The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Proprietary Trans Linear Control (TLC) circuit enables Aguilar to achieve unprecedented levels of performance in a small package.
The TLC Compressor features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you'll be able to dial in just the right sound. Aguilar's TLC Compressor gives you a range of control usually found only in expensive studio compressors.
$ 199.99 $ 229.99This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer® features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage.
The 427 is the modern muscle car of distortion pedals, with a big, meaty tone that's ready to kick ass. Another Paul Gagon creation, 427 builds on his experience crafting pedals for the gods of rock, but this one's got a distinctly American voice.
427 fires up with a potent variation of Gagon's proven LED-based distortion circuit as used in the BBE Blacksmith, with the power flowing to a sweepable EQ (CSEQ) section inspired by an early '70s Big Muff Pi and optimized for maximum flexibility.
On a mission to raise hell on rock-and-roll streets from New York to L.A., 427 delivers more raw power than yesteryear's muscle with better handling. With a beefy mil-spec circuit board sporting big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, 427 is engineered to be deliver rock-solid performance and never leave you stranded. And when you aren't in the mood to lay down serious rubber, 427's true hardwire bypass lets your tone slip by without so much as angry glance from the tone police.
$ 119.99 $ 169.00
The BBE Free Fuzz effects pedal works for guitar and bass and was patterned after a rare and sought-after silicon transistor fuzz pedal made famous by players like Jimi Hendrix in the late '60s. The BBE effects pedal provides a wide range of creamy, dynamic fuzz effects with an almost endless amount of sustain for soloing and chunky rhythms.
Free Fuzz Effects Pedal
The music of Gus G and his band Firewind can be described as melodic, soaring and punishing - in short, metal masterpieces. But just as Gus is shaping the bleeding edge of metal, he is deeply passionate about its roots, as evidenced by his scoring the coveted gig as guitarist for Ozzy Osbourne.
Gus' gear reflects his passion, inspired by the classics and updated for a new level of sophistication and musical expression. BBE stompboxes share his ethos, born out of respect and appreciation for the classics while pushing forward, evolving the breed. Gus' new G Screamer signature overdrive is a thundering example. For years, the BBE Green Screamer was Gus' overdrive pedal of choice. But working closely with BBE's legendary mastermind Paul Gagon, Gus has now dialed in his tone still more, for solos that power his vision for the modern metal realm:
"BBE's Green Screamer is the one pedal I always had to have with me. When I'm soloing, the Green Screamer gives me that extra kick I need, a great combination of meaty gain and harmonics that drive my amp's tubes harder for a really thick, punishing tone. But it's not just an old school wall of distortion. It's complex and sophisticated, never ragged.
"The Green Screamer was working great for me, but I had ideas about how to make it even better for my tone. Paul Gagon and I collaborated and we modified the input driver to the distortion circuit so that more lower-mid harmonics are focused where I want them. Now my new G Screamer pedal lets me drive even more harmonics, and they're focused right where I need them to be for a cleaner, tighter distortion. The G Screamer delivers explosive power with precision. It's my new weapon."
$ 85.00 $ 185.00
A newly redesigned rotary speaker simulator with tons of style and unbelievable tone.
The Soul Vibe, winner of the Guitar World Platinum Award, is back with a new look that really suits the "vibe" of this delicious pedal. Countless guitarists claim that Soul Vibe is the most convincing of analog rotary simulators, delivering on that Leslie experience complete with slight pitch changes as the horn comes and goes. Now Soul Vibe looks as sweet as it sounds. Check out that delicious root beer metallic finish, inspired by the warm, wood finished cabinet of a Leslie. Cr¨me brownface amp knobs are the perfect complement, adding to the visual warmth, while the matching cr¨me logo script puts this gorgeous new Soul Vibe in a class all its own. Just imagine plugging into this pedal and doing your best Gilmour or Trower licks. Yeah, we thought you'd like that.
What hasn't changed is the Soul Vibe's commitment to an authentic rotary experience with the convenience, reliability and durability you've come to expect from BBE, including 1% metal-film resistors and true hardwire bypass. If rotary is your vibe, get a Soul Vibe and discover that heaven is still in heavy rotation.
This is a USED item being sold in "Excellent" condition.
$ 299.99 $ 399.99
A footpedal drum machine is now a reality. Brings a whole new meaning to toe-tapping rhythms.
BeatBuddy is the first drum machine in a guitar pedal format that enables full hands-free, creative control of the beat. Musicians can effortlessly insert fills, transition from verse to chorus, add accent hits, throw in drum breaks, and more, to create an unprecedented live drummer effect.
No programming is necessary: Included are 10 hyper-realistic drum sets and 200 songs in a wide variety of genres.
For the advanced user, infinitely more songs and drum sets can be created with the included PC/Mac software, downloaded from BeatBuddy's ever-expanding online library, or discovered and shared on the BeatBuddy Community Forum.
Featuring a first-of-its-kind visual display of the beat, BeatBuddy also makes it easy-to improve rhythm or learn new time signatures. It's the power of a drum machine with the simplicity of a pedal.
Recreates three of the most sought-after classic guitar amps, with three gain modes and three mic placements for a total of 27 possible configurations.
You get a truckload of great amps in one convenient stomp box, allowing you to go from clean or crunch to super-fat distortion in a flash.
Operation is simple; just choose the type of amp, from the smooth Calif (Californian), the bright, punchy TWED (Tweed), or the BRIT (British) with its incredible sustain and aggressive mids. Then select the gain mode, CLN (clean), HOT or HI G (high gain). Lastly, choose the mic placement from the three available selections. This feature is a BEHRINGER exclusive, allowing you to place the œvirtual mic in any of three positions:
(OFF X)”At the edge of the speaker cone, producing a smoother, softer sound with less midrange content
(CNTR)”Positioned at the center of the cone, for more upper mids and beefy low-end
(CLSIC)”Slightly in front of the cabinet, for high midrange content with tons of definition
We™ve also included a dedicated Drive control, for adjusting the amount of gain. This control effectively mimics the amount of push applied to the output stage of a tube amplifier, from a gentle nudge to full-out, tube-melting overdrive. Further tone shaping is provided by a highly musical 2-band EQ.
The GDI21 can be used for direct recording output, with speaker simulation or, when used in bypass mode, as a superb active DI box. A 1/4" output jack is provided for connecting to your amp and the gold-plated, balanced XLR connector will link you cleanly to the front of house console. Ground loop problems are nonexistent, thanks to the onboard ground lift switch.
Whether you use it on the stage or for recording, the GDI21 is the ultimate choice for musicians seeking an extremely versatile array of time-tested, classic tones. With the GDI21, you get the sound of three classic guitar amps and a superb DI box, all for the price of a single stomp box!
$ 119.00 $ 179.00
UNBELIEVABLE “TALKING” WAH EFFECTS!
The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.
Compact pedal creates a variety of classic "wah" effects
Dynamic wah sounds provide variable effect based on picking strength
"Humanizer" effect creates human voice-type vowel sounds
Dedicated Bass input for processing bass guitar
EXP Pedal mode allows wah control via optional expression pedal
Tempo can be set for pedal control or at fixed rate via Manual mode
BOSS five-year warranty
A “Talking” Pedal
The AW-3 Dynamic Wah is the first compact wah pedal to incorporate human voice-type sounds through a new “Humanizer” Mode. Of course, you can also choose from standard up-and-down wah effects, plus a Tempo Mode and resonant synth-like Sharp Mode.
Choose from both fixed and auto wah settings using the Manual control or pedal for tempo input. By connecting an optional expression pedal, the AW-3 can also be used for Pedal Wah effects. A dedicated Bass input permits direct processing of bass guitars.
$ 159.00 $ 258.50
The BOSS BB-1X Bass Driver is a premium stompbox designed to make your bass sound bold and punchy. More than just a standard compact bass pedal, the BB-1X is like a preamp, a crucial component in creating quality sound. It captures the essence and subtle nuances of your bass, amp, and playing and emphasizes all their best characteristics.
Incorporating BOSS' latest MDP technology, the BB-1X delivers a wide range of superior sounds, from natural clean tones to heavy distortion. It adapts and responds to any playing style or register, but never loses the body and core tone of your instrument. The BB-1X's natural-sounding distortion preserves the high definition and dynamics reflected in the finest details of your sound. The BB-1X provides a clear sonic outline to enhance your sound, yet never muffles your low end. With the Blend knob, you can easily adjust your tone by mixing the direct signal with the effect sound.
Low, High, and Drive knobs offer an extremely wide range of sound creation. These controls not only shape the frequencies, but change the characteristics of the tone as well.
The Line Out jack on the BB-1X goes beyond a standard DI out, providing a newly crafted and enhanced direct sound for reaching larger audiences through a PA system. The "1X" in the BB-1X's name represents the pedal's premium look, sound, and feel. Whether you're defining your standard tone or spicing up your sound for soloing, the BB-1X Bass Driver is a must-have for every modern bassist.
Much More Than a Normal Bass Stompbox
Don't let the appearance of the BB-1X fool you-it's not just another compact effect pedal. Rather than a standard bass stompbox that's used occasionally for musical passages or solos, the BB-1X functions more like a preamp and DI that enhances and refines your entire sound. While many preamps color your sound or drastically change its character, the BB-1X is different. It emphasizes and invigorates the natural characteristics of your bass and amp, as well as the nuance of your playing style. Simply put, the BB-1X Bass Driver takes your normal rig and makes it sound even better.
Endless Possibilities for Creating Your Core Tone
All bassists are concerned with body, punch, and other fundamental sound elements, and need a wide range of adjustability to achieve their core tone. This is where the BB-1X really shines. With BOSS latest technology, you have endless possibilities for producing a polished professional sound. In combination with the High and Low tone knobs, the Blend knob provides exceptional adjustability to dial in the perfect balance to nail your personal tone.
The BB-1X Sound Isn't Smoke and Mirrors
In order to get a punchy sound with conventional bass pedals, the frequency range is typically narrowed down, resulting in a somewhat unnatural sound. In addition, the low end can get muffled while trying to achieve a transparent, high-definition distortion tone. As the distortion level is increased, the dynamic response is decreased, which limits your musical expression.
Thanks to the advanced technology from BOSS, the BB-1X analyzes the bass signal from several different dimensions in real time. An enormous amount of processing is performed according to the instrument, playing style, phrasing, dynamics, and more. This provides a wide range of possibilities to shape and enhance your sound without altering the fundamental tone of your instrument and amp. Combining solid low end with natural-sounding, high-definition distortion, the BB-1X delivers the dynamic response required to reflect the unique individual expression of every modern bassist.
Specially Tuned Line Out Jack for Impressive Direct Sound
On stage, the bass signal is typically split into two separate outputs using a DI box: one output goes to your bass amp, while the second output goes directly to the PA. The BB-1X features a convenient balanced Line Out jack that functions as a DI when you need it. But make no mistake, this is not your basic line out-BOSS has specially tuned it for superior tone.
The signature stage sound you've created with your amplifier and the DI sound presented to the audience can be quite different, because the PA engineer's main consideration is an overall balanced sound of the entire band. After consulting with many top bassists and pro PA engineers, BOSS carefully considered their suggestions and incorporated some unique enhancements into the BB-1X's Line Out.
The body and core tone produced by the BB-1X's Line Out is not the result of simply boosting the low end, which can result in an unbalanced band mix through the PA. Its special tuning provides a full spectrum of balanced sound, while never losing the body, punch, and presence of your individual tone.
From natural and clean to distorted and mean, this pedal helps you put your bass in the right sonic space.
$ 139.99 $ 189.99
The Boss BF-3 Flanger gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create flanging with incredible depth--plus slicer-type effects and sounds that seem to swirl around you.
$ 199.99 $ 299.99
Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W.
The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.
The CE-1 Chorus Ensemble, Released in 1976
In 1975, Roland debuted the “Dimensional Space Chorus” effect in the famous JC-120 Jazz Chorus amplifier. Released the following year by Roland’s newly formed BOSS division, the stereo CE-1 Chorus Ensemble made it possible for players to achieve the lush, spacious chorus and unique vibrato sounds of the Jazz Chorus with any amplifier setup. Housed in a robust metal chassis with an attached AC cord, the CE-1 contained the same analog chorus and vibrato circuitry from the original Jazz Chorus amp. While both of these effects sounded great in mono, the CE-1 offered up its real magic when used in stereo with two separate amps. This delivered an incredibly rich and immersive sound experience that was a true joy to play. The CE-2W provides an authentic reproduction of the CE-1’s analog sounds, with additional chorus adjustment now possible with a variable depth control.
The CE-2 Chorus, Released in 1979
Soon after the iconic BOSS compact pedal line was launched in 1977, guitarists started requesting the CE-1 chorus sound in this smaller, battery-powered format. In 1979, these demands were answered with the CE-2 Chorus. Specially designed for guitarists, the CE-2 offered a milder modulation compared to the CE-1, always keeping the guitar sound sharp and well defined. This refined chorus tone was an instant success, becoming the go-to sound for hit guitar tracks throughout the 1980s and beyond. In addition to authentically producing the CE-2’s original mono-only sound, the CE-2W makes the classic pedal’s soft modulated tone available in true stereo for the first time ever.
Proudly Made In Japan
The CE-1 and CE-2 represent the early days of BOSS’s longstanding dedication to innovation and quality, which remains stronger than ever at four decades and counting. Bringing together the cutting-edge technology of the time, savvy craftsmanship, and a devotion to helping musicians create great music, these landmark pedals embodied the spiritual mission for every BOSS product since. For this memorable 40th anniversary, the Waza Craft CE-2W Chorus is produced in Japan just like the original pedals, honoring the long, rich heritage of BOSS effects.
Waza Craft: The Art of Superior Tone
Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. This enthusiastic spirit continues on with the Waza Craft series, which brings you exceptional tone and touch response through carefully selected analog components, refined circuitry, and meticulous attention to detail. In Japan, “Waza” is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship.
$ 99.00 $ 154.00
A UNIQUE STEREO CHORUS
The CH-1 Super Chorus pedal delivers a clean classic chorus sound with crystal-clear highs and a unique stereo effect, variable between left and right speakers.
Classic BOSS chorus pedal with clean, brilliant sound for guitar and keyboards
Effect Level, EQ, Rate and Depth knobs allow for precise shaping of sound
Features Mono input and Stereo outputs for connection to dual amps
BOSS five-year warranty
$ 149.99 $ 207.99
The CP-1X is powered by Boss's MDP technology which preserves the character of your instrument. The CP-1X is a new type of multiband compressor that allows you tap into new levels of musical expression.
Boss CP-1X Compressor Effects Pedal Features
$ 129.99 $ 211.00
With three delay-time modes, the Boss DD-3 Digital Delay Pedal can handle all your performance needs. Features delay times that range from 12-1/2 to 800ms. Produces endless repeats on demand in Hold mode. Comes with a 5-year warranty.
$ 149.99 $ 297.99
THE NEXT STEP IN COMPACT DELAY
Even with the best-selling delays in compact-pedal history, BOSS continues to push the envelope and innovate. The new DD-7 takes the best features from its predecessors and expands the creative potential with Modulation Delay mode, classic modeled Analog Delay mode, External pedal control options, longer delay time, and more.
Expanded delay time, up to 6.4 seconds
Modulation Delay mode offers natural, chorus-type sounds
Analog Delay mode models the classic warm BOSS DM-2 analog delay sound
Tap tempo controllable via external footswitch
Delay time, feedback, and effect level can be controlled via external Expression pedal (sold separately)
Up to 40 seconds of recording for sound on sound (Hold mode)
BOSS five-year warranty
Expanded Delay Time
Up to 6.4 seconds of delay time is available with the DD-7, a marked increase from its predecessor. In addition, Hold mode allows up to 40 seconds of input to be recorded for creating “sound on sound” performances.
New Delay Modes
The DD-7 is equipped with two innovative new delay modes. Modulation Delay provides chorus-flavored sounds. Analog Delay offers a modeled simulation of the classic BOSS DM-2, beloved for its characteristic warmth.
For hands-free control of the DD-7, an external footswitch and Expression pedal (sold separately) can be used. Tap tempo can be controlled from an external footswitch, while delay time, feedback, and effect level can be changed on the fly via Expression pedal.
Create amazing effects with the DD-7’s stereo output, such as spatial audio sweeps via true stereo panning. You can also use the stereo outputs to create separate dry and wet signal paths — handy for recording and live-performance control.
$ 149.00 $ 293.00
Ever since being discontinued way back in 1984, the BOSS DM-2 Delay pedal has remained highly sought after by players everywhere for its warm, “bucket brigade” analog delay tone. Now, the DM is back! With the Waza Craft DM-2W, the coveted stomp has been reborn with switchable sound modes and greater versatility for today’s music styles. Using 100-percent analog circuitry, the DM-2W’s Standard mode nails the lush sound and 20-300 ms delay range of the original DM-2. Flipping into Custom mode instantly changes the sound character to a cleaner analog tone with over twice the available delay time.
$ 49.00 $ 79.00
USED BY PROS EVERYWHERE
The classic DS-1 Distortion pedal provides a harder distortion effect for guitar and keyboard sounds. Instead of toneless, fuzzy distortion, the DS-1 faithfully reproduces all the subtle nuances of playing dynamics--at any volume.
Classic BOSS Distortion tones for guitar and keyboard
Reproduces dynamics of playing, from soft to hard
Distortion, Level and Tone control to tailor overall sound as desired
BOSS five-year warranty
$ 399.99 $ 559.99
Featuring five independent loops, the BOSS ES-5 is an advanced effects switching system that can fit on smaller pedalboards. Each of the five loops can be switched on or off with the silent vacuum-style footswitches, and/or reordered for exacting tone-crafting with your existing pedals. While the ES-5 is digitally controlled in order to facilitate advanced switching and bank storage, the signal relays are all analog to preserve your tone. For true-bypass switching, the buffers offered on the loops can be turned off for each individual loop, perfect for vintage effects that work better with high-impedance signals. All of the loop settings can be stored in the ES-5's 200 banks for instant recall.
The ES-5 also offers advanced control options using the four controller outputs, expression pedal control inputs, and MIDI in/out/thru. This connectivity opens up real-time control over your effects through the ES-5. Like the loop settings, control parameters can also be appended to banks for instant recall. A mute switch cuts the signal to the output and routes it instead to the tuning output for silent tuning between songs.
The FV-30H and FV-30L are compact foot volume pedals with kickin' new designs. They've been specially created for saving space on your pedal board while maintaining the trusted BOSS standard for sound quality, reliability, and durability. These pedals are 100-percent professional grade, aluminum die-cast units, and feature smooth pivot action that supports subtle changes in volume control. Thanks to their small size, the FV-30H and FV-30L offer a huge advantage for traveling musicians and gigging players who need to maximize pedal board space.
As with the other models in the FV series, two different pedal versions allow you to choose the best type for your specific application:
FV-30H-A high-impedance pedal (with dedicated tuner output) that's best for connecting directly to an electric guitar or bass.
FV-30L-A low-impedance pedal equipped with stereo input/output for stompboxes, keyboards, and other digital instruments.
$ 199.99 $ 276.99
Designed for the players on the go, the GT1 guitar processor provides premium tone. Driven by the powerful Boss GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music.
Boss GT1 Guitar Effects Processor Features
$ 299.99 $ 418.99
Packed with tons of awesome BOSS effects and ready to hit the stage, the ME-80 is the perfect compact tone processor for gigging guitarists. A user-friendly, knob-based interface makes it quick and easy to dial in great sounds, with the flexibility of individual stompbox-style on/off or instant recall of complex multi-effects setups. Unique footswitches deliver even more control than previous designs for efficient and intuitive effects switching, patch selection, and realtime sound shaping while playing. It also includes free BOSS TONE STUDIO software to help you unlock even more tonal possibilities, plus a web connection to BOSS TONE CENTRAL for direct access to free patches created by pro guitarists and much more.
Find your own personal sound with the ME-80’s extensive range of built-in effects. A complete history of gig-ready BOSS tone processing is at your command, from multiple overdrives and distortions to wahs, mod effects, pitch shifters, delays, and beyond. BOSS’ groundbreaking Multi-Dimensional Processing (MDP) technology is represented with the unique, spacious ambience of Tera Echo and the distinctive tone-shaping possibilities of Overtone. Updated COSM preamps include new additions such as Crunch and Metal, plus an AC preamp designed for acoustic/electric guitar.
Unlike typical menu-driven multi-effects processors that are complicated and unintuitive, using the ME-80 is as easy as using a stompbox. Effects are organized into eight logical categories that can all be active at the same time. Seven categories contain multiple effects types to choose from, plus dedicated knobs for selecting a type and adjusting it with a set of parameters you’d find in the pedal version of the effect. The Pedal FX category has its own knob for quickly assigning a particular effects type or function to be controlled by foot with the expression pedal. You can even save all the current knob settings to one of the ME-80’s 36 user patch locations.
The hands-on experience that stomp box control provides is perfect for tweaking tones as you go. In Manual mode, the categories function like individual stomp effects, with instant adjustment via the panel knobs and on/off control with dedicated footswitches. By entering Memory mode, seven footswitches are automatically reconfigured to select user or preset patches and patch banks, letting you recall complete multi-effects setups directly. One footswitch on the ME-80 is dedicated just for mode switching, so you can toggle between Manual and Memory modes any time you want.
$ 159.00 $ 259.00
Expressive Compact with Distinctive, All-New Tones
Powered by Multi-Dimensional Processing technology (MDP), the MO-2 Multi Overtone uses your guitar’s harmonic characteristics to create a wide range of extraordinary new sounds.
Next-generation BOSS compact pedal with innovative Multi-Dimensional Processing, realized with proprietary technology and custom DSP
Impressive, harmonically rich sounds that compliment and enhance your straight guitar sound
Works well with both clean and distorted guitar tones, and also bass guitar
Ultra-responsive to volume changes and playing dynamics
Three different sound modes; wide range of tonal adjustment with simple controls
Mono or stereo output
Multi-Dimensional Processing for Superior Tone
Roland’s innovative Multi-Dimensional Processing (MDP) analyzes audio signals in many dimensions and applies ideal effects to each. By giving different dynamic changes relative to the input signal in real time, MDP can create bold, all-new sounds with a previously unattainable range of expression.