$ 179.99 $ 259.18
POD® Express Bass is an ultra-portable bass amp and effects processor that enables bassists to take their tones wherever they choose. Simple controls make it easy to use, while models derived from the HX® family of processors ensure exceptional sound quality and authentic feel. POD Express Bass gives bassists seven amps, seven cabs, and 17 distortion, compression, synth, modulation, and delay effects—including a looper—and it may be powered by three AA batteries (included) or an optional 9-volt power supply.
$ 299.99
Martin 12C0072 Hardshell Case for Dreadnought
$ 299.99
$ 379.99
Plush, rugged impact resistant exterior with embossed C.F. Martin logo. Nickel-plated hardware and key lock. Interior is form fitted with padded plush lining. Black/Green.
**Items pictured for illustrative purposes only
B Quality Cases are sold as is and are 80 to 89 percent of the original condition. These cases show moderate wear with dings, blemishes and other issues but will not affect the functionality of the case. Moderate wear could include but is not limited to the below.
$ 1,299.00 $ 1,850.00
The 2x10 is the compact solution for players who prefer the midrange articulation and focus of 10s, but need a smaller option than the classic 4x10. Combining two allows a more portable solution than one heavier quad-box and the ability to take one for rehearsal or small venues and two for gigs with louder bands or in bigger venues. Using the 2x10 in combination with a 1x12 or 1x15 imparts color, articulation and iconic midrange punch along with more volume. Built with all the same woods, aircraft-style bracing and Tri-Port™ porting, the 2x10 Ultra-Lite brings another key voice to the modular approach in compact, lightweight Bass Cabinetry.

$ 2,039.00 $ 2,848.00
Our take on Classic with all the weight removed. The 4x10 Subway Ultra-Lite proves again that you don’t need massive weight to have massive Tone. All the usual suspects reside within this Cab’s frequency response, focus, articulate mids, precise bottom end, yet there is a detail and clarity we’ve not experienced before. And certainly never in something this huge sounding and portable. This is the perfect stand-alone cab for players leaning in the modern or R&B direction, but it can also do double duty with prowess in Rock and Blues realms as well. Harnessing the power and throw of two of these mighty cabinets combined enable you to handle any gig or venue with horsepower to spare. And should you be the rare 10” aficionado that is open to blending speakers, the attributes of this 4x10 are many and pleasing and they stand firm in a mix. Regardless of musical style or preferences, the Subway Ultra-Lite 4x10 encompasses the next generation of Classic.

$ 14.99
No more squinting in the dark.
The 2-LED USB Light is a portable computer light that plugs into a standard USB port. This model is the brightest in the Mighty Bright USB line and it's serious about helping you focus. Two LEDs shine a mini spotlight across your keyboard, paperwork, and that cup of coffee you'll need if you're working late again. The neck is totally flexible and folds up into any compact shape for your computer bag or hand bag. LEDs are rugged and energy efficient, making the light a sound investment - more necessity than accessory. You'll be using your laptop the way you always imagined- that is, whenever you want.
$ 59.99
Mighty Bright’s LED Orchestra Light is the brightest in the business. The sleek, black music stand light blends in, is tasteful and understated, and comes with a convenient travel case and AC adapter. Use the light with the AC adapter to enable centralized switching capabilities - perfect for large concerts. The long head features a row of nine brilliant LEDs and a sliding power button that offers two light level options. Set at the higher level to brighten up to four pages of sheet music. A discrete back fin directs light away from the audience and back to the sheet music. This stylish light is seriously sturdy, from clip to bulbs. The extra broad clip is a Mighty Bright exclusive design, with a powerful grip set on a broad base. The gooseneck is robust but allows users to make precise adjustments easily, even during a performance. Its energy-efficient LEDs are not only sturdy enough to withstand the rigors of tear down and travel, but they also heighten the contrast of the notes and words on sheet music. Lighting system? Check. Let the magic begin.
FEATURES
• Nine energy-efficient LEDs cast bright white light
• Durable LEDs last 100,000 hours - no replacement necessary
• Sliding switch controls two brightness settings
• Precisely engineered optical grade lens spreads light evenly
• Broad, padded clip
• Base can be used freestanding
• Flexible gooseneck holds the light firmly in place
• Light easily folds for convenient storage
• Powered by 3 AA batteries (included) or AC adapter with 13 foot/4 meter power cord (included; US, UK, European plug models available)
• Durable travel bag included
• 1.5" x 16.5" x 8" (Length x Height x Width)
• Product Weight: 10.2 oz
$ 59.00 $ 79.00
Easily tighten or loosen wing nuts with Wing Thing.
Sold Out $ 168.00
About Classic JR
Pedaltrain’s Classic Series is rooted in the company’s best-selling pedal board models. Based on the original PT-JR, the Classic JR features Pedaltrain’s original four-rail design and traditional rail spacing. The Classic JR features an open front design, (portholes are history) making power supply mounting more flexible and convenient. The Classic JR was designed to provide a wider stance at 18 inches and a raised elevation by approximately 1 inch. Classic JR is available for purchase with either Pedaltrain’s fitted soft case (featuring a heavy-duty metal zipper and reinforced stress points) or professional-grade tour case.
Included
Specifications
Classic JR Pedal Board
Soft Case
Model: PT-CLJ-SC
Pedaltrain pedal boards are rock solid, virtually indestructible, and built to last a lifetime. Our pedal boards are ultra light with an unmatched strength-to-weight ratio. Each Pedaltrain is hand cut, hand welded, and hand finished. No shortcuts taken, ever. No moving parts, screws or anything that can fail. We back up our pedal board claims with a lifetime warranty against defects in materials and workmanship.
$ 179.99 $ 216.00
PEDALTRAIN XD-18
The XD series is a new form factor from Pedaltrain. Six rails. Novo spacing. Extra deep mounting surface. Stack pedals three deep? Can do. Add a switching system? No problem. Expression pedals? Of course! Fully compatible with accessories like VDL-MK, Boosters, TFMK-SM and all of the after market add-ons that are out there.
Included
Specifications
XD-18 Pedal Board
Soft Case
Model: PT-XD18-SC
Pedaltrain pedal boards are rock solid, virtually indestructible, and built to last a lifetime. Our pedal boards are ultra light with an unmatched strength-to-weight ratio. Each Pedaltrain is hand cut, hand welded, and hand finished. No shortcuts taken, ever. No moving parts, screws or anything that can fail. We back up our pedal board claims with a lifetime warranty against defects in materials and workmanship.
$ 99.00 $ 118.00
The Pigtronix 2NR is a no-nonsense, high-precision chromatic tuner pedal for guitar and bass. It features a large, high-contrast LED screen and ultra-fast pitch detection software that makes tuning quick and easy for musicians of every skill level.
2NR intentionally contains no extraneous features. There are no alternate modes or opportunities for accidental frustration. The pedal exists solely to help musicians tune their instrument to 440 Hz standard concert pitch as quickly and accurately as possible.
When 2NR is activated, the output is muted. When the pedal is not in use, relay-based, true bypass switching ensures that 100% of your tone passes through the pedal without any loss of fidelity. Housed in a robust aluminum chassis, 2NR is built for a lifetime of onstage performance. Pigtronix 2NR runs on standard 9VDC power.
MODEL CHROMATIC TUNER |
||
MODEL NAME |
Chromatic Tuner | |
SKU |
2NR | |
FUNCTION |
Tuner | |
CATEGORY 1 |
Utility | |
CATEGORY 2 |
- | |
EXPRESSION |
- | |
BYPASS |
True Bypass | |
ELECTRONICS |
||
VOLTAGE |
9VDC | |
CURRENT DRAW |
100mA | |
INPUT IMPEDANCE |
100k | |
OUTPUT IMPEDANCE |
n/a | |
BODY |
||
LENGTH (IN) |
4.5 | |
WIDTH (IN) |
2.5 | |
HEIGHT (IN) |
2 | |
WEIGHT (LBS) |
1 | |
$ 219.00 $ 262.80
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.
MODEL COSMOSIS |
||
MODEL NAME |
Cosmosis | |
SKU |
COS | |
FUNCTION |
Stereo Ambient Reverb with Morphing | |
CATEGORY 1 |
Reverb | |
CATEGORY 2 |
- | |
EXPRESSION |
TRS Remote | |
BYPASS |
Buffered | |
ELECTRONICS |
||
VOLTAGE |
9VDC | |
CURRENT DRAW |
100mA | |
INPUT IMPEDANCE |
High | |
OUTPUT IMPEDANCE |
1k | |
BODY |
||
LENGTH (IN) |
3.25 | |
WIDTH (IN) |
4.5 | |
HEIGHT (IN) |
2.2 | |
WEIGHT (LBS) |
1 | |
$ 419.00 $ 502.80
Infinity 3 is the world’s most musical looping pedal. Simple to operate, yet tremendously powerful and flexible, the Infinity 3 guarantees latency-free looping. Our state-of-the-art platform provides instantaneous record, playback, dub, undo and redo, on two stereo loop pairs that can be played in series or parallel as well as synchronized and cue'd for automatic playback. On top of superior speed and a unique, performance-friendly feature set, Infinity 3 sounds downright incredible thanks to its discrete analog limiter stages, transparent analog pass-through and 24 bit HD recording engine with variable sample rate that can be incremented in semi-tones over two octaves. With approximately 3 hours of recording time on up to 50 loop pairs, the Infinity 3 was designed to inspire compositional depth and engaging performances. Comprehensive MIDI control and intelligent MIDI clock jitter correction provide the ability to link the Infinity 3 to a DAW, Drum Machine or other effects pedals. Infinity 3 is the ultimate tool for writing, rehearsing and performing every style of music.
MODEL |
||
MODEL NAME |
Infinity Looper 3 | |
SKU |
SPL3 | |
FUNCTION |
Deluxe Stereo Double Looper w/ MIDI | |
CATEGORY 1 |
Looping | |
CATEGORY 2 |
- | |
EXPRESSION |
TRS 10K or 0-5V CV, TRS Remote, MIDI | |
BYPASS |
Buffered | |
ELECTRONICS |
||
VOLTAGE |
18VDC | |
CURRENT DRAW |
200mA | |
INPUT IMPEDANCE |
1M | |
OUTPUT IMPEDANCE |
150ohms | |
BODY |
||
LENGTH (IN) |
5 | |
WIDTH (IN) |
7.4 | |
HEIGHT (IN) |
2.4 | |
WEIGHT (LBS) |
1.2 | |
$ 199.00
PRS Guitars floating guitar stand is the perfect way to display your favorite guitar. Its sleek, minimalist design lets the stand disappear allowing your favorite guitar to take center stage!
Our Engineers have carefully helped in the design of this stand to make sure it is stable and safe for your favorite instrument.
Design features:
• Heavy Duty Construction
• Fits most acoustic and electric guitars
• Heavy weighted base ensures the stand will not tip over
• Three-pointed base engineered for maximum stability
• Nitro-friendly foam head stock cradle
$ 249.00
The PRS Horsemeat transparent overdrive pedal is designed to enhance your sound without coloring your tone. Horsemeat adds harmonic midrange richness and overdrives without cutting out your high notes – all while giving you more available headroom. It features a robust EQ section so you can dial in your tone and has a wide range of gain on tap. Depending on the setting, Horsemeat can be used as a clean boost, straight overdrive, or even enhance your amplifier’s distortion by slightly pushing the front end of the amplifier’s preamp section.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
$ 199.99

$ 219.00
The PRS Mary Cries optical compressor pedal is intuitive and sounds incredible. Based on the storied LA-2A, Mary Cries will thicken your tone, help control signal peaks, lengthen sustain, and push your tone without losing definition or clarity. Depending on your settings, it can be used as a boost as well as a straightforward compressor.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
$ 249.00
PRS ATA Hardshell Multi-fit Molded Cases provide your PRS guitar with the protection it deserves. These cases are formed from durable polyethylene and are built to military and ATA spec to give you peace of mind, whether you fly with your guitar or travel to local gigs, studios, and practice spots. All hardware is powder coated for longevity, and the ergonomic handle makes this guitar case easy to carry through the airport or to the stage. The proprietary zip-tie channel latch system provides a secure, TSA-friendly solution without the hassle of having to deal with unreliable locking systems of yesteryear.
The case’s interior features a custom-fit nest and neck cradle, designed with PRS Guitars’ engineering team to support PRS guitars. Additional interior appointments include black plush lining and two large, hinged accessory compartments to safely store your accessories.
Well-appointed and providing your PRS guitar with unmatched protection, PRS ATA Multi-Fit Molded Guitar Cases are the best choice for your prized PRS.
PRS ATA Hardshell Multi-Fit Molded Cases, D1 (Design 1) was designed to fit PRS classic-perimeter body shapes and many Singlecut designs, regardless of Series (Core, Bolt-On, S2, SE), including the following models:
PRS ATA Hardshell Multi-Fit Molded Cases, D2 (Design 2) was designed to fit PRS slab-body guitars, including the following models:

$ 134.99 $ 188.98
The BigShot ABY makes it easy to run two amps on stage, without introducing noise or altering your tone. The pedal has two latching footswitches that allow you to choose which amp is active, or run through both simultaneously. The second amp output features a ground lift and an isolation transformer that can be engaged to eliminate buzz and hum from ground loops, while a 180° polarity reverse switch ensures both amps play back in phase to avoid frequency cancellation. When powered by an external 9V supply or pedalboard power brick, LEDs provide instant on-stage visual feedback - when power is unavailable, the passive audio circuit still works unaffected. Best of all, the BigShot ABY is true-bypass device, without any tone-altering buffers between the guitar and the amplifier to ensure you retain the pure tone of your instrument.
$ 134.99 $ 188.98
The BigShot i/o is an easy-to-use instrument selector that lets you quickly transition between any two instruments, while balancing the levels between them and feeding the output to your amplifier.
The BigShot i/o allows you to switch between instruments on stage without pops through your amp or the need to adjust levels, while featuring 100% true-bypass for the most demanding purist. Input-2 is equipped with a volume control that lets you reduce the input sensitivity of the louder instrument so that the levels are matched when played through your amplifier. When passive instruments are used, a unique three-position Bright switch lets you compensate for instruments that lack shine in the high frequencies. The BigShot i/o is also equipped with a separate tuner output; with a simple foot stomp, the sound going to the amp is muted and diverted to the tuner for quiet on-stage adjustments.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, true bypass | |
| Frequency response: | 20Hz – 20kHz | |
| Gain: | -0.3dB | |
| Features | ||
| Dim Switch, Bright Switch | ||
| Input Connectors: | ¼" jack for first instrument connection Input-2, ¼" jack with dim and bright controls | |
| Output Connectors: | ¼" jack is switchable between always-on, or engaged by Mute switch | |
| Extras: | Tuner/toggle switch | |
| General | ||
| Construction: | 14-gauge steel | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.9" x 3.6" x 2" (99 x 91.4 x 50.8mm) | |
| Weight: | 1.25 lb (0.56 kg) | |
| Shipping size (L x W x D): | 6.25" x 4.25" x 3" (158.7 x 108 x 76.2mm) | |
| Shipping weight: | 1.55 lb (0.70 kg) | |
| Power: | 9VDC, center pole negative | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
$ 349.99 $ 420.00
The BT-Pro V2 is a Bluetooth-enabled direct box that connects wirelessly to smartphones, tablets, and other mobile devices and provides a pair of balanced analog audio outputs to feed a PA system. Each BT-Pro V2 has a unique identifier, allowing multiple units to be used within the same building. The latest model of the BT-Pro can also be powered via 48V phantom from a mixing console.
The BT-Pro V2 makes it easy to quickly connect to any smartphone, tablet, or mobile device for high quality audio playback through a sound system. It wirelessly pairs over Bluetooth, eliminating the need to search for adaptor cables and providing you with the freedom to move around while staying connected. Superior audio quality is provided using the Bluetooth 5.0 protocol, allowing the BT-Pro to be used for playback even in critical listening environments. While the BT-Pro V2 is designed to last with a 14 gauge steel outer shell and high durability connectors and controls, it also has an enhanced reception range thanks to the plastic injection-molded insert, which allows wireless signals to pass through unimpeded. Balanced XLR outputs are provided for connection to pro audio equipment, with a level control to allow for easy volume adjustments, a headphone output for testing purposes, and a mono switch to reduce channel requirements when needed.
For ease of use in live sound applications, the BT-Pro can be powered via 48V phantom from the PA console. This provides the ability to use the included external power supply as a redundant backup, or to eliminate it from the setup altogether. Under 48V phantom power, the BT-Pro provides mic-level signals at the XLR outputs, but when the external power supply is used it is capable of generating line-level signals that can be connected to the line inputs of a PA console and avoid using additional mic-level channels. Each individual BT-Pro V2 also has a unique Bluetooth identifier, allowing multiple units to be successfully used in close proximity to one another. This makes it easy for commercial multi-room facilities to employ a number of BT-Pro units without any confusion when trying to connect to a receiver in a specific part of the building.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Active audio line driver | |
| Frequency response: | 20Hz to 20KHz | |
| Dynamic range: | 90dB | |
| Total harmonic distortion: | 0.05% | |
| Output Impedance: | 150Ω | |
| Signal to Noise: | 90dB | |
| Bluetooth Compliance: | Bluetooth 5.0 | |
| Data Compression: | SBC and AAC Codecs | |
| Features | ||
| Mono Sum, Ground lift, Level Control, Headphone | ||
| Input Connectors: | Bluetooth 5.0, Device range up to 100' | |
| Output Connectors: | XLR-M, 3.5mm TRS Headphone | |
| Extras: | Included power supply | |
| General | ||
| Construction: | 14 gauge steel outer shell, molded nylon insert | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.3” X 5” X 2” (84 x 127 x 51mm) | |
| Weight: | 1.1lbs (500g) | |
| Power: | USB-C connector (Power Only) or 48V Phantom | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |

$ 249.99 $ 300.00
The J48 is a high performance active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.
Most battery-powered guitars and basses will produce as much as 7 Volts when played at maximum volume, which can easily overload typical active direct boxes which have are only able to handle about 3 Volts. The J48 uses a unique switching power supply that raises the internal rail voltage so it can handle up to an incredible 9 Volts, resulting in improved signal handling and greater headroom. This additional headroom significantly reduces distortion of all types, allowing the natural tone and character of the instrument to shine through.
The Radial J48 has gained a tremendous following through the professional audio community. With significantly more headroom, lower distortion and unmatched durability, it is no wonder that the J48 has become the most specified direct box on stages around the world. As you will note with the specifications below, the J48 is exceptionally linear when tested both under laboratory conditions and when placed under the extra stress of 100 meters (300 feet) of cable. In the lab, the high frequency response actually exceeds 40kHz! This makes the J48 a perfect candidate for the most demanding studio recording while being the obvious choice for the artist on stage.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Proprietary analog circuit with low-noise op-amp | |
| Frequency response: | 20Hz ~ 20kHz | |
| Dynamic range: | 109dB | |
| Total harmonic distortion: | 0.002% @ -5dBu | |
| Intermodulation Distortion: | 0.003% @ -3dBu | |
| Phase Deviation: | +10º at 20Hz | 0º at 1kHz | -1º at 20kHz | |
| Input Impedance: | 220kΩ - ¼" input | |
| Output Impedance: | 200Ω - XLR output | |
| Equivalent Input Noise: | -103dBu | |
| Noise: | -99dB below 0dBu | |
| Maximum Input: | +10dBu | |
| Features | ||
| Input pad, Mono Sum, 180° polarity reverse, Ground lift, HPF | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | Balanced XLR, 1/4" Thru | |
| General | ||
| Construction: | 14 gauge steel chassis and outer shell | |
| Size (L x W x D): | 3.3" x 5.0" x 2" (84 x 127 x 48mm) | |
| Weight: | 1.55 lb (720 g) | |
| Power: | 48V phantom - proprietary digital switching | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |

$ 89.99 $ 108.00
The StageBug SB-2 is a compact passive direct box that is perfect for active basses and keyboards, is small enough to fit inside an instrument case, and features a stereo to mono mix function to save mixer channels.
The compact design begins with a ¼" input and thru-put to feed the on-stage amp. This connects to the custom made Eclipse ET-DB3 transformer which performs the impedance matching and balances the signal. When using extra high output instruments, a -15dB pad can be inserted into the signal path. This enables the SB-2 to be used with active basses and digital pianos that often tend to overload the input side of the interface. An innovative stereo-to-mono merge function provides a convenient way to connect stereo keyboards and computers without having to reset the source for mono operation, saving time and input channels on the PA. The SB-2 output features an XLR wired to the AES standard with pin-2 hot. Once connected, the SB-2 delivers a smooth warm sound reminiscent of older vintage gear. The Eclipse ET-DB3 transformer is magical in its ability to handle extreme signal levels with a natural compression that is pleasing to the ears. The transformer also helps eliminate hum and buzz caused by ground loops by isolating the input from the output. This is augmented with a ground lift switch that lifts pin-1 on the XLR for quiet, professional results.
The Radial SB-2 is a compact passive direct box that is designed primarily for buffered sources such as active acoustic guitar, keyboard and electric bass. A unique stereo-to-mono merge function enhances functionality by enabling stereo keyboards to be connected and mixed mono to save channels in the PA. Upon testing, the SB-2 exhibits exceptionally linear response and low distortion throughout the desired operating range, proving that size does not necessarily follow performance! The compact design provides the traveling musician with a quality direct box that can be depended upon for the most demanding club gigs.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, transformer based | |
| Transformer: | Eclipse ET-DB3, 12:1 ratio | |
| Number of channels: | 1 | |
| Frequency response: | 20Hz ~ 20KHz (± 0.5dB) | |
| Dynamic range: | 115dB | |
| Total harmonic distortion: | 0.005% @ 1kHz | |
| Phase Deviation: | 3° @ 100Hz; 8° @ 50Hz | |
| Input Impedance: | 140k Ohms, unbalanced | |
| Output Impedance: | 1k Ohms, balanced | |
| Maximum Input: | +20dB | |
| Features | ||
| Input pad, Ground lift | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | XLR | |
| General | ||
| Construction: | 14 gauge steel chassis & outer shell | |
| Size (L x W x D): | 4.5" x 1,85" x 1.35" (114mm x 47mm x 34mm) | |
| Weight: | 0.55 lbs (250 grams) | |
| Shipping size (L x W x D): | 8" x 5" x 3" (203mm x 127mm x 76mm) | |
| Shipping weight: | 0.8 lbs (365 grams) | |
| Power: | Passive, no power required | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
