio engineers, and cult followers agree, M-Series is an unmatched combination of audio and build-quality that gets the job done. Hour after hour, year after year.
| Type | Closed-back dynamic |
| Driver Diameter | 45 mm |
| Magnet | Neodymium |
| Voice Coil | CCAW (Copper-clad aluminum wire) |
| Frequency Response | 15 - 28,000 Hz |
| Maximum Input Power | 1,600 mW at 1 kHz |
| Sensitivity | 99 dB |
| Impedance | 38 ohms |
| Weight | 285 g (10 oz), without cable and connector |
| Cable | Interchangeable cables: detachable 1.2 m - 3.0 m (3.9' - 9.8') coiled cable, detachable 3.0 m (9.8') straight cable and detachable 1.2 m (3.9') straight cable |
| Accessories Included | Protective carrying pouch, 6.3 mm (1/4") screw-on adapter |
Audio-Technica ATM230 Dynamic Instrument Microphone
$ 139.00 $ 249.00
The ATM230 hypercardioid instrument microphone brings a compact drum model to Audio-Technica’s popular Artist Series line. The mic’s proprietary capsule is designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end. The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. All this makes the ATM230 ideally suited for miking toms, snare and other percussion instruments.
The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.
- Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Handles very high SPL at close range
- Big, warm low-frequency response with excellent attack
- Low-profile design permits versatile placement around drum kit
- Rugged, all-metal design and construction for years of trouble-free use
- Includes AT8665 drum mount and a soft protective pouch
| ELEMENT | Dynamic |
| POLAR PATTERN | Hypercardioid |
| FREQUENCY RESPONSE | 30-12,000 Hz |
| OPEN CIRCUIT SENSITIVITY | –54 dB (1.9 mV) re 1V at 1 Pa |
| IMPEDANCE | 600 ohms |
| WEIGHT | 292 g (10.3 oz) |
| DIMENSIONS | 82.5 mm (3.2") long, 38.0 mm (1.5") maximum diameter |
| OUTPUT CONNECTOR | Integral 3-pin XLRM-type |
| ACCESSORIES FURNISHED | AT8665 drum mount for 5/8"-27 threaded adaptor; 5/8"-27 to 3/8"-16 threaded adaptor; soft protective pouch |
| AUDIO-TECHNICA CASE STYLE | R2 |
Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone
$ 99.99 $ 169.99
The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.
ATM650 Hypercardioid Dynamic Instrument Microphone
- ELEMENT: Dynamic
- POLAR PATTERN: Hypercardioid
- FREQUENCY RESPONSE: 80-17,000 Hz
- OPEN CIRCUIT SENSITIVITY: —56 dB (1.5 mV) re 1V at 1 Pa
- IMPEDANCE: 300 ohms
- WEIGHT: 279 g (9.8 oz)
- DIMENSIONS: 164.2 mm (6.46") long, 38.8 mm (1.53") diameter
- OUTPUT CONNECTOR: Integral 3-pin XLRM-type
- ACCESSORIES FURNISHED: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
- AUDIO-TECHNICA CASE STYLE: T5
Audio-Technica ATW-1102 Handheld Dynamic Vocal Wireless Microphone System
$ 409.00 $ 572.00
The Audio Technica ATW-1102 package includes ahandheld dynamic microphone.transmitter and a receiver. It comes with an ATW-R1100 receiver and ATW-T1002 handheld dynamic unidirectional microphone/transmitter. Includes AT8456a Quiet-Flex stand clamp.
Audio-Technica's System 10 is a digital high-fidelity wireless system designed to provide performing musicians and presenters with advanced 24-bit operation, easy setup and clear, natural sound quality. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 offers extremely easy operation and instantaneous channel selection. Up to eight channels may be used together without any frequency coordination problems or group selection issues. System 10 receivers and transmitters offer an easy-to-read digital ID display.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space.
Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
System 10 2.4GHz Digital Wireless Handheld System
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Overall system specifications
Operating Frequencies: 2.4 GHz ISM band
Dynamic Range: >109 dB (A-weighted), typical
Total Harmonic Distortion: <0.05% typical
Operating Range: 30 m (100') typical
Open range environment with no interfering signals
Operating Temperature Range: 0 C to +40 C (32 F to 104 F)
Battery performance may be reduced at very low temperatures
Frequency Response: 20 Hz to 20 kHz
Depending on microphone type
Receiver specifications
Receiving System: Diversity (frequency/time/space)
Maximum Output Level: XLR, balanced: 0 dBV
1/4" (6.3 mm), unbalanced: +6 dBV
Power Supply 100-240V AC (50/60 Hz) to 12V DC .5A (center positive) switched mode external power supply
Dimensions: 190.0 mm (7.48") W x 46.2 mm (1.82") H x 128.5 mm (5.06") D
Net Weight: 290 grams (10.2 oz)
Accessory Included: Power supply
Handheld transmitter specifications
RF Power Output 10 mW
Spurious Emissions Following federal and national regulations
Batteries Two 1.5V AA
not included
Battery Life >7 hours (alkaline)
Depending on battery type and use pattern
Dimensions 254.8 mm (10.03") long,
50.0 mm (1.97") diameter
Net Weight 280 grams (9.9 oz)
without batteries
Accessory Included AT8456a Quiet-Flex stand clamp
Audio-Technica ATW-901A/G System 9 VHF Wireless Unipak System
$ 174.95
Frequency-agile VHF wireless system with guitar microphone transmitter.
Audio-Technica's System 9 is a four-channel wireless microphone system designed to provide rock-solid performance along with easy setup and clear, natural sound quality. Featuring sleek, stackable, contemporary styling, System 9 is available in handheld, headworn, guitar, lavalier and body-pack configurations. The system offers four compatible user-switchable VHF channels.
This System 9 configuration includes the ATW-R900a receiver and a guitar microphone/transmitter. The ATW-R900a is a non-diversity, single-channel receiver with advanced dipole antenna design for extended operating range, which improves operation by providing a ground element in addition to the usual signal element. The ATW-R900a also offers volume control along with AF Peak, RF and Power indicator lights.
- Analog or digital: Digital
- Frequency response: 8 Hz - 13 kHz
- Width: 7.48 in.
- Height: 1.82 in.
- Depth: 5.06 in.
- Weight: 12 oz
- Type: Guitar Mic
Blackstar Dept. 10 Amped 1 Guitar Amp In A Compact Pedal
$ 380.00 $ 680.00
AMPED 1 is a professional 100 Watt guitar amp in a compact pedal. It turns any pedalboard, modeller, or multi-effector into a performance ready amp and ensures you can take your sound with you anywhere. Power reduction down to 1W and USB-C connectivity means it’s equally at home in the studio or the stage.
- 100W guitar amp in a compact pedal.
- Turns any pedalboard, modeller, or multi-effector into a performance ready amp.
- The power amplifier’s unique, high-headroom design delivers maximum power and optimum tone with any cabinet set-up at 8 or 16 Ohms.
- Response control delivers five distinctly different authentic power valve responses – KT88, 6L6, EL34, 6V6, EL84. Each setting delivers the response, dynamics, sag and break-up characteristics of the selected valve power amp. The Linear response offers transparent power amplification, used in combination with the Flat voice when pairing your AMPED 1 with an external amp modeller.
- Pro connectivity and integration into your setup using low latency USB audio as an interface for recording, and XLR D.I. for live use.
- Effects loop (series or parallel), 2x 9V DC outputs and MIDI control for easy integration into your pedalboard or rig.
- Includes CabRig, our next-generation DSP speaker simulator that reproduces the sound and feel of a mic’d up guitar cab in incredible detail. Deep-dive using the accompanying free Architect software and capture the incredible tones via USB / XLR out.
- Power Reduction switch allows you to select 100 Watts, 20 Watts or 1 Watt to easily get the perfect balance of power and response for any situation from studio to stage.
- Studio quality reverb with ‘freeze’ effect.
- Footswitchable Preset.
Boss WL-20 Wireless System
$ 219.99 $ 285.98
WIRELESS FREEDOM MADE EASY
Have you always dreamed about going wireless with your instrument, but were put off by the complicated setup, tone loss, and bulky adds-ons? If so, the WL-20 series is for you! Driven by new lightning-fast BOSS tech, these ultra-compact music tools deliver premium sound and plug-and-play operation that completely eliminates all the hassles normally associated with wireless systems.
Once you experience the easy wireless independence provided by the WL-20 series, you’ll never go back to using a standard cable again! With no worries about cable management, you’re able to move about freely while playing at home, jamming with friends, and performing on stage. During sound check at a gig, you can listen to your tone out front and dial in the best sound for your audience. And with the ability to roam and interact with other musicians, your live shows will be more dynamic and entertaining than ever.
SPECIFICATIONS
- Wireless Format BOSS: proprietary digital audio format
- Wireless carrier frequency: 2.4 GHz
- Compatible Channels: 14 (May vary due to local conditions)
- Transmission Range: 50 feet line-of-sight(May vary due to local conditions)
- Latency 2.3 ms
- Dynamic Range: 110 dB or greater
- Frequency Response: 20 Hz--20 kHz
- Nominal Output Level: -10 dBu
- Output Impedance: 1 k ohm
- Recommended Load Impedance: 10 k ohms or greater
- Indicators: POWER, RECEIVE
- Connectors: Output plug: 1/4-inch TRS phone type,TRANSMITTER jack: 1/4-inch TRS phone type, DC IN 5 V port: USB Micro-B type
- Power Supply: Rechargeable lithium-ion battery, Supplied from the DC IN 5 V port
- Current Draw: During wireless operation: 60 mA, While charging: 500mA
- Battery charging time: Charging only the receiver: Approximately 3 hours, Charging simultaneously with the transmitter: Approximately 4 hours
- Expected battery life under continuous use: Approximately 10 hours
- * These figures will vary depending on the actual conditions of use.
- Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY
- Transmitter, Micro USB cable for charging (*1)
- *1: Use a standard USB AC adaptor (5 V/over 0.5 A) for charging.
Boss WL-20L Wireless Guitar System
$ 239.99 $ 267.98
Have you always dreamed about going wireless with your instrument, but were put off by the complicated setup, tone loss, and bulky adds-ons? If so, the WL-20 series is for you. Driven by new lightning-fast BOSS tech, these ultra-compact music tools deliver premium sound and plug-and-play operation that completely eliminates all the hassles normally associated with wireless systems.
The WL-20L model is functionally identical to the WL-20, with the exception that it eliminates cable tone simulation. This makes it the best choice for instruments where cable capacitance has little or no effect on the tone, such as an acoustic/electric guitar with an onboard preamp, a guitar or bass with active pickups, or a line-level device like a keytar or Roland’s Aerophone digital wind instrument. The WL-20L also works great with passive pickups if you don’t need the subtle treble roll-off provided by cable tone simulation.
Once you experience the easy wireless independence provided by the WL-20 series, you’ll never go back to using a standard cable again. With no worries about cable management, you’re able to move about freely while playing at home, jamming with friends, and performing on stage. During sound check at a gig, you can listen to your tone out front and dial in the best sound for your audience. And with the ability to roam and interact with other musicians, your live shows will be more dynamic and entertaining than ever.
Consumer Alert:
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change.
Features
- Plug-and-play wireless systems for guitar, bass, and other electronic instruments
- No complicated setup required—simply dock the transmitter and receiver together for about 10 seconds to set the optimum wireless connection
- Newly developed BOSS technology delivers premium audio performance with rock-solid stability, ultra-low latency (2.3 ms), and 50-foot/15-meter range
- Built-in rechargeable batteries provide up to 12 hours of continuous playing time
- Simple charging with a standard USB adaptor (5 V/500 mA or greater)
- Cable tone simulation reproduces the natural capacitive effect of a 10-foot/3-meter guitar cable (WL-20 model only)
- Spare WL-T Transmitter available separately
CAD Audio D80 Large Diaphragm Moving Coil Dynamic Microphone
$ 99.99
- Live performance guitar cabinet microphone designed to deliver high-quality sound
- Large moving coil dynamic that delivers a reminiscent, yet updated sound profile you would look for in a dynamic microphone
- Features a tight supercardioid polar pattern
CAD e60 Externally Biased Cardioid Condenser Microphone
$ 199.99 $ 299.00
One of Al Di Meola's two favorite acoustic guitar mics for live performance, the Equitek e60 Cardioid Condenser Microphone has externally-biased point-source transduction with a high-power transformerless drive in a bulletproof road-ready housing. Take it on tour for high-impact instrumentation. Features include three-frequency hi-pass filter, 10dB attenuator and integral stand clamp. The microphone's applications include acoustic instrument, guitar cabinets, bass cabinets, strings, piano, cymbals/overheads, kick drum, snare drum, hi-hat.
24V or 48V phantom power required.
FEATURES
- Operating Principle: Externally-biased condenser
- Polar Pattern: Cardioid
- Frequency Response:30Hz to 20KHz
- Sensitivity: -41dBV (8.9mV) @ 1 Pa
- Impedance: 300 ohms
- Max SPL: 140dB, 1% THD, attenuator engaged
- Self Noise: 22dBA
- Hi-pass Filter: 40Hz, 85Hz and 122Hz, 6dB/oct
- Attenuator: 10dB
- Power Requirements: P24, P48, 2mA
CAD Stagepass IEM Stereo Wireless In Ear Monitor System
$ 349.99 $ 459.99
The CAD Audio StagePass™ IEM is a high-performance wireless In Ear Monitor System that will deliver superior audio performance while supplying advanced frequency agility, capable enough to cope with today's dynamic RF environment – make it both easy to use and exciting to operate.
The StagePass™ IEM Stereo Wireless In Ear Monitor System features 16-channel frequency agile performance for outstanding connectivity. CADLock™ Automatic Tone Code Squelch eliminates unauthorized interference in RF unfriendly environments. Stereo operation lends flexibility of use – You may send discrete signals to the left or right channel. The MEB2 TruPitch™ Dual Armature Earbuds provide accurate audio reproduction while the EasyFit™ silicon earmolds provide a custom fit.
CAD Audio StagePass IEM Stereo Wireless In Ear Monitor System Includes:
- Wireless receiver
- Wireless transmitter
- MEB2 TruPitch™ Dual Armature Earbuds
- Half wave antenna
- Rack ears
- Antenna relocation kit
- Carry case
CAD Audio StagePass IEM Stereo Wireless In Ear Monitor System Features:
- 16 Channel UHF Agility for frequency plan flexibility
- Stereo Operation for discrete Right/Left transmission flexibility via combination XLR-1/4" connectors
- CADLock ™ Automatic Tone Encoded Squelch to eliminate unauthorized interference.
- MEB2 TruPitch™ Dual Armature Earbuds provide accurate audio reproduction while the EasyFit™ Silicon molds provide a custom fit
- Metal Chassis Transmitter for a durable and formidable shielded enclosure.
CAD Audio StagePass IEM Stereo Wireless In Ear Monitor System Specifications:
- Frequency Range: Q Band 470-498MHz
- Audio Frequency Response: 40Hz – 16KHz
- Dynamic Range: >101dB
- Dynamic Cardioid Capsule
- Frequency Response: 40Hz – 16KHz
- Transmit power: 30mW
- AA Batteries with >15 hrs battery life
- Audio Input: Combination XLR - 1/4"
Fender MXA1 Headphone Amplifier Bundle
$ 199.99
Designed to provide uncompromising fidelity in any environment, the MXA1 bundle combines Fender's legacy of great-sounding, inspiring products with PreSonus' dedication to crafting top-notch audio solutions. This exclusive bundle is the perfect starting point to jump into the world of in-ear monitoring. The heart of Fender's DXA1 in-ear monitor is a custom 8.5mm titanium micro driver that reproduces frequencies from 14Hz-22kHz to ensure you hear an accurate mix. Highly sensitive, these monitors generate 116dB @ 1mW for crystal-clear, distortion-free audio reproduction and the 16-ohm +/-10% @ 1kHz impedance means they can be driven by a smartphone. The durable, low-profile slimline shell fits 95% of ears like a custom-molded monitor. PreSonus' compact, portable and durable HP2 headphone amplifier provides a straightforward way to drive your in-ear monitors and can operate on 9V battery power or DC power. It comes equipped with two XLR line-level inputs and a single stereo 1/8" headphone output with volume and pan controls to precisely dial in your mix. It can also be switched between mono and stereo modes to suit your needs. With 50mW per channel max output power, 30Hz-20kHz +/- 2dB frequency response and working impedance range of >12 ohms, you'll get plenty of distortion-free power and clean, accurate sound. The MXA1 bundle includes the DXA1 in-ear monitors with a deluxe carrying case, assorted patent-pending secure-fitting tips, a cleaning tool and detachable cable, along with the HP2 headphone amplifier and a 15ft 5-pin TA5F to 2 balanced 1/4" input cable, belt clip and 5/8" microphone mount socket.
Specs
General
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Series: In-Ear Monitors
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Color: Gray
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Material: Molded Plastic
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Country of Origin: CN
Electronics
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Controls: Volume, Pan
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Inputs: Two balanced 1/4" TRS inputs
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Headphone Jack: 1/8" stereo
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Input Impedance: 16 ohm ±10% @ 1 kHz
Performance
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Maximum Output Level: 50 mW per channel
Hardware
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Cable Ends: Detachable MMCX cable
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Driver Type: Custom 8.5 mm titanium micro drivers
Measurements
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Shipping Dimensions: 3.00 × 8.00 × 15.00 in
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Shipping Length: 15.00 in
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Shipping Height: 3.00 in
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Shipping Width: 8.00 in
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Product Depth: 2.875 in (7.3 cm)
Accessories
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Included Accessories:
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Stereo input cable
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Power supply
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3/8" to 5/8" microphone stand adaptor
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Deluxe carrying case
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Secure-fitting tips
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Cleaning tool and cable
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Info
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