Multi-Effects
Lovepedal Echophonic Effects Pedal USED
$ 125.00
**This mixer is used and being sold on consignment. It is in good condition with little to no signs of wear. Comes in the original packaging. The price has been adjusted accordingly.
Specs
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Mesa Boogie Dynaplex Effects Pedal
$ 209.00 $ 292.00
You already know MESA® Pedals are built by the very same artisans that create the Award Winning Mark Five™, the legendary Dual and Triple Rectifier® and the soulful new vintage-voiced offerings, Fillmore and California Tweed. Now here are three exciting new hand-built overdrive pedals spanning the entire range of gain and stylistic spectrum.
DynaPlex™ goes straight to the heart of mid gain Brit, beyond Classic Crunch and ‘70s Rock sounds with a tactile feel and truly versatile, broad gain range. Whether feeding on Single Coils or Humbuckers, the personality shines through in the most classic of ways with a ripping harmonic edge and cracking attack filled with attitude. A treasure trove of crunch rhythm awaits at the lower end of the Gain control, fatness and liquidity creep in just where you’d expect when gain is cranked for single note work, both keeping dynamic excitement front and center.
Peterson Strobo Stomp HD USED
Sold Out
**This pedal is used and being sold on consignment. It is in excellent condition with little to no signs of wear. Comes with the original packaging. The price has been adjusted accordingly.
Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.
For tone purists, the StroboStomp HD provides a 100% silent, true-bypass operation mode to keep precious tone safe, as well as eliminate the often annoying “pop” experienced when engaging such a feature in other products. It uses a unique series of timed relays incorporated within its circuitry to shunt the signal, draining the cause of the popping sound prior to breaking the connection, and effectively shutting the tuner down for direct play through without affecting tone quality.
The StroboStomp HD also includes a long-time, user-requested buffered output operation mode that can be user engaged. The buffered mode can be used in or out of monitor mode. It is designed to boost instrument drive to overcome potential tone loss in signal chains that incorporate multiple low-impedance guitar pedals or those that utilize long cable runs. The buffered output modes preserve sonic quality all through the instrument range and keep prized core tone intact.
The StroboStomp HD features over 100 exclusive Sweetened Tunings™ as well as numbered guided tuning presets for a large variety of instruments and playing styles. Sweetened Tunings are exclusive to Peterson tuning products and are designed to help correct inherent tuning issues exhibited by many instruments. The new "Guided Tunings" mode allows the StroboStomp HD to display numeric string values instead of traditional note names making for sure-fire intuitive and rapid re-tuning to any number of open and alternative tunings. The Guided Tuning mode was instituted for beginners who want to experiment with popular alternate tunings in addition to experienced players who employ multiple tunings in rapid succession. Numerically expressed scales are also included.
Specs
- Power Supply: Optional (9VDC Negative Center Pin)
- DI: No
- Peterson Connect Compatible: Yes
- Note Range: C0 - A#8
- Note Selection: Automatic
- Firmware Updateable: Yes
- Guided Tunings: Yes
- Multi-Color Display: Yes
- Buffered Mode: Yes
- True Bypass: Yes
- Form Factor: Pedal / Floor
- Accuracy: 0.1 Cents
- Display Type: LCD w/ LED Backlight
- Display Resolution: 417 Segments
- Construction: Stainless Steel
- Product Dimensions LxWxH: 129mm x 66mm x 54mm ( with switch )
- Product Weight: .89lb ( 408g )
- USB Port: Yes
- USB Type: Micro
- Rechargeable: No
- Battery Type: 9V (Included)
- Power: 9VDC 85mA (Nominal)
- Power Out: 9VDC 1A ( 1000mA )
- Built-In Microphone: No
- Built-In Speaker: No
- Headphone Jack: No
- Inputs: 1/4" Mono
- Outputs: 1/4" Mono
- Mute-able Output: Yes
- Concert A Range: 390Hz to 490Hz
- Transposition Range: -6 to +5
- Frequency Response Range: 16.35Hz to 7302Hz
- Sweetened Tunings: Over 135
- User Presets: Unlimited
Radial Engineering Highline Stereo Passive Line Isolator
$ 249.99 $ 349.98
From Pedal to Performance
The Highline Stereo is a two channel passive line isolator designed to connect guitar and amp modelers to a mixer for live touring and recording applications, featuring premium Jensen transformers for exceptional audio performance.
Specs
| Audio circuit type: | Passive, transformer based | |
| Transformer: | JT-11-YMPC | |
| Number of channels: | Two channels (dual mono) | |
| Frequency response: | 20Hz ~ 20KHz (± 0.05dB) | |
| Total harmonic distortion: | <0.05% from 20Hz ~ 20kHz / -10dB, 0.0008 @1kHz / -10dB | |
| Phase Deviation: | ±0.3° from 20Hz ~ 20kHz / -10dB | |
| Signal to Noise: | 112dB | |
| Features | ||
| Ground lift | ||
| Input Connectors: | XLR Sum, Thru Sum | |
| General | ||
| Construction: | 14-gauge steel outer shell & 16-gauge chassis | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 5" x 3.3" x 1.8" (127mm x 84.1mm x 45.5mm) | |
| Shipping size (L x W x D): | 6.5" x 4" x 3" (165mm x 102mm x 76mm) | |
| Power: | Passive, no power required | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
| Warranty: | Radial 3-Year, Transferable | |
Radial Engineering JDX 48 Amplifier Direct Box
$ 259.99 $ 363.98
Guitar Amp Direct Box
The JDX 48™ is a direct box designed to capture the sound of an electric guitar amplifier by connecting between the amp head and the speaker cabinet, providing a balanced feed for the PA system that sounds like a well-placed microphone on your amp.
| Audio circuit type: | Discrete Class-A - Transformer Isolated | |
| Frequency response: | Shaped for guitar use | |
| Dynamic range: | 114dB | |
| Total harmonic distortion: | <0.015% (+10dBu input @ 1KHz | |
| Intermodulation Distortion: | 0.03% (+10dBu input @ 1KHz) | |
| Input Impedance: | 15kΩ | |
| Output Impedance: | 2kΩ (XLR out) | |
| Noise Floor: | -100dBu below 0dBu | |
| Maximum Input: | 120W @ 8Ω | |
| Maximum Output: | +14dBu (clip level) | |
| Features | ||
| 180° polarity reverse, Ground lift | ||
| Input Connectors: | One 1/4" input | |
| Output Connectors: | One XLR output, one 1/4" output | |
| Extras: | Bass extension lowers frequency response for bass guitar, 300W amp increases power handling from 100W to 300W, Active speaker emulation band-pass filter | |
| General | ||
| Construction: | 14-gauge steel chassis and outer shell | |
| Size (L x W x D): | 6.25" x 5" x 2" (159 x 127 x 51mm) | |
| Weight: | 2.80lbs (1.28 kg) | |
| Power: | 48V phantom or +15VDC/400mA adapter Included | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
| Warranty: | Radial 3-Year Transferable | |
Retro-Sonic Flanger Pedal USED
Sold Out
**This pedal is used and being sold on consignment. It is in excellent condition with little to no signs of wear. Comes with the original packaging. The price has been adjusted accordingly.
Specs
- Input Jack: ¼-inch Standard Phone Jack
- Output Jack: ¼-inch Standard Phone Jack
- Controls: Rate, Range, Level, Color, Filter Selector
- Switch: Normal/Effect
- Power Supply: 12-18V Negative Pin Adapter
- Dimensions: 4.4 x 2.3 x 1.1 inches
Retro-Sonic Phaser Pedal USED
$ 125.00
**This pedal is used and being sold on consignment. It is in good condition with little to no signs of wear. The price has been adjusted accordingly.
Specs
Retro-Sonic Phaser. The Phaser is based on the famous 4-stage Script 90 circuit known for its classic phase tone. The Script design is updated with the finest components, providing clean distortion free phasing with low noise and tonal transparency. The updates also include the addition of depth, resonance and level controls to add further versatility to the original design.
For even smooth phasing, the JFETs used in the circuit are sorted by hand and matched for the best possible phase experience. A weak battery can alter the output of the Phaser. The unit works best when using a 9vdc adapter to provide a consistent power source.
Features
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Clean, smooth phasing effect
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Precision matched JFETs
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Heavy duty foot switch for True By-Pass switching
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Sturdy cast aluminum housing
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On/Off LED to check effect status and battery condition
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Powered by 9v battery or 9v DC adapter
Controls
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Speed: Controls the rate of the phase effect
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Depth: Controls the intensity of the phase effect
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Level: Controls the output level of the effected tone. Typically output levels of both normal and effect are adjusted to equal levels
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Res: Controls the amount of resonance (feedback) in the phase effect
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Normal/Effect Switch: Stepping on the switch turns the effect on and off
Third Man Bumble Buzz Effects Pedal
$ 325.00 $ 455.00
The Bumble Buzz Pedal, handmade by Chris Young of Union Tube & Transistor (who built the pedal used for Jack White's guitar sounds on "Sixteen Saltines" and the vocals on "I'm Shakin'" off of 2012's Blunderbuss), is ready for buzzing around and stinging sounds. Designed by the Third Man Creative Hive.
Input impedance: Zin @ 1KHz 30K, output impedance: Zout @ 1KHz: 33K.
Power requirements: 9Vdc 10mA. The unit runs off a standard center negative 9v DC 2.1mm Boss-style adapter or a single 9v battery.
Third Man Plasma Coil Effects Pedal
$ 379.00 $ 490.00
The PLASMA Coil is a special version of the PLASMA Pedal, created by Gamechanger Audio and Third Man Records.
At its heart is GCA's innovative High Voltage Distortion technology that expresses audio signal as a series of electrical discharges. Even though they've been printing the words: "High Voltage Rock'n'Roll" on AC/DC t-shirts since 1973, PLASMA Distortion the is the first (and only) commercial musical device that literally amplifies audio signal to 3500 Volts.
PLASMA COIL takes High Voltage distortion to new heights by adding multiple Octaver-style cirquits, and an additional Effects footswitch that can be toggled as latching or momentary.
Another difference from the original PLASMA Pedal is the removed BLEND control - with PLASMA COIL the signal is always 100% PLASMA - take it or leave it.
FEATURES:
High Voltage PLASMA Distortion circuit - converts audio signal into a series of Electrical discharges at 3.5 kV.
ON/OFF switch - silent footswitch.
2 EQ Controls - lets you boost or cut LOW and HIGH frequencies.
Master VOLUME Knob - cuts or boosts the Output Signal level.
VOLTAGE Knob - adjusts the amount of electrical current sent to the PLASMA Tube.
EFFECT Knob - allows you to select 1 of 6 different Special EFFECT types:
- Volume Boost
- 2 Subharmonic modes (Bitcrush-style Octave Down)
- 1 Upper Harmonic mode (Octafuzz-style Octave Up)
- 2 Mixed modes (Upper and Lower harmonics combined)
EFFECT Footswitch - engages the PLASMa COIL's special effect cirquit.
Effect Footswitch TOGGLE - configure EFFECTS Footswitch as a latching ON/OFF switch or as a Momentary switch.
1 MONO input Jack
PLASMA Tube:
Xenon gas filling
Power Requirements -
Standard 9V DC pedal power supply with a center negative connector, 300 mA or higher.
(PLASMA COIL does not have a Battery slot)
Power supply:
Not included
1 year Warranty
Third Man Triple Threat Effects Pedal
Sold Out $ 158.00
Triple Threat starts with a wide-range high gain distortion, with volume, gain, and tone controls to create a threatening rock sound. A classic phaser upgraded from the Pearl Tremor pedal by Donner is next with extended mod controls. Third in line is an analog voiced echo, originated from Donner’s first ever pedal, the Yellow Fall Delay released in 2013, with warm analog tone and rich feedback.
With upgraded circuit design and tuning the tone to Jack’s specifications, Donner combined three analog circuits into one metal enclosure, delivering unique analog sounds and versatile utility for musicians on the go. Third Man Hardware designed the external appearance of The Triple Threat, adding its signature patterns such as lightning bolts from the Tesla tower on the panel, three sharp stripes in front and the signature diagrams from Third Man Hardware’s logo on both sides of the pedal.
Main Features
3-in-1 analog effect pedal
PHASER: DEPTH, RATE, LEVEL
DISTORTION: TONE, GAIN, VOL
ECHO: TIME, FEEDBACK, LEVEL
FOOTSWITCHES toggle effects on (yellow LED indicates on)
Bypass: Buffered bypass
Power Supply: 9 volts DC (Adapter included)
Way Huge Supa-Puss Analog Delay Pedal USED
Sold Out
**This pedal is used and in good condition. There are some signs of wear including scratches on the corners (see attached pictures).
This pedal boasts up to 900ms of delay time with a full array of controls to tweak the parameters of your delay signal, including tap tempo, note subdivision, and modulation.
This pedal can be powered by a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).
The Long Story
The Way Huge Supa-Puss Analog Delay was designed by delay master Jeorge Tripps for exploring the farthest reaches of true analog delay potential, featuring an eternity of delay time and fine control over numerous parameters of your delay signal.
Tripps equipped this pedal with a total of six bucket-brigade chips, delivering up to 900 milliseconds of delay time. With the Tap Tempo switch, you can program in real time up to three full seconds of delay time for ethereal ambience. The Subdivision control allows you to set how your repeats are subdivided, and by switching to the unique Chase mode, you can set your repeats to cycle through each of the Subdivision values in different ways for maximum freak-out effects.
In addition to standard Delay and Feedback controls, Tripps included several controls for fine-tuning the sound of your repeats: Tone for shaping color, Gain for adding grit, and Speed and Depth controls for adding shimmering, liquid textures with the Supa-Puss Analog Delay's LFO modulation circuit. For even further tweakability, Tripps added a true Mix control so you can set your desired blend of wet and dry signals.
Finally, the Supa-Puss Analog Delay has an expression pedal jack so you hook up an expression pedal for continuous, real-time control over the Supa-Puss' delay time.
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