$ 849.99 $ 1,059.00
Power, mixing and speakers all-in-one.
Mackie's DLM Series powered speakers represent the combination of power, fidelity and portability that have placed Mackie among the most respected brands in professional audio. The Mackie DLM12 is a 12" powered loudspeaker whose features list is one thing, but whose spectacular sound quality is truly its greatest feature of all. The DLM series speakers additionally feature a fully capable digital mixer that is integrated right into the speaker box.
One of the most significant technological innovations of the DLM line is Mackie TruSource Technology. It's a potent combination of a brand new, completely unique, transducer design and powerful proprietary digital signal processing. At the heart of the DLM12 is the extremely compact TruSource driver, which combines the high and low-frequency driver into a vertically-aligned, common-magnet design that is ultra-efficient and extremely capable. The sonic reproduction is incredibly transparent across the entire frequency range.
Drawing on the powerful mixing capabilities of the popular Mackie DL1608, DLM Series loudspeakers feature a powerful integrated digital mixer with all the effects, processing and tools you need for your professional applications. That makes the DLM speakers truly a one-box solution for many applications.
These speakers are ideal for bands, DJs and venues, as their versatility is the only thing that rivals their fidelity. They can be pole-mounted, wall-mounted, flown, stacked, and carried. They are lightweight, rugged and sound fantastic.
2000W power via Class-D amplification
12â³ LF woofer / 1.75â³ HF compression driver
Incredibly compact, lightweight design
Powerful TruSource DSP delivers seamless clarity, consistent coverage and unmatched fidelity
DL2 Integrated Digital Mixer
Powerful, one-touch digital mixer with bright OLED screen
Two highly versatile input channels with FX
Independent channel level, 3-band EQ and effects control
16 great-sounding channel effects include reverb, chorus and delay
XLR/TRS combo and dual RCA connectors
Handles mic, line, stereo and instrument signals
Unmatched system control for professional applications
Multi-band feedback destroyer
Six speaker modes deliver the perfect voicing for your application
Alignment delay up to 300ms for delay stack, balcony, etc.
Three memory locations for instant venue setting recall
Smart Protect DSP dynamically protects amp/driver
Innovative ultra-compact design
1/3 smaller than a traditional 2-way
Fit an entire DLM system in nearly any car
Stack them up for storage
Pole-mountable on tripod or atop DLM12S using SPM300 speaker pole
Flyable via standard M10 rigging hardware
Wall-mount them using SWM300 articulated arm for stealthy, powerful install system
Roadworthy PC-ABS cabinet with pro black finish and ergonomic top carry handle
Rugged, powder-coated 20 gauge steel grille
Integrated kickstand delivers perfect angle for personal monitor use
Ridiculously lightweight (31 lbs. / 14.1 kg)
$ 219.99 $ 279.99
Headset condenser microphone with maximum dynamic range for perfect vocal sound. Its cardioid polar pattern effectively rejects unwanted ambient noise. An ideal choice for frontmen, singing keyboardists, drummers, guitarists, and dancers. The microphone arm mounts either on the left or right side of the headband as desired. The C 520 provides the perfect solution for any performer needing a handsfree microphone.
A transducer shock mount reduces handling noise to a minimum. The moisture shield prevents perspiration from penetrating into the transducer element, ensuring a high degree of humidity protection for the microphone.
Requires phantom power.
If you're an energetic performer, a headworn condenser is the way to go.
C 520 Headworn Condenser Microphone
The C7 Reference Condenser Vocal Microphone from AKG is a handheld condenser microphone that delivers premium studio-quality sound with hassle-free operation. It can be used to capture lead and background vocals with clarity and sparkling high end in applications for live stage, theater, rehearsals, and more.
Powered with 48V phantom power, the C7 allows lead and background vocals to shine through. Featuring specially engineered circuitry and custom-designed components, the C7 prevents feedback, handling noise, and pop noise from interfering with your performance. No matter where you're performing, this microphone delivers premium, worry-free vocal reproduction so you can focus on what really matters.
$ 199.00 $ 249.00
On stage or in the studio the AKG D 112 Kick Drum Mic is the microphone to use to clean up the dirty low down. Stays free of distortion even at high sound pressure levels. Solid and powerful response below 100Hz. Very low diaphragm resonance, relatively narrow-band rising high-frequency response at 4kHz, and extremely robust construction are other outstanding features. Also works great for bass cabs, trombone, and other low-frequency instruments.
Channel Strips of the Stars: Ronan Chris Murphy
World-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains:
"Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica; for kick drums, AKG D112s into A Designs Pacificas (189903). (I prefer the Shure Beta 52 (#270267) for kick but they (D112s) were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."
$ 499.00 $ 649.00
The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its predecessors have been the industry standard in kick drum mics for decades. The D12 and subsequently the D12E and the D112 have been the choice of drummers and the live sound engineers who love them since 1950.
Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum sound. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10 dB automatically.
Check it out. The latest version of a classic. It has retained the attributes of the original but taken advantage of modern innovations. Vintage and modern have just met up, and they have done so in front of the kick drum head.
D12VR Large-Diaphragm Cardioid Dynamic Kick Drum Mic