The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Proprietary Trans Linear Control (TLC) circuit enables Aguilar to achieve unprecedented levels of performance in a small package.
The TLC Compressor features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you'll be able to dial in just the right sound. Aguilar's TLC Compressor gives you a range of control usually found only in expensive studio compressors.
$ 199.99 $ 229.99This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer® features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage.
Sold Out $ 614.99
Wireless guitar system with pedal-style receiver.
Audio-Technica's System 10 Stompbox digital high-fidelity guitar wireless system combines the advanced 24-bit operation, easy setup and clear, natural sound quality of other System 10 configurations with unique functionality for guitarists, bassists and other instrumentalists. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 Stompbox offers a rugged, metal, pedal board-mountable receiver with foot switch, two switched TRS balanced 1/4" outputs and an output mode selector. With the tap of a foot, musicians can toggle between outputs (e.g., for switching amps) or mute and unmute one output without muting the other (e.g., for convenient tuning). And a single receiver can be paired with up to eight UniPak body-pack transmitters, allowing users to easily switch between instruments without having to move a body-pack from one instrument to the next.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
Each Stompbox system includes an ATW-R1500 Stompbox receiver, an ATW-T1001 UniPak body-pack transmitter with an AT-GcW guitar cable, and hook & loop strips for adding receiver to an effects pedal board. The ATW-R1500 is a digital receiver with sturdy, metal-body construction, easy-to-read digital ID and transmitter battery level displays, and AF Peak and Pair indicator lights.
ATW-1501 System 10 Stompbox Digital Wireless Guitar System
The 427 is the modern muscle car of distortion pedals, with a big, meaty tone that's ready to kick ass. Another Paul Gagon creation, 427 builds on his experience crafting pedals for the gods of rock, but this one's got a distinctly American voice.
427 fires up with a potent variation of Gagon's proven LED-based distortion circuit as used in the BBE Blacksmith, with the power flowing to a sweepable EQ (CSEQ) section inspired by an early '70s Big Muff Pi and optimized for maximum flexibility.
On a mission to raise hell on rock-and-roll streets from New York to L.A., 427 delivers more raw power than yesteryear's muscle with better handling. With a beefy mil-spec circuit board sporting big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, 427 is engineered to be deliver rock-solid performance and never leave you stranded. And when you aren't in the mood to lay down serious rubber, 427's true hardwire bypass lets your tone slip by without so much as angry glance from the tone police.
$ 119.99 $ 169.00
The BBE Free Fuzz effects pedal works for guitar and bass and was patterned after a rare and sought-after silicon transistor fuzz pedal made famous by players like Jimi Hendrix in the late '60s. The BBE effects pedal provides a wide range of creamy, dynamic fuzz effects with an almost endless amount of sustain for soloing and chunky rhythms.
Free Fuzz Effects Pedal
The music of Gus G and his band Firewind can be described as melodic, soaring and punishing - in short, metal masterpieces. But just as Gus is shaping the bleeding edge of metal, he is deeply passionate about its roots, as evidenced by his scoring the coveted gig as guitarist for Ozzy Osbourne.
Gus' gear reflects his passion, inspired by the classics and updated for a new level of sophistication and musical expression. BBE stompboxes share his ethos, born out of respect and appreciation for the classics while pushing forward, evolving the breed. Gus' new G Screamer signature overdrive is a thundering example. For years, the BBE Green Screamer was Gus' overdrive pedal of choice. But working closely with BBE's legendary mastermind Paul Gagon, Gus has now dialed in his tone still more, for solos that power his vision for the modern metal realm:
"BBE's Green Screamer is the one pedal I always had to have with me. When I'm soloing, the Green Screamer gives me that extra kick I need, a great combination of meaty gain and harmonics that drive my amp's tubes harder for a really thick, punishing tone. But it's not just an old school wall of distortion. It's complex and sophisticated, never ragged.
"The Green Screamer was working great for me, but I had ideas about how to make it even better for my tone. Paul Gagon and I collaborated and we modified the input driver to the distortion circuit so that more lower-mid harmonics are focused where I want them. Now my new G Screamer pedal lets me drive even more harmonics, and they're focused right where I need them to be for a cleaner, tighter distortion. The G Screamer delivers explosive power with precision. It's my new weapon."
$ 85.00 $ 185.00
A newly redesigned rotary speaker simulator with tons of style and unbelievable tone.
The Soul Vibe, winner of the Guitar World Platinum Award, is back with a new look that really suits the "vibe" of this delicious pedal. Countless guitarists claim that Soul Vibe is the most convincing of analog rotary simulators, delivering on that Leslie experience complete with slight pitch changes as the horn comes and goes. Now Soul Vibe looks as sweet as it sounds. Check out that delicious root beer metallic finish, inspired by the warm, wood finished cabinet of a Leslie. Cr¨me brownface amp knobs are the perfect complement, adding to the visual warmth, while the matching cr¨me logo script puts this gorgeous new Soul Vibe in a class all its own. Just imagine plugging into this pedal and doing your best Gilmour or Trower licks. Yeah, we thought you'd like that.
What hasn't changed is the Soul Vibe's commitment to an authentic rotary experience with the convenience, reliability and durability you've come to expect from BBE, including 1% metal-film resistors and true hardwire bypass. If rotary is your vibe, get a Soul Vibe and discover that heaven is still in heavy rotation.
This is a USED item being sold in "Excellent" condition.
$ 299.99 $ 399.99
A footpedal drum machine is now a reality. Brings a whole new meaning to toe-tapping rhythms.
BeatBuddy is the first drum machine in a guitar pedal format that enables full hands-free, creative control of the beat. Musicians can effortlessly insert fills, transition from verse to chorus, add accent hits, throw in drum breaks, and more, to create an unprecedented live drummer effect.
No programming is necessary: Included are 10 hyper-realistic drum sets and 200 songs in a wide variety of genres.
For the advanced user, infinitely more songs and drum sets can be created with the included PC/Mac software, downloaded from BeatBuddy's ever-expanding online library, or discovered and shared on the BeatBuddy Community Forum.
Featuring a first-of-its-kind visual display of the beat, BeatBuddy also makes it easy-to improve rhythm or learn new time signatures. It's the power of a drum machine with the simplicity of a pedal.
$ 119.00 $ 179.00
UNBELIEVABLE “TALKING” WAH EFFECTS!
The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.
Compact pedal creates a variety of classic "wah" effects
Dynamic wah sounds provide variable effect based on picking strength
"Humanizer" effect creates human voice-type vowel sounds
Dedicated Bass input for processing bass guitar
EXP Pedal mode allows wah control via optional expression pedal
Tempo can be set for pedal control or at fixed rate via Manual mode
BOSS five-year warranty
A “Talking” Pedal
The AW-3 Dynamic Wah is the first compact wah pedal to incorporate human voice-type sounds through a new “Humanizer” Mode. Of course, you can also choose from standard up-and-down wah effects, plus a Tempo Mode and resonant synth-like Sharp Mode.
Choose from both fixed and auto wah settings using the Manual control or pedal for tempo input. By connecting an optional expression pedal, the AW-3 can also be used for Pedal Wah effects. A dedicated Bass input permits direct processing of bass guitars.
$ 159.00 $ 258.50
The BOSS BB-1X Bass Driver is a premium stompbox designed to make your bass sound bold and punchy. More than just a standard compact bass pedal, the BB-1X is like a preamp, a crucial component in creating quality sound. It captures the essence and subtle nuances of your bass, amp, and playing and emphasizes all their best characteristics.
Incorporating BOSS' latest MDP technology, the BB-1X delivers a wide range of superior sounds, from natural clean tones to heavy distortion. It adapts and responds to any playing style or register, but never loses the body and core tone of your instrument. The BB-1X's natural-sounding distortion preserves the high definition and dynamics reflected in the finest details of your sound. The BB-1X provides a clear sonic outline to enhance your sound, yet never muffles your low end. With the Blend knob, you can easily adjust your tone by mixing the direct signal with the effect sound.
Low, High, and Drive knobs offer an extremely wide range of sound creation. These controls not only shape the frequencies, but change the characteristics of the tone as well.
The Line Out jack on the BB-1X goes beyond a standard DI out, providing a newly crafted and enhanced direct sound for reaching larger audiences through a PA system. The "1X" in the BB-1X's name represents the pedal's premium look, sound, and feel. Whether you're defining your standard tone or spicing up your sound for soloing, the BB-1X Bass Driver is a must-have for every modern bassist.
Much More Than a Normal Bass Stompbox
Don't let the appearance of the BB-1X fool you-it's not just another compact effect pedal. Rather than a standard bass stompbox that's used occasionally for musical passages or solos, the BB-1X functions more like a preamp and DI that enhances and refines your entire sound. While many preamps color your sound or drastically change its character, the BB-1X is different. It emphasizes and invigorates the natural characteristics of your bass and amp, as well as the nuance of your playing style. Simply put, the BB-1X Bass Driver takes your normal rig and makes it sound even better.
Endless Possibilities for Creating Your Core Tone
All bassists are concerned with body, punch, and other fundamental sound elements, and need a wide range of adjustability to achieve their core tone. This is where the BB-1X really shines. With BOSS latest technology, you have endless possibilities for producing a polished professional sound. In combination with the High and Low tone knobs, the Blend knob provides exceptional adjustability to dial in the perfect balance to nail your personal tone.
The BB-1X Sound Isn't Smoke and Mirrors
In order to get a punchy sound with conventional bass pedals, the frequency range is typically narrowed down, resulting in a somewhat unnatural sound. In addition, the low end can get muffled while trying to achieve a transparent, high-definition distortion tone. As the distortion level is increased, the dynamic response is decreased, which limits your musical expression.
Thanks to the advanced technology from BOSS, the BB-1X analyzes the bass signal from several different dimensions in real time. An enormous amount of processing is performed according to the instrument, playing style, phrasing, dynamics, and more. This provides a wide range of possibilities to shape and enhance your sound without altering the fundamental tone of your instrument and amp. Combining solid low end with natural-sounding, high-definition distortion, the BB-1X delivers the dynamic response required to reflect the unique individual expression of every modern bassist.
Specially Tuned Line Out Jack for Impressive Direct Sound
On stage, the bass signal is typically split into two separate outputs using a DI box: one output goes to your bass amp, while the second output goes directly to the PA. The BB-1X features a convenient balanced Line Out jack that functions as a DI when you need it. But make no mistake, this is not your basic line out-BOSS has specially tuned it for superior tone.
The signature stage sound you've created with your amplifier and the DI sound presented to the audience can be quite different, because the PA engineer's main consideration is an overall balanced sound of the entire band. After consulting with many top bassists and pro PA engineers, BOSS carefully considered their suggestions and incorporated some unique enhancements into the BB-1X's Line Out.
The body and core tone produced by the BB-1X's Line Out is not the result of simply boosting the low end, which can result in an unbalanced band mix through the PA. Its special tuning provides a full spectrum of balanced sound, while never losing the body, punch, and presence of your individual tone.
From natural and clean to distorted and mean, this pedal helps you put your bass in the right sonic space.
$ 149.99 $ 243.50
Passionately designed by the master engineers at BOSS in Japan, the Waza Craft BD-2W delivers a premium stomp experience that fans of customized pedal tone will love. Crafted with an ear for highly refined sound, the BD-2W takes the classic Blues Driver grit to a new level with all-discrete analog circuitry. Standard mode captures the classic BD-2 tone while Custom mode delivers new body and sustain.
Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. Continuing this enthusiastic spirit, we are pleased to introduce the new Waza Craft series. In Japan, "Waza" is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship. With final sound approval carried out by BOSS in Japan, the Waza Craft series brings you exceptional tone and touch response through
carefully-selected analog components, refined circuitry, and meticulous attention to detail.
$ 139.99 $ 189.99
The Boss BF-3 Flanger gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create flanging with incredible depth--plus slicer-type effects and sounds that seem to swirl around you.
$ 99.00 $ 154.00
A UNIQUE STEREO CHORUS
The CH-1 Super Chorus pedal delivers a clean classic chorus sound with crystal-clear highs and a unique stereo effect, variable between left and right speakers.
Classic BOSS chorus pedal with clean, brilliant sound for guitar and keyboards
Effect Level, EQ, Rate and Depth knobs allow for precise shaping of sound
Features Mono input and Stereo outputs for connection to dual amps
BOSS five-year warranty
$ 149.99 $ 207.99
The CP-1X is powered by Boss's MDP technology which preserves the character of your instrument. The CP-1X is a new type of multiband compressor that allows you tap into new levels of musical expression.
Boss CP-1X Compressor Effects Pedal Features
Sold Out $ 211.00
With three delay-time modes, the Boss DD-3 Digital Delay Pedal can handle all your performance needs. Features delay times that range from 12-1/2 to 800ms. Produces endless repeats on demand in Hold mode. Comes with a 5-year warranty.
Sold Out $ 418.99
Filled with newly developed BOSS technology, the DD-500 is the most powerful and versatile stompbox delay ever created. This incredible sound-creation toolbox offers 12 distinctive delay modes with exceptional audio quality, plus deep editing controls, a graphic display, patch memories, MIDI, and much more. From basic echo to dead-on emulations of classic delays to incredibly lush spatial textures that take your breath away, the DD-500 will launch your music places you never thought possible.
Twelve Versatile Delay Modes and Deep Editing Options
With the DD-500’s 12 delay modes, you can create any delay sound you can imagine, and then some. Everything you need is here, from warm, gritty vintage delays and tape echo to complex modern delay lines that employ pitch shifting, filtering, and other unique processing. With the hands-on knobs, it’s easy to shape essential parameters and create great sounds immediately. Each delay type also includes a semi-parametric four-band EQ, modulation, ducking, and many other parameters, allowing you to dive deep and refine tones with maximum precision.
Unparalleled Sound Quality
In the DD-500, every delay mode has been carefully crafted for a unique sonic personality and highly musical tones at every setting, realized by high-powered DSP running at 32-bit/96 kHz. And while the DD-500’s delay effects are high-end digital, your straight guitar tone remains 100-percent analog at all times, with your choice of buffered or true-bypass operation. In addition to strengthening the analog dry signal, buffered bypass has the added benefit of enabling carryover, so delay trails are not cut off unnaturally when the effect is switched off.
Advanced Features for Stage and Studio Use
In the world of sophisticated delay stomps, the DD-500 stands alone in practical usability. The large, integrated LCD fully supports the pedal’s immense capabilities, giving you clear visibility of delay time, patch ID, and more on one screen, plus sane navigation for detailed parameter tweaks, naming, and system management. And via USB, it’s simple to connect to your computer for patch backup and MIDI control with your favorite DAW.
Intensive Real-Time Control
With its freely assignable controls, the DD-500 delivers unmatched creative expression and performance flexibility. By default, the A, B, and TAP/CTL switches offer intuitive control for two patches, bypass, bank selection, tap tempo, and more. However, they can be customized to operate in alternate ways, such as providing top-level access to three different delay patches, or allowing you to use two patches at once for layered delay sounds. Instead of tap tempo, you’re able to assign the TAP/CTL switch to various real-time functions like Warp or Twist for a wide range of expressive effects. Even more parameters can be manipulated via an optional expression pedal or external switches, and MIDI I/O opens up many additional control options with advanced setups.
DD-500 Delay Modes
• Standard—Clear digital delay.
• Analog—Emulates classic analog “BBD” delays like the BOSS DM series.
• Tape—Emulates the warm sound of tape-based delay units, including the Maestro Echoplex and legendary Roland RE-201 Space Echo.
• Vintage Digital—Emulations of early digital delays from the 1980s, including Roland’s famous SDE-2000 and SDE-3000 rack units and the BOSS DD-2, the original stompbox digital delay.
• Dual—Two different delay lines that can be connected in series or parallel.
• Pattern—Sixteen different delay lines that can be set independently for all types of unique rhythmic effects.
• Reverse—Backwards delay for cool psychedelic effects and other unique tones.
• SFX—“Special effects” delay with a highly unique sound character.
• Shimmer—Pitch-shifted delays for lush, heavenly textures.
• Filter—Delay with a sweeping filter.
• Slow Attack—Ethereal delays that fade in with playing dynamics.
• Tera Echo—Spacious, animated ambience effect derived from the innovative BOSS TE-2 pedal.
DD-500 Assignable Control Functions
The following functions can be assigned to the DD-500’s onboard TAP/CTL switch and/or optional external footswitches. These assignments are stored as part of a patch.
• Tap—Set the delay in time with a song’s tempo.
• Hold—The delay’s feedback is held continuously while the switch is pressed.
• Warp—Increases the delay’s feedback and level simultaneously for powerful expressive effects.
• Twist—Adjusts multiple delay parameters with a single press, creating wild sounds similar to twisting the panel knobs in real time.
• Moment—Outputs the delay sound only when you hold down the switch.
• Roll 1/2—Cuts the delay time to 1/2 of the current setting when you hold down the switch.
• Roll 1/4—Cuts the delay time to 1/4 of the current setting when you hold down the switch.
• Roll 1/8—Cuts the delay time to 1/8 of the current setting when you hold down the switch.
• Fade In—Fades in the delay sound.
• Fade Out—Fades out the delay sound.
• Assign 1-8—Allows you to assign and control up to eight different delay parameters at once.
$ 149.99 $ 297.99
THE NEXT STEP IN COMPACT DELAY
Even with the best-selling delays in compact-pedal history, BOSS continues to push the envelope and innovate. The new DD-7 takes the best features from its predecessors and expands the creative potential with Modulation Delay mode, classic modeled Analog Delay mode, External pedal control options, longer delay time, and more.
Expanded delay time, up to 6.4 seconds
Modulation Delay mode offers natural, chorus-type sounds
Analog Delay mode models the classic warm BOSS DM-2 analog delay sound
Tap tempo controllable via external footswitch
Delay time, feedback, and effect level can be controlled via external Expression pedal (sold separately)
Up to 40 seconds of recording for sound on sound (Hold mode)
BOSS five-year warranty
Expanded Delay Time
Up to 6.4 seconds of delay time is available with the DD-7, a marked increase from its predecessor. In addition, Hold mode allows up to 40 seconds of input to be recorded for creating “sound on sound” performances.
New Delay Modes
The DD-7 is equipped with two innovative new delay modes. Modulation Delay provides chorus-flavored sounds. Analog Delay offers a modeled simulation of the classic BOSS DM-2, beloved for its characteristic warmth.
For hands-free control of the DD-7, an external footswitch and Expression pedal (sold separately) can be used. Tap tempo can be controlled from an external footswitch, while delay time, feedback, and effect level can be changed on the fly via Expression pedal.
Create amazing effects with the DD-7’s stereo output, such as spatial audio sweeps via true stereo panning. You can also use the stereo outputs to create separate dry and wet signal paths — handy for recording and live-performance control.
Sold Out $ 79.00
USED BY PROS EVERYWHERE
The classic DS-1 Distortion pedal provides a harder distortion effect for guitar and keyboard sounds. Instead of toneless, fuzzy distortion, the DS-1 faithfully reproduces all the subtle nuances of playing dynamics--at any volume.
Classic BOSS Distortion tones for guitar and keyboard
Reproduces dynamics of playing, from soft to hard
Distortion, Level and Tone control to tailor overall sound as desired
BOSS five-year warranty
$ 399.99 $ 559.99
Featuring five independent loops, the BOSS ES-5 is an advanced effects switching system that can fit on smaller pedalboards. Each of the five loops can be switched on or off with the silent vacuum-style footswitches, and/or reordered for exacting tone-crafting with your existing pedals. While the ES-5 is digitally controlled in order to facilitate advanced switching and bank storage, the signal relays are all analog to preserve your tone. For true-bypass switching, the buffers offered on the loops can be turned off for each individual loop, perfect for vintage effects that work better with high-impedance signals. All of the loop settings can be stored in the ES-5's 200 banks for instant recall.
The ES-5 also offers advanced control options using the four controller outputs, expression pedal control inputs, and MIDI in/out/thru. This connectivity opens up real-time control over your effects through the ES-5. Like the loop settings, control parameters can also be appended to banks for instant recall. A mute switch cuts the signal to the output and routes it instead to the tuning output for silent tuning between songs.
The FV-30H and FV-30L are compact foot volume pedals with kickin' new designs. They've been specially created for saving space on your pedal board while maintaining the trusted BOSS standard for sound quality, reliability, and durability. These pedals are 100-percent professional grade, aluminum die-cast units, and feature smooth pivot action that supports subtle changes in volume control. Thanks to their small size, the FV-30H and FV-30L offer a huge advantage for traveling musicians and gigging players who need to maximize pedal board space.
As with the other models in the FV series, two different pedal versions allow you to choose the best type for your specific application:
FV-30H-A high-impedance pedal (with dedicated tuner output) that's best for connecting directly to an electric guitar or bass.
FV-30L-A low-impedance pedal equipped with stereo input/output for stompboxes, keyboards, and other digital instruments.
$ 199.99 $ 276.99
Designed for the players on the go, the GT1 guitar processor provides premium tone. Driven by the powerful Boss GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music.
Boss GT1 Guitar Effects Processor Features
Sold Out $ 418.99
Packed with tons of awesome BOSS effects and ready to hit the stage, the ME-80 is the perfect compact tone processor for gigging guitarists. A user-friendly, knob-based interface makes it quick and easy to dial in great sounds, with the flexibility of individual stompbox-style on/off or instant recall of complex multi-effects setups. Unique footswitches deliver even more control than previous designs for efficient and intuitive effects switching, patch selection, and realtime sound shaping while playing. It also includes free BOSS TONE STUDIO software to help you unlock even more tonal possibilities, plus a web connection to BOSS TONE CENTRAL for direct access to free patches created by pro guitarists and much more.
Find your own personal sound with the ME-80’s extensive range of built-in effects. A complete history of gig-ready BOSS tone processing is at your command, from multiple overdrives and distortions to wahs, mod effects, pitch shifters, delays, and beyond. BOSS’ groundbreaking Multi-Dimensional Processing (MDP) technology is represented with the unique, spacious ambience of Tera Echo and the distinctive tone-shaping possibilities of Overtone. Updated COSM preamps include new additions such as Crunch and Metal, plus an AC preamp designed for acoustic/electric guitar.
Unlike typical menu-driven multi-effects processors that are complicated and unintuitive, using the ME-80 is as easy as using a stompbox. Effects are organized into eight logical categories that can all be active at the same time. Seven categories contain multiple effects types to choose from, plus dedicated knobs for selecting a type and adjusting it with a set of parameters you’d find in the pedal version of the effect. The Pedal FX category has its own knob for quickly assigning a particular effects type or function to be controlled by foot with the expression pedal. You can even save all the current knob settings to one of the ME-80’s 36 user patch locations.
The hands-on experience that stomp box control provides is perfect for tweaking tones as you go. In Manual mode, the categories function like individual stomp effects, with instant adjustment via the panel knobs and on/off control with dedicated footswitches. By entering Memory mode, seven footswitches are automatically reconfigured to select user or preset patches and patch banks, letting you recall complete multi-effects setups directly. One footswitch on the ME-80 is dedicated just for mode switching, so you can toggle between Manual and Memory modes any time you want.
$ 159.00 $ 259.00
Expressive Compact with Distinctive, All-New Tones
Powered by Multi-Dimensional Processing technology (MDP), the MO-2 Multi Overtone uses your guitar’s harmonic characteristics to create a wide range of extraordinary new sounds.
Next-generation BOSS compact pedal with innovative Multi-Dimensional Processing, realized with proprietary technology and custom DSP
Impressive, harmonically rich sounds that compliment and enhance your straight guitar sound
Works well with both clean and distorted guitar tones, and also bass guitar
Ultra-responsive to volume changes and playing dynamics
Three different sound modes; wide range of tonal adjustment with simple controls
Mono or stereo output
Multi-Dimensional Processing for Superior Tone
Roland’s innovative Multi-Dimensional Processing (MDP) analyzes audio signals in many dimensions and applies ideal effects to each. By giving different dynamic changes relative to the input signal in real time, MDP can create bold, all-new sounds with a previously unattainable range of expression.