Accessories
PRS Paul Reed Smith Multifit D2 Molded Guitar Case, NF 53, Silver Sky, Fiore, Myles Kennedy
$ 249.00
PRS ATA Hardshell Multi-fit Molded Cases provide your PRS guitar with the protection it deserves. These cases are formed from durable polyethylene and are built to military and ATA spec to give you peace of mind, whether you fly with your guitar or travel to local gigs, studios, and practice spots. All hardware is powder coated for longevity, and the ergonomic handle makes this guitar case easy to carry through the airport or to the stage. The proprietary zip-tie channel latch system provides a secure, TSA-friendly solution without the hassle of having to deal with unreliable locking systems of yesteryear.
The case’s interior features a custom-fit nest and neck cradle, designed with PRS Guitars’ engineering team to support PRS guitars. Additional interior appointments include black plush lining and two large, hinged accessory compartments to safely store your accessories.
Well-appointed and providing your PRS guitar with unmatched protection, PRS ATA Multi-Fit Molded Guitar Cases are the best choice for your prized PRS.
Which models fit which case?
PRS ATA Hardshell Multi-Fit Molded Cases, D1 (Design 1) was designed to fit PRS classic-perimeter body shapes and many Singlecut designs, regardless of Series (Core, Bolt-On, S2, SE), including the following models:
- CE 22, CE 24, Custom 22, Custom 24, Custom 24 Piezo, Custom 24 Floyd, Custom 24-08, McCarty, McCarty 594, McCarty 594 Single- cut, S2 Standard 22, S2 Standard 24, S2 McCarty 594 Thinline, SC 245, SC 250, SE Swamp Ash Special, and SE Standard 24-08
- Core Specialty Models, including 509, 513, Special Semi-Hollow, Studio, Modern Eagles
- Signature models, including DGT, Mark Tremonti, Santana Retro, Paul’s Guitar, DW CE 24 Floyd
PRS ATA Hardshell Multi-Fit Molded Cases, D2 (Design 2) was designed to fit PRS slab-body guitars, including the following models:
- NF 53
- Silver Sky
- Fiore
- Myles Kennedy
Features
- High-impact ABS exterior is built tough to military and ATA spec.
- Lightweight for easier carrying. 40% lighter than traditional tolex cases.
- Heavy-duty, powder coated hardware.
- TSA-friendly, proprietary zip-tie channel latch system for hassle-free travel.
- Ergonomic, injection-molded handle for comfortable transport.
- Rounded latch housings divert impacts.
- High-quality plush interior lining.
- Shock-absorbent EPP foam interior (same material used in F1 car seats, motorcycle helmets, and infant car seats, so you can trust it to protect your guitar).
- Two internal, hinged compartments that safely store your accessories.
- Molded-in stacking points for secure and easy storage for retailers & musicians.
PRS Wind Through The Trees Dual Analog Flanger Pedal
Sold Out
The PRS Wind Through the Trees dual analog flanger pedal is best described as two flangers fighting each other, resulting in a sound reminiscent of the wind whipping through the trees. With Manual, Depth, and Rate controls per flanger as well as global Regeneration and Added Highs, Wind Through the Trees offers nearly endless tonal possibilities. Bottom line, Wind Through the Trees offers hours of fun for any player.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
PRS Wind Through The Tres Dual Analog Flanger
$ 349.00
DUELING FLANGERS
The PRS Wind Through the Trees dual analog flanger pedal is best described as two flangers fighting each other, resulting in a sound reminiscent of the wind whipping through the trees. With Manual, Depth, and Rate controls per flanger as well as global Regeneration and Added Highs, Wind Through the Trees offers nearly endless tonal possibilities. Bottom line, Wind Through the Trees offers hours of fun for any player.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
SPECIFICATIONS
| Pedal Type | Dual Analog Flanger |
| Analog/Digital | Analog |
| Inputs | (1) 1/4" Instrument |
| Outputs | (1) 1/4" Instrument |
| Bypass Switching | True Bypass |
| Amperage | 22 mA |
| Power Sources | 9V DC Power Supply, regulated and/or isolated (not included) |
| Batteries | (1) 9V (not included) |
| Length | 5.5" |
| Width | 1.5" |
| Height | 4.5" |
| Weight | 1.3 lbs |
Radial BigShot ABY True-Bypass Switcher B-STOCK
Sold Out $ 156.00
True-Bypass Amp Switcher
The BigShot ABY™ is a compact true-bypass ABY switcher that enables you to switch between two amplifiers or play through both amps at the same time, while eliminating buzz and hum from ground loops.
- True-bypass ABY amp selector with LED indicators
- On-board transformer to eliminate hum & buzz
- 180° polarity reverse to phase-match amps
- 100% passive audio path, does not require power
Effective control for your two-amp setup
The BigShot ABY makes it easy to run two amps on stage, without introducing noise or altering your tone. The pedal has two latching footswitches that allow you to choose which amp is active, or run through both simultaneously. The second amp output features a ground lift and an isolation transformer that can be engaged to eliminate buzz and hum from ground loops, while a 180° polarity reverse switch ensures both amps play back in phase to avoid frequency cancellation. When powered by an external 9V supply or pedalboard power brick, LEDs provide instant on-stage visual feedback - when power is unavailable, the passive audio circuit still works unaffected. Best of all, the BigShot ABY is true-bypass device, without any tone-altering buffers between the guitar and the amplifier to ensure you retain the pure tone of your instrument.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, true bypass | |
| Frequency response: | 20Hz - 20KHz | |
| Gain: | -0.3db | |
| Features | ||
| 180° polarity reverse, Ground lift | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | Two 1/4" outputs, switchable transformer isolated from Output-B | |
| Extras: | Tuner Output, ISO switch | |
| General | ||
| Construction: | 14-gauge steel | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.9" x 3.6" x 2" (99 x 91.4 x 50.8mm) | |
| Weight: | 1.25 lb (0.56 kg) | |
| Shipping size (L x W x D): | 6.25" x 4.25" x 3" (158.7 x 108 x 76.2mm) | |
| Shipping weight: | 1.55 lb (0.70 kg) | |
| Power: | 9VDC, center pole negative | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial BigShot i/o Instrument Switcher
$ 129.99 $ 156.00
True-bypass Instrument Selector
The BigShot i/o is an easy-to-use instrument selector that lets you quickly transition between any two instruments, while balancing the levels between them and feeding the output to your amplifier.
- Toggle between two instruments with a single foot stomp
- Adjustable volume control to match instrument levels
- True-bypass operation retains the tone of the instruments
- Separate tuner output and mute footswitch for silent tuning
Easy instrument changeovers on stage
The BigShot i/o allows you to switch between instruments on stage without pops through your amp or the need to adjust levels, while featuring 100% true-bypass for the most demanding purist. Input-2 is equipped with a volume control that lets you reduce the input sensitivity of the louder instrument so that the levels are matched when played through your amplifier. When passive instruments are used, a unique three-position Bright switch lets you compensate for instruments that lack shine in the high frequencies. The BigShot i/o is also equipped with a separate tuner output; with a simple foot stomp, the sound going to the amp is muted and diverted to the tuner for quiet on-stage adjustments.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, true bypass | |
| Frequency response: | 20Hz – 20kHz | |
| Gain: | -0.3dB | |
| Features | ||
| Dim Switch, Bright Switch | ||
| Input Connectors: | ¼" jack for first instrument connection Input-2, ¼" jack with dim and bright controls | |
| Output Connectors: | ¼" jack is switchable between always-on, or engaged by Mute switch | |
| Extras: | Tuner/toggle switch | |
| General | ||
| Construction: | 14-gauge steel | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.9" x 3.6" x 2" (99 x 91.4 x 50.8mm) | |
| Weight: | 1.25 lb (0.56 kg) | |
| Shipping size (L x W x D): | 6.25" x 4.25" x 3" (158.7 x 108 x 76.2mm) | |
| Shipping weight: | 1.55 lb (0.70 kg) | |
| Power: | 9VDC, center pole negative | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial BT-Pro V2 Stereo Bluetooth Direct Box
$ 349.99 $ 420.00
Stereo Bluetooth Direct Box
The BT-Pro V2 is a Bluetooth-enabled direct box that connects wirelessly to smartphones, tablets, and other mobile devices and provides a pair of balanced analog audio outputs to feed a PA system. Each BT-Pro V2 has a unique identifier, allowing multiple units to be used within the same building. The latest model of the BT-Pro can also be powered via 48V phantom from a mixing console.
- Wirelessly connect smartphones and tablets to a mixer
- Bluetooth reception of up to 30 meters (100ft)
- Dual balanced XLR outputs feed the PA system
- Powered via external supply or 48V phantom power
- Unique device ID allows multiple BT-Pro’s in a single location
Wireless connection, professional audio
The BT-Pro V2 makes it easy to quickly connect to any smartphone, tablet, or mobile device for high quality audio playback through a sound system. It wirelessly pairs over Bluetooth, eliminating the need to search for adaptor cables and providing you with the freedom to move around while staying connected. Superior audio quality is provided using the Bluetooth 5.0 protocol, allowing the BT-Pro to be used for playback even in critical listening environments. While the BT-Pro V2 is designed to last with a 14 gauge steel outer shell and high durability connectors and controls, it also has an enhanced reception range thanks to the plastic injection-molded insert, which allows wireless signals to pass through unimpeded. Balanced XLR outputs are provided for connection to pro audio equipment, with a level control to allow for easy volume adjustments, a headphone output for testing purposes, and a mono switch to reduce channel requirements when needed.
48V operation & unique device identifiers
For ease of use in live sound applications, the BT-Pro can be powered via 48V phantom from the PA console. This provides the ability to use the included external power supply as a redundant backup, or to eliminate it from the setup altogether. Under 48V phantom power, the BT-Pro provides mic-level signals at the XLR outputs, but when the external power supply is used it is capable of generating line-level signals that can be connected to the line inputs of a PA console and avoid using additional mic-level channels. Each individual BT-Pro V2 also has a unique Bluetooth identifier, allowing multiple units to be successfully used in close proximity to one another. This makes it easy for commercial multi-room facilities to employ a number of BT-Pro units without any confusion when trying to connect to a receiver in a specific part of the building.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Active audio line driver | |
| Frequency response: | 20Hz to 20KHz | |
| Dynamic range: | 90dB | |
| Total harmonic distortion: | 0.05% | |
| Output Impedance: | 150Ω | |
| Signal to Noise: | 90dB | |
| Bluetooth Compliance: | Bluetooth 5.0 | |
| Data Compression: | SBC and AAC Codecs | |
| Features | ||
| Mono Sum, Ground lift, Level Control, Headphone | ||
| Input Connectors: | Bluetooth 5.0, Device range up to 100' | |
| Output Connectors: | XLR-M, 3.5mm TRS Headphone | |
| Extras: | Included power supply | |
| General | ||
| Construction: | 14 gauge steel outer shell, molded nylon insert | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.3” X 5” X 2” (84 x 127 x 51mm) | |
| Weight: | 1.1lbs (500g) | |
| Power: | USB-C connector (Power Only) or 48V Phantom | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial Engineering J48 Active Direct Box
$ 249.99 $ 300.00
Phantom Powered Active Direct Box
The J48 is a high performance active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.
- Exceptional headroom & dynamic range
- Retains the natural sound of the instrument
- Merge switch sums stereo instruments to mono
- Powered by 48V phantom, no batteries required
Higher Rail Voltage, Higher Headroom
Most battery-powered guitars and basses will produce as much as 7 Volts when played at maximum volume, which can easily overload typical active direct boxes which have are only able to handle about 3 Volts. The J48 uses a unique switching power supply that raises the internal rail voltage so it can handle up to an incredible 9 Volts, resulting in improved signal handling and greater headroom. This additional headroom significantly reduces distortion of all types, allowing the natural tone and character of the instrument to shine through.
The Radial J48 has gained a tremendous following through the professional audio community. With significantly more headroom, lower distortion and unmatched durability, it is no wonder that the J48 has become the most specified direct box on stages around the world. As you will note with the specifications below, the J48 is exceptionally linear when tested both under laboratory conditions and when placed under the extra stress of 100 meters (300 feet) of cable. In the lab, the high frequency response actually exceeds 40kHz! This makes the J48 a perfect candidate for the most demanding studio recording while being the obvious choice for the artist on stage.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Proprietary analog circuit with low-noise op-amp | |
| Frequency response: | 20Hz ~ 20kHz | |
| Dynamic range: | 109dB | |
| Total harmonic distortion: | 0.002% @ -5dBu | |
| Intermodulation Distortion: | 0.003% @ -3dBu | |
| Phase Deviation: | +10º at 20Hz | 0º at 1kHz | -1º at 20kHz | |
| Input Impedance: | 220kΩ - ¼" input | |
| Output Impedance: | 200Ω - XLR output | |
| Equivalent Input Noise: | -103dBu | |
| Noise: | -99dB below 0dBu | |
| Maximum Input: | +10dBu | |
| Features | ||
| Input pad, Mono Sum, 180° polarity reverse, Ground lift, HPF | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | Balanced XLR, 1/4" Thru | |
| General | ||
| Construction: | 14 gauge steel chassis and outer shell | |
| Size (L x W x D): | 3.3" x 5.0" x 2" (84 x 127 x 48mm) | |
| Weight: | 1.55 lb (720 g) | |
| Power: | 48V phantom - proprietary digital switching | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial StageBug SB-2 Compact Passive DI
$ 89.99 $ 108.00
Passive Direct Box
The StageBug SB-2 is a compact passive direct box that is perfect for active basses and keyboards, is small enough to fit inside an instrument case, and features a stereo to mono mix function to save mixer channels.
- Passive DI for bass, acoustic and keyboard
- Ultra compact to fit in your guitar case
- Plug & play easy to use feature set
- Transformer isolation eliminates noise
Small size and big performance
The compact design begins with a ¼" input and thru-put to feed the on-stage amp. This connects to the custom made Eclipse ET-DB3 transformer which performs the impedance matching and balances the signal. When using extra high output instruments, a -15dB pad can be inserted into the signal path. This enables the SB-2 to be used with active basses and digital pianos that often tend to overload the input side of the interface. An innovative stereo-to-mono merge function provides a convenient way to connect stereo keyboards and computers without having to reset the source for mono operation, saving time and input channels on the PA. The SB-2 output features an XLR wired to the AES standard with pin-2 hot. Once connected, the SB-2 delivers a smooth warm sound reminiscent of older vintage gear. The Eclipse ET-DB3 transformer is magical in its ability to handle extreme signal levels with a natural compression that is pleasing to the ears. The transformer also helps eliminate hum and buzz caused by ground loops by isolating the input from the output. This is augmented with a ground lift switch that lifts pin-1 on the XLR for quiet, professional results.
The Radial SB-2 is a compact passive direct box that is designed primarily for buffered sources such as active acoustic guitar, keyboard and electric bass. A unique stereo-to-mono merge function enhances functionality by enabling stereo keyboards to be connected and mixed mono to save channels in the PA. Upon testing, the SB-2 exhibits exceptionally linear response and low distortion throughout the desired operating range, proving that size does not necessarily follow performance! The compact design provides the traveling musician with a quality direct box that can be depended upon for the most demanding club gigs.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, transformer based | |
| Transformer: | Eclipse ET-DB3, 12:1 ratio | |
| Number of channels: | 1 | |
| Frequency response: | 20Hz ~ 20KHz (± 0.5dB) | |
| Dynamic range: | 115dB | |
| Total harmonic distortion: | 0.005% @ 1kHz | |
| Phase Deviation: | 3° @ 100Hz; 8° @ 50Hz | |
| Input Impedance: | 140k Ohms, unbalanced | |
| Output Impedance: | 1k Ohms, balanced | |
| Maximum Input: | +20dB | |
| Features | ||
| Input pad, Ground lift | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | XLR | |
| General | ||
| Construction: | 14 gauge steel chassis & outer shell | |
| Size (L x W x D): | 4.5" x 1,85" x 1.35" (114mm x 47mm x 34mm) | |
| Weight: | 0.55 lbs (250 grams) | |
| Shipping size (L x W x D): | 8" x 5" x 3" (203mm x 127mm x 76mm) | |
| Shipping weight: | 0.8 lbs (365 grams) | |
| Power: | Passive, no power required | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Rasial Headlight Guitar Amp Selector
$ 279.99 $ 336.00
Four Output Guitar Amp Selector
The Headlight is a unity gain guitar amp selector designed to easily integrate onto a pedalboard and provide the ability to switch between as many as four amplifiers with a single footswitch.
- Four output amp switcher with sequential switching
- Isolated outputs to eliminate hum and buzz
- Compact footprint easily fits on a pedalboard
- Mute footswitch for silent on-stage tuning
Small Size, Big Tone
The Headlight has a compact footprint that will fit on any pedalboard, but it's still powerful enough to drive up to four amplifiers without sacrificing on tone. The input features a class-A buffer along with Drag Control load correction that allows you to optimize the impedance for your pickups and recreate the feel of plugging your guitar directly into an amp. Custom transformers isolate the outputs to prevent buzz and hum from ground loops, with ground lift switches to further alleviate noise problems. Should you really want to get loud, the mute footswitch can be configured as an 'all on' switch, activating all four amp outputs simultaneously.
Driving four different amps on stage
Use the Headlight to switch between four stage amps to create the ultimate setup for clean, crunch, overdrive and power solo! Simply depress the selector footswitch to select the amp you want. Super bright LEDs let you know which amp is active. Use the mute footswitch for quiet on-stage tuning.
Using the Headlight as an ABY
Connect your two amps using outputs 1 and 2 and select between them using the right-hand footswitch. Set the left-hand footswitch to ALL-ON and when depressed, both amps will play. The isolation transformers will prevent buzz and hum from ground loops when both amps are on.
Using Headlight with DI Boxes and Amplifiers
Using the Headlight you can feed both direct boxes and amplifiers. The outputs from the direct boxes can be sent directly to the mixer and stage amps can be mic'd.
SPECS
| Specifications | ||
|---|---|---|
| Audio circuit type: | Classic Class-A FET | |
| Frequency response: | 30Hz - 30kHz | |
| Dynamic range: | 116dBu | |
| Gain: | -0.5dBu | |
| Clip Level: | +7dB | |
| Total harmonic distortion: | 0.01% | |
| Intermodulation Distortion: | 0.02% | |
| Phase Deviation: | -1.35° @ -20dBu / 1kHz | |
| Input Impedance: | 20k to 1MΩ | |
| Output Impedance: | 1kΩ | |
| Noise: | -112dBu | |
| Maximum Input: | +8dB | |
| Features | ||
| 180° polarity reverse, Ground lift, Drag Control | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | 1/4" | |
| General | ||
| Construction: | 14-Gauge Steel | |
| Size (L x W x D): | 5" x 4.7" x 2" | |
| Weight: | 2lb | |
| Shipping size (L x W x D): | 6.5" x 5.1" x 2.5" | |
| Shipping weight: | 2.4lb | |
| Power: | 9V adaptor / 80mA (Center Pin Negative) | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Rickenbacker Standard Case For 4000 Series Basses USED - Black
Sold Out
This genuine Rickenbacker Standard hard case fits all right-handed 4000 series Rickenbacker basses and has a compartment for accessories.
**This case is used in good condition, Hardshell has two small crack above first and last latch and one below first latch on case (see Photos)
Rock-N-Roller R10RT Multi-Cart Max
$ 184.99 $ 259.00
The RocknRoller® Multi-Cart® R10RT is outfitted with rugged, foam-filled no-flat 10" rear wheels and 5" front swivel casters that will allow you to move massive amounts of gear quickly and easily. The R-Trac® tires ride smoothly with excellent traction, similar to pneumatic tires, but without the hassle of upkeep or repair. The patented 8-in-1 cart can transform easily to adjust to various load sizes, allowing you to move large amounts of gear in no time at all. Extending from 34" to 52" in length, the R10RT has a weight capacity of 500lbs, but also folds small for storage or transport in a vehicle. The textured powder coated steel is durable and also reduces slippage during transport.
Popular Uses:
DJ & Live Sound, Film & TV Production, Location Sound, Facility Maintenance, General Industrial, General Contracting, Electrical Contracting, Wedding Photography, Live Performance, Drums & Percussion, HVAC Contracting, Sports, Scientific/Field Study/Research, Delivery Vans, Pet Shows, Trade Shows
Specifications:
RocknRoller® Multi-Cart® 8-in-1 Equipment Transporter - Model R10RT
- Powder-coated steel tube frame telescopes from 34"-52" in length with 32" foldable sides
- 13.5" wide frame bed
- 10"x3" R-Trac no-flat rear wheels and 5" x 1.25" swivel casters with brake
- Load cap.: 500 lbs./32 cu. ft.
- Wt: 30lbs.
Additional specifications:
Tubing gauge: 16 gauge (0.065" wall)
Tubing size on main frame: .75" and 1" square steel tube
19mm axle
Polypropylene Hub with Polyurethane Foam tires
Rock-N-Roller R6RT Multi-Cart Mini
$ 159.99 $ 204.00
The RocknRoller® Multi-Cart® R6RT is outfitted with rugged, foam-filled no-flat 8" rear wheels and 4" front swivel casters that will allow you to move massive amounts of gear quickly and easily. The R-Trac® tires ride smoothly with excellent traction, similar to pneumatic tires, but without the hassle of upkeep or repair. The patented 8-in-1 cart can transform easily to adjust to various load sizes, allowing you to move large amounts of gear in no time at all. Extending from 28" to 42.5" in length, the R6RT has a weight capacity of 500lbs, but also folds small for storage or transport in a vehicle. The textured powder coated steel is durable and also reduces slippage during transport.
Popular Uses:
Facility Maintenance, Household, Warehouse & Storage, General Contracting, Electrical Contracting, Wedding Photography, Live Performance, Guitar & Bass, Drums & Percussion, HVAC Contracting, Scientific/Field Study/Research, Delivery Vans, Pet Shows, Trade Shows, Sales Representative
Specifications:
RocknRoller® Multi-Cart® 8-in-1 Equipment Transporter - Model R6RT
- Powder-coated steel tube frame telescopes from 28"-42.5" in length with 24" foldable sides
- 12.5" wide frame bed
- 8"x2" R-Trac no-flat rear wheels and 4"x1.0" front swivel casters with brake
- Load cap.: 500 lbs./27 cu. ft.
- Wt: 22 lbs.
Additional specifications:
Tubing gauge: 16 gauge (0.065" wall)
Tubing size on main frame: .75" and 1" square steel tube
19mm axle
Polypropylene Hub with Polyurethane Foam tires
Roland Boss PSA-120S2 Power Adaptor
$ 29.99
The PSA series is the recommended power supply for products including all new BOSS Compact and Twin pedals, Multi-effects and more.
Roland CB-CS2 Carrying Case for CUBE Street EX
$ 99.99 $ 101.90
CARRYING CASE FOR CUBE STREET EX
CB-CS2 Carrying Case for CUBE Street EX made with water-repellent material.
Roland DP-10 Damper Pedal
$ 54.99 $ 67.18
This keyboard pedal features a slip-proof rubber plate that secures it in place during performances on hardwood or metal stage surfaces. The pedal is equipped with a 7.2' extended cable, good for use in stacked multi-keyboard setups, and is compatible with half-damper capable keyboards, while also serving as a standard pedal switch.
Roland DP-2 Damper Pedal Switch
Sold Out $ 30.60
Roland KC-550 15" Keyboard Amp Replacement Speaker USED
$ 175.00
**This item is used and in good condition. Very light cosmetic wear can be seen. The price has been adjusted accordingly.
Roland KC-550 Replacement Speaker for Keyboard Amplifier - 15" / 8 ohm
A previously used item that exhibits signs of cosmetic wear and is fully operational and functions as intended.
Roland KSC-72 Piano Stand - Black
$ 189.99 $ 242.62
CUSTOM STAND FOR THE FP-60 AND FP-60X DIGITAL PIANO
Available in white or black finish.
Roland KSFE50 Stand For FP-E50 Digital Piano - Black
$ 99.99
CUSTOM STAND FOR THE FP-E50 DIGITAL PIANO
Available in white or black finish.
Roland RPU-3 Pedal Unit
$ 159.99 $ 223.98
A grand piano pedaling experience.
Combining three pedals into one convenient and clutter-free unit, the Roland RPU-3 Pdeal unit offers a real grand piano pedaling experience. With separate 1/4" outputs for each of its three pedals, the RPU-3 is compatible with keyboards such as Roland's FP-7F and RD-700 series pianos. In addition to providing the same pedal configuration as a grand piano, the RPU-3 also provides hands-free control of various instrument functions, such as the FP-7F's Looper and harmony effects.
- Combines three pedals in one unit
- Separate 1/4" outputs for each pedal
- Compatible with Roland's FP-7F and RD-700 series pianos
- Provides the same pedal configuration as a grand piano
- Offers hands-free control of various instrument functions
Schecter S-Shape Hardcase (SGR-3S) B-Stock
$ 139.00
- Case Style: PE Molded Hardcase
- Origin: China
- Color: Black w/ Blue Interior
- Material: PE (Polyethylene) Plastic exterior w/EPS foam protective interior with deep plush lining/ Heavy Duty Black Aluminum valance
- Handle: Through-bolted handle for extra strength
- Latch: Black Powder coated Metal w/Lockable middle latch
- Pockets: 3 Accessory Compartments
**Case has scratches on both sides **
Seagull Standard Grand Gig Bag
$ 49.99 $ 69.99
A new take on the all black gig bag, The Standard comes with a contrasting white zipper detail, making this classic looking bag stand out. Fully padded and ready to head out with you anywhere, take your music with you, be it a roadtrip, a plane ride south or a casual walk through the park.
Shure A56D Microphone Drum Mount
$ 34.99
Shure's innovative A56D Microphone Drum Mount sets a new standard for versatility. Compact in design, the A56D can be used in a multitude of positions for accurate microphone placement. Live or in the studio, this universal clamp can be mounted virtually anywhere, including drum rims and racks, microphone stands, and cymbal stands. You'll reduce the stage clutter associated with traditional mic stand set-ups.
Designed with captive parts to prevent the loss of individual pieces, the A56D mic mount is small, secure, and sturdy, and can be used with any standard microphone, making it a great tool for both musicians and sound engineers.
- Universal clamp for use with any standard mic
- Mounts virtually anywhere
- Reduces stage clutter over traditional setups
- Captive parts prevent loss of individual pieces
Shure KSM32 Cardioid Condenser Microphone - Charcoal
$ 599.00 $ 749.00
Cardioid condenser microphone delivers a smooth, neutral sound reproduction with full character and consists of a microphone, a padded, zippered carrying bag, and a swivel mount.
PRODUCT DETAILS
An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source.
- Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.
- Embossed, high-compliance diaphragm provides extended low-frequency response.
- Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response
- 15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
- Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.
- Integrated three-stage pop protection grille reduces "pop" and other breath noise
- Internal shock mount reduces transmission of handling noise
- Replacement cartridge: RK374
Performance Characteristics
- Extended frequency response
- Very low self-noise
- Exceptional low-frequency reproduction
- High output level
- High input SPL capability
- No cross-over distortion
- Extremely uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
Applications
Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.
- Voice -- solo, background, voice-over, broadcasting
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.
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