Pedals
Boss PS-6 Harmonist Pedal
$ 164.99 $ 218.86
Meet the BOSS PS-6 Harmonist effects pedal, with four intelligent pitch-shift effects and three-voice harmony in one convenient unit. Among the effect modes are Harmony, Pitch Shifter, and Detune, plus the all-new Super Bend for authentic pedal-bending effects and wild 3- and 4-octave pitch sweeps. With the PS-6 Harmonist, you can even control pitch with an optional expression pedal.
The Harmony function is fast and simple to use, and supports a variety of interval patterns. It's easy to create rich, 3-voice harmonies: choose a major or minor key, and set the Shift to 3-VOICE-that's it! The PS-6 Harmonist is an unbeatable combination of superior sound quality, ease of use, and powerful pitch effects, all under one hood.
Higher Sound Quality
The BOSS PS-6 Harmonist is the new-generation pedal for harmony shifting. Sound quality has been improved dramatically thanks to its powerful DSP. With the PS-6, you can render complex harmony voicings beautifully, naturally, and easily.
3-Voice Harmony, Detune, and Pitch-Shift
The PS-6 Harmonist can generate 2 or 3 voices, such as direct/third/fifth, in each of the following modes: Pitch Shifter, Detune, and Harmony. This will add rich depth to your guitar sound. Detune broadens the sound in a natural way, as the PS-6 allows 3-voice detuning with slightly raised and lowered pitch added to the direct signal. Voices can also be pitch-shifted one octave up and a fifth below your note-great for arpeggio-style playing, for example.
Super Bend
This amazing effect bends pitch across a 7-octave span, from -3 to +4 octaves! Set the Rise and Fall time to your taste. You can control the bending effect in real time with the pedal's knob or from an external pedal such as Roland's EV-5 Expression Pedal (sold separately).
Easy Operation
Manipulate a wide variety of effects using simple operations. In Harmony mode, for example, all you have to do is select the key, specify whether it's major or minor, and use the SHIFT knob to select the voicing you want to use. The Shift knob switches between the different pitch settings available in each mode.
Road-Tough BOSS
BOSS compact pedals are world-famous for their great sound as well as their road-tough construction, consistency, and reliability. The PS-6 inherits this BOSS-proven design, offering guitarists a solidly constructed pedal that's built to withstand decades of demanding use.
- Four effect modes in one stompbox: Harmony, Pitch Shifter, Detune, and S-BEND (Super Bend)
- Easily create two- or three-voice harmonies with selectable key and voicing
- High-quality pitch shifting
- Three-voice Detune capability
- Super Bend provides up to four octaves of extreme pitch bending
Boss RC-1 Loopstation
$ 109.99 $ 136.78
LOOK NO FURTHER. THE ANSWER FOR LOOPING IS BOSS!
The BOSS RC-1 is our simplest and most user-friendly Loop Station ever, and it’s a ton of fun! Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they’ve been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on.
On the top panel, there is a new and innovative loop indicator, which consists of a 24-segment LED laid out in a circular pattern. You can quickly and easily determine the current status of the Rec/Overdub/Play modes. With a maximum 12 minutes of stereo recording time, the RC-1 is capable of capturing any extended performance that you can create or imagine! The stereo in/out jacks can be used with stereo effects and amplifiers. Additionally, they allow you to connect stereo instruments, such as synthesizers. Other convenient features include battery and AC power, as well as flexible external footswitching capabilities. The RC-1 is an especially great partner to start enjoying looping!
- Straightforward and easy to operate
- Newly designed loop indicator displays the current loop mode (Rec/Overdub/Play)
- Runs on a single 9-volt alkaline battery (approximately 4.5 hours of battery life)
- Can be used with an optional AC adaptor (PSA series: sold separately)
- 12 minutes of stereo recording time
- Stereo inputs and outputs
- Flexible external footswitch options
- Recorded phrase is retained in memory even after the RC-1 is turned off
- BOSS five-year warranty
You’ll never be “out of the loop.”
Everyone always wants to be “in the loop,” but with other loopers, you may not have enough recording time to capture every phrase that you want for your masterpiece. With its 12 minutes of stereo recording time, the RC-1 has the most stereo recording time in its class.
Is the RC-1 the right choice for you?
It doesn’t matter if you’re a beginner or a concert touring professional. The RC-1 is a great choice for any guitarist, bassist or keyboardist concerned with usability and simplicity while having lots of fun!
What are some applications for the RC-1?
You can incorporate the RC-1 into your existing pedalboard or effects system. It’s also a great way to learn, practice or improve your playing by quickly and easily creating your own backing track to jam along with. You can also loop stereo instruments like synthesizers and have a ball playing along.
Is that new loop indicator just eye candy?
Well, yes and no. Sure, it’s cool to look at, but the new indicator on the RC-1 is also very innovative and useful. You can clearly and easily see the current status of the Rec/Overdub/Play modes. You can also switch the indicator to an alternate mode, which visually tracks your loop. During overdubbing and playback, the speed at which the indicator rotates directly corresponds to the length of the loop.
What’s up with the stereo inputs and outputs?
Apparently, some other products are based on the belief that mono recording and playback is good enough for you. In this day and age, we here at BOSS believe that it’s not too much for you to expect a stereo looper. With stereo inputs and outputs, you can record and playback your creations in stereo, the way music was intended to be played, performed, and enjoyed.
Why would I want an external footswitch?
The optional FS-7 makes footswitching even simpler and easier! And, its compact size won’t take up much space on your pedal board. Pressing the “A” switch will stop the Rec/Overdub/Play mode. Hold down the “A” switch for two seconds or longer to erase the phrase. By pressing the “B” switch, you can easily undo or redo your phrase. It’s that easy!
Boss RC-5 Loop Station Effects Pedal
$ 219.99 $ 316.78
Step up to the BOSS RC-5 Loop Station and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD and tap into expanded operation via the control jack and TRS MIDI I/O. With over 50 rhythms, 13 hours of stereo recording, 99 phrase memories and more, the compact BOSS RC-5 puts a deep well of musical power at your feet.
Superior Sound Quality
Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, the RC-5 captures your personal sound with full fidelity and keeps loops crystal-clear, even with multiple overdubs. With 13 hours of stereo recording time, there’s plenty of space for extended creative journeys.
Window to Your World
The RC-5 features the most advanced interface available in any compact looper pedal. The LCD lets you keep an eye on loop status as you perform, with a backlight that changes color to indicate recording, overdub and playback states. Coupled with the multi-function parameter knob, it’s quick and easy to navigate rhythms, kits, system settings and more in the heat of the moment.
Deep Control
The BOSS RC-5’s versatile pedal switch controls all looping functions—record, overdub, play, stop and undo/redo. But deeper control is also supported if you need it. Connect up to two external footswitches for direct control of many assignable functions, or an expression pedal for continuous adjustments. Players with advanced systems will love the TRS MIDI I/O, which saves space and enables remote operation from MIDI switchers and foot controllers, plus MIDI sync with drum machines and DAWs.
Move and Groove, Forward and Back
With 57 preset rhythms and seven different drum kits, the RC-5 is ready to elevate loop and practice sessions with inspiring grooves for any style. For each rhythm, A/B variations are available via external control to bring energy and interest to performances. The RC-5’s looper engine also includes a cool reverse function that’s great for infusing your music with fresh sonic colors.
Capture, Practice and Perform
The RC-5 provides 99 phrase memories, letting you store loops as fast as you create them. In addition to audio, a phrase memory includes the selected rhythm and kit, so it’s ready to go when you call it up. Loop audio can be backed up to a computer via USB. And with WAV import via BOSS Tone Studio, the RC-5 becomes a pedalboard playback hub for lesson material, jam tracks or backing music for your next gig.
Boss RV-200 Reverb Effects Pedal
$ 296.99
The RV-200 delivers inspiring reverbs and premium sound in the streamlined BOSS 200 series design. Twelve versatile reverb types—including the newly developed Arpverb—provide everything from subtle spatial color to complex, dreamy textures for ambient explorations. Quickly dial in sounds with the fast-access interface. Save favorites in 127 memories. And take performances to the next level with flexible onboard footswitches, deep external control support, and head-turning creative tools like Warp, Twist, and more.
Specifications
- Premium BOSS reverb processing in a streamlined pedal
- Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate
- Twelve distinctive reverb types, including the newly developed Arpverb
- Fast, easy operation with hands-on controls
- 127 user memories for storing sounds
- Density control with six stages
- Param knob to access extended functions within each reverb type
- Selectable carryover for maintaining reverb trails when switching presets or bypassing the effect
- Stereo I/O with wet/dry and dry mute output options
- Two assignable footswitches
- Expressive Hold, Warp, and Twist effects available via footswitch control
- Deep external control support via footswitches, an expression pedal, and TRS MIDI I/O
- Connect and control multiple 200 series pedals at once via MIDI
- Panel lock function to avoid accidental sound changes
- Powered via three AA batteries or optional AC adaptor
Boss RV-6 Reverb Pedal
$ 153.99 $ 192.80
INFINITE INSPIRATION, READY TO PLAY
Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.
- Compact and versatile reverb pedal with rich, expansive sound
- Dial in sophisticated, top-level reverb tones quickly with simple controls
- Newly developed studio-grade algorithms powered by cutting-edge BOSS technology
- Eight sound modes provide a diverse range of ready-to-play reverb effects
- Shimmer, Dynamic, and Delay+Reverb modes deliver lush, immersive textures sought by modern players
- Input for controlling reverb level with an optional expression pedal
- Supports mono or stereo operation
Boss SDE-3000EVH Dual Digital Delay Effects Pedal
$ 659.99 $ 839.98
EVH and BOSS join forces to bring you the SDE-3000EVH Dual Digital Delay, an authentic recreation of the stereo delays at the heart of Eddie Van Halen’s massive three-cabinet live stage guitar sound. Based on the vintage Roland SDE-3000 rackmount delay, this powerhouse processor puts two fully featured SDE-3000s in one floor-based pedal, coupled with extensive connectivity to build a wet/dry/wet rig just like Eddie’s. You also get eight presets curated by EVH with the exact settings from his actual delay units, allowing you to experience the master’s expansive spatial delay tone in your own setup.
Specifications
- Sampling Frequency: 48 kHz
- AD Conversion: 24 Bits + AF Method, Adaptive Focus proprietary method from Roland & Boss that vastly improves the signal to noise ratio of the AD and DA converters
- DA Conversion: 32 bits
- Processing: 32-bit Floating Point
- Effects: SDE-3000 Stereo Delay x2, Noise Suppressor, Foot Volume
- Memories: 100
- Nominal Input Level: Input Mono: -10 dBu, Input L/Monto: -10 dBu, Return/Input R: -10 dBu
- Maximum Input Level: Input Mono: +12 dBu, Input L/Mono: +12 dBu, Return/Input R: +12 dBu
- Input Impedance: Input Mono: 1 M ohm, Input L/Mono: 1 M ohm, Return/Input R: 1 M ohm or 180 k ohm
- Nominal Output Level: Output (Direct, EFX L, EFX R): -10 dBu, Output (L/Mono, R): -10 dBu, Send: -10dBu
- Controls: TIME button, FEEDBACK button, OUT button, RATE button, DEPTH button, 1--4 buttons, BANK A/B button, EVH button, LEFT button, RIGHT button, FILTER button, TIME×2 button, DELAY PHASE button, MOD button, FEEDBACK PHASE button, DIGITAL DELAY1 button, DIGITAL DELAY2 button, SETUP button, DDL1 switch, DDL2 switch, TAP/CTL1 switch, GND LIFT switch, RETURN IMPEDANCE switch
- Display: 7 Segments, 12 digits LED
- Connectors: INPUT MONO jack, INPUT L/MONO jack, OUTPUT (DIRECT, EFX L, EFX R) jacks, OUTPUT (L/MONO, R) jacks, SEND jack, RETURN/INPUT R jack: 1/4-inch phone type, CTL2,3/EXP1 jack, CTL4,5/EXP2/GA-FC jack: 1/4-inch TRS phone type, MIDI (IN, OUT) jacks: Stereo miniature phone type, USB port: USB Type-C(R), DC IN jack
- Power Supply: AC Adaptor
- Current Draw: 450 mA
- Accessories: AC Adaptor (PSB-1U. + AC Cord Set), GND LIFT CABLE x 3, Startup Guide, Leaflet, Rubber Foot x 4
Boss SY-1 Synthesizer Effects Pedal
$ 197.99 $ 273.58
With the BOSS SY-1 Synthesizer effects pedal, it’s never been easier to infuse your creative arsenal with BOSS’s legendary guitar synth technology. This amazingly expressive tool is filled with 121 ultra-responsive sounds, all distilled down into a BOSS compact pedal that slides easily into any setup. Best of all, it’s as simple to use as a standard stompbox, so you don’t need any background in synth programming to bring a new world of sonic textures to your music.
Expressive Synth Sounds, No Programming Needed
The SY-1 transforms any guitar or bass into a versatile synthesizer that’s fun, inspiring, and ready to play. Backed by advanced tech first developed for the SY-300, this super-cool pedal delivers a huge selection of analog-style synth sounds while occupying minimal space on your board. What’s more, all the sounds are polyphonic, allowing you to play both single notes and chords.
Plug-and-Play and Latency-Free
The SY-1 can be used with any guitar or bass via a standard 1/4-inch cable, providing an easy, plug-and-play experience. Thanks to custom DSP and the latest BOSS innovations, the SY-1 offers latency-free performance that’s a natural extension of your instrument, letting you to play freely and organically without altering your normal technique in any way.
A Universe of Synth Sounds Inside
With its 11 categories and 121 total sounds, the SY-1 puts an enormous array of synth colors at your fingertips. Expressive leads, sweeping pads, layered organs, fat basses, and more are all on tap, plus a variety of rhythmic synth patterns that are a blast to jam with. And with the grab-and-go Tone/Rate and Depth knobs, you’re able to adjust any synth voice just how you like, including changing the pitch on some sounds.
At Home in Any Rig
As a standard BOSS compact, the SY-1 drops into a serial pedal chain like any other stomp. But with the send/return loop and dedicated mix controls, it’s also possible to blend one or more pedals in parallel with the SY-1’s synth voices. For example, you can patch drive pedals in the loop, and then send the combined output to mod, delay, and reverb pedals for overall processing. The send can be used as a direct out as well, enabling you to route synth and guitar sounds to separate destinations.
Enhance Performances with Real-Time Control
The SY-1 offers a numbers of ways to make your synth performances even more dynamic and expressive. Pressing and holding the pedal switch sustains the last-played synth sound, allowing you to jam with regular guitar over the top. You can also connect an external footswitch for tap tempo and octave-shift effects, or plug in an expression pedal for continuous Tone/Rate control.
SY-1 Sound Types
-LEAD 1/2—A wide range of sounds suitable for single-note soloing.
-PAD—Full tones that work great with chords, from layered pads to synth brass and more.
-BASS—Fat synth bass sounds, including filtered and sub-octave tones.
-STR—Classic analog-style strings, including layered voices and sweeping textures.
-ORGAN—A large selection of organ sounds, including many with rotary-style modulation.
-BELL—Percussive synth sounds with metallic resonance.
-SFX 1/2—A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
-SEQ 1/2—Pulsating sounds with rhythmic pitch or filter changes.
- Power requirements: 9V DC (battery or optional AC adapter)
- Current draw: 85 mA
- Controls: Guitar/Bass switch, Type, Variation, Tone, Depth, Effect, Direct
- Buffered bypass
- Dimensions: 2.8" x 5.12" x 2.37" (73 x 129 x 59mm)
- Weight: 1 lb.
Boss TR-2 Tremolo Pedal
$ 109.99 $ 150.50
The classic Boss TR-2 Tremolo Pedal creates real vintage tremolo guitar sounds and variations. Built-in wave knob lets you alter the LFO waveform from triangle to square for a wider range of tremolo variations. Rate knob is a sweepable high-speed LFO control, allowing the Boss TR-2 greater control over tremolo speed.
Boss TU-3 Chromatic Tuner
$ 109.99 $ 150.46
THE NEW WORLD-STANDARD TUNER HAS ARRIVED
The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!
21-segment LED meter with brightness control
High-Brightness mode enhances meter visibility outdoors
Accurate to +/- one cent
Accu-Pitch Sign function provides visual verification when tuning is complete
Chromatic and Guitar/Bass mode (tune by string number, with support for 7-string guitars and 6-string basses)
Flat tuning is supported with Guitar Flat mode, which allows for “drop” tunings up to six semitones below standard pitch
Tuner automatically mutes when the tuner is on
Supplies power for up to seven BOSS compact effect pedals
BOSS five-year warranty
Boss VB-2W Effects Pedal
$ 263.99 $ 328.30
TRUE VIBRATO EXPRESSION, REBORN WITH WAZA INNOVATION
Ahead of its time when it debuted in 1982, the VB-2 Vibrato has been rediscovered by modern players looking to create unique guitar textures with stompbox effects. Thanks to its expressive, one-of-a-kind sound, this rare pedal has gone on to become one of the most valuable BOSS effects in the vintage market. Now, the progressive spirit of the VB-2 has been reborn as the Waza Craft VB-2W. Using all-analog circuitry, the VB-2W authentically reproduces the true pitch-shifted vibrato of the original pedal, and also adds an innovative new vibrato mode and real-time control function for enhanced expression.
- Premium edition Waza Craft pedal delivers the ultimate BOSS tone experience
- Custom mode features a totally new vibrato sound with unique filter wave
- Standard mode provides a true reproduction of the vintage VB-2 Vibrato sound
- All-analog circuit with BBD (bucket brigade) vibrato line
- Control the effect depth in real time with an optional expression pedal
- Rise Time knob to control the initial onset of the vibrato effect
- Unlatch mode activates the effect only while pressing the pedal, ideal for adding vibrato to specific notes and chords
- Bypass mode takes the BBD out of the signal path to eliminate latency when the effect is off
- BOSS five-year warranty
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Waza Craft: The Art of Superior Tone
Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. Continuing this enthusiastic spirit, we are pleased to introduce the Waza Craft series. In Japan, “Waza” is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship. With final sound approval carried out by BOSS in Japan, the Waza Craft series brings you exceptional tone and touch response through carefully selected analog components, refined circuitry, and meticulous attention to detail.
Boss WL-60 Wireless System
$ 324.99 $ 391.98
WIRELESS FREEDOM, EASY VISUAL SET UP
Offering great tone, ultra-low latency, and effortless set up, BOSS’s revolutionary WL series has made it easier than ever for musicians to go wireless. The WL-60 system is a great fit for serious stage performers, bridging plug-and-play simplicity with fast user-guided control. The compact receiver is tailor-made for pedalboards, and features a large visual display and direct-access buttons to quickly scan and select the best wireless channel. Rounding out the system is a rugged bodypack transmitter, which is compatible with nearly any instrument and runs for up to 25 hours on regular alkaline batteries.
- Premium audio performance with lightning-fast BOSS wireless technology
- Automatic 14-channel scanning makes set up quick and uncomplicated
- Large LCD shows channel status, wireless strength, battery life, and more
- Stompbox-size receiver fits easily on your pedalboard
- Bodypack transmitter works with nearly any instrument and runs for up to 25 hours on two AA alkaline batteries
- Transmission range: 20 meters/65 feet line of sight (may vary due to local conditions)
- Short high-quality cable included for connecting the transmitter to a guitar or bass
- Receiver powered by AC adaptor or two AA alkaline batteries
- Convenient DC output on receiver for powering other pedals (when using AC adaptor)
- Instrument input for using a standard cable without removing the receiver from a pedalboard
- Included WL-60T Transmitter also available separately for backup and outfitting additional stage instruments
BOSS Wireless Performance
The WL-60 delivers exceptional sound quality with wide dynamic range. It provides solid audio performance with absolutely no drop-outs and a class-leading low latency of just 2.3 ms. The WL-60 delivers great playing feel with no lag whatsoever. Up to 14 WL series systems can be used simultaneously in one space, allowing multiple musicians to enjoy wireless freedom at the same time.
Visual Feedback Puts You in Control
With the WL-60’s automatic scanning feature and informative display, the channel selection process is effortless, eliminating complicated procedures required with other systems. All 14 channels are shown at one time during the scan process, giving you a complete overview of the current wireless conditions. This makes it simple to optimize performance for any stage situation, ensuring that you always have the very best tone.
Ready to Play in Seconds
Setting up the WL-60 to play is fast and efficient. Simply press the Scan button, then wait for a moment as the 14 wireless channels are scanned and the clearest are indicated. Next, select the desired channel on the receiver, power on the transmitter, match the channel and you’re done. The WL-60’s LCD also provides constant visual feedback on channel selection, wireless strength and other parameters.
Rugged Bodypack Transmitter Works with Any Guitar or Bass
Compact, lightweight, and durable, the WL-60T Transmitter mounts on your belt or instrument strap. Up to 25 hours of runtime is provided with two alkaline AA batteries. Using the display and selector buttons, you’re able to adjust the operation channel from your playing position. And since the WL-60T connects to your instrument via a short standard cable (included), it works with nearly any guitar or bass.
Just Another Pedal on Your Board
The receiver in the WL-60 system is the same size as a standard BOSS compact pedal and can be powered just like your other stomps, making it an easy addition to any pedalboard setup. Simply place it at the beginning of your chain and connect the receiver’s output to the first pedal. And thanks to the regular ¼-inch input jack, you can always connect via a traditional guitar cable when needed without having to re-patch or remove the receiver from your board.
Cable Tone Simulation
The WL-60 includes two selectable cable tone simulation options that reproduce the natural capacitive effect that’s introduced when using a guitar cable with standard passive pickups. You can also bypass the effect when cable tone simulation is not desirable, such as when using an acoustic/electric guitar with an onboard preamp or an instrument with active pickups.
Pedal Power Distribution
When the WL-60 receiver is powered via a BOSS PSA-S adaptor, it becomes a power distribution center for other stomps on your board. By using an optional PCS-20A daisy-chain cable, you’re able to power a number of BOSS compact pedals at the same time.
Battery-Powered Operation for Mobile Gigging
When performing on the street or playing gigs that require quick set up and teardown, running your pedals on battery power is often the best way to fly. The WL-60 lets you go wireless as well, with the receiver providing clear, cable-free operation for up to ten hours on two AA alkaline batteries.
Darkglass Electronics Alpha Omega Bass Preamp Pedal B-STOCK
$ 304.99 $ 419.99
**This pedal has been marked as b-stock but remains in like new condition. Comes with the original box. The price has been adjusted accordingly.
Besides being an amazing composer, producer and bassist, Jon Stockman is amazing at crafting some of the most devastating bass tones in the world. We got together in our then Helsinki headquarters 18 months ago and after endless tweaking and tens of prototypes we are finally ready to announce our first co-designed creation: Alpha · Omega.
This creation differs greatly from our previous preamplifiers and overdrives: it is fully operational amplifier based and has two distinct distortion circuits (Alpha and Omega) which can be selected or blended using our Mod knob. This unusual control, in conjunction with the toggle switches and 3 active band equilizer makes Alpha · Omega the most flexible among our designs.
Features
Blend
- Mixes the clean and processed signals. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine mix tuning.
Level
- Sets the volume of the overdriven signal.
Drive
- Sets the amount of gain in the overdriven signal.
Bite
- Boosts High Mids (2.8kHz) for additional presence and definition.
Growl
- Shelving Bass Boost for a fatter tone and increased low end saturation.
Mod
- Selects or mixes between the two distinct distortion circuits: Alpha is punchy, tight with a lot of definition, whereas Omega is simply brutal and raw.
Bass
- +-12dB @ 80Hz
Mid
- +-12dB @ 500Hz
Treble
- +-12dB @ 5kHz
Parallel Output
- Hardwired copy of your input signal, useful for getting a clean signal in recording and live situations
Direct Output
- A balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.
DIMENSIONS
- 12×10.7 cm (4.72×4.21 in)
WARNING
- The Alpha·Omega has a current draw of 30mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons it does not accept batteries. Unregulated power supplies and/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty.
Darkglass Electronics Alpha Omega Ultra V2 (AUX-IN) Bass Preamp Pedal B-STOCK
$ 434.99 $ 579.99
Features
Blend
- Mixes the clean and processed signals. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine mix tuning.
Level
- Sets the volume of the overdriven signal.
Drive
- Sets the amount of gain in the overdriven signal.
Bite
- Boosts High Mids (2.8kHz) for additional presence and definition.
Growl
- Shelving Bass Boost for a fatter tone and increased low end saturation.
Mod
- Selects or mixes between the two distinct distortion circuits: Alpha is punchy, tight with a lot of definition, whereas Omega is simply brutal and raw. On the Darkglass Suite you can assign footswitch control of the Mod to toggle between Alpha and Omega.
Master
- Whereas the Level knob control the output of the overdrive section the Master volume adjusts the overall volume of the unit. Ideal for fine tuning the output on clean mode. It also serves as a DI and headphone volume control. Please note that volume is not affected by this control when the pedal is on bypass.
Bass
- Low shelf +-12dB @ 80 Hz
Mid bands
- +-10dB @ 250 Hz, 500 Hz, 1.5 kHz, 3 kHz
Treble
- High shelf +-12dB @ 5 kHz
Ground lift
- Disconnects the signal ground on the Direct Output to break any ground loops. Set this switch to either position that has less noise. The switch does not affect the ¼” output.
Cab Sim
- Toggle the cabinet simulation on/off on the Direct Output. This switch completely bypasses all digital circuits and allows you to get a zero latency signal when needed.
Headphones
- Alpha·Omega Ultra has an internal stereo headphone amplifier capable of driving a minimum load of 16 ohms from the 3.5mm stereo jack. Use the Master volume control to adjust the level.
USB
- A Micro USB B connector allows you to connect the pedal to PC/Mac to load cabinet simulation impulse responses to the pedal and control various other settings.
Aux In
- This 3.5mm stereo input allows you to practice with backing tracks from e.g. your smartphone or laptop. Auxiliary input can only be used with the headphone output. The pedal does not control the level, it must be set from your audio source. Remember to always first set the level low before connecting anything to the aux in!
Darkglass Electronics Alpha Omicron Bass Preamp Pedal B-STOCK
$ 204.99 $ 279.99
Features
Blend
- Mixes the clean and processed signals. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine mix tuning.
Level
- Sets the volume of the overdriven signal.
Drive
- Sets the amount of gain in the overdriven signal.
Mod
- Selects or mixes between the two distinct distortion circuits: Alpha is punchy, tight with a lot of definition, whereas Omega is simply brutal and raw.
Bite Switch
- Boosts High Mids (2.8kHz) for additional presence and definition.
Growl Switch
- Shelving Bass Boost for a fatter tone and increased low end saturation.
DIMENSIONS
- 11.3×7.5 cm (4.45×2.95 in)
Darkglass Electronics Harmonic Booster Bass Preamp Pedal B-STOCK
$ 204.99 $ 289.99
Features
Boost
- Flat -20dB to +20dB cut or boost
Character
- Allows blending in the perfect amount of the tone-shaping circuitry. It can be set counter-clockwise for a flatter frequency response
Mid gain
- +-20dB @ the frequency selected by "Mid Frequency"
Mid Frequency
- Mid frequency from 250Hz to 2.5kHz
Bass
- +-20dB @ 80 Hz
Treble
- +-20dB @ 5 kHz
DIMENSIONS
- 75x111x43 mm (2.95x4.37x1.77 in)
WARNING
- The Harmonic Booster has a current draw of 30mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons, it does not accept batteries. Unregulated power supplies and/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty.
Darkglass Electronics Microtubes B7K Ultra V2 (AUX-IN) Bass Preamp Pedal B-STOCK
$ 434.99 $ 619.99
Features
Master
- Whereas the Level Knob controls the output of the overdrive section the Master volume adjusts the overall volume of the unit. Ideal for fine tuning the output on clean mode. It also serves as a DI level control.
Blend
- Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.
Level
- Sets the volume of the overdriven signal.
Drive
- Sets the amount of saturation in the overdriven signal.
Attack Switch
- Sets the amount of treble content to saturate: The "Boost" setting emphasizes the treble content extra clarity and presence. The "Flat" position leaves this register untouched while the "Cut" position will reduce the amount of high frequencies being saturated.
Grunt Switch
- Sets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.
Bass
- +-12dB @ 100Hz
Lo Mids
- +-12dB switchable 250Hz, 500Hz and 1kHz
Hi Mids
- +-12dB switchable 750Hz, 1.5KHz and 3kHz
Treble
- +-12dB @ 5kHz
Direct Ouput
- Balanced XLR output for connecting the pedal to a microphone preamp, PA system etc.
Ground lift
- Disconnects the signal ground on the Direct Output to break any ground loops. Set this switch to either position that has less noise. The switch does not affect the ¼” output.
Cab Sim
- Toggle the cabinet simulation on/off on the Direct Output. This switch completely bypasses all digital circuits and allows you to get a zero latency signal when needed.
Headphones
- B7K Ultra has an internal stereo headphone amplifier capable of driving a minimum load of 16 ohms from the 3.5mm stereo jack. Use the Master volume control to adjust the level.
USB
- A Micro USB B connector allows you to connect the pedal to PC/Mac to load cabinet simulation impulse responses to the pedal and control various other settings.
Aux In
- This 3.5mm stereo input allows you to practice with backing tracks from e.g. your smartphone or laptop. Auxiliary input can only be used with the headphone output. The pedal does not control the level, it must be set from your audio source. Remember to always first set the level low before connecting anything to the aux in!
DIMENSIONS
- 125x96x57 mm (4,92x3,77x2,24 in)
WARNING
- WARNING: When the pedal is on bypass the master volume does not affect the headphone volume. In this case the total volume is adjustable in Darkglass Suite. With sensitive headphones, the bypass volume can be very loud if not adjusted.
- The Microtubes B7K Ultra with Aux Inhas a current draw of 120mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons, it does not accept batteries. Unregulated power supplies and/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty
Darkglass Electronics Microtubes B7K v2 Bass Preamp Pedal B-STOCK
$ 304.99 $ 469.99
**This pedal has been marked as b-stock but remains in like new condition. Comes with the original box. The price has been adjusted accordingly.
With the Microtubes B7K v2 you get all the features of the original, with the ability to better sculpture your tone: on the low mids you have the option to change the center frequency from 1KHz to 500Hz, and on the high mids you have the option to change the center frequency from 3kHz to 1.5kHz. This will enable you to tailor your absolute dream distortion tone.
The character and core of the Microtubes B7K remains the same, still retaining the powerful dynamic saturation circuit of the B3K and adds a four-band equalizer and a balanced line driver for even greater versatility. Designed for both studio and live use, it will take your direct sound to a whole new level.
Features
Blend
- Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.
Level
- Sets the volume of the overdriven signal.
Drive
- Sets the amount of saturation in the overdriven signal.
Grunt Switch
- Sets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.
Attack Switch
- Sets the amount of treble content to saturate: The "Boost" setting emphasizes the treble content extra clarity and presence. The "Flat" position leaves this register untouched while the "Cut" position will reduce the amount of high frequencies being saturated.
Low
- +-12dB @ 100Hz
Low Mids Switch
- This switch change the center frequency of the Low Mids from 1kHz to 500Hz.
Low Mids
- +-12dB @ 1kHz
Hi Mids
- +-12dB @ 3 kHz
Hi Mids Switch
- This switch change the center frequency of the Hi Mids from 3kHz to 1.5kHz.
Treble
- +-12dB @ 5kHz
Parallel Output
- A passthrough for your input signal, useful for parallel processing.
Direct Output
- A balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.
DigiTech Drop Polyphonic Drop Tune Pedal
$ 249.99 $ 335.00
The DigiTech® Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes.
SPECIFICATIONS
| General Specifications | |
|---|---|
|
Input |
1/4" Unbalanced (Tip-Sleeve) |
|
Output |
1/4" Unbalanced (Tip-Sleeve) |
|
Controls |
Amount, Momentary On/Off |
|
A/D/A Converter |
24-bit |
|
Sampling Rate |
44.1 kHz |
|
Power Supply |
PS0913DC-01 (US, JA); PS0913DC-02 (EU, AU, UK) |
|
Drop Tune Range |
1-7 Semitones Down, Octave Down, Octave Down + Dry |
| Dimensions | |
|---|---|
|
Length |
4.75" (120mm) |
|
Height |
1.75" (44mm) |
|
Width |
2.875" (73mm) |
|
Weight |
0.36 lb. (163g) |
Digitech MOSAIC Mosaic Polyphonic (12 String) Effect Pedal
$ 219.99
SPECIFICATIONS
| General Specifications | |
|---|---|
|
Sample Rate |
44.1 kHz |
|
Frequency Response |
20 Hz-11 kHz (Effect Enabled) |
|
Signal to Noise Ratio |
> -105 dB (A weighted); ref = max level, 22 kHz bandwidth |
|
THD |
0.004% @ 1 kHz; ref = 1 dBu w/ unity gain |
|
A/D/A Conversion |
24-bit |
|
Input |
1/4" Unbalanced (Tip-Sleeve) |
|
Output |
1/4" Unbalanced (Tip-Sleeve) |
|
Controls |
Level, Tone |
|
True Bypass |
Yes. True bypass circuitry preserves your tone when the pedal is not in use. |
| Dimensions | |
|---|---|
|
Length |
4.75" (120mm) |
|
Height |
1.75" (44mm) |
|
Width |
2.875" (73mm) |
|
Weight |
0.36 lb. (163g) |
Digitech Whammy 2 Mode Pitch Shift Effect Pedal
$ 274.99
SPECIFICATIONS
| General Specifications | |
|---|---|
|
Sample Rate |
44.1 kHz |
|
Frequency Response |
20 Hz to 20 kHz |
|
Signal to Noise Ratio |
> -105 dB (A weighted); ref = max level, 22 kHz bandwidth |
|
THD |
0.004% @ 1 kHz; ref = 1 dBu w/ unity |
|
A/D Conversion |
24 bit |
|
D/A Conversion |
24 bit |
|
Power Consumption |
2.4 Watts (< 265 mA @ 9 VDC) |
|
Power Adapter |
9 VDC External Adapter |
|
True Bypass |
Yes. With true bypass circuitry, the whammy is completely bypassed when both Whammy and Drop Tune effects are off. |
| Dimensions | |
|---|---|
|
Height |
2.5" (64mm) |
|
Width |
6.5" (165mm) |
|
Depth |
7.75" (197mm) |
| Audio Output | |
|---|---|
|
Output Type |
1/4” Unbalanced TS |
|
Max Output Level |
+10 dBu |
|
Output Impedance |
1 kΩ |
| Audio Input | |
|---|---|
|
Instrument Input Type |
1/4” Unbalanced TS |
|
Max Input Level |
+5 dBu |
|
Input Impedance |
1 MΩ |
|
MIDI Input |
5-Pin Din |
Digitech WHAMMYDT Whammy DT Classic Pitch Shifting Pedal
$ 419.99
Introducing a new addition to the DigiTech Whammy Family – Whammy DT! We’ve taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe. Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.
SPECIFICATIONS
| General Specifications | |
|---|---|
|
Sample Rate |
44.1 kHz |
|
Frequency Response |
20 Hz to 20 kHz |
|
Signal to Noise Ratio |
> -105 dB (A weighted); ref = max level, 22 kHz bandwidth |
|
THD |
0.004% @ 1 kHz; ref = 1 dBu w/ unity |
|
A/D Conversion |
24 bit |
|
D/A Conversion |
24 bit |
|
Power Consumption |
2.4 Watts (< 265 mA @ 9 VDC) |
|
Power Adapter |
9 VDC External Adapter |
| Dimensions | |
|---|---|
|
Height |
2.5" (64mm) |
|
Width |
6.5" (165mm) |
|
Depth |
7.75" (197mm) |
| Audio Output | |
|---|---|
|
Output Type |
1/4” Unbalanced TS |
|
Max Output Level |
+10 dBu |
|
Output Impedance |
1 kΩ |
| Audio Input | |
|---|---|
|
Instrument Input Type |
1/4” Unbalanced TS |
|
Max Input Level |
+5 dBu |
|
Input Impedance |
1 MΩ |
|
MIDI Input |
5-Pin Din |
Dunlop 535QC Crybaby Chrome Wah Pedal Effects Pedal
$ 229.99 $ 285.70
Dunlop engineers worked closely with the world's top guitar players to design the 535Q Cry Baby Multi-Wah, a pedal that allows you to fine-tune your wah sound and make it your own.
This is the Swiss Army knife of wah pedals. Its six-position Range Selector control allows you to choose from six different frequency ranges, each position based on the unique tonal characteristics of our most prized wah specimens. The Variable Q control allows you to take the 535Q's response from narrow and sharp to broad and subtle with the twist of a control. Once you've got your sound, make sure it gets heard with the switchable boost-adjustable up to +18dB-that can create endless sustain on any note.
The 535Q provides control over the most important wah parameters so you can create your ultimate wah tone.
The 535Q Cry Baby Multi-Wah features a six-position Range Selector, a Variable Q control, and a switchable boost circuit so you can dial in the ultimate wah tone.
This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).
Dunlop 95Q Crybaby Wah Pedal Effects Pedal
$ 159.99 $ 211.00
This Cry Baby Wah features a Q control to vary the intensity of the effect, a Volume Boost control for up to +15dB added gain, and convenient auto-return switching.
This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).
Dunlop CBM95 Cry Baby Mini Wah Pedal
$ 125.99 $ 166.30
Don't let its small size fool you-the CBM95 Cry Baby Mini Wah doesn't skimp on tone or usability. It comes equipped with the legendary Fasel inductor, a full sweep range, and three internally adjustable voicings-Low, Vintage, and GCB95. At half the size of a standard Cry Baby pedal, the CMB95 is perfect wherever space comes at a premium, such as on a travel board. To top it off, this pedal features true-bypass switching and high-quality hardware so that it can take a beating on the road. Save precious space without sacrificing tone and put a Cry Baby Mini Wah on your pedal board.
- Half the size of a standard Cry Baby pedal”perfect for mini boards
- Three internally adjustable voicings”Low, Vintage, and GCB95 (modern)
- Full sweep range
- True bypass switching
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