Sold Out $ 775.00

Sold Out $ 217.50
The JR1 is the original, compact-size FG model. It's the perfect guitar for kicking back, relaxing and strumming your favorite tunes at home or on the road.
Serial Number: ILP099050
Weight: 3 lbs
| Compact Traditional Western |
| 540 mm (21 1/4") |
| 389 mm (15 5/16") |
| 845 mm (33 1/4") |
| 317 mm (12 1/2") |
| 80-90 mm (3 1/8" - 3 9/16") |
| 43 mm (1 11/16”) |
| 10 mm |
| Spruce |
| Locally-Sourced Tonewood** |
| Locally-Sourced Tonewood** |
| Locally-Sourced Tonewood** |
| Rosewood |
| R400 mm (15 3/4") |
| Rosewood |
| Urea |
| Urea |
| Black ABS |
| Covered Chrome |
| Black |
| Black |
| Tortoise Pattern |
| Gloss |
| Matte |
| None |
| None |
| None |
| .012/.016/.025(or.024)/.033(.032)/.043(.042)/.053(.052) |
| Hex Wrench |
$ 179.99 $ 217.50
The JR1 is the original, compact-size FG model. It's the perfect guitar for kicking back, relaxing and strumming your favorite tunes at home or on the road.
Serial Number: ILP099366
Weight: 2.8 lbs
| Compact Traditional Western |
| 540 mm (21 1/4") |
| 389 mm (15 5/16") |
| 845 mm (33 1/4") |
| 317 mm (12 1/2") |
| 80-90 mm (3 1/8" - 3 9/16") |
| 43 mm (1 11/16”) |
| 10 mm |
| Spruce |
| Locally-Sourced Tonewood** |
| Locally-Sourced Tonewood** |
| Locally-Sourced Tonewood** |
| Rosewood |
| R400 mm (15 3/4") |
| Rosewood |
| Urea |
| Urea |
| Black ABS |
| Covered Chrome |
| Black |
| Black |
| Tortoise Pattern |
| Gloss |
| Matte |
| None |
| None |
| None |
| .012/.016/.025(or.024)/.033(.032)/.043(.042)/.053(.052) |
| Hex Wrench |
Sold Out $ 217.50
The JR1 is the original, compact-size FG model. It's the perfect guitar for kicking back, relaxing and strumming your favorite tunes at home or on the road.
Serial Number: ILY209242
Weight: 3 lbs
| Compact Traditional Western |
| 540 mm (21 1/4") |
| 389 mm (15 5/16") |
| 845 mm (33 1/4") |
| 317 mm (12 1/2") |
| 80-90 mm (3 1/8" - 3 9/16") |
| 43 mm (1 11/16”) |
| 10 mm |
| Spruce |
| Locally-Sourced Tonewood** |
| Locally-Sourced Tonewood** |
| Locally-Sourced Tonewood** |
| Rosewood |
| R400 mm (15 3/4") |
| Rosewood |
| Urea |
| Urea |
| Black ABS |
| Covered Chrome |
| Black |
| Black |
| Tortoise Pattern |
| Gloss |
| Matte |
| None |
| None |
| None |
| .012/.016/.025(or.024)/.033(.032)/.043(.042)/.053(.052) |
| Hex Wrench |
Sold Out $ 239.00
Get a genuine acoustic tone out of a miniaturized package.
The Yamaha JR2 3/4 scale acoustic guitar is a compact acoustic guitar modeled after the long selling Yamaha FG series. Its compact size and authentic acoustic tone make the JR2 and excellent take along, play anywhere guitar. Great for campfire sing-alongs, road trips or anywhere you want to be able to play. A mahogany Ultra Thin Finish (UTF) on the back & side offers beautiful looks. Includes a gig bag.
FEATURES

Sold Out $ 239.00
Get a genuine acoustic tone out of a miniaturized package.
The Yamaha JR2 3/4 scale acoustic guitar is a compact acoustic guitar modeled after the long selling Yamaha FG series. Its compact size and authentic acoustic tone make the JR2 and excellent take along, play anywhere guitar. Great for campfire sing-alongs, road trips or anywhere you want to be able to play. A mahogany Ultra Thin Finish (UTF) on the back & side offers beautiful looks. Includes a gig bag.
FEATURES

Sold Out $ 1,009.00
With the naturally massive sound of oak and a phenolic center ply, the hybrid shell construction creates a crisp articulation with powerful rimshot and dark tone. Strength, depth, and power combined, ready to take on the main stage.
Features
Sold Out $ 1,520.00
The Yamaha LL-TA features a completely revolutionary new acoustic guitar concept. With an all solid construction and unique pre amp, the Yamaha recreates the incredible sound found from playing in a great sounding room. The guitar has a modified non-scalloped bracing that enhances the guitars low end whilst retaining its bright tone. Yamaha has also given the guitar a new battery box, integrating it into the end-pin jack to reduce the amount of holes in the guitar, preventing any acoustic sound loss.
The Yamaha guitar features a solid Engelmann Spruce top that delivers loud tones with a broad dynamical range. The top wood is light, strong and produces crisp, colourful tones that are powerful, direct, and have an immediate articulation. The Spruce also retains its clarity, even when driven hard.
the guitar’s back and side panels are constructed from Rosewood for an incredibly smooth, warm tone with complex harmonic overtones. The Rosewood offers a very versatile tone whilst keeping it balanced, providing a strong clear presence. The back and sides also provide dark and complex characteristics, enhancing the guitars top and bottom ends.
Yamaha has treated the guitars top with their own original wood reforming technology. Known as acoustic resonance enhancement, and developed by Yamaha, this treatment ages the wood through cooking it and provides the wood with a rich, vintage tone.
The guitar’s neck is made from a 5-ply Mahogany/Rosewood combination and delivers a warm, mellow tone with complex highs, creamily thick lows, and good presence in the mids. The guitar’s Ebony fingerboard also offers a bright, warm tone with a responsive snappy and crisp attack coupled with a smooth sustain.
Yamaha’s System 70 Transacoustic preamp not only provides the ability to plug the guitar into an amplifier, but can also amplify the guitar itself. With an actuator installed on the inside of the back panel, the Piezo pickup transmits the vibrations from the strings to the actuator and then to the body of the guitar and the surrounding air. This generates an authentic reverb and chorus sound inside the guitar, amplifying it’s sound.
The preamp comes with three controls that are designed into the body to minimise the amount of holes in the guitars body, reducing the loss of the acoustic sound. A chorus knob and reverb knob provides adjustments to the amount of chorus or reverb the actuator produces, with the reverb knob offering a choice between room and hall. The third switch turns the actuator on or off, and if the guitar is plugged into an amp, then it controls the line out’s volume.
Yamaha LL-TA TransAcoustic guitars transport you to new, creative spaces with immersive reverb and lush chorus effects without needing an amp or other external gear. Great for recreational guitarists, the LL-TA has an A.R.E.-treated, solid Engelmann spruce top with rosewood back and sides. Modified, non-scalloped bracing retains the L Series’ characteristic bright tone while enhancing the low end.
$ 1,249.99 $ 1,520.00
The Yamaha LL-TA features a completely revolutionary new acoustic guitar concept. With an all solid construction and unique pre amp, the Yamaha recreates the incredible sound found from playing in a great sounding room. The guitar has a modified non-scalloped bracing that enhances the guitars low end whilst retaining its bright tone. Yamaha has also given the guitar a new battery box, integrating it into the end-pin jack to reduce the amount of holes in the guitar, preventing any acoustic sound loss.
The Yamaha guitar features a solid Engelmann Spruce top that delivers loud tones with a broad dynamical range. The top wood is light, strong and produces crisp, colourful tones that are powerful, direct, and have an immediate articulation. The Spruce also retains its clarity, even when driven hard.
the guitar’s back and side panels are constructed from Rosewood for an incredibly smooth, warm tone with complex harmonic overtones. The Rosewood offers a very versatile tone whilst keeping it balanced, providing a strong clear presence. The back and sides also provide dark and complex characteristics, enhancing the guitars top and bottom ends.
Yamaha has treated the guitars top with their own original wood reforming technology. Known as acoustic resonance enhancement, and developed by Yamaha, this treatment ages the wood through cooking it and provides the wood with a rich, vintage tone.
The guitar’s neck is made from a 5-ply Mahogany/Rosewood combination and delivers a warm, mellow tone with complex highs, creamily thick lows, and good presence in the mids. The guitar’s Ebony fingerboard also offers a bright, warm tone with a responsive snappy and crisp attack coupled with a smooth sustain.
Yamaha’s System 70 Transacoustic preamp not only provides the ability to plug the guitar into an amplifier, but can also amplify the guitar itself. With an actuator installed on the inside of the back panel, the Piezo pickup transmits the vibrations from the strings to the actuator and then to the body of the guitar and the surrounding air. This generates an authentic reverb and chorus sound inside the guitar, amplifying it’s sound.
The preamp comes with three controls that are designed into the body to minimise the amount of holes in the guitars body, reducing the loss of the acoustic sound. A chorus knob and reverb knob provides adjustments to the amount of chorus or reverb the actuator produces, with the reverb knob offering a choice between room and hall. The third switch turns the actuator on or off, and if the guitar is plugged into an amp, then it controls the line out’s volume.
Yamaha LL-TA TransAcoustic guitars transport you to new, creative spaces with immersive reverb and lush chorus effects without needing an amp or other external gear. Great for recreational guitarists, the LL-TA has an A.R.E.-treated, solid Engelmann spruce top with rosewood back and sides. Modified, non-scalloped bracing retains the L Series’ characteristic bright tone while enhancing the low end.
Sold Out $ 1,520.00
The Yamaha LL-TA features a completely revolutionary new acoustic guitar concept. With an all solid construction and unique pre amp, the Yamaha recreates the incredible sound found from playing in a great sounding room. The guitar has a modified non-scalloped bracing that enhances the guitars low end whilst retaining its bright tone. Yamaha has also given the guitar a new battery box, integrating it into the end-pin jack to reduce the amount of holes in the guitar, preventing any acoustic sound loss.
The Yamaha guitar features a solid Engelmann Spruce top that delivers loud tones with a broad dynamical range. The top wood is light, strong and produces crisp, colourful tones that are powerful, direct, and have an immediate articulation. The Spruce also retains its clarity, even when driven hard.
the guitar’s back and side panels are constructed from Rosewood for an incredibly smooth, warm tone with complex harmonic overtones. The Rosewood offers a very versatile tone whilst keeping it balanced, providing a strong clear presence. The back and sides also provide dark and complex characteristics, enhancing the guitars top and bottom ends.
Yamaha has treated the guitars top with their own original wood reforming technology. Known as acoustic resonance enhancement, and developed by Yamaha, this treatment ages the wood through cooking it and provides the wood with a rich, vintage tone.
The guitar’s neck is made from a 5-ply Mahogany/Rosewood combination and delivers a warm, mellow tone with complex highs, creamily thick lows, and good presence in the mids. The guitar’s Ebony fingerboard also offers a bright, warm tone with a responsive snappy and crisp attack coupled with a smooth sustain.
Yamaha’s System 70 Transacoustic preamp not only provides the ability to plug the guitar into an amplifier, but can also amplify the guitar itself. With an actuator installed on the inside of the back panel, the Piezo pickup transmits the vibrations from the strings to the actuator and then to the body of the guitar and the surrounding air. This generates an authentic reverb and chorus sound inside the guitar, amplifying it’s sound.
The preamp comes with three controls that are designed into the body to minimise the amount of holes in the guitars body, reducing the loss of the acoustic sound. A chorus knob and reverb knob provides adjustments to the amount of chorus or reverb the actuator produces, with the reverb knob offering a choice between room and hall. The third switch turns the actuator on or off, and if the guitar is plugged into an amp, then it controls the line out’s volume.
Yamaha LL-TA TransAcoustic guitars transport you to new, creative spaces with immersive reverb and lush chorus effects without needing an amp or other external gear. Great for recreational guitarists, the LL-TA has an A.R.E.-treated, solid Engelmann spruce top with rosewood back and sides. Modified, non-scalloped bracing retains the L Series’ characteristic bright tone while enhancing the low end.
$ 1,199.99 $ 1,439.00
Whether it's a full-size LL original jumbo or small LS body, the choice is yours! Each of these body styles is represented, letting you choose the instrument that meets your requirements for sound, style and affordability.
$ 1,249.99 $ 1,496.00
Part of Yamaha's L Series, the LL16DR features intricate abalone inlay work around the body, head and soundhole. Being reminiscent of L36 series, LL16D offers both luxurious look and excellent tone. A newly designed bracing pattern and A.R.E. treatment create rich warmth and open resonance while maintaining excellent tone balance. In addition, a new comfortable neck profile and Yamaha's Zero impact pickup ensure you a stress-free performance on stage.
A.R.E. (Acoustic Resonance Enhancement)
A.R.E. is an original wood reforming technology developed by Yamaha. Through precise control of temperature, humidity, and atmospheric pressure, the molecular properties of the wood can be manipulated into a more acoustically ideal condition, similar to the molecular characteristics of woods in instruments that have been played for years.
New Designed Bracing Pattern
A modified non-scalloped bracing design retains the L series' characteristic bright tone while enhancing low-end tone.
High Comfortable Traditional Neck Profile
A reevaluation of string spacing, string height, fingerboard binding, and neck taper led to a new neck shape that better fits today's traditional players. The new design offers stable grip and smooth playability over the full length of the neck.
5-Ply Necks
The 5-ply neck of mahogany and rosewood designed with a volute at the headstock plus a double action adjustable rod creates a neck with excellent strength and stability.
SRT Zero Impact Pickups
The SRT Zero Impact Pickup system is a newly developed passive type pickup configuration designed to minimize the pickup's impact on the tone and traditional appearance of the instrument. The system utilizes individual piezoelectric elements for each string to faithfully reproduce the dynamic sound of the L Series and give the instrument outstanding presence when playing in a band.
SPECS
$ 1,249.99 $ 1,496.00
$ 949.99 $ 1,150.50
The LS16M ARE is an all-solid, wood guitar with hand-selected, premium-grade materials. This solid, mahogany back and sides variation is the perfect choice for players looking for more power and warmth.
| Concert |
| 650 mm (25 9/16") |
| 497 mm (19 9/16") |
| 1030 mm (40 9/16") |
| 380 mm (14 15/16") |
| 100-120 mm (3 15/16" - 4 3/4") |
| 44 mm (1 3/4") |
| 11 mm |
| Solid Engelmann Spruce with A.R.E. |
| Solid Mahogany |
| Solid Mahogany |
| Mahogany + Rosewood (5-Ply) |
| Ebony |
| R400 mm (15 3/4") |
| Ebony |
| Urea |
| Urea |
| Black ABS with White Dot |
| Die-Cast Gold (TM29G) |
| Maple + Black |
| Abalone + Black + White |
| Tortoise Pattern |
| Gloss |
| Matte |
| Passive System + SRT Piezo Pickup |
| None |
| LINE OUT |
| Elixir NANOWEB 80/20 Bronze Light |
| Hex Wrench |
| Hard Bag |
$ 669.99 $ 834.00
The LS6 ARE features a solid Engelmann spruce top treated with A.R.E. and a Zero Impact pickup, which makes it performance-ready at all times without sacrificing its traditional look or full, acoustic resonance.
| Concert |
| 650 mm (25 9/16") |
| 497 mm (19 9/16") |
| 1030 mm (40 9/16") |
| 380 mm (14 15/16") |
| 100-120 mm (3 15/16" - 4 3/4") |
| 44 mm (1 3/4") |
| 11 mm |
| Solid Engelmann Spruce with A.R.E. |
| Rosewood |
| Rosewood |
| Mahogany + Rosewood (5-Ply) |
| Rosewood |
| R400 mm (15 3/4") |
| Rosewood |
| Urea |
| Urea |
| Black ABS with White Dot |
| Die-Cast Gold (TM29G) |
| Cream + Black |
| Abalone + Black + White |
| Tortoise Pattern |
| Gloss |
| Matte |
| Passive System + SRT Piezo Pickup |
| None |
| LINE OUT |
| Elixir NANOWEB 80/20 Bronze Light |
| Hex Wrench |
$ 294.99 $ 399.00
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The MG10XU is the ten-channel version of the series, with four mono XLR and 1/4" hybrid inputs along with three stereo line inputs.
The MG10XU boasts an intuitive interface with capacities suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability that has made it a leader in its class.
MG10XU 10-Channel Mixer with Effects

$ 429.99 $ 507.00
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The MG12XU is the 12-channel version of the series, with six mono XLR and 1/4 in. hybrid inputs along with three stereo line inputs.
The MG12XU boasts an intuitive interface with capacities suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability that has made it a leader in its class.
12-Channel Mixing Console: Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo) / 2 GROUP Buses + 1 Stereo Bus / 2 AUX (incl. FX)
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$ 659.99 $ 685.99
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The MG16XU is the 16-channel version of the series, with eight mono XLR and 1/4" hybrid inputs along with two mono/stereo [MIC/LINE] inputs and two stereo line inputs.
The MG16XU boasts an intuitive interface with capacities suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability that has made it a leader in its class.
FEATURES
SPECIFICATIONS

$ 799.99 $ 1,150.50
Building on the legacy of Yamaha's MG Series—already established as a global standard in mixing consoles—MGX digital mixing consoles deliver a perfect blend of flexibility, performance, and premium sound quality, excelling in a versatile range of live and installed sound, podcast/live streaming, music production, and recording applications.
The powerful and extremely versatile features of the MGX12 are designed to be operated quickly and intuitively through its touch-panel GUI and various physical controllers. In addition, a comprehensive selection of I/O options allows you to freely configure the system to suit any application. From live sound and installed sound systems—whether in halls, cafés, clubs, or houses of worship—to podcast streaming and professional recording, the MGX12 adapts seamlessly to a wide range of environments. And in every case, operators, artists, and audiences alike will be captivated by the quality of its sound and performance.
GENERAL FEATURES
11 + 1 fader configuration (non-motorized faders).
4.3-inch touchscreen with five control knobs.
Built-in DSP processor with professional signal processing and latency-free monitoring.
Assistive features: Auto Gain, Clip Safe, Simple/Standard modes, Scene Recall.
microSD card recording/playback support.
MIXING CAPACITY
Input channels: 4 mono + 4 stereo + 1 Sound Pad + 2 FX return channels.
Mix Buses: 8 (mono).
Stereo Bus: 1.
FX Buses: 2.
Cue Bus: 1.
INPUT / OUTPUT CONNECTIVITY
Analog Inputs
4 × Combo XLR / 1/4" TRS (Mic/Line) inputs.
4 × 1/4" TRS line inputs.
4 × RCA line inputs.
Analog Outputs
2 × XLR main outputs.
6 × TRS line outputs.
Headphone Outputs
4 × TRS headphone outputs (100 mW + 100 mW @ 40 Ω).
Digital / Other
USB TO HOST: 2 × USB-C ports (MAIN: 32-bit, SUB: 16-bit).
microSD card slot (16-track recording and 2-track playback).
Bluetooth audio input: Bluetooth 5.0 (A2DP).
DC power input (barrel type).
RECORDING / PLAYBACK
USB MAIN: 18 inputs / 18 outputs at 32-bit / 96 kHz.
USB SUB: 2 inputs / 2 outputs at 16-bit / 48 kHz.
microSD card: up to 16-track recording and 2-track playback (24-bit / up to 96 kHz).
USER INTERFACE / CONTROLS
Touchscreen: 4.3" main display.
Number of faders: 12 (non-motorized).
SEND knobs: 12.
Rotary encoders: 5.
SIGNAL PROCESSING & PERFORMANCE
Frequency response: +0.0 / -0.5 dB from 20 Hz to 20 kHz (reference at 1 kHz).
Dynamic range: 125 dB (typ., DAC to stereo out), 115 dB (typ., INPUT to MAIN out).
Total harmonic distortion: <0.002 % (20 Hz–20 kHz @ +4 dBu, MIC input to stereo out).
Signal delay: <0.4 ms (INPUT to stereo out @ 96 kHz).
Gain range: 86 dB.
Crosstalk: -120 dB (adjacent channels).
Residual output noise: -108 dBu (ST main off).
Equivalent input noise: -128 dBu (input gain max).
POWER & PHYSICAL
Power requirements: DC16 V / 2.4 A with PA-300C AC power adapter (100 V–240 V, 50/60 Hz).
Power consumption: 38.4 W.
Dimensions (W × H × D): 335 mm × 96 mm × 319 mm (13.2" × 3.8" × 12.6").
Net weight: 3.9 kg (8.6 lb).
Operating temperature: 0 – 40 °C.
Storage temperature: -20 – 60 °C.
INCLUDED ACCESSORIES
Start Guide.
Safety Guide.
Steinberg Software License cards ×2 (Cubase AI + WaveLab Cast, Steinberg Plus).
Basic FX Suite license card.
AC Power Adapter (PA-300C) with power cord
$ 1,399.99 $ 2,014.50
Building on the legacy of Yamaha's MG Series—already established as a global standard in mixing consoles—MGX digital mixing consoles deliver a perfect blend of flexibility, performance, and premium sound quality, excelling in a versatile range of live and installed sound, podcast/live streaming, music production, and recording applications.
In addition to the essential features and versatility you expect from a professional mixer, the MGX16V also integrates an HDMI-USB audio/video interface with capture and pass-through functionality. This enables users not only to mix and output audio in a variety of ways, but also to simultaneously capture video to a PC and record or stream it together with the audio.
For musicians, sound engineers, producers, as well as artists, streamers and content creators, the ability to seamlessly integrate high-definition video into their workflow opens up new creative possibilities in a wider range of environments. In any application that involves content with both audio and video, the MGX16V will elevate your production quality and captivate your audience.
$ 1,799.99 $ 2,488.00
Built for working musicians, the MODX M Series combines expressive control, streamlined workflow, and exceptional sound in a lightweight design perfect for stage or studio.
| Width | 882 mm (34-3/4") |
| Height | 117 mm (4-5/8") |
| Depth | 347 mm (13-11/16") |
| Weight | 6.6 kg (14 lb, 9 oz) |
| Number of Keys | 61 |
| Type | Semi-weighted FSB Keyboard |
| Initial Touch | Yes |
| Aftertouch | No |
| Motion Control Synthesis Engine AMW2: 128 Elements (max.), FM-X: 8 Operators, 88 Algorithms, AN-X: 3 Oscillators, 1 Noise |
| AWM2: 128 (max.; stereo/mono waveforms), FM-X: 128 (max.), AN-X: 12 (max.) |
| 16 Parts (internal), Audio Input Parts (A/D*1, USB*1) *1 stereo Part |
| Preset: 10.7 GB (when converted to 16-bit linear format), User: 1.9 GB |
| 3,427 |
| 18 types |
| Reverb x 13 types, Variation x 88 types, Insertion A x 88 types*2, Insertion B x 89 types*3, Master Effect x 26 type, *2 A/D part insertion x 83 types *3 Part 2~16: 88 type, A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) |
| 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) |
| 480 ppq (parts per quarter note) |
| 5 – 300 |
| MONTAGE M/MODX M original format, SMF formats 0, 1 |
| Parts: 8 Parts simultaneous (max.), Preset: 10,922 types or more, User: 256 types |
| 128 patterns |
| 16 Sequence tracks |
| Real time replace, Real time overdub |
| 128 songs |
| 16 Sequence tracks, Tempo track, Scene track |
| Real time replace, Real time overdub, Real time punch in/out |
| [Sampling Frequency = 44.1 kHz] Input: 4 channels (2 stereo channels), Output: 10 channels (5 stereo channels) [Sampling Frequency = 44.1kHz / 48kHz / 96kHz] Input: 2 channels (1 stereo channel), Output: 2 channels (1 stereo channel) |
| Master Volume, A/D Input Gain knob, Pitch Bend wheel, Modulation wheel, Control Slider x 8, Knob x 4, Super knob, Display knob x 6, Portamento knob, Data Dial, Assignable swich x 2, MSEQ trigger switch, Portamento switch, Keyboard hold switch |
| 7" TFT Color Wide VGA LCD touchscreen |
| USB [TO DEVICE], USB [TO HOST], MIDI [IN]/[OUT], FOOT CONTROLLER [1]/[2], FOOT SWITCH [SUSTAIN]/[ASSIGNABLE], OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) |
| 19 W (When using PA-300C AC adaptor) |
| AC adaptor: PA-300C, Quick guide, Cubase AI Download Information, Expanded Softsynth Plugin for MONTAGE M/MODX M Download Information, About downloading manuals, Welcome card |
| Preset: 256, User: 2,048 |
$ 1,999.99 $ 2,716.00
Built for working musicians, the MODX M Series combines expressive control, streamlined workflow, and exceptional sound in a lightweight design perfect for stage or studio.
| Width | 1,089 mm (42-7/8") |
| Height | 117 mm (4-5/8") |
| Depth | 347 mm (13-11/16") |
| Weight | 7.6 kg (16 lb, 12 oz) |
| Number of Keys | 76 |
| Type | Semi-weighted FSB Keyboard |
| Initial Touch | Yes |
| Aftertouch | No |
| Motion Control Synthesis Engine AMW2: 128 Elements (max.), FM-X: 8 Operators, 88 Algorithms, AN-X: 3 Oscillators, 1 Noise |
| AWM2: 128 (max.; stereo/mono waveforms), FM-X: 128 (max.), AN-X: 12 (max.) |
| 16 Parts (internal), Audio Input Parts (A/D*1, USB*1) *1 stereo Part |
| Preset: 10.7 GB (when converted to 16-bit linear format), User: 1.9 GB |
| 3,427 |
| 18 types |
| Reverb x 13 types, Variation x 88 types, Insertion A x 88 types*2, Insertion B x 89 types*3, Master Effect x 26 type, *2 A/D part insertion x 83 types *3 Part 2~16: 88 type, A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) |
| 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) |
| 480 ppq (parts per quarter note) |
| 5 – 300 |
| MONTAGE M/MODX M original format, SMF formats 0, 1 |
| Parts: 8 Parts simultaneous (max.), Preset: 10,922 types or more, User: 256 types |
| 128 patterns |
| 16 Sequence tracks |
| Real time replace, Real time overdub |
| 128 songs |
| 16 Sequence tracks, Tempo track, Scene track |
| Real time replace, Real time overdub, Real time punch in/out |
| [Sampling Frequency = 44.1 kHz] Input: 4 channels (2 stereo channels), Output: 10 channels (5 stereo channels) [Sampling Frequency = 44.1kHz / 48kHz / 96kHz] Input: 2 channels (1 stereo channel), Output: 2 channels (1 stereo channel) |
| Master Volume, A/D Input Gain knob, Pitch Bend wheel, Modulation wheel, Control Slider x 8, Knob x 4, Super knob, Display knob x 6, Portamento knob, Data Dial, Assignable swich x 2, MSEQ trigger switch, Portamento switch, Keyboard hold switch |
| 7" TFT Color Wide VGA LCD touchscreen |
| USB [TO DEVICE], USB [TO HOST], MIDI [IN]/[OUT], FOOT CONTROLLER [1]/[2], FOOT SWITCH [SUSTAIN]/[ASSIGNABLE], OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) |
| 19 W (When using PA-300C AC adaptor) |
| AC adaptor: PA-300C, Quick guide, Cubase AI Download Information, Expanded Softsynth Plugin for MONTAGE M/MODX M Download Information, About downloading manuals, Welcome card |
| Preset: 256, User: 2,048 |
$ 2,499.99 $ 3,410.00
Built for working musicians, the MODX M Series combines expressive control, streamlined workflow, and exceptional sound in a lightweight design perfect for stage or studio.
| Width | 1,310 mm (51-9/16") |
| Height | 152 mm (5-15/16") |
| Depth | 391 mm (15-3/8") |
| Weight | 13.6 kg (29 lb, 15 oz) |
| Number of Keys | 88 |
| Type | GHS Keyboard |
| Initial Touch | Yes |
| Aftertouch | No |
| Motion Control Synthesis Engine AMW2: 128 Elements (max.), FM-X: 8 Operators, 88 Algorithms, AN-X: 3 Oscillators, 1 Noise |
| AWM2: 128 (max.; stereo/mono waveforms), FM-X: 128 (max.), AN-X: 12 (max.) |
| 16 Parts (internal), Audio Input Parts (A/D*1, USB*1) *1 stereo Part |
| Preset: 10.7 GB (when converted to 16-bit linear format), User: 1.9 GB |
| 3,427 |
| 18 types |
| Reverb x 13 types, Variation x 88 types, Insertion A x 88 types*2, Insertion B x 89 types*3, Master Effect x 26 type, *2 A/D part insertion x 83 types *3 Part 2~16: 88 type, A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) |
| 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) |
| 480 ppq (parts per quarter note) |
| 5 – 300 |
| MONTAGE M/MODX M original format, SMF formats 0, 1 |
| Parts: 8 Parts simultaneous (max.), Preset: 10,922 types or more, User: 256 types |
| 128 patterns |
| 16 Sequence tracks |
| Real time replace, Real time overdub |
| 128 songs |
| 16 Sequence tracks, Tempo track, Scene track |
| Real time replace, Real time overdub, Real time punch in/out |
| [Sampling Frequency = 44.1 kHz] Input: 4 channels (2 stereo channels), Output: 10 channels (5 stereo channels) [Sampling Frequency = 44.1kHz / 48kHz / 96kHz] Input: 2 channels (1 stereo channel), Output: 2 channels (1 stereo channel) |
| Master Volume, A/D Input Gain knob, Pitch Bend wheel, Modulation wheel, Control Slider x 8, Knob x 4, Super knob, Display knob x 6, Portamento knob, Data Dial, Assignable swich x 2, MSEQ trigger switch, Portamento switch, Keyboard hold switch |
| 7" TFT Color Wide VGA LCD touchscreen |
| USB [TO DEVICE], USB [TO HOST], MIDI [IN]/[OUT], FOOT CONTROLLER [1]/[2], FOOT SWITCH [SUSTAIN]/[ASSIGNABLE], OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) |
| 19 W (When using PA-300C AC adaptor) |
| AC adaptor: PA-300C, Quick guide, Cubase AI Download Information, Expanded Softsynth Plugin for MONTAGE M/MODX M Download Information, About downloading manuals, Welcome card |
| Preset: 256, User: 2,048 |
$ 1,499.99 $ 1,699.00
MODX6+ is a compact, lightweight, 61-key synthesizer designed for keyboardists to create deep sounds that stand out on every stage, studio or stream.