The Filter Twin® uses two identical filters sweeping in opposite directions - one up in frequency, one down in frequency - to give classic 70's-inspired funk sounds or completely new and original filter tones. Two filters sweeping at the same time give you a more organic, vocal quality and allow you to get expressive new sounds that you can't get from other pedals.
The Filter Twin® offers unique filter effects via an intuitive four-knob layout. The blend control allows you to adjust the mix between the filters. The threshold control determines how sensitive the unit is to different playing styles. The velocity controls determine the speed of each filter.
The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Proprietary Trans Linear Control (TLC) circuit enables Aguilar to achieve unprecedented levels of performance in a small package.
The TLC Compressor features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you'll be able to dial in just the right sound. Aguilar's TLC Compressor gives you a range of control usually found only in expensive studio compressors.
$ 199.99 $ 229.99This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer® features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage.
The Alesis QuadraVerb is a 16Hz-20kHz bandwidth stereo programmable effects box with four digital effects (EQ, Pitch Change, Delay, Reverb). The effects can be used in parallel or in serial (or a combination). Specs say the dynamic range is 85dB, less than .1% distortion. Processor speed is 24 MIPS (no Z80 in this baby!). Conversion scheme is 16-bit linear PCM. It's fully MIDI-fied.
This is a USED item being sold in "Very Good" condition.
$ 199.99 $ 279.99
A wide range of Ampeg tone perfect for the stage.
The Ampeg SCR-DI Bass DI with Scrambler Overdrive is a true Ampeg preamp, delivering a wide range of Ampeg tone perfect for the stage. The classic Ampeg EQ offers additional tonal control including Ultra-Hi and Ultra-Lo tone shaping. Plus, you can dial in tube-like grind with the all-new Bass Scrambler overdrive. The SCR-DI has all the connections to get Ampeg tone out of any rig and send it all to front-of-house to ensure the audience hears your tone. With a built-in headphone out and aux in for practicing along with backing tracks, the SCR-DI is also a fantastic practice tool that can fit right into your gig bag.
$ 349.99 $ 614.99
Wireless guitar system with pedal-style receiver.
Audio-Technica's System 10 Stompbox digital high-fidelity guitar wireless system combines the advanced 24-bit operation, easy setup and clear, natural sound quality of other System 10 configurations with unique functionality for guitarists, bassists and other instrumentalists. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 Stompbox offers a rugged, metal, pedal board-mountable receiver with foot switch, two switched TRS balanced 1/4" outputs and an output mode selector. With the tap of a foot, musicians can toggle between outputs (e.g., for switching amps) or mute and unmute one output without muting the other (e.g., for convenient tuning). And a single receiver can be paired with up to eight UniPak body-pack transmitters, allowing users to easily switch between instruments without having to move a body-pack from one instrument to the next.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
Each Stompbox system includes an ATW-R1500 Stompbox receiver, an ATW-T1001 UniPak body-pack transmitter with an AT-GcW guitar cable, and hook & loop strips for adding receiver to an effects pedal board. The ATW-R1500 is a digital receiver with sturdy, metal-body construction, easy-to-read digital ID and transmitter battery level displays, and AF Peak and Pair indicator lights.
ATW-1501 System 10 Stompbox Digital Wireless Guitar System
The 427 is the modern muscle car of distortion pedals, with a big, meaty tone that's ready to kick ass. Another Paul Gagon creation, 427 builds on his experience crafting pedals for the gods of rock, but this one's got a distinctly American voice.
427 fires up with a potent variation of Gagon's proven LED-based distortion circuit as used in the BBE Blacksmith, with the power flowing to a sweepable EQ (CSEQ) section inspired by an early '70s Big Muff Pi and optimized for maximum flexibility.
On a mission to raise hell on rock-and-roll streets from New York to L.A., 427 delivers more raw power than yesteryear's muscle with better handling. With a beefy mil-spec circuit board sporting big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, 427 is engineered to be deliver rock-solid performance and never leave you stranded. And when you aren't in the mood to lay down serious rubber, 427's true hardwire bypass lets your tone slip by without so much as angry glance from the tone police.
$ 119.99 $ 169.00
The BBE Free Fuzz effects pedal works for guitar and bass and was patterned after a rare and sought-after silicon transistor fuzz pedal made famous by players like Jimi Hendrix in the late '60s. The BBE effects pedal provides a wide range of creamy, dynamic fuzz effects with an almost endless amount of sustain for soloing and chunky rhythms.
Free Fuzz Effects Pedal
The music of Gus G and his band Firewind can be described as melodic, soaring and punishing - in short, metal masterpieces. But just as Gus is shaping the bleeding edge of metal, he is deeply passionate about its roots, as evidenced by his scoring the coveted gig as guitarist for Ozzy Osbourne.
Gus' gear reflects his passion, inspired by the classics and updated for a new level of sophistication and musical expression. BBE stompboxes share his ethos, born out of respect and appreciation for the classics while pushing forward, evolving the breed. Gus' new G Screamer signature overdrive is a thundering example. For years, the BBE Green Screamer was Gus' overdrive pedal of choice. But working closely with BBE's legendary mastermind Paul Gagon, Gus has now dialed in his tone still more, for solos that power his vision for the modern metal realm:
"BBE's Green Screamer is the one pedal I always had to have with me. When I'm soloing, the Green Screamer gives me that extra kick I need, a great combination of meaty gain and harmonics that drive my amp's tubes harder for a really thick, punishing tone. But it's not just an old school wall of distortion. It's complex and sophisticated, never ragged.
"The Green Screamer was working great for me, but I had ideas about how to make it even better for my tone. Paul Gagon and I collaborated and we modified the input driver to the distortion circuit so that more lower-mid harmonics are focused where I want them. Now my new G Screamer pedal lets me drive even more harmonics, and they're focused right where I need them to be for a cleaner, tighter distortion. The G Screamer delivers explosive power with precision. It's my new weapon."
$ 85.00 $ 185.00
A newly redesigned rotary speaker simulator with tons of style and unbelievable tone.
The Soul Vibe, winner of the Guitar World Platinum Award, is back with a new look that really suits the "vibe" of this delicious pedal. Countless guitarists claim that Soul Vibe is the most convincing of analog rotary simulators, delivering on that Leslie experience complete with slight pitch changes as the horn comes and goes. Now Soul Vibe looks as sweet as it sounds. Check out that delicious root beer metallic finish, inspired by the warm, wood finished cabinet of a Leslie. Cr¨me brownface amp knobs are the perfect complement, adding to the visual warmth, while the matching cr¨me logo script puts this gorgeous new Soul Vibe in a class all its own. Just imagine plugging into this pedal and doing your best Gilmour or Trower licks. Yeah, we thought you'd like that.
What hasn't changed is the Soul Vibe's commitment to an authentic rotary experience with the convenience, reliability and durability you've come to expect from BBE, including 1% metal-film resistors and true hardwire bypass. If rotary is your vibe, get a Soul Vibe and discover that heaven is still in heavy rotation.
This is a USED item being sold in "Excellent" condition.
$ 299.99 $ 399.99
A footpedal drum machine is now a reality. Brings a whole new meaning to toe-tapping rhythms.
BeatBuddy is the first drum machine in a guitar pedal format that enables full hands-free, creative control of the beat. Musicians can effortlessly insert fills, transition from verse to chorus, add accent hits, throw in drum breaks, and more, to create an unprecedented live drummer effect.
No programming is necessary: Included are 10 hyper-realistic drum sets and 200 songs in a wide variety of genres.
For the advanced user, infinitely more songs and drum sets can be created with the included PC/Mac software, downloaded from BeatBuddy's ever-expanding online library, or discovered and shared on the BeatBuddy Community Forum.
Featuring a first-of-its-kind visual display of the beat, BeatBuddy also makes it easy-to improve rhythm or learn new time signatures. It's the power of a drum machine with the simplicity of a pedal.
The Ecstasy amplifier was born in 1992 and decades later Bogner is still hand building each amp, one at a time, right here in Los Angeles, California. The Ecstasy blue pedal captures the classic blue channel tone of this legendary amplifier, acclaimed for its ability to deliver iconic and classic rock-n-roll crunch. Everyone knows that blue delivers stunning Plexi tones, but when the going gets rough, make no mistake - blue can crush on demand.
Reinhold designed the Ecstasy blue pedal with four discrete Class A gain stages and with no op-amps or diode clipping, mirroring the circuitry of the Ecstasy amplifier’s blue channel. This revolutionary approach provides clarity, touch sensitivity and note separation never before achieved in overdrive pedals.
The Ecstasy blue is powered by a standard 9V battery or 9VDC power supply. Reinhold’s advanced circuitry internally elevates the voltage a substantially higher level. This higher voltage provides a greater dynamic range which closely resembles the feel of the Ecstasy amplifier’s legendary tube design.
$ 119.00 $ 179.00
UNBELIEVABLE “TALKING” WAH EFFECTS!
The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.
Compact pedal creates a variety of classic "wah" effects
Dynamic wah sounds provide variable effect based on picking strength
"Humanizer" effect creates human voice-type vowel sounds
Dedicated Bass input for processing bass guitar
EXP Pedal mode allows wah control via optional expression pedal
Tempo can be set for pedal control or at fixed rate via Manual mode
BOSS five-year warranty
A “Talking” Pedal
The AW-3 Dynamic Wah is the first compact wah pedal to incorporate human voice-type sounds through a new “Humanizer” Mode. Of course, you can also choose from standard up-and-down wah effects, plus a Tempo Mode and resonant synth-like Sharp Mode.
Choose from both fixed and auto wah settings using the Manual control or pedal for tempo input. By connecting an optional expression pedal, the AW-3 can also be used for Pedal Wah effects. A dedicated Bass input permits direct processing of bass guitars.
$ 51.50 $ 65.00
The BCB-30 is a convenient way for guitarists and bass players to transport and use their BOSS compact effects pedals. Made of high-quality molded resin, this case is perfect for small pedalboard setups.
$ 99.00 $ 160.00
THE PERFECT TONE FOR BLUES
The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.
Classic "blues" guitar tones with tube amp simulation
Warm distortion and overdrive
Responds to nuance and volume changes
AC adaptor or 9V battery operation
BOSS five-year warranty
$ 199.99 $ 299.99
Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W.
The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.
The CE-1 Chorus Ensemble, Released in 1976
In 1975, Roland debuted the “Dimensional Space Chorus” effect in the famous JC-120 Jazz Chorus amplifier. Released the following year by Roland’s newly formed BOSS division, the stereo CE-1 Chorus Ensemble made it possible for players to achieve the lush, spacious chorus and unique vibrato sounds of the Jazz Chorus with any amplifier setup. Housed in a robust metal chassis with an attached AC cord, the CE-1 contained the same analog chorus and vibrato circuitry from the original Jazz Chorus amp. While both of these effects sounded great in mono, the CE-1 offered up its real magic when used in stereo with two separate amps. This delivered an incredibly rich and immersive sound experience that was a true joy to play. The CE-2W provides an authentic reproduction of the CE-1’s analog sounds, with additional chorus adjustment now possible with a variable depth control.
The CE-2 Chorus, Released in 1979
Soon after the iconic BOSS compact pedal line was launched in 1977, guitarists started requesting the CE-1 chorus sound in this smaller, battery-powered format. In 1979, these demands were answered with the CE-2 Chorus. Specially designed for guitarists, the CE-2 offered a milder modulation compared to the CE-1, always keeping the guitar sound sharp and well defined. This refined chorus tone was an instant success, becoming the go-to sound for hit guitar tracks throughout the 1980s and beyond. In addition to authentically producing the CE-2’s original mono-only sound, the CE-2W makes the classic pedal’s soft modulated tone available in true stereo for the first time ever.
Proudly Made In Japan
The CE-1 and CE-2 represent the early days of BOSS’s longstanding dedication to innovation and quality, which remains stronger than ever at four decades and counting. Bringing together the cutting-edge technology of the time, savvy craftsmanship, and a devotion to helping musicians create great music, these landmark pedals embodied the spiritual mission for every BOSS product since. For this memorable 40th anniversary, the Waza Craft CE-2W Chorus is produced in Japan just like the original pedals, honoring the long, rich heritage of BOSS effects.
Waza Craft: The Art of Superior Tone
Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. This enthusiastic spirit continues on with the Waza Craft series, which brings you exceptional tone and touch response through carefully selected analog components, refined circuitry, and meticulous attention to detail. In Japan, “Waza” is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship.
$ 99.00 $ 154.00
A UNIQUE STEREO CHORUS
The CH-1 Super Chorus pedal delivers a clean classic chorus sound with crystal-clear highs and a unique stereo effect, variable between left and right speakers.
Classic BOSS chorus pedal with clean, brilliant sound for guitar and keyboards
Effect Level, EQ, Rate and Depth knobs allow for precise shaping of sound
Features Mono input and Stereo outputs for connection to dual amps
BOSS five-year warranty
$ 129.99 $ 211.00
With three delay-time modes, the Boss DD-3 Digital Delay Pedal can handle all your performance needs. Features delay times that range from 12-1/2 to 800ms. Produces endless repeats on demand in Hold mode. Comes with a 5-year warranty.
$ 299.99 $ 418.99
Filled with newly developed BOSS technology, the DD-500 is the most powerful and versatile stompbox delay ever created. This incredible sound-creation toolbox offers 12 distinctive delay modes with exceptional audio quality, plus deep editing controls, a graphic display, patch memories, MIDI, and much more. From basic echo to dead-on emulations of classic delays to incredibly lush spatial textures that take your breath away, the DD-500 will launch your music places you never thought possible.
Twelve Versatile Delay Modes and Deep Editing Options
With the DD-500’s 12 delay modes, you can create any delay sound you can imagine, and then some. Everything you need is here, from warm, gritty vintage delays and tape echo to complex modern delay lines that employ pitch shifting, filtering, and other unique processing. With the hands-on knobs, it’s easy to shape essential parameters and create great sounds immediately. Each delay type also includes a semi-parametric four-band EQ, modulation, ducking, and many other parameters, allowing you to dive deep and refine tones with maximum precision.
Unparalleled Sound Quality
In the DD-500, every delay mode has been carefully crafted for a unique sonic personality and highly musical tones at every setting, realized by high-powered DSP running at 32-bit/96 kHz. And while the DD-500’s delay effects are high-end digital, your straight guitar tone remains 100-percent analog at all times, with your choice of buffered or true-bypass operation. In addition to strengthening the analog dry signal, buffered bypass has the added benefit of enabling carryover, so delay trails are not cut off unnaturally when the effect is switched off.
Advanced Features for Stage and Studio Use
In the world of sophisticated delay stomps, the DD-500 stands alone in practical usability. The large, integrated LCD fully supports the pedal’s immense capabilities, giving you clear visibility of delay time, patch ID, and more on one screen, plus sane navigation for detailed parameter tweaks, naming, and system management. And via USB, it’s simple to connect to your computer for patch backup and MIDI control with your favorite DAW.
Intensive Real-Time Control
With its freely assignable controls, the DD-500 delivers unmatched creative expression and performance flexibility. By default, the A, B, and TAP/CTL switches offer intuitive control for two patches, bypass, bank selection, tap tempo, and more. However, they can be customized to operate in alternate ways, such as providing top-level access to three different delay patches, or allowing you to use two patches at once for layered delay sounds. Instead of tap tempo, you’re able to assign the TAP/CTL switch to various real-time functions like Warp or Twist for a wide range of expressive effects. Even more parameters can be manipulated via an optional expression pedal or external switches, and MIDI I/O opens up many additional control options with advanced setups.
DD-500 Delay Modes
• Standard—Clear digital delay.
• Analog—Emulates classic analog “BBD” delays like the BOSS DM series.
• Tape—Emulates the warm sound of tape-based delay units, including the Maestro Echoplex and legendary Roland RE-201 Space Echo.
• Vintage Digital—Emulations of early digital delays from the 1980s, including Roland’s famous SDE-2000 and SDE-3000 rack units and the BOSS DD-2, the original stompbox digital delay.
• Dual—Two different delay lines that can be connected in series or parallel.
• Pattern—Sixteen different delay lines that can be set independently for all types of unique rhythmic effects.
• Reverse—Backwards delay for cool psychedelic effects and other unique tones.
• SFX—“Special effects” delay with a highly unique sound character.
• Shimmer—Pitch-shifted delays for lush, heavenly textures.
• Filter—Delay with a sweeping filter.
• Slow Attack—Ethereal delays that fade in with playing dynamics.
• Tera Echo—Spacious, animated ambience effect derived from the innovative BOSS TE-2 pedal.
DD-500 Assignable Control Functions
The following functions can be assigned to the DD-500’s onboard TAP/CTL switch and/or optional external footswitches. These assignments are stored as part of a patch.
• Tap—Set the delay in time with a song’s tempo.
• Hold—The delay’s feedback is held continuously while the switch is pressed.
• Warp—Increases the delay’s feedback and level simultaneously for powerful expressive effects.
• Twist—Adjusts multiple delay parameters with a single press, creating wild sounds similar to twisting the panel knobs in real time.
• Moment—Outputs the delay sound only when you hold down the switch.
• Roll 1/2—Cuts the delay time to 1/2 of the current setting when you hold down the switch.
• Roll 1/4—Cuts the delay time to 1/4 of the current setting when you hold down the switch.
• Roll 1/8—Cuts the delay time to 1/8 of the current setting when you hold down the switch.
• Fade In—Fades in the delay sound.
• Fade Out—Fades out the delay sound.
• Assign 1-8—Allows you to assign and control up to eight different delay parameters at once.
$ 49.00 $ 79.00
USED BY PROS EVERYWHERE
The classic DS-1 Distortion pedal provides a harder distortion effect for guitar and keyboard sounds. Instead of toneless, fuzzy distortion, the DS-1 faithfully reproduces all the subtle nuances of playing dynamics--at any volume.
Classic BOSS Distortion tones for guitar and keyboard
Reproduces dynamics of playing, from soft to hard
Distortion, Level and Tone control to tailor overall sound as desired
BOSS five-year warranty
$ 149.00 $ 243.00
The DS-1X launches the famous BOSS distortion into a modern era of expression, delivering an unmatched level of performance for guitarists with an ear for tone. This next-generation stomp combines over 35 years of innovation in pedal design with the most advanced technologies, bringing you a completely new tonal experience that's only possible with the legendary expertise of BOSS. Prepare to be amazed-the inspiring and ultra-responsive DS-1X will change your thinking about distortion pedals forever.
The DS-1X completely redefines the distortion stomp, kicking it into a new universe of dynamic response and clarity. Powered by BOSS' MDP technology, this amazing pedal delivers distortion that sounds perfect no matter where you play on the neck, even at the highest gain settings. You'll enjoy tight response on the low strings and fat, singing tones on the highest notes, plus exceptional definition when playing two or more notes at a time. At every setting, the sound is never muddy or boomy, while the smooth, natural presence ensures that you always cut through without harshness or nasal overtones. With the DS-1X, your distortion tone feels and sounds "dialed in" the instant you turn it on, providing a rich, satisfying playing experience that's both effortless and inspiring.
$ 399.99 $ 559.99
Featuring five independent loops, the BOSS ES-5 is an advanced effects switching system that can fit on smaller pedalboards. Each of the five loops can be switched on or off with the silent vacuum-style footswitches, and/or reordered for exacting tone-crafting with your existing pedals. While the ES-5 is digitally controlled in order to facilitate advanced switching and bank storage, the signal relays are all analog to preserve your tone. For true-bypass switching, the buffers offered on the loops can be turned off for each individual loop, perfect for vintage effects that work better with high-impedance signals. All of the loop settings can be stored in the ES-5's 200 banks for instant recall.
The ES-5 also offers advanced control options using the four controller outputs, expression pedal control inputs, and MIDI in/out/thru. This connectivity opens up real-time control over your effects through the ES-5. Like the loop settings, control parameters can also be appended to banks for instant recall. A mute switch cuts the signal to the output and routes it instead to the tuning output for silent tuning between songs.
$ 99.99 $ 130.99
Both 1/4" TRS outputs are electronically isolated to protect against the noise issues that often stem from ground loops. The pedal can be used with the 1/4" TRS expression inputs found on stompbox pedals, multi-effects units, keyboards, MIDI controllers, and more; this allows you to utilize this pedal with most devices that feature expression control inputs. This pedal includes a stereo 1/4" TRS cable.