$ 559.99 $ 705.74
Derived from the FS830, which has a solid spruce top and rosewood back/sides, the FSX830C has a cutaway body and an electric system. The Yamaha undersaddle piezo pickup and System66 analog preamp ensure solid, plugged-in performance. Perfect for intermediate- to upper-level fingerpicking-style players.
Concert Cutaway |
634 mm (25”) |
497 mm (19 9/16") |
1021 mm (40 3/16") |
380 mm (14 15/16") |
90-110 mm (3 9/16”- 4 5/16”) |
43 mm (1 11/16”) |
10 mm |
Solid Spruce |
Rosewood |
Rosewood |
Nato |
Rosewood |
R400 mm (15 3/4") |
Rosewood |
Urea |
Urea |
Black ABS with White Dot |
Die-Cast Chrome (TM29T) |
Cream |
Abalone w/ Black + White |
Tortoise Pattern |
Gloss |
Matte |
SYSTEM66 + SRT Piezo Pickup |
Vol/3-Band EQ/Tuner/Mid FQ |
LINE OUT |
Yamaha FS50BT or D'Addario XT |
Hex Wrench |
Sold Out $ 121.14
GL1 | ||
---|---|---|
Body Shape | Guitalele Original Small Body | |
Scale Length | 433 mm (17") | |
Body Length | 319 mm (12 9/16") | |
Total Length | 698 mm (27 1/2") | |
Body Width | 229 mm (9") | |
Body Depth | 70 mm (2 3/4") | |
Nut Width | 48 mm (1 7/8") | |
String Spacing | 10.2 mm | |
Top Material | Spruce | |
Back Material | Locally Sourced Tonewood ** | |
Side Material | Locally Sourced Tonewood ** | |
Neck Material | Locally Sourced Tonewood ** | |
Fingerboard Material | Rosewood | |
Fingerboard Radius | Flat | |
Bridge Material | Maple | |
Nut Material | Urea | |
Saddle Material | Urea | |
Bridge Pins | None | |
Tuners | Chrome (RM-1252X) | |
Body Binding | Black (None for BL Color Variation) | |
Sound Hole Inlay | None | |
Pickguard | None | |
Body Finish | Matte | |
Neck Finish | Matte | |
Electronics | None | |
Controls | None | |
Connections | None | |
Strings | Medium | |
Accessories | None | |
Case | Gig Bag |
$ 116.99 $ 184.00
Optimally tuned for listening to electronic musical instruments, HPH-150 headphones offer excellent tonal projection, with a crisp, clear sound that you won't tire of even after prolonged use, and superb sound separation ensuring that each and every sonic detail is reproduced accurately.
With large 40-mm diameter drivers in a rear-vented format, HPH-150 earphones feature an open-air design that ensures superb tonal projection and comfortable listening even over extended periods. Note: Open-air headphones can easily leak sound due to their design. Please ensure that you show consideration for others by keeping listening volume at an appropriate level while riding on public transportation or when in a public place.
Featuring small, soft, light-weight velour ear pads, a swivel mechanism that allows the driver unit to turn 90 degrees to fit the angle of your ears, and a headband that allows smooth adjustment of its length, HPH150 earphones are designed to provide a comfortable, stress-free listening experience, hour after hour.
$ 35.99 $ 59.00
Yamaha HPH-50 Entry-Level Stereo Headphones, Black Simple compact headphones that let you enjoy professional-grade sound quality. Compact, fashionable design available in black or white to match your instrument Compact, fashionable design available in black or white to match your instrument. Stereo plug for easy, convenient connection The 2-meter cable allows easy connection to your musical instrument and features a detachable standard stereo plug (6.3 mm) that can be connected to various instruments. Gold-plated plugs that are resistant to deterioration are used for all connectors.$ 199.99 $ 252.00
$ 349.99 $ 466.00
2-way bass-reflex bi-amplified nearfield studio monitor with 6.5" cone woofer and 1" dome tweeter.
$ 398.99 $ 572.00
The Yamaha HS8 is a 2-way bass-reflex bi-amplified nearfield studio monitor with 8" cone woofer and 1" dome tweeter. The Yamaha HS-Series have the inherited universal mix-translation legacy and distinctive white cones of the industry-respected NS-10's, designed to deliver your mixes with transparent honesty. Room control and frequency response switches allow custom tailoring of the monitor's response to give you accurate performance in any environment.
High-performance Speakers and Mounting System
The elegant white-cone speakers used in the HS-series monitors deliver superlative audio performance that is further enhanced by a carefully engineered mounting system. A system of screws and a specially designed mounting ring eliminates spurious vibration and resonance, allowing the speaker to deliver its full sonic potential. Another feature that boosts woofer performance is a magnet selected to produce accurate, solid low-end response. The tweeter frames employ an advanced smooth-contour design that minimizes losses so that high-frequency details come through with remarkable accuracy. The extra thickness of the tweeter frame also minimizes resonance that can interfere with high-end clarity. The overall result is extraordinarily smooth, accurate response throughout the audio spectrum.
The Benefits of Built-in Power and Bi-amplification
Powered, bi-amplified monitor speakers simply make the most electrical and sonic sense, and that's why they have become the first choice of sound professionals the world over for near- and mid-field monitoring applications. In addition to the obvious advantage that you don't need separate power amplifiers, the fact that power and speakers are integrated in one unit means that the amplifiers can be perfectly matched to the characteristics of the speaker units used so you get consistently superior performance with any source in just about any listening environment. Bi-amplification means that separate power amplifiers are used to drive the low-mid and high-frequency speaker units, and this eliminates interaction between the units as well as the response and phase anomalies introduced by passive crossover networks. Both speaker units can function at optimum performance levels for correspondingly high overall sonic quality.
Large Magnets in an Advanced Magnetic Circuit Design
One feature of the HS-series monitors that you'll hear but are not likely to see is the extra large magnets. In combination with an advanced magnetic circuit design these magnets provide a powerful, uniform, tightly controlled flux field that results in exceptionally smooth response and dynamic capability over a wider frequency range.
Portable, Versatile Monitoring for Your Audio Workstation
All you really need for top-class stereo production capability is a good audio workstation and a pair of HS-series monitors. A system like this is not only portable and extremely easy to set up anywhere you need it, it can deliver outstanding monitoring performance that will let you get your mixes just right. The response-control features of these monitors let you tweak them for the best response no matter where you set them up.
Serious Surround Production
Although stereo is still the most common format for basic music listening, 5.1 surround has become the audio format of choice for today's advanced visual media, and is beginning to be recognized as a superior vehicle for pure musical enjoyment as well. But to properly mix and produce surround sound you need a good 5.1 monitoring system. The HS-series speakers and subwoofer are the perfect choice if you want competitive surround-monitoring performance without having to spend big-studio megabucks to get it.
Optimum Response In Any Room
Speaker response can vary greatly depending on the size, shape, and surface acoustics of the room in which they're used, as well as how they're placed within that environment. The HS8 gives you extra room-matching and speaker placement versatility with ROOM CONTROL, MID EQ, and HIGH TRIM response control switches that are specifically designed to compensate for common acoustic deficiencies and monitoring needs. The ROOM CONTROL switch, for example, can be used to compensate for the unnatural low-end exaggeration that usually occurs when speakers are placed close to walls or in corners. The MID EQ switch gives you subtle midrange boost and cut options in addition to flat response, while the HIGH TRIM switch offer the same type of response-tailoring capability for the high frequencies.
$ 499.99 $ 775.00
$ 159.99 $ 254.40
Here's a steel-string folk guitar for the kid!
A genuine spruce top, Indonesian mahogany back and sides, and reduced size make it a great-sounding, great-playing first guitar for small hands. Nato neck and Javanese rosewood fretboard combo is elegant and smooth playing. 21-3/4" scale. Includes Yamaha gig bag.
FEATURES
Sold Out $ 193.67
The JR1 is the original, compact-size FG model. It's the perfect guitar for kicking back, relaxing and strumming your favorite tunes at home or on the road.
Serial Number: IKJ129332
Weight: 3 lbs
Compact Traditional Western |
540 mm (21 1/4") |
389 mm (15 5/16") |
845 mm (33 1/4") |
317 mm (12 1/2") |
80-90 mm (3 1/8" - 3 9/16") |
43 mm (1 11/16”) |
10 mm |
Spruce |
Locally-Sourced Tonewood** |
Locally-Sourced Tonewood** |
Locally-Sourced Tonewood** |
Rosewood |
R400 mm (15 3/4") |
Rosewood |
Urea |
Urea |
Black ABS |
Covered Chrome |
Black |
Black |
Tortoise Pattern |
Gloss |
Matte |
None |
None |
None |
.012/.016/.025(or.024)/.033(.032)/.043(.042)/.053(.052) |
Hex Wrench |
Sold Out $ 193.67
The JR1 is the original, compact-size FG model. It's the perfect guitar for kicking back, relaxing and strumming your favorite tunes at home or on the road.
Serial Number: IKX239115
Weight: 3.2 lbs
Compact Traditional Western |
540 mm (21 1/4") |
389 mm (15 5/16") |
845 mm (33 1/4") |
317 mm (12 1/2") |
80-90 mm (3 1/8" - 3 9/16") |
43 mm (1 11/16”) |
10 mm |
Spruce |
Locally-Sourced Tonewood** |
Locally-Sourced Tonewood** |
Locally-Sourced Tonewood** |
Rosewood |
R400 mm (15 3/4") |
Rosewood |
Urea |
Urea |
Black ABS |
Covered Chrome |
Black |
Black |
Tortoise Pattern |
Gloss |
Matte |
None |
None |
None |
.012/.016/.025(or.024)/.033(.032)/.043(.042)/.053(.052) |
Hex Wrench |
Sold Out $ 282.80
Get a genuine acoustic tone out of a miniaturized package.
The Yamaha JR2 3/4 scale acoustic guitar is a compact acoustic guitar modeled after the long selling Yamaha FG series. Its compact size and authentic acoustic tone make the JR2 and excellent take along, play anywhere guitar. Great for campfire sing-alongs, road trips or anywhere you want to be able to play. A mahogany Ultra Thin Finish (UTF) on the back & side offers beautiful looks. Includes a gig bag.
FEATURES
$ 659.99 $ 1,274.20
With the naturally massive sound of oak and a phenolic center ply, the hybrid shell construction creates a crisp articulation with powerful rimshot and dark tone. Strength, depth, and power combined, ready to take on the main stage.
Features
$ 1,129.99 $ 1,808.00
The Yamaha LL-TA features a completely revolutionary new acoustic guitar concept. With an all solid construction and unique pre amp, the Yamaha recreates the incredible sound found from playing in a great sounding room. The guitar has a modified non-scalloped bracing that enhances the guitars low end whilst retaining its bright tone. Yamaha has also given the guitar a new battery box, integrating it into the end-pin jack to reduce the amount of holes in the guitar, preventing any acoustic sound loss.
The Yamaha guitar features a solid Engelmann Spruce top that delivers loud tones with a broad dynamical range. The top wood is light, strong and produces crisp, colourful tones that are powerful, direct, and have an immediate articulation. The Spruce also retains its clarity, even when driven hard.
the guitar’s back and side panels are constructed from Rosewood for an incredibly smooth, warm tone with complex harmonic overtones. The Rosewood offers a very versatile tone whilst keeping it balanced, providing a strong clear presence. The back and sides also provide dark and complex characteristics, enhancing the guitars top and bottom ends.
Yamaha has treated the guitars top with their own original wood reforming technology. Known as acoustic resonance enhancement, and developed by Yamaha, this treatment ages the wood through cooking it and provides the wood with a rich, vintage tone.
The guitar’s neck is made from a 5-ply Mahogany/Rosewood combination and delivers a warm, mellow tone with complex highs, creamily thick lows, and good presence in the mids. The guitar’s Ebony fingerboard also offers a bright, warm tone with a responsive snappy and crisp attack coupled with a smooth sustain.
Yamaha’s System 70 Transacoustic preamp not only provides the ability to plug the guitar into an amplifier, but can also amplify the guitar itself. With an actuator installed on the inside of the back panel, the Piezo pickup transmits the vibrations from the strings to the actuator and then to the body of the guitar and the surrounding air. This generates an authentic reverb and chorus sound inside the guitar, amplifying it’s sound.
The preamp comes with three controls that are designed into the body to minimise the amount of holes in the guitars body, reducing the loss of the acoustic sound. A chorus knob and reverb knob provides adjustments to the amount of chorus or reverb the actuator produces, with the reverb knob offering a choice between room and hall. The third switch turns the actuator on or off, and if the guitar is plugged into an amp, then it controls the line out’s volume.
Yamaha LL-TA TransAcoustic guitars transport you to new, creative spaces with immersive reverb and lush chorus effects without needing an amp or other external gear. Great for recreational guitarists, the LL-TA has an A.R.E.-treated, solid Engelmann spruce top with rosewood back and sides. Modified, non-scalloped bracing retains the L Series’ characteristic bright tone while enhancing the low end.
Sold Out $ 1,808.00
The Yamaha LL-TA features a completely revolutionary new acoustic guitar concept. With an all solid construction and unique pre amp, the Yamaha recreates the incredible sound found from playing in a great sounding room. The guitar has a modified non-scalloped bracing that enhances the guitars low end whilst retaining its bright tone. Yamaha has also given the guitar a new battery box, integrating it into the end-pin jack to reduce the amount of holes in the guitar, preventing any acoustic sound loss.
The Yamaha guitar features a solid Engelmann Spruce top that delivers loud tones with a broad dynamical range. The top wood is light, strong and produces crisp, colourful tones that are powerful, direct, and have an immediate articulation. The Spruce also retains its clarity, even when driven hard.
the guitar’s back and side panels are constructed from Rosewood for an incredibly smooth, warm tone with complex harmonic overtones. The Rosewood offers a very versatile tone whilst keeping it balanced, providing a strong clear presence. The back and sides also provide dark and complex characteristics, enhancing the guitars top and bottom ends.
Yamaha has treated the guitars top with their own original wood reforming technology. Known as acoustic resonance enhancement, and developed by Yamaha, this treatment ages the wood through cooking it and provides the wood with a rich, vintage tone.
The guitar’s neck is made from a 5-ply Mahogany/Rosewood combination and delivers a warm, mellow tone with complex highs, creamily thick lows, and good presence in the mids. The guitar’s Ebony fingerboard also offers a bright, warm tone with a responsive snappy and crisp attack coupled with a smooth sustain.
Yamaha’s System 70 Transacoustic preamp not only provides the ability to plug the guitar into an amplifier, but can also amplify the guitar itself. With an actuator installed on the inside of the back panel, the Piezo pickup transmits the vibrations from the strings to the actuator and then to the body of the guitar and the surrounding air. This generates an authentic reverb and chorus sound inside the guitar, amplifying it’s sound.
The preamp comes with three controls that are designed into the body to minimise the amount of holes in the guitars body, reducing the loss of the acoustic sound. A chorus knob and reverb knob provides adjustments to the amount of chorus or reverb the actuator produces, with the reverb knob offering a choice between room and hall. The third switch turns the actuator on or off, and if the guitar is plugged into an amp, then it controls the line out’s volume.
Yamaha LL-TA TransAcoustic guitars transport you to new, creative spaces with immersive reverb and lush chorus effects without needing an amp or other external gear. Great for recreational guitarists, the LL-TA has an A.R.E.-treated, solid Engelmann spruce top with rosewood back and sides. Modified, non-scalloped bracing retains the L Series’ characteristic bright tone while enhancing the low end.
$ 1,129.99 $ 1,808.00
The Yamaha LL-TA features a completely revolutionary new acoustic guitar concept. With an all solid construction and unique pre amp, the Yamaha recreates the incredible sound found from playing in a great sounding room. The guitar has a modified non-scalloped bracing that enhances the guitars low end whilst retaining its bright tone. Yamaha has also given the guitar a new battery box, integrating it into the end-pin jack to reduce the amount of holes in the guitar, preventing any acoustic sound loss.
The Yamaha guitar features a solid Engelmann Spruce top that delivers loud tones with a broad dynamical range. The top wood is light, strong and produces crisp, colourful tones that are powerful, direct, and have an immediate articulation. The Spruce also retains its clarity, even when driven hard.
the guitar’s back and side panels are constructed from Rosewood for an incredibly smooth, warm tone with complex harmonic overtones. The Rosewood offers a very versatile tone whilst keeping it balanced, providing a strong clear presence. The back and sides also provide dark and complex characteristics, enhancing the guitars top and bottom ends.
Yamaha has treated the guitars top with their own original wood reforming technology. Known as acoustic resonance enhancement, and developed by Yamaha, this treatment ages the wood through cooking it and provides the wood with a rich, vintage tone.
The guitar’s neck is made from a 5-ply Mahogany/Rosewood combination and delivers a warm, mellow tone with complex highs, creamily thick lows, and good presence in the mids. The guitar’s Ebony fingerboard also offers a bright, warm tone with a responsive snappy and crisp attack coupled with a smooth sustain.
Yamaha’s System 70 Transacoustic preamp not only provides the ability to plug the guitar into an amplifier, but can also amplify the guitar itself. With an actuator installed on the inside of the back panel, the Piezo pickup transmits the vibrations from the strings to the actuator and then to the body of the guitar and the surrounding air. This generates an authentic reverb and chorus sound inside the guitar, amplifying it’s sound.
The preamp comes with three controls that are designed into the body to minimise the amount of holes in the guitars body, reducing the loss of the acoustic sound. A chorus knob and reverb knob provides adjustments to the amount of chorus or reverb the actuator produces, with the reverb knob offering a choice between room and hall. The third switch turns the actuator on or off, and if the guitar is plugged into an amp, then it controls the line out’s volume.
Yamaha LL-TA TransAcoustic guitars transport you to new, creative spaces with immersive reverb and lush chorus effects without needing an amp or other external gear. Great for recreational guitarists, the LL-TA has an A.R.E.-treated, solid Engelmann spruce top with rosewood back and sides. Modified, non-scalloped bracing retains the L Series’ characteristic bright tone while enhancing the low end.
$ 1,129.99 $ 1,779.60
Part of Yamaha's L Series, the LL16DR features intricate abalone inlay work around the body, head and soundhole. Being reminiscent of L36 series, LL16D offers both luxurious look and excellent tone. A newly designed bracing pattern and A.R.E. treatment create rich warmth and open resonance while maintaining excellent tone balance. In addition, a new comfortable neck profile and Yamaha's Zero impact pickup ensure you a stress-free performance on stage.
A.R.E. (Acoustic Resonance Enhancement)
A.R.E. is an original wood reforming technology developed by Yamaha. Through precise control of temperature, humidity, and atmospheric pressure, the molecular properties of the wood can be manipulated into a more acoustically ideal condition, similar to the molecular characteristics of woods in instruments that have been played for years.
New Designed Bracing Pattern
A modified non-scalloped bracing design retains the L series' characteristic bright tone while enhancing low-end tone.
High Comfortable Traditional Neck Profile
A reevaluation of string spacing, string height, fingerboard binding, and neck taper led to a new neck shape that better fits today's traditional players. The new design offers stable grip and smooth playability over the full length of the neck.
5-Ply Necks
The 5-ply neck of mahogany and rosewood designed with a volute at the headstock plus a double action adjustable rod creates a neck with excellent strength and stability.
SRT Zero Impact Pickups
The SRT Zero Impact Pickup system is a newly developed passive type pickup configuration designed to minimize the pickup's impact on the tone and traditional appearance of the instrument. The system utilizes individual piezoelectric elements for each string to faithfully reproduce the dynamic sound of the L Series and give the instrument outstanding presence when playing in a band.
SPECS
$ 1,129.99 $ 1,808.00
Yamaha LS-TA TransAcoustic guitars transport you to new, creative spaces with immersive reverb and lush chorus effects without needing an amp or other external gear. Perfect for fingerstyle players, the concert body LS-TA has an A.R.E.-treated, solid Engelmann spruce top with rosewood back and sides. It delivers the richness of aged wood while maintaining excellent tone and balance.
$ 397.99 $ 507.00
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The MG12XU is the 12-channel version of the series, with six mono XLR and 1/4 in. hybrid inputs along with three stereo line inputs.
The MG12XU boasts an intuitive interface with capacities suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability that has made it a leader in its class.
12-Channel Mixing Console: Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo) / 2 GROUP Buses + 1 Stereo Bus / 2 AUX (incl. FX)
$ 524.99 $ 685.99
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The MG16XU is the 16-channel version of the series, with eight mono XLR and 1/4" hybrid inputs along with two mono/stereo [MIC/LINE] inputs and two stereo line inputs.
The MG16XU boasts an intuitive interface with capacities suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability that has made it a leader in its class.
FEATURES
SPECIFICATIONS
$ 1,499.99 $ 1,699.00
MODX6+ is a compact, lightweight, 61-key synthesizer designed for keyboardists to create deep sounds that stand out on every stage, studio or stream.
$ 329.99 $ 468.60
Monitor system for electronic drums compatible with 1.5-inch diameter pipes.
The MS45DR is a 2.1-channel electronic drum monitor system for home use. This simple and compact unit is specially-designed to authentically reproduce dynamic drum sounds and allows you to enjoy superb sound quality without the isolated feeling that can occur when using headphones.
$ 219.99 $ 273.00
Featuring a 22-watt built-in amplifier and Twisted Flare Port for clearer bass, the MSP3A reference monitor produces sound that is faithful to the original. With a variety of inputs, controls and optional support brackets, the MSP3A is ideal for small studios, post-production, monitoring electronic instruments and surround reproduction.
MSP3A | ||
---|---|---|
Speaker type | 2-way powered speaker, Bass-reflex type (Twisted Flare Port) | |
Frequency response (-10dB) | 67Hz - 22kHz | |
Components | LF | 4" (10 cm) Cone |
HF | 0.8" (2.2 cm) Dome | |
Crossover | 4kHz | |
Output power | 22W | |
Maximum Output Level (Measured peak, IEC noise@1m) | 99dB SPL | |
Input sensitivity | LINE 1 : -10 dBu, 10kΩ (RCA), LINE 2 : +4.0 dBu, 10kΩ (Combo) | |
I/O connectors | LINE 1 : RCA, LINE 2 : Combo (XLR/TRS phone) | |
Indicators | Power ON (Green LED) | |
Power requirements | May vary depending on region : 120V 50/60Hz, 110 – 120V 50/60Hz, 230V 50/60Hz, 220 – 230V 50/60Hz, 220V 50Hz, 240V 50Hz | |
Power consumption | 30W | |
Others | Level control (LINE1, LINE2); Tone control (LOW: -3.0dB - +3.0dB @100Hz, HIGH: -3.0dB - +3.0dB @10kHz) | |
Dimensions | W | 144mm (5-5/8") |
H | 236mm (9-1/4") | |
D | 166mm (6-5/8") | |
Net weight | 3.6kg (7.9 lbs.) | |
Accessories | Power cord, Owner's manual | |
Packaging | Single | |
Flying and mounting hardware | 2 x M5, Depth 15 mm (9/16") | |
Options | Mic stand adaptor BMS-10A, Free-angle clamp BAS-10, Wall mounting bracket BWS20-120 / BWS20-190, Ceiling bracket BCS20-150 / BCS20-210 |
$ 799.99 $ 1,099.00
The MX61BK features over 1,000 Voices from the legendary MOTIF series plus deep computer and iOS integration in a compact, lightweight keyboard. MX61BK adds a class-compliant USB audio and MIDI driver and unlocks the FM Essential iOS synth app.