Pre-loaded with 100 presets, the CODE25 has all you need to find your sound at home. Its 25W mean it’s even powerful enough to start gigging with. Fully programmable via your phone and online, CODE25 is the amp for on the go.
$ 249.99 $ 349.99
Get ready to be immersed in rich, powerful sound created by the designers of some of the world’s most beloved and popular professional live sound and recording systems with FreePlay HOME. Its compact size and attractive design offer exceptional clarity and high-headroom power you won’t find from most speakers this sleek.
Connect your device to FreePlay HOME over Bluetooth, and even link it to a second FreePlay Series speaker with enhanced control via the FreePlay Connect app. Use it at home, or take it with you; its high-capacity rechargeable battery offers up to 15 hours of room-filling sound. Plus, you can even use it as a power bank to recharge your USB devices. When you want to be moved by your music, look no further than the Mackie FreePlay HOME Portable Bluetooth Speaker.
$ 499.99 $ 600.10
FreePlay LIVE is the ultra-portable, personal PA of your dreams. With tons of power, crystal clear sound, up to 15 hours of battery life, and much more, FreePlay LIVE is perfect for performers, buskers, presenters, and even for rocking out to your favorite playlist.
As a LIVE musician, public presenter, or anyone else who’s had to ensure their audience can hear them clearly, you’ve almost certainly run into the shortcomings of most portable live sound speaker systems. They’re either too big and heavy to easily transport and set up, or they’re small but don’t offer the power, sound quality, and reliability you need for your most confident performances.
Push those concerns aside. Mackie’s new FreePlay LIVE is the perfect personal PA for anyone who needs a lightweight and great-sounding solution for music performance and speech presentations with plenty of power on tap. It can run on either AC or battery power, with the built-in high-capacity rechargeable battery offering up to 15 hours of rich, powerful sound. FreePlay LIVE is flexible, with inputs for your microphone, guitar, keyboard, or playback device. You can also stream music wirelessly from any Bluetooth enabled device. Plus, with the FreePlay Connect app, you get mobile freedom to control everything from levels to EQ for amazing sound in any situation and wirelessly link to a second FreePlay Series Bluetooth speaker for music playback.
So, get ready to rock that coffeehouse, host that open jam on the beach, give that presentation to the sales team, or lead that rally in the park. FreePlay LIVE gives you the freedom to be confident with your sound no matter where you go or what you do.
$ 449.99 $ 679.30
Set the stage, wherever you want it to be. Bring professional live sound reinforcement to small concerts, corporate events, assemblies, weddings, parties and more. Mackie Thump GO puts powerful sound processing and wireless control in your hands, whether you’re holding a guitar, wired or wireless microphone or DJ controller.
$ 99.99 $ 149.99
Marshall Major Headphones BLACK. Available in black/gold, pitch black and white. The major comes with 3.5mm jack plug and ¼” converter. They’re sturdy, deliver superior sound and are designed to be used all day, every day.$ 249.99 $ 300.00
The JDI is a high performance passive direct box for live concert touring and professional studio recording applications, featuring a premium Jensen transformer for exceptional audio performance.
The Radial JDI is a passive direct box designed to handle extreme signal levels without distortion of any kind. At the heart, the Radial JDI employs the world class Jensen JT-DB-EPC audio transformer delivering a smooth, warm sounding Bessel curve, reminiscent of the finest vintage gear. Ruler flat from 10Hz to 40kHz and with virtually zero phase deviation, the JDI delivers the natural, pure sound of the instrument without artifact. By its no-power passive design, the Radial JDI performs both high-to-low impedance conversion and signal balancing over a magnetic bridge that passes signal while rejecting stray DC voltage. This makes the JDI particularly adept at eliminating hum and buzz caused by ground loops.
The Radial JDI is a phase coherent, passive direct box employing a nickel laminated Jensen® audio transformer with virtually zero phase distortion, huge dynamics handling and ruler flat response from 10Hz to 40kHz. The Radial JDI is quite simply the world’s finest passive direct box. With its heavy-duty steel shell and internal I-beam construction, the JDI is designed to work dependably for years in even the harshest of touring environments. Ideal for keyboards, bass and acoustic instruments of all kinds, the JDI Duplex and JD6 are also available for stereo and multi-channel applications.
Specifications | ||
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Audio circuit type: | Passive, transformer based | |
Transformer: | JT-DB-EPC | |
Number of channels: | Single channel (mono) | |
Frequency response: | 20Hz ~ 20KHz (± 0.2dB) | |
Dynamic range: | 135dB | |
Total harmonic distortion: | 0.05% from 20Hz ~ 20kHz @-10dB | |
Phase Deviation: | 0.3° @ 100Hz; 3° @ 20Hz | |
Input Impedance: | 140k Ohms, unbalanced | |
Output Impedance: | 150 Ohms, balanced | |
Maximum Input: | +21dB @ 20Hz ~ 20kHz | |
Features | ||
Input pad, Mono Sum, 180° polarity reverse, Ground lift, Speaker filter | ||
General | ||
Construction: | 14 gauge steel chassis & outer shell | |
Finish: | Durable powder coat | |
Size (L x W x D): | 5" x 3.3" x 1.8" (127mm x 84.1mm x 45.5mm) | |
Weight: | 1.55 lbs (703 grams) | |
Shipping size (L x W x D): | 6.5" x 4" x 3" (165mm x 102mm x 76mm) | |
Shipping weight: | 1.92 lbs (870.9 grams) | |
Power: | Passive, no power required | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 109.99 $ 132.00
The Radial Engineering Power-1 is clean power conditioning unit in a rugged rackmount enclosure, providing anyone with valuable electronic gear and audio equipment with superior filtering against interference along with peace-of-mind surge protection.
Specifications | ||
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Voltage Rating: | IEC Power: 120V, 50/60Hz USB: 5V | |
Load Rating: | IEC Power: 15A total, 15A per outlet USB: 1A | |
Features | ||
General | ||
Size (L x W x D): | 19″ x 6.38″ x 1.47″ (482.6mm x 162.0mm x 37.4mm). Cord length: 9.5' (290cm) | |
Weight: | 3.1kg (6.5lb) - includes cord | |
Overload Protection: | American-made Metal Oxide Varistor (MOV), 15A circuit breaker | |
Agency Listing: | Conforms to UL Std 1419, 60950-1 and 60065 in USA, CSA Std 60950-1, C22.2 No. 62368 in Canada | |
Conditions: | For use in dry locations only between 5°C and 40°C | |
Warranty: | Radial 3-Year, Transferable |
$ 199.99 $ 240.00
The Power-2 features Radial Engineering’s superior interference filtering and peace-of-mind surge protection, along with an innovative slide-out tray with multicolor LED illumination that allows you to see the rest of your equipment rack with ease in any poorly-lit environment.
Radial Power clean surge suppressors give musicians, engineers, producers, studio owners, commercial facilities, and anyone working with valuable electronic equipment protection from power surges that can damage or destroy music equipment instantaneously. Eight rear panel outlets are provided (four with wall-wart spacing to accommodate any PSU size), along with an easily accessible front panel outlet and a USB charging port for powering personal devices. A unique tray slides out to illuminate rack equipment below, with ultra-bright LEDs in seven color options along with a built in dimmer to adjust as needed.
Unlike competitive products that utilize low quality MOV's (Metal Oxide Varistor) for surge protection, Radial Power units are built using a USA made MOV. This critical component has been proven to offer superior thermal protection and have a much longer lifespan than the alternatives. The Power-2 utilizes shunt mode technology and is non-ground contaminating for lower system noise. A high-rejection RF interference filter is used to keep high frequencies and AM radio signals out of the power line, preventing contamination of audio signals.
$ 639.99 $ 768.00
Take complete control over your tone, EQ settings, and effects with the PZ-Pro, a two channel instrument preamp, DI and switcher. Each channel features a separate equalizer strip complete with a filter section to reduce feedback on stage. The second channel of the PZ-Pro also features a microphone input to allow any dynamic or condenser microphone to be used, including clip-on instrument mics. Three footswitches provide the ability to toggle between each input channel, activate a built-in booster and an effects loop, or mute the signal for silent tuning on stage.
The PZ-Pro is designed for instrumentalists and performers who take a no-compromise approach when it comes to tone, both on stage and in the recording studio. Dual input channels allow you to switch between or blend together two sources, with full control over the sound of each input. Each channel has its own semi-parametric equalizer section and input level, along with individual filter controls to reduce feedback on stage. The second channel of the PZ-Pro also features a microphone input to allow any dynamic or condenser microphone to be used, including clip-on instrument mics or even vocal microphones. An FX Loop with a wet/dry knob provides the ability to blend in as much or as little pedal effects as desired, with a footswitch to bring them in and out of the signal chain at a moment's notice. Finally, once your tone is completely dialed-in, balanced XLR direct outs feed the PA system or a recording interface, with both Pre-EQ and Post-EQ outputs available.
The PZ-Pro is highly configurable, so you can adapt it to meet the needs of your performance, instead of changing your performance to fit the limitations of your gear. Connect magnetic pickups, instruments with on-board preamps, or piezo transducers, and optimize the sound of each with powerful EQ controls and a variable notch or high-pass filter. Blend an instrument mic with your pickups, switch between two instruments, or connect a vocal microphone and feed it through your guitar pedals. The FX loop can be assigned to channel A, B, or both at once, and you can activate it with a footswitch or assign it to be always on, saving footswitch control for the variable clean boost function. With the PZ-Pro, you get the durability and performance Radial is known for, along with all the features you need to put on an unforgettable show.
$ 89.99 $ 125.98
The Radial SB-1 Acoustic is a high-performance active direct box made for players that are on the move. Made to fit inside a guitar case, the SB-1 is the smallest Radial DI box ever! But don't let the small size deter... this ultra-compact StageBug sounds absolutely terrific!
The design begins with standard ¼ instrument input with a thru-put to feed your tuner or your on-stage amp. The ultra-quiet active circuit at once converts the signal from high to low impedance to reduce susceptibility to noise. The signal is then buffered and balanced for long cable runs to the PA system. 48 volt phantom provides the power, so the SB-1 does not require batteries or external supply to make it work. You simply plug in and you are ready to go!
The active circuit features a carefully selected 800k-ohm input impedance to eliminate problems with loading while delivering a crisp, clear sound to the audio system. This delivers extra sparkle to the top end when interfacing vintage guitars with low output pickups and is particularly handy should you plan to use it for recording or Reamping. The SB-1 is also equipped with a -15dB pad that reduces the input sensitivity to gracefully handle even the loudest active instruments. This makes the SB-1 perfectly well suited for electric bass and keyboards. To reduce feedback, toggling the 180° polarity switch helps eliminate hot spots on stage that can cause low frequency resonance.
The StageBug... small size, big heart, huge sound!
$ 479.99 $ 576.00
The Switchbone V2 may well be the ultimate guitar amp switcher. This device lets you switch and combine up to three guitar amplifiers without introducing distortion, switching noise, or hum into the signal path. Most importantly, it will retain the natural tone and feel of your instrument so that your natural playing style shines through. The Switchbone V2 may be used as a standard ABY switcher with both A and B outputs used separately or together, or the tuner output can be repurposed to feed a third amplifier. A built-in power booster at the output delivers up to +18db of ultra-clean boost with the option to add mid-boost for extra sustain when playing lead.
Specifications | ||
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Audio circuit type: | Discrete Class-A | |
Gain: | Unity to +12dB (Baseline gain) | |
Input Impedance: | Variable with drag control | |
Output Impedance: | 10k Ohm | |
Noise Floor: | -111dB | |
Features | ||
180° polarity reverse, Ground lift, Boost | ||
Input Connectors: | 1/4" input | |
Output Connectors: | 4 1/4" outputs | |
General | ||
Construction: | 14-gauge steel chassis & outer shell | |
Size (L x W x D): | 6.62" x 4.5" x 2" (168 x 114 x 51mm) | |
Weight: | 2.35lb (1.07kg) | |
Shipping size (L x W x D): | 10.75" x 4.75" x 2.5" (273 x 120 x 64mm) | |
Shipping weight: | 3.35lbs (1.5kg) | |
Power: | 15VDC 400mA, center pole positive | |
Conditions: | For use in dry locations only between 5°C and 40°C | |
Warranty: | Radial 3-year, transferable |
$ 439.00
Specifications
$ 449.99 $ 689.99
Samson began as a wireless technology company over 25 years ago. We packed our high-quality wireless gear with value and professional sound capability. Now, we introduce the most versatile, technologically advanced wireless system in our history: AirLine Synth.
With its sleek, frequency-agile micro transmitters, one button channel selection and infrared scanning, the technology behind our new AirLine Synth provides easy setup and clear reception at every gig in every location.
Ideal for media production, house of worship and of course, professional music production of all varieties, AirLine Synth is a true diversity system that is frequency selectable, with the capability of operating on over 300 frequencies* with up to 11 simultaneous systems**.
Small and lightweight, the AX300 plugs directly into any dynamic microphone you want to use and we include the Samson Q7, a great mic for vocals and presentations. The transmitter is so lightweight and small, it feels like it's a natural part of the mic.
The AX300 contains a precision mic preamp that never colors your sound, a digital channel readout, a low battery indicator and a mute switch.
The Handheld System includes the AR300 AirLine Synth Receiver. Roadworthy durability and crystal clear reception in any location make this receiver an intelligent choice for discerning professionals. Featuring automatic RF scanning and infrared programming, balanced and unbalanced outputs as well as front or rear mountable antennae, the AR300 is loaded with convenience and cutting-edge technology. We also designed it with a backlit LED front panel display that shows AF/RF levels, frequency, audio output level and group for easy setup on the fly. Up to four AR300M modules can also be rackmounted in a single rackspace using the AR4300 receiver.
* Channels: 320 channels 25kHz Step (N and U Bands), 71 channels 25kHz Step (E Band)
** Simultaneous Systems: Up to 11 (N and U Bands), Up to 5 (E Band)
*** Operating Frequency: 639.025–647 MHz, 798.025–806 MHz (not for use in the USA), 863–865 MHz (not for use in the USA)
$ 199.99 $ 599.99
$ 79.99 $ 199.99
An incredibly well-made kick drum mic. Rigid, and featuring a huge diaphragm element, the Q Kick sounds better than mics costing hundreds more.$ 99.00 $ 120.00
For many years, we've had live sound engineers utilizing our studio microphones and Reflexion Filters® on stages all over the world with acts like Linkin Park, Tom Petty & The Heartbreakers, Black Sabbath, Billy Idol, Paramore, My Morning Jacket, and many, many more.
With vast knowledge gained through working with countless engineers and bands, we have finally entered into the world of dynamic mics with the V Series - built to withstand rigorous touring schedules, while still performing better than anything else in their class.
The V7's road-ready design is all metal - no plastic parts here. The chassis' high quality, highly durable zinc alloy is designed to hold up under on-stage stress for years, and the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability.
Also, see that beveled edge around the grille? That prevents your mic from rolling around when you put it down on top of your amp or the stage floor. (It's the little things that count.)
The V7's gold-plated XLR connector also ensures a loss-free and reliable signal connection for years to come.
Efficiently reduces unwanted wind noise and plosive pops....and just in case you don't like our stylish "sE Red" color, we've included a spare black windscreen in the box for you.
The DMC7 dynamic element in the V7 has been custom-developed for a crisp, open sound that perfectly captures your voice in the most natural way you've ever heard on stage - and its sophisticated supercardioid capsule design helps isolate your voice from other instruments, ensuring vast amounts of gain before feedback.
Proven Neodymium magnets, tight production tolerances & high-end workmanship ensure excellent sensitivity, superior sound quality and superb consistency.
The V7's brand new, patented shockmount efficiently decouples the capsule from mechanical vibration, providing exceptionally low handling noise as compared to other mics in its class. This means you can feel free to move around on stage without fear of rumbles, pops, or anything other than your voice coming through.
In box
Sold Out $ 439.99
The response and cardioid pattern of the Sennheiser e 604 Drum Microphone is optimized for use on drum sets, while also producing exceptional results on brass and woodwinds. Sennheiser e 604 mics handle very high SPLs, with clear, balanced, low-distortion signals similar to high-end studio condenser mics. Lightweight voice coils provide extended high frequency and rapid transient response. Tough reinforced fiberglass bodies take knocks and shocks and suppress impact noise.
Audio
Pattern and Type
Size and Weight
Included Accessories
$ 139.00 $ 179.00
Let the Shure 520DX Green Bullet Mic give you that warm, distorted Chicago blues tone associated with Little Walter. Dual-impedance internally selectable, built-in mic cord, supplied with 1/4" phone plug connector.
FEATURES
$ 179.00 $ 199.00
If you want to capture a classic look, you need the gear to match the genre. Nothing completes the style quite like the 55SH Series II, a microphone that has been gripped by legends for decades. Others may imitate, but none can duplicate the form and function standards Shure has held from our first Unidyne mic to our latest.
Built on the hardware of our seminal Unidyne 55 microphone, the look of the 55SH Series II transports you to a classic era. Whether you recreate the broadcasting golden age or sing with the hip-swinging swagger of the birth of rock n’ roll, this is the mic that makes the scene.
The cardioid directional pattern captures the exact sound you want, regardless of acoustic environment. So it’s perfect for live performance in a variety of venues.
The shock-mounted cartridge minimises stand noise. So swing while you sing. It can handle the motion.
Microphones get dropped, tossed and knocked around. We know. We’ve been making them for nearly a century. It’s why we built the 55SH Series II with a rugged, die-cast casing, so it’s always ready for the next show.
$ 189.00 $ 236.00
Drum microphone provides low-frequency bass punch and SPL handling. It includes dynamic locking stand adapter for easy set-up, steel mesh grille for durability, shock mount for sound isolation, and neodymium magnet for high signal-to-noise ratio.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
In the box
$ 169.00 $ 239.00
BETA 56A
Instrument Microphone
Compact drum microphone engineered for close miking of snare and toms.
The Shure BETA®56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.
A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
Features
Tailored frequency response provides drums, amplified instruments, and horns with studio quality sound
Built–in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
Compact design reduces stage clutter
Hardened steel mesh grille resists wear and abuse
Neodymium magnet for high signal–to–noise ratio output
Minimally affected by varying load impedance
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Legendary Shure quality and reliability
$ 149.00 $ 199.00
Dynamic instrument microphone provides high gain before feedback in demanding environments. It features a steel mesh grille for durability, shock mount to minimize transmission of unwanted noise, and a neodymium magnet for high signal-to-noise ratio.
$ 169.00 $ 219.00
Big sound. Full sound. Sophisticated sound. Is your mic living up to the power of your vocal? For decades, the BETA® 58A has been through the wringer, pushing voice to the forefront on the biggest stages in the world. For sound that commands the attention of the entire crowd, this is your microphone.
$ 259.00 $ 329.00
The Shure Beta 87A Supercardioid Condenser Mic is a new take on an old classic. The Beta 87 was consistently a top choice of performers and audio technicians due to its accuracy, detail, and rich vocal production. Now this longstanding favorite has been redesigned as the Shure Beta 87A. It has a thicker handle that gives a more comfortable feel when hand-held. It also includes a new break-resistant swivel adapter and low-frequency roll-off to compensate for proximity effect and to prevent boominess. The supercardioid pattern provides high gain-before-feedback, and its 3-stage pop filter minimizes breath pop and noise. Frequency response: 50Hz-18kHz.
Requires phantom power.