Sold Out $ 168.00
About Classic JR
Pedaltrain’s Classic Series is rooted in the company’s best-selling pedal board models. Based on the original PT-JR, the Classic JR features Pedaltrain’s original four-rail design and traditional rail spacing. The Classic JR features an open front design, (portholes are history) making power supply mounting more flexible and convenient. The Classic JR was designed to provide a wider stance at 18 inches and a raised elevation by approximately 1 inch. Classic JR is available for purchase with either Pedaltrain’s fitted soft case (featuring a heavy-duty metal zipper and reinforced stress points) or professional-grade tour case.
Included
Specifications
Classic JR Pedal Board
Soft Case
Model: PT-CLJ-SC
Pedaltrain pedal boards are rock solid, virtually indestructible, and built to last a lifetime. Our pedal boards are ultra light with an unmatched strength-to-weight ratio. Each Pedaltrain is hand cut, hand welded, and hand finished. No shortcuts taken, ever. No moving parts, screws or anything that can fail. We back up our pedal board claims with a lifetime warranty against defects in materials and workmanship.
$ 179.99 $ 216.00
PEDALTRAIN XD-18
The XD series is a new form factor from Pedaltrain. Six rails. Novo spacing. Extra deep mounting surface. Stack pedals three deep? Can do. Add a switching system? No problem. Expression pedals? Of course! Fully compatible with accessories like VDL-MK, Boosters, TFMK-SM and all of the after market add-ons that are out there.
Included
Specifications
XD-18 Pedal Board
Soft Case
Model: PT-XD18-SC
Pedaltrain pedal boards are rock solid, virtually indestructible, and built to last a lifetime. Our pedal boards are ultra light with an unmatched strength-to-weight ratio. Each Pedaltrain is hand cut, hand welded, and hand finished. No shortcuts taken, ever. No moving parts, screws or anything that can fail. We back up our pedal board claims with a lifetime warranty against defects in materials and workmanship.
$ 99.00 $ 118.00
The Pigtronix 2NR is a no-nonsense, high-precision chromatic tuner pedal for guitar and bass. It features a large, high-contrast LED screen and ultra-fast pitch detection software that makes tuning quick and easy for musicians of every skill level.
2NR intentionally contains no extraneous features. There are no alternate modes or opportunities for accidental frustration. The pedal exists solely to help musicians tune their instrument to 440 Hz standard concert pitch as quickly and accurately as possible.
When 2NR is activated, the output is muted. When the pedal is not in use, relay-based, true bypass switching ensures that 100% of your tone passes through the pedal without any loss of fidelity. Housed in a robust aluminum chassis, 2NR is built for a lifetime of onstage performance. Pigtronix 2NR runs on standard 9VDC power.
MODEL CHROMATIC TUNER |
||
MODEL NAME |
Chromatic Tuner | |
SKU |
2NR | |
FUNCTION |
Tuner | |
CATEGORY 1 |
Utility | |
CATEGORY 2 |
- | |
EXPRESSION |
- | |
BYPASS |
True Bypass | |
ELECTRONICS |
||
VOLTAGE |
9VDC | |
CURRENT DRAW |
100mA | |
INPUT IMPEDANCE |
100k | |
OUTPUT IMPEDANCE |
n/a | |
BODY |
||
LENGTH (IN) |
4.5 | |
WIDTH (IN) |
2.5 | |
HEIGHT (IN) |
2 | |
WEIGHT (LBS) |
1 | |
$ 199.00
PRS Guitars floating guitar stand is the perfect way to display your favorite guitar. Its sleek, minimalist design lets the stand disappear allowing your favorite guitar to take center stage!
Our Engineers have carefully helped in the design of this stand to make sure it is stable and safe for your favorite instrument.
Design features:
• Heavy Duty Construction
• Fits most acoustic and electric guitars
• Heavy weighted base ensures the stand will not tip over
• Three-pointed base engineered for maximum stability
• Nitro-friendly foam head stock cradle
Sold Out

Sold Out
PRS ATA Hardshell Multi-fit Molded Cases provide your PRS guitar with the protection it deserves. These cases are formed from durable polyethylene and are built to military and ATA spec to give you peace of mind, whether you fly with your guitar or travel to local gigs, studios, and practice spots. All hardware is powder coated for longevity, and the ergonomic handle makes this guitar case easy to carry through the airport or to the stage. The proprietary zip-tie channel latch system provides a secure, TSA-friendly solution without the hassle of having to deal with unreliable locking systems of yesteryear.
The case’s interior features a custom-fit nest and neck cradle, designed with PRS Guitars’ engineering team to support PRS guitars. Additional interior appointments include black plush lining and two large, hinged accessory compartments to safely store your accessories.
Well-appointed and providing your PRS guitar with unmatched protection, PRS ATA Multi-Fit Molded Guitar Cases are the best choice for your prized PRS.
PRS ATA Hardshell Multi-Fit Molded Cases, D1 (Design 1) was designed to fit PRS classic-perimeter body shapes and many Singlecut designs, regardless of Series (Core, Bolt-On, S2, SE), including the following models:
PRS ATA Hardshell Multi-Fit Molded Cases, D2 (Design 2) was designed to fit PRS slab-body guitars, including the following models:

$ 134.99 $ 188.98
The BigShot i/o is an easy-to-use instrument selector that lets you quickly transition between any two instruments, while balancing the levels between them and feeding the output to your amplifier.
The BigShot i/o allows you to switch between instruments on stage without pops through your amp or the need to adjust levels, while featuring 100% true-bypass for the most demanding purist. Input-2 is equipped with a volume control that lets you reduce the input sensitivity of the louder instrument so that the levels are matched when played through your amplifier. When passive instruments are used, a unique three-position Bright switch lets you compensate for instruments that lack shine in the high frequencies. The BigShot i/o is also equipped with a separate tuner output; with a simple foot stomp, the sound going to the amp is muted and diverted to the tuner for quiet on-stage adjustments.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, true bypass | |
| Frequency response: | 20Hz – 20kHz | |
| Gain: | -0.3dB | |
| Features | ||
| Dim Switch, Bright Switch | ||
| Input Connectors: | ¼" jack for first instrument connection Input-2, ¼" jack with dim and bright controls | |
| Output Connectors: | ¼" jack is switchable between always-on, or engaged by Mute switch | |
| Extras: | Tuner/toggle switch | |
| General | ||
| Construction: | 14-gauge steel | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.9" x 3.6" x 2" (99 x 91.4 x 50.8mm) | |
| Weight: | 1.25 lb (0.56 kg) | |
| Shipping size (L x W x D): | 6.25" x 4.25" x 3" (158.7 x 108 x 76.2mm) | |
| Shipping weight: | 1.55 lb (0.70 kg) | |
| Power: | 9VDC, center pole negative | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
$ 349.99 $ 420.00
The BT-Pro V2 is a Bluetooth-enabled direct box that connects wirelessly to smartphones, tablets, and other mobile devices and provides a pair of balanced analog audio outputs to feed a PA system. Each BT-Pro V2 has a unique identifier, allowing multiple units to be used within the same building. The latest model of the BT-Pro can also be powered via 48V phantom from a mixing console.
The BT-Pro V2 makes it easy to quickly connect to any smartphone, tablet, or mobile device for high quality audio playback through a sound system. It wirelessly pairs over Bluetooth, eliminating the need to search for adaptor cables and providing you with the freedom to move around while staying connected. Superior audio quality is provided using the Bluetooth 5.0 protocol, allowing the BT-Pro to be used for playback even in critical listening environments. While the BT-Pro V2 is designed to last with a 14 gauge steel outer shell and high durability connectors and controls, it also has an enhanced reception range thanks to the plastic injection-molded insert, which allows wireless signals to pass through unimpeded. Balanced XLR outputs are provided for connection to pro audio equipment, with a level control to allow for easy volume adjustments, a headphone output for testing purposes, and a mono switch to reduce channel requirements when needed.
For ease of use in live sound applications, the BT-Pro can be powered via 48V phantom from the PA console. This provides the ability to use the included external power supply as a redundant backup, or to eliminate it from the setup altogether. Under 48V phantom power, the BT-Pro provides mic-level signals at the XLR outputs, but when the external power supply is used it is capable of generating line-level signals that can be connected to the line inputs of a PA console and avoid using additional mic-level channels. Each individual BT-Pro V2 also has a unique Bluetooth identifier, allowing multiple units to be successfully used in close proximity to one another. This makes it easy for commercial multi-room facilities to employ a number of BT-Pro units without any confusion when trying to connect to a receiver in a specific part of the building.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Active audio line driver | |
| Frequency response: | 20Hz to 20KHz | |
| Dynamic range: | 90dB | |
| Total harmonic distortion: | 0.05% | |
| Output Impedance: | 150Ω | |
| Signal to Noise: | 90dB | |
| Bluetooth Compliance: | Bluetooth 5.0 | |
| Data Compression: | SBC and AAC Codecs | |
| Features | ||
| Mono Sum, Ground lift, Level Control, Headphone | ||
| Input Connectors: | Bluetooth 5.0, Device range up to 100' | |
| Output Connectors: | XLR-M, 3.5mm TRS Headphone | |
| Extras: | Included power supply | |
| General | ||
| Construction: | 14 gauge steel outer shell, molded nylon insert | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.3” X 5” X 2” (84 x 127 x 51mm) | |
| Weight: | 1.1lbs (500g) | |
| Power: | USB-C connector (Power Only) or 48V Phantom | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |

$ 249.99 $ 300.00
The J48 is a high performance active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.
Most battery-powered guitars and basses will produce as much as 7 Volts when played at maximum volume, which can easily overload typical active direct boxes which have are only able to handle about 3 Volts. The J48 uses a unique switching power supply that raises the internal rail voltage so it can handle up to an incredible 9 Volts, resulting in improved signal handling and greater headroom. This additional headroom significantly reduces distortion of all types, allowing the natural tone and character of the instrument to shine through.
The Radial J48 has gained a tremendous following through the professional audio community. With significantly more headroom, lower distortion and unmatched durability, it is no wonder that the J48 has become the most specified direct box on stages around the world. As you will note with the specifications below, the J48 is exceptionally linear when tested both under laboratory conditions and when placed under the extra stress of 100 meters (300 feet) of cable. In the lab, the high frequency response actually exceeds 40kHz! This makes the J48 a perfect candidate for the most demanding studio recording while being the obvious choice for the artist on stage.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Proprietary analog circuit with low-noise op-amp | |
| Frequency response: | 20Hz ~ 20kHz | |
| Dynamic range: | 109dB | |
| Total harmonic distortion: | 0.002% @ -5dBu | |
| Intermodulation Distortion: | 0.003% @ -3dBu | |
| Phase Deviation: | +10º at 20Hz | 0º at 1kHz | -1º at 20kHz | |
| Input Impedance: | 220kΩ - ¼" input | |
| Output Impedance: | 200Ω - XLR output | |
| Equivalent Input Noise: | -103dBu | |
| Noise: | -99dB below 0dBu | |
| Maximum Input: | +10dBu | |
| Features | ||
| Input pad, Mono Sum, 180° polarity reverse, Ground lift, HPF | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | Balanced XLR, 1/4" Thru | |
| General | ||
| Construction: | 14 gauge steel chassis and outer shell | |
| Size (L x W x D): | 3.3" x 5.0" x 2" (84 x 127 x 48mm) | |
| Weight: | 1.55 lb (720 g) | |
| Power: | 48V phantom - proprietary digital switching | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |

$ 89.99 $ 108.00
The StageBug SB-2 is a compact passive direct box that is perfect for active basses and keyboards, is small enough to fit inside an instrument case, and features a stereo to mono mix function to save mixer channels.
The compact design begins with a ¼" input and thru-put to feed the on-stage amp. This connects to the custom made Eclipse ET-DB3 transformer which performs the impedance matching and balances the signal. When using extra high output instruments, a -15dB pad can be inserted into the signal path. This enables the SB-2 to be used with active basses and digital pianos that often tend to overload the input side of the interface. An innovative stereo-to-mono merge function provides a convenient way to connect stereo keyboards and computers without having to reset the source for mono operation, saving time and input channels on the PA. The SB-2 output features an XLR wired to the AES standard with pin-2 hot. Once connected, the SB-2 delivers a smooth warm sound reminiscent of older vintage gear. The Eclipse ET-DB3 transformer is magical in its ability to handle extreme signal levels with a natural compression that is pleasing to the ears. The transformer also helps eliminate hum and buzz caused by ground loops by isolating the input from the output. This is augmented with a ground lift switch that lifts pin-1 on the XLR for quiet, professional results.
The Radial SB-2 is a compact passive direct box that is designed primarily for buffered sources such as active acoustic guitar, keyboard and electric bass. A unique stereo-to-mono merge function enhances functionality by enabling stereo keyboards to be connected and mixed mono to save channels in the PA. Upon testing, the SB-2 exhibits exceptionally linear response and low distortion throughout the desired operating range, proving that size does not necessarily follow performance! The compact design provides the traveling musician with a quality direct box that can be depended upon for the most demanding club gigs.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, transformer based | |
| Transformer: | Eclipse ET-DB3, 12:1 ratio | |
| Number of channels: | 1 | |
| Frequency response: | 20Hz ~ 20KHz (± 0.5dB) | |
| Dynamic range: | 115dB | |
| Total harmonic distortion: | 0.005% @ 1kHz | |
| Phase Deviation: | 3° @ 100Hz; 8° @ 50Hz | |
| Input Impedance: | 140k Ohms, unbalanced | |
| Output Impedance: | 1k Ohms, balanced | |
| Maximum Input: | +20dB | |
| Features | ||
| Input pad, Ground lift | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | XLR | |
| General | ||
| Construction: | 14 gauge steel chassis & outer shell | |
| Size (L x W x D): | 4.5" x 1,85" x 1.35" (114mm x 47mm x 34mm) | |
| Weight: | 0.55 lbs (250 grams) | |
| Shipping size (L x W x D): | 8" x 5" x 3" (203mm x 127mm x 76mm) | |
| Shipping weight: | 0.8 lbs (365 grams) | |
| Power: | Passive, no power required | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |

$ 279.99 $ 336.00
The Headlight is a unity gain guitar amp selector designed to easily integrate onto a pedalboard and provide the ability to switch between as many as four amplifiers with a single footswitch.
The Headlight has a compact footprint that will fit on any pedalboard, but it's still powerful enough to drive up to four amplifiers without sacrificing on tone. The input features a class-A buffer along with Drag Control load correction that allows you to optimize the impedance for your pickups and recreate the feel of plugging your guitar directly into an amp. Custom transformers isolate the outputs to prevent buzz and hum from ground loops, with ground lift switches to further alleviate noise problems. Should you really want to get loud, the mute footswitch can be configured as an 'all on' switch, activating all four amp outputs simultaneously.
Use the Headlight to switch between four stage amps to create the ultimate setup for clean, crunch, overdrive and power solo! Simply depress the selector footswitch to select the amp you want. Super bright LEDs let you know which amp is active. Use the mute footswitch for quiet on-stage tuning.
Connect your two amps using outputs 1 and 2 and select between them using the right-hand footswitch. Set the left-hand footswitch to ALL-ON and when depressed, both amps will play. The isolation transformers will prevent buzz and hum from ground loops when both amps are on.
Using the Headlight you can feed both direct boxes and amplifiers. The outputs from the direct boxes can be sent directly to the mixer and stage amps can be mic'd.
SPECS
| Specifications | ||
|---|---|---|
| Audio circuit type: | Classic Class-A FET | |
| Frequency response: | 30Hz - 30kHz | |
| Dynamic range: | 116dBu | |
| Gain: | -0.5dBu | |
| Clip Level: | +7dB | |
| Total harmonic distortion: | 0.01% | |
| Intermodulation Distortion: | 0.02% | |
| Phase Deviation: | -1.35° @ -20dBu / 1kHz | |
| Input Impedance: | 20k to 1MΩ | |
| Output Impedance: | 1kΩ | |
| Noise: | -112dBu | |
| Maximum Input: | +8dB | |
| Features | ||
| 180° polarity reverse, Ground lift, Drag Control | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | 1/4" | |
| General | ||
| Construction: | 14-Gauge Steel | |
| Size (L x W x D): | 5" x 4.7" x 2" | |
| Weight: | 2lb | |
| Shipping size (L x W x D): | 6.5" x 5.1" x 2.5" | |
| Shipping weight: | 2.4lb | |
| Power: | 9V adaptor / 80mA (Center Pin Negative) | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |

$ 123.99
CB-CS2 Carrying Case for CUBE Street EX made with water-repellent material.
$ 32.99
The Roland DP-2 Damper Pedal acts as amomentary footswitch for nonlatch footswitch operations such as sustaining notes on electronic keyboards. Black.$ 175.00
**This item is used and in good condition. Very light cosmetic wear can be seen. The price has been adjusted accordingly.
Roland KC-550 Replacement Speaker for Keyboard Amplifier - 15" / 8 ohm
A previously used item that exhibits signs of cosmetic wear and is fully operational and functions as intended.
$ 299.99 $ 419.98
The VT-4 is an effect processor for the instrument inside us all—the human voice. And like the human voice, the VT-4 is easy to use, yet devastatingly effective. Whether you’re a solo electronic artist, DJ, or singer in a band, the VT-4 lets you craft and shape your own unique vocal sounds, from subtle augmentation to radical transformation. Everything is hands on, with no menu diving or programming to get in the way. Jaw-dropping effects like harmonizing, vocoding, pitch shifting, hard tuning, and more are just a push, slide, or turn away. And with its compact size and five-hour battery life, you can use the VT-4 anywhere.
Today’s musical styles increasingly use unusual vocal sounds with heavy processing, making them stand out and grab the listener’s attention. With the VT-4, you have a wealth of modern and retro vocal effects at your fingertips, with no need to resort to a complicated setup with a computer and plug-ins. All the effects are top-notch, with everything from delay and reverb to mind-bending formant and vocoding effects. Better still, the VT-4’s performance-oriented interface lets you ride the controls while you sing to constantly alter the sound to suit the track and enhance the vibe of your performance.
Great-sounding pitch and formant effects are hard to come by, especially without a computer. And real-time tweaking of these effects often results in nasty artifacts and other unpleasantness. With the VT-4 you have totally smooth, instant control over both pitch and formant, with dedicated faders for each. Dramatically change your entire persona from male to female, big to small, or good to evil—the choice is yours.
Achieving complex vocal effects is easy with the VT-4, and you can even use multiple effects at the same time. Use the central Auto-Pitch knob to dial in just the right amount of hard-tuned effect, then press the Megaphone button for some lo-fi raunchiness. Or run the vocoder through a tape delay or vintage chorus. Each effect has a selection of one-touch variations, so you can get different vocoder characteristics, various lo-fi effects, multi-part harmonies, and distinct kinds of reverb and delay. Chain your effects, set the controls just how you like them, and then simply hold down a preset button to save that setup for later. Changing presets and tweaking controls is smooth and immediate, with no jarring artifacts, glitches, or dropouts.
The VT-4 works great on its own and can harmonize and vocode without any input other than your voice. But plugging a MIDI keyboard into the VT-4 opens even more expressive possibilities, letting you control the Auto-Pitch, harmony, and vocoder engines in real time with the notes you play. You can hard-tune your voice to specific notes as you sing, or create instant multi-part harmonies with voicings that follow your chords. The VT-4’s small footprint sits nicely on most keyboards and is easy to integrate into your setup, dishing out huge backing vocals and funky vocoded leads by the bucketload.
Whether it’s a weekly podcast or nightly multiplayer battle, if you’re broadcasting your voice on the internet, you only have so many ways to stand out. The VT-4’s combination of small size, simple controls, and USB-audio capabilities make it uniquely suited to altering your voice for YouTube broadcasts, game streaming, podcasting, and more. Take on the persona of different characters in diverse locations, or sound larger than life when taunting your foes. Add humor, danger, wit, and variety to your streaming broadcasts—your imagination is your only limitation.
Sold Out
$ 139.00
**Case has scratches on both sides **

$ 599.00 $ 838.00
The new GLX-D+ Dual Band Wireless Bodypack System features the WA302 guitar cable and the GLXD4+ tabletop receiver. The perfect combination of the automatic frequency management with the new Dual Band Technology provides reliable and consistent performance, while Shure proprietary Lithium-Ion rechargeable batteries provide up to 12 hours of use. Go wireless without complication.
Sold Out $ 416.00
Available in a striking silver color, the SE425 allows you to hear your music the way it was meant to be heard - the way your favorite artists intended. This is what true-to-life sounds like, when accuracy is important and range is imperative. Welcome to the big time.
Sold Out
**This case is used and in excellent condition. Little to no signs of wear can be found on this case. The price has been adjusted accordingly.
Fits dreadnought and 12 string guitars with a contoured arched lid that will fit knobs on electric models, and features molded-in bumpers for valance protection, rubber over-molded cushion grip handles, and a heavy duty Deluxe Plush interior.
This case comes with Travel Sentry® Approved locking latches installed. Using Travel Sentry® Approved locks allows your luggage to be opened, inspected, and relocked by TSA authorities without damage.
$ 45.00
This hardshell case is used with signs of wear (see attached pictures). The Dimensions of this guitar case are shown in the pictures. The price has been adjusted accordingly.
Sold Out $ 199.00
This case fits Takamine FXC/Classical/New Yorker guitars.
$ 199.99
This premium AeroCase was specifically designed to protect Taylor Grand Auditorium and Dreadnought acoustic guitars from physical damage and finish marks. Featuring a sturdy, resilient frame constructed with materials 2/3 the weight of a traditional hardshell case, the AeroCase includes several integrated storage pockets and a soft interior lining to cradle your guitar. This case is fitted for Taylor Grand Auditorium, Grand Symphony, Dreadnought and Grand Pacific models ending in "4," "0" or "7", respectively. Model #5401-60
$ 199.99
The Taylor AeroCase is an innovation in guitar storage and transportation. Made with highly durable, yet lightweight materials, the AeroCase offers all the protection of a traditional hardshell guitar case at 2/3 the weight. This AeroCase is fitted specifically to Grand Concert acoustic guitars.