Taylor
Taylor 110ce Walnut/Sitka Acoustic Guitar - Natural
$ 899.00 $ 1,168.00
- Model: 110ce-W
- Body: Dreadnought
- Cutaway: Venetian
- Top: Sitka Spruce
- Body: Walnut
- Electronics: Expression System 2
- Scale Length: 25-1/2"
- Nut & Saddle: Tusq Nut/Micarta Saddle
- Bracing: Forward Shifted Pattern
- Truss Rod Cover: Black Plastic
- Pickguard: Black
- Number of Frets: 20
- Tuners: Chrome (100/200)
- Binding: Black
- Top Finish: Varnish
- Back Config: Layered
- Backstrap Finish: None
- Rosette Size: Three Ring
- Bridge Inlay: None
- Back/Side Finish: Varnish
- Armrest Binding: None
- Backstrap Wood: None
- Rosette Mat.: Plastic
- Stain/Sunburst: None
- Wedge: None
- Neck Width: 1-11/16"
- Fretboard Inlay: 4mm Dot Italian Acrylic
- Fretboard Binding: None
- Heel Cap Binding: Black
- Type of Neck Joint: Scarf
- Neck/Heel: Sapele
- Fretboard Wood: Ebony
- Neck Finish: Varnish
- Heel Length: 3-1/2"
- Peghead Finish: Varnish
- Peghead Binding: None
- Peghead Type: Standard
- Peghead Purfling: None
- Headstock Overlay: Ebony
- Peghead Inlay: None
- Peghead Logo: Taylor Colorcore
- Bridge Pins: Black
- Buttons: Chrome
- Fingerboard Ext: None
- Edge Trim: None
- Brand of Strings: Elixir Phosphor Bronze Medium
- Case: Gig Bag
Taylor 114ce Walnut/Sitka Acoustic Guitar - Natural
$ 899.00 $ 1,168.00
- Body type: Taylor Grand Auditorium
- Cutaway: Yes
- Top wood: Solid Sitka Spruce
- Back & sides: Layered Walnut (Exterior)
- Bracing pattern: Taylor Standard II Bracing (Forward Shift Pattern)
- Body finish: Matte 2.0 Varnish
- Orientation: Right-Handed
- Neck shape: Standard Taylor Profile
- Nut width: 1-11/16" (42.8mm)
- Fingerboard: Genuine African Ebony
- Neck wood: Maple
- Scale length: 25 1/2"
- Number of frets: 20
- Neck finish: Matte 2.0 Varnish
- Pickup/preamp: Expression System 2 Professional Audio-Grade
- Brand: Taylor
- Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
- Preamp EQ: Volume, Active Bass and Treble
- Feedback filter: Onboard Phase Switch
- Tuner: None
- Headstock overlay: Genuine African Ebony
- Tuning machines: Chrome Tuners with Chrome Buttons
- Bridge: Genuine African Ebony
- Saddle & nut: Micarta "Wave" Saddle; Tusq Nut
- Number of strings: 6
- Special features: Elixir Phosphor-Bronze Light Gauge Strings
- Case: Deluxe Taylor Gig Bag
Taylor 114ce-N Nylon Acoustic Guitar - Natural w/ Ovangkol Back & Sides
$ 999.00 $ 1,328.00
It’s fun to explore the unique sonic flavors and textures of a nylon-string guitar. The Grand Auditorium 114ce-N serves up an inviting option, blending legendary Taylor playability with clear, balanced acoustic tone. The guitar is strung with D’Addario’s Pro-Arté Carbon Hard Tension strings, which feature carbon treble strings and Dynacore composite core bass strings. These blend the musicality of a traditional gut string with a richer, louder modern voice that players will love. The guitar’s layered walnut back and sides are paired with a solid Sitka spruce top, and modern amenities include a cutaway and onboard ES-N electronics, plus a convenient gig bag for easy portability. However you plan to use it, a nylon-string guitar will make an inspiring addition to your acoustic toolbox.
- Scale Length: 25-1/2"
- Nut & Saddle: Tusq Nut/Micarta Saddle
- Bracing: Nylon Bracing
- Truss Rod Cover: Black Plastic
- Pickguard: None
- Number of Frets: 20
- Tuners: Classical Nickel
- Case: Gig Bag
- Brand of Strings: Pro Arte Carbon Hard Tension
- Body Length: 20"
- Body Width: 16"
- Body Depth: 4 5/8"
- Body Binding/Edge Treatment: Black
- Top Finish: Varnish
- Back Config: Layered
- Backstrap Finish: None
- Rosette Size: Three Ring
- Bridge Inlay: None
- Back/Side Finish: Varnish
- Armrest Binding: None
- Backstrap Wood: None
- Rosette Mat: Plastic
- Stain/Sunburst: None
- Wedge: None
- Armrest: None
- Neck Width: 1-7/8"
- Fretboard Inlay: 4mm Dot Italian Acrylic
- Fretboard Binding/Edge Treatment: None
- Heel Cap Binding: Black
- Type of Neck Joint: Scarf
- Neck/Heel: Tropical Mahogany
- Fretboard Wood: West African Ebony
- Neck Finish: Varnish
- Heel Length: 3-1/2"
- Peghead Finish: Varnish
- Peghead Binding: None
- Peghead Type: Slot Head
- Peghead Purfling: None
- Headstock Overlay: West African Ebony
- Peghead Inlay: None
- Peghead Logo: Taylor Colorcore
- Bridge Pins: None
- Buttons: Pearloid
- Fingerboard Ext: None
- Edge Trim: None
Taylor 114ce-N Nylon Acoustic Guitar - Natural w/ Ovangkol Back & Sides
$ 999.00 $ 1,328.00
It’s fun to explore the unique sonic flavors and textures of a nylon-string guitar. The Grand Auditorium 114ce-N serves up an inviting option, blending legendary Taylor playability with clear, balanced acoustic tone. The guitar is strung with D’Addario’s Pro-Arté Carbon Hard Tension strings, which feature carbon treble strings and Dynacore composite core bass strings. These blend the musicality of a traditional gut string with a richer, louder modern voice that players will love. The guitar’s layered walnut back and sides are paired with a solid Sitka spruce top, and modern amenities include a cutaway and onboard ES-N electronics, plus a convenient gig bag for easy portability. However you plan to use it, a nylon-string guitar will make an inspiring addition to your acoustic toolbox.
- Scale Length: 25-1/2"
- Nut & Saddle: Tusq Nut/Micarta Saddle
- Bracing: Nylon Bracing
- Truss Rod Cover: Black Plastic
- Pickguard: None
- Number of Frets: 20
- Tuners: Classical Nickel
- Case: Gig Bag
- Brand of Strings: Pro Arte Carbon Hard Tension
- Body Length: 20"
- Body Width: 16"
- Body Depth: 4 5/8"
- Body Binding/Edge Treatment: Black
- Top Finish: Varnish
- Back Config: Layered
- Backstrap Finish: None
- Rosette Size: Three Ring
- Bridge Inlay: None
- Back/Side Finish: Varnish
- Armrest Binding: None
- Backstrap Wood: None
- Rosette Mat: Plastic
- Stain/Sunburst: None
- Wedge: None
- Armrest: None
- Neck Width: 1-7/8"
- Fretboard Inlay: 4mm Dot Italian Acrylic
- Fretboard Binding/Edge Treatment: None
- Heel Cap Binding: Black
- Type of Neck Joint: Scarf
- Neck/Heel: Tropical Mahogany
- Fretboard Wood: West African Ebony
- Neck Finish: Varnish
- Heel Length: 3-1/2"
- Peghead Finish: Varnish
- Peghead Binding: None
- Peghead Type: Slot Head
- Peghead Purfling: None
- Headstock Overlay: West African Ebony
- Peghead Inlay: None
- Peghead Logo: Taylor Colorcore
- Bridge Pins: None
- Buttons: Pearloid
- Fingerboard Ext: None
- Edge Trim: None
Taylor 114ce-N-SB Acoustic Guitar - Sunburst
$ 999.00 $ 1,328.00
An affordable entry-level instrument designed to make learning and developing your skills much easier and faster.
Taylor's 100 Series makes a great guitar-playing experience accessible to everyone with these real wood instruments. 100 Series models have layered walnut backs and sides, as well as new architecture for even more volume and dynamics. For people taking the first or next step in their musical journey, these instruments promise to accelerate players' growth and enhance their enjoyment. Taylor's famous neck profile, combined with a 1-11/16-in. nut width, make it easy for developing players to form barre chords. All 100 Series models include a durable, 600-denier nylon gig bag with double-stitched seams and reinforced stress points.
Grand Auditorium
A Taylor original, the Grand Auditorium helped establish the Taylor acoustic sound. The popular body style makes for a versatile guitar that yields ample volume in response to light fingerpicking, and reacts to medium strumming and flatpicking with a clear, balanced sound across the tonal spectrum. If you want a great all-purpose guitar, the GA is an excellent choice.
Tonewoods
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. Layered walnut back and sides create a sturdy and complementary platform for the vibrating string energy sent by the guitar's top. Layered wood is less susceptible to changes in temperature and humidity, making it an excellent choice for players who travel with their instruments or simply require more durability.
Electronics
The ES-N is a single-source, under-saddle transducer, but the preamp design and tone controls were customized to complement the nylon-string voice. Taylor's standard ES control knobs (Volume, Treble and Bass) enable plenty of tone-shaping and preserve the natural design aesthetic.
Other Features
One of the alluring traits of a nylon-string guitar is the way its tonal character can instantly change the complexion of any song. This makes a nylon an indispensable tool for songwriting, recording and performance, letting you weave a different flavor or rhythmic texture into your music. Taylor nylons achieve the same exceptional playability as their steel-string siblings, offering a smooth crossover with a sleek profile neck, a 1-7/8- in. nut width (compared to a much wider traditional classical neck), and a slight radius (20-in. compared to 15-in. on Taylor steel-strings). With a Taylor nylon-string in your acoustic toolbox, you might be surprised by how often you end up reaching for it.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
Body
- Body type: Grand Auditorium
- Cutaway: Single
- Top wood: Solid Sitka Spruce
- Back & sides: Layered Walnut
- Bracing pattern: Taylor Nylon GA
- Body finish: Matte 2.0 Varnish
- Orientation: Right handed
Neck
- Neck shape: Taylor Standard Profile
- Nut width: 1.875 in. (47.62 mm)
- Fingerboard: Genuine African Ebony
- Neck wood: Sapele
- Scale length: 25.5 in.
- Number of frets: 20
- Neck finish: Satin
Electronics
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Undersaddle piezo
- Preamp EQ: 2-band
- Feedback filter: No
- Tuner: No
Other
- Headstock overlay: Genuine African Ebony
- Tuning machines: Nylon Chrome with Pearloid Buttons
- Bridge: Genuine African Ebony
- Saddle & nut: Tusq
- Number of strings: 6-string
- Special features: Tonewoods 20 in. fingerboard radius, neck and body join at 14th fret
- Case: Deluxe Taylor Rigid Gig Bag
- Accessories: None
- Country of origin: Mexico
Taylor 150e Walnut/Sitka 12-String Acoustic Guitar - Natural
$ 899.00 $ 1,168.00
The Dreadnought body’s strong low-end response balances well with the crisp octave shimmer, producing a tone that’s lush and articulate, with lots of dynamic range. Features include layered walnut back and sides, a solid Sitka spruce top, 1-7/8-inch neck, matte-finish body, black binding and pickguard, and natural-sounding Taylor’s Expression System 2 pickup.
Taylor 150e 12 String Dreadnought Walnut Acoustic Electric Features
- Dreadnought Shape
- Sitka Spruce Top
- Walnut Back and Sides
- Expression System 2
- Non-cutaway
- Scale Length: 25-1/2 inches
- Nut and Saddle: Tusq Nut/Micarta Saddle
- Bracing: 100 Series 12 String Bracing
- Truss Rod Cover: Black Plastic
- Pickguard: Black
- Number of Frets: 20
- Tuners: Die-Cast Chrome Mini
- Case: Gig Bag
- Brand of Strings: Elixir Phosphor Bronze Light
- Binding: Black
- Top Finish: Varnish
- Back Config: Layered
- Rosette Size: Three Ring
- Back/Side Finish: Varnish
- Rosette Mat.: Plastic
- Neck Width: 1-7/8 inches
- Fretboard Inlay: 4mm Dot Italian Acrylic
- Heel Cap Binding: Black
- Type of Neck Joint: Scarf
- Neck/Heel: Sapele
- Fretboard Wood: Ebony
- Neck Finish: Varnish
- Heel Length: 3-1/2 inches
- Peghead Finish: Varnish
- Peghead Type: Standard
- Headstock Overlay: Ebony
- Peghead Logo: Taylor Colorcore
- Bridge Pins: Black
- Buttons: Chrome
Taylor 150e-SB 12-String Acoustic Guitar - Sunburst
$ 899.00 $ 1,168.00
High-quality Taylor craftsmanship and electronics at a budget-friendly price point.
Taylor's 100 Series, which now includes the 150e 12-String Dreadnought acoustic-electric guitar, makes a great guitar-playing experience accessible to everyone with these real wood instruments. For people taking the first or next step in their musical journey, these instruments promise to accelerate players' growth and enhance their enjoyment. Taylor's famous neck profile combined with a 1 11/16" nut width make it easy for developing players to form barre chords. The 150e 12-String Dreadnought acoustic-electric guitar comes with a durable, 600-denier nylon gig bag with double-stitched seams and reinforced stress points, built by Taylor for an optimal fit.
Body Shape
The Dreadnought is one of the most traditional acoustic guitar shapes. Taylor's version has been refined to blend its trademark robust low-end tone with a snappy midrange and brilliant treble notes, producing a pleasing balance of power and articulation. If you're a flatpicker or strummer who likes to dig in on lead or rhythm, the Dreadnought should serve you well.
Tonewoods
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. The arched back of the guitar generates more sound from a small-bodied instrument, and using layered wood back and sides create a sturdy yet receptive platform for the vibrating string energy sent by the guitar's top. Layered wood is also less susceptible to changes in temperature and humidity, making it an excellent choice for players who travel with their instruments or simply require more durability.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
Other Features
Taylor is famous for its 12-string guitars due to their ease-of-play, their stability, their intonation and their overall tone. The Taylor Neck's slim neck profile and precision system allow precise and low action, resulting in the most comfortable "handfeel" found in a 12-string. The Taylor 150e is Taylor's most affordable 12-string to date, and the same attributes that make a high-end Taylor 12-string great are found on the 150e.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
- Body type: Taylor Dreadnought
- Cutaway: No
- Top wood: Solid Sitka Spruce
- Back & sides: Layered Walnut
- Bracing pattern: 100 Series 12-String Bracing Pattern
- Body finish: Satin Varnish
- Orientation: Right-Handed
- Neck shape: Standard Taylor 12-String Profile
- Nut width: 1-7/8" (47.6mm)
- Fingerboard: Genuine African Ebony
- Neck wood: Hard Rock Maple
- Scale length: 25-1/2"
- Number of frets: 20
- Neck finish: Satin Varnish
- Pickup/preamp: Expression System 2 Professional Audio-Grade
- Brand: Taylor
- Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
- Preamp EQ: Volume, Active Bass and Treble
- Feedback filter: Onboard Phase Switch
- Tuner: None
- Headstock overlay: West African Ebony
- Tuning machines: Die-cast Chrome Mini Tuners with Chrome Buttons
- Bridge: West African Ebony
- Saddle & nut: Micarta "Wave" Saddle; NuBone Nut
- Number of strings: 12
- Special features: n/a
- Case: Deluxe Taylor Gig Bag
- Accessories: None
- Country of origin: Mexico
Taylor 250ce-BLK DLX 12-String Dreadnought Acoustic Guitar - Black
$ 1,599.00 $ 2,078.00
Solid-topped 12-string dreadnought with a stylish gloss black finish.
Taylor's 200 Deluxe Series, which includes this 250ce-BLK DLX 12-string dreadnought acoustic-electric guitar, delivers all the essentials of a great guitar - exquisite playability, a full and articulate voice, impeccable intonation up the neck, and Taylor's top-of-the-line, professional-grade pickup - at a price that's within reach of many. This stunning gloss black 250ce 12-String strikes a sweet balance between tasteful design constraint and aesthetic variety, bringing Taylor's signature tonal clarity and playability into a stage-worthy mix of guitar options. The 250ce-BLK DLX 12-string ships in a deluxe hardshell case made by Taylor for optimal fit and protection.
Body Shape
The Dreadnought is one of the most traditional acoustic guitar shapes. Taylor's version has been refined to blend its trademark robust low-end tone with a snappy midrange and brilliant treble notes, producing a pleasing balance of power and articulation. If you're a flatpicker or strummer who likes to dig in on lead or rhythm, the Dreadnought should serve you well.
Tonewoods
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. Layered maple back and sides create a sturdy and complementary platform for the vibrating string energy sent by the guitar's top. Layered wood is less susceptible to changes in temperature and humidity, making it an excellent choice for players who travel with their instruments or simply require more durability.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
The Taylor 12-Strings
Building remarkable 12-strings is part of Taylor's heritage. Their ease-of-play, their neck stability, their intonation and their overall tone has made them the most popular 12-strings on the market. Taylor's slim neck profile and the Taylor Neck system allow precise and low action, resulting in the most comfortable "handfeel" possible in a 12-string guitar.
Body
- Body type: Taylor Dreadnought
- Cutaway: Yes - Venetian
- Top wood: Solid Lutz Spruce
- Back & sides: Layered Maple
- Bracing pattern: Taylor Standard II Bracing (Forward Shift Pattern)
- Body finish: Gloss
- Orientation: Right-Handed
Neck
- Neck shape: Standard Taylor Profile
- Nut width: 1-7/8"
- Fingerboard: Genuine West African Ebony
- Neck wood: Solid Hard Rock Maple
- Scale length: 25 1/2"
- Number of frets: 20
- Neck finish: Gloss
Electronics
- Pickup/preamp: Expression System 2 Professional Audio-Grade
- Brand: Taylor
- Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
- Preamp EQ: Volume, Active Bass, Active Treble
- Feedback filter: Onboard Phase Switch
- Tuner: None
Other
- Headstock overlay: Genuine West African Ebony
- Tuning machines: Taylor 18:1 Tuners with Satin Black Buttons
- Bridge: Genuine West African Ebony
- Saddle & nut: Micarta "Wave" Saddle; Nubone Nut
- Number of strings: 12
- Special features:
- Case: Taylor Deluxe Hardshell Case
- Accessories: None
- Country of origin: Mexico
Taylor 317e V-Class Acoustic Guitar - Natural
$ 1,899.99 $ 2,458.00
The 317e Grand Pacific Dreadnought acoustic-electric guitar is a new Taylor shape for 2019 that delivers a new Taylor sound. Taylor's 300 Series has introduced countless players to the pleasures of the all-solid-wood, USA-made acoustic experience. It is also the most approachable entry point in the Taylor line to the Grand Pacific round shoulder dreadnought. Built on the innovative V-Class bracing platform, the Grand Pacific is a fully realized example of how body shapes and tonewoods can be sculpted to create distinct and highly desirable tonal palettes. The 317e Grand Pacific is a unique entry to the dreadnought category, possessing clear low-end power, tonal consistency and sweeping versatility. The 317e Grand Pacific ships in a luxurious hardshell case with Western floral pattern, made by Taylor for optimal fit and protection.
Tonewood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. As a tonewood, solid sapele back and sides complement the top with sonic characteristics that live comfortably between the dry, clear, woody sound of mahogany and the complex, overtone-rich character of rosewood. Sapele responds well to a variety of playing styles and fits nicely into an instrument mix.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
V-Class Bracing
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially a "sonic engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation (in-tune-ness) issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
- New for 2019 round shoulder dreadnought design
- Taylor's exclusive V-Class bracing for improved intonation, volume, sustain
- Taylor ES2 electronics with Phase switch and 2-band EQ
- Elixir Phosphor-Bronze medium gauge strings
- Taylor deluxe hardshell "Country Western" case
- Body type: Round shoulder dreadnought
- Cutaway: No
- Top wood: Solid Sitka spruce
- Back and sides: Solid Sapele
- Bracing pattern: V-Class Grand Concert with relief rout
- Body finish: Gloss top, satin back and sides
- Orientation: Right handed
- Neck shape: Taylor Standard Profile
- Nut width: 1.75" (44.45 mm)
- Fingerboard: Genuine West African ebony
- Neck wood: Tropical mahogany
- Scale length: 25.5"
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band
- Feedback filter: Phase
- Tuner: No
- Headstock overlay: Genuine West African ebony
- Tuning machines: Taylor nickel with nickel buttons
- Bridge: Genuine West African ebony
- Saddle and nut: Micarta "wave" saddle/graphite nut
- Number of strings: 6
- Special features:
- Case: Deluxe hardshell case
- Accessories: None
- Country of origin: United States
Taylor 362ce Grand Concert 12-Fret 12-String Acoustic Guitar - Shaded Edgeburst
$ 2,299.00 $ 2,998.00
A 12-string that sings thanks to special tonewood pairing and unique Taylor saddle and electronics.
Taylor's 300 Series has introduced countless players to the pleasures of the all-solid-wood acoustic experience; it's the entry point to Taylor's USA-made instrument line. Players who step up to a 300 Series instrument will be rewarded with a guitar-for-a-lifetime that will only sound better with age. It doesn't take but a few strums to learn how the mix of tonewoods, construction and appointments combine to make Taylor's famous playability, intonation and tone. The 300 Series has everything you need and nothing you don't need in a fantastic sounding and playing instrument. All 300 Series instruments ship in a deluxe hard shell case made by Taylor for optimal fit and protection.
Body shape
Taylor's Grand Concert is slightly smaller that its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. The Grand Concert pairs well with this instrument's 12-fret neck-to-body construction, and offers an articulate voice with top-end chime. It's perfect for fingerstyle players and light strummers, though flatpickers are known to enjoy its tonal character too. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable.
Tonewood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Tropical mahogany is known for a meaty midrange featuring a strong fundamental without adding a lot of ringing overtones. It responds well to players with a strong attack who like dry, earthy, lo-fi sounds. It has a natural compression that smooths out strumming and picking technique. Mahogany's clear and direct tonal character makes it a great option for playing and standing out among other instruments. Tonally, blackwood behaves somewhere in the middle of rosewood and mahogany, with a little extra shimmer and chime that shows its family resemblance to koa. Pairing blackwood with the mahogany top not only gives you that roll-in effect associated with a mahogany top - really smooth attack and balance - but extra complexity as the note decays. It's a great combination.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the- saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
FEATURES
-
Taylor Double-Compensated Saddle keeps each string precisely compensated for intonation and individual string height
- Slim neck profile and neck system (the "Taylor Neck") allow precise and low action
- Special Shaded Edge Burst finish
- Exotic tonewood pairing
- Comes with deluxe hardshell case
Taylor 414ce LTD Cedar/Koa NAMM 2019 Acoustic Guitar - Natural
$ 2,799.00 $ 3,638.00
Taylor's cutaway acoustic/electric Grand Auditorium 414ce has long been a staple of gigging and recreational players thanks to its musical versatility and clean, workmanlike aesthetic. This 2019 NAMM Limited Edition model takes it to the next level, offering shaded edgeburst Koa back and sides, with a solid natural Cedar top. As in the new 414ce models, this LTD features V-Class bracing, a game-changing sonic engine that powers tonewoods to produce more volume, longer sustain, and stronger projection. Appointments include sleek black binding, diamond fretboard/peghead inlays in Italian acrylic, and proprietary ES2 electronics. The guitar ships in a deluxe hardshell case.
Features
Body
- Body type: Grand Auditorium
- Cutaway: Single
- Top wood: Solid Cedar
- Back & sides: Solid Flamed Koa
- Bracing pattern: V-Class Bracing
- Body finish: Gloss
- Orientation: Right handed
Neck
- Neck shape: Standard Taylor Profile
- Nut width: 1.75 in. (44.45 mm)
- Fingerboard: Genuine African Ebony
- Neck wood: Tropical Mahogany
- Scale length: 25.5 in.
- Number of frets: 20
- Neck finish: Satin
Electronics
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band
- Feedback filter: Phase
- Tuner: No
Other
- Headstock overlay: Genuine African Ebony
- Tuning machines: Taylor Nickel with Nickel Buttons
- Bridge: Genuine African Ebony
- Saddle & nut: Micarta "Wave"/Tusq
- Number of strings: 6-string
- Special features: None
- Case: Hardshell Case
- Accessories: None
- Country of origin: United States
Taylor 414ce LTD Cedar/Koa NAMM 2019 Acoustic Guitar - Natural
$ 2,799.00 $ 3,638.00
Taylor's cutaway acoustic/electric Grand Auditorium 414ce has long been a staple of gigging and recreational players thanks to its musical versatility and clean, workmanlike aesthetic. This 2019 NAMM Limited Edition model takes it to the next level, offering shaded edgeburst Koa back and sides, with a solid natural Cedar top. As in the new 414ce models, this LTD features V-Class bracing, a game-changing sonic engine that powers tonewoods to produce more volume, longer sustain, and stronger projection. Appointments include sleek black binding, diamond fretboard/peghead inlays in Italian acrylic, and proprietary ES2 electronics. The guitar ships in a deluxe hardshell case.
Features
Body
- Body type: Grand Auditorium
- Cutaway: Single
- Top wood: Solid Cedar
- Back & sides: Solid Flamed Koa
- Bracing pattern: V-Class Bracing
- Body finish: Gloss
- Orientation: Right handed
Neck
- Neck shape: Standard Taylor Profile
- Nut width: 1.75 in. (44.45 mm)
- Fingerboard: Genuine African Ebony
- Neck wood: Tropical Mahogany
- Scale length: 25.5 in.
- Number of frets: 20
- Neck finish: Satin
Electronics
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band
- Feedback filter: Phase
- Tuner: No
Other
- Headstock overlay: Genuine African Ebony
- Tuning machines: Taylor Nickel with Nickel Buttons
- Bridge: Genuine African Ebony
- Saddle & nut: Micarta "Wave"/Tusq
- Number of strings: 6-string
- Special features: None
- Case: Hardshell Case
- Accessories: None
- Country of origin: United States
Taylor 414ce-R V-Class Grand Auditorium Acoustic-Electric Guitar - Natural
$ 2,599.99 $ 3,398.00
Indian rosewood is one of the most popular and musically expressive tonewoods in the world. Among Taylor’s solid-wood guitars, rosewood is normally reserved for the 700, 800 and 900 Series, but the 400 Rosewoods bring rosewood - with lustrous gloss finishes - into a more accessible price range. Taylor's Grand Auditorium shape and rosewood's balanced, broad sonic range and complexity - and of course Taylor's renown playability - result in a guitar that will be a joy to play in a variety of scenarios for a lifetime. The 414ce-R V-Class Grand Auditorium acoustic-electric guitar ships in a deluxe hardshell case made by Taylor for optimal fit and protection.
Body Shape
A Taylor original, the Grand Auditorium helped establish the Taylor acoustic sound. The popular body style makes for a versatile guitar that yields ample volume in response to light fingerpicking, and reacts to medium strumming and flatpicking with a clear, balanced sound across the tonal spectrum. If you want a great all-purpose guitar, the GA is an excellent choice.
Tonewood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. Solid Indian rosewood back and sides complement the Sitka top with sound that's made it one of the most popular tonewoods ever. Rosewood produces the strongest bass response among the tonewoods commonly used for guitars, with a slightly scooped midrange. Rosewood's sweeping frequency range - deep lows that assert a throaty growl with sparkling highs - rings out with bell-like, high-fidelity clarity. It yields a full-range acoustic voice with complex overtones and extended sustain.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
Other Features
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially a "sonic engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation (in-tune-ness) issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
Features
Body- Body type: Taylor Grand Auditorium
- Cutaway: Yes - Venetian
- Top wood: Solid Sitka Spruce
- Back & sides: Solid Indian Rosewood
- Bracing pattern: Taylor V-Class Bracing with Relief Rout
- Body finish: Gloss
- Orientation: Right-Handed
- Neck shape: Standard Taylor Profile
- Nut width: 1-3/4" (44.5mm)
- Fingerboard: Genuine West African Ebony
- Neck wood: Tropical Mahogany
- Scale length: 25-1/2"
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Expression System 2 Professional Audio-Grade
- Brand: Taylor
- Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
- Preamp EQ: Volume, Active Bass and Treble
- Feedback filter: Onboard Phase Switch
- Tuner: None
- Headstock overlay: Genuine West African Ebony
- Tuning machines: Taylor Nickel Tuners with Nickel Buttons
- Bridge: Genuine West African Ebony
- Saddle & nut: Micarta "Wave" Saddle; Teflon-Infused Graphite Nut
- Number of strings: 6
- Special features:
- Case: Taylor Deluxe Hardshell Case
- Accessories: None
- Country of origin: USA
Taylor 414ce-R V-Class Grand Auditorium Acoustic-Electric Guitar - Natural
$ 2,599.99 $ 3,398.00
Indian rosewood is one of the most popular and musically expressive tonewoods in the world. Among Taylor’s solid-wood guitars, rosewood is normally reserved for the 700, 800 and 900 Series, but the 400 Rosewoods bring rosewood - with lustrous gloss finishes - into a more accessible price range. Taylor's Grand Auditorium shape and rosewood's balanced, broad sonic range and complexity - and of course Taylor's renown playability - result in a guitar that will be a joy to play in a variety of scenarios for a lifetime. The 414ce-R V-Class Grand Auditorium acoustic-electric guitar ships in a deluxe hardshell case made by Taylor for optimal fit and protection.
Body Shape
A Taylor original, the Grand Auditorium helped establish the Taylor acoustic sound. The popular body style makes for a versatile guitar that yields ample volume in response to light fingerpicking, and reacts to medium strumming and flatpicking with a clear, balanced sound across the tonal spectrum. If you want a great all-purpose guitar, the GA is an excellent choice.
Tonewood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. Solid Indian rosewood back and sides complement the Sitka top with sound that's made it one of the most popular tonewoods ever. Rosewood produces the strongest bass response among the tonewoods commonly used for guitars, with a slightly scooped midrange. Rosewood's sweeping frequency range - deep lows that assert a throaty growl with sparkling highs - rings out with bell-like, high-fidelity clarity. It yields a full-range acoustic voice with complex overtones and extended sustain.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
Other Features
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially a "sonic engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation (in-tune-ness) issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
Features
Body- Body type: Taylor Grand Auditorium
- Cutaway: Yes - Venetian
- Top wood: Solid Sitka Spruce
- Back & sides: Solid Indian Rosewood
- Bracing pattern: Taylor V-Class Bracing with Relief Rout
- Body finish: Gloss
- Orientation: Right-Handed
- Neck shape: Standard Taylor Profile
- Nut width: 1-3/4" (44.5mm)
- Fingerboard: Genuine West African Ebony
- Neck wood: Tropical Mahogany
- Scale length: 25-1/2"
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Expression System 2 Professional Audio-Grade
- Brand: Taylor
- Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
- Preamp EQ: Volume, Active Bass and Treble
- Feedback filter: Onboard Phase Switch
- Tuner: None
- Headstock overlay: Genuine West African Ebony
- Tuning machines: Taylor Nickel Tuners with Nickel Buttons
- Bridge: Genuine West African Ebony
- Saddle & nut: Micarta "Wave" Saddle; Teflon-Infused Graphite Nut
- Number of strings: 6
- Special features:
- Case: Taylor Deluxe Hardshell Case
- Accessories: None
- Country of origin: USA
Taylor 517e Builder's Edition Acoustic Guitar - Wild Honey Burst
$ 2,999.99 $ 3,918.00
The Grand Pacific is a new Taylor shape introduced in 2019 to deliver a new Taylor sound. Built on the innovative V-Class bracing platform, the Grand Pacific is a fully realized example of how body shapes and tonewoods can be sculpted to create distinct and highly desirable tonal palettes. The Builder's Edition 517e Grand Pacific acoustic-electric guitar further showcases Taylor's pursuits to create the most player-friendly guitars in both sound and feel: a compound carve neck profile, rolled fretboard edges, chamfered body edges, and new Curve Wing bridge shape. The Grand Pacific is a unique entry to the dreadnought category, possessing clear low-end power, tonal consistency and sweeping versatility. The Grand Pacific 517e acoustic-electric guitar ships in a luxurious hardshell case with Western floral pattern, made by Taylor for optimal fit and protection.
Tonewood Pairing
V-Class bracing helps create an even clearer delineation between the tonal character of each wood. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. The Sitka spruce top on this Grand Pacific features a special seasoning process called "torrefaction", a method of roasting the wood to produce an aged tonal character with greater acoustic resonance and responsiveness. Mahogany, as a general rule, imparts a sound that can be described as "dry" and lives near the other end of the spectrum from rosewood. The “dry” attribute is characterized as clear, woody, and fundamental-strong. The note you play is the note you get - a wonderful thing for many players and musical applications.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
V-Class Bracing
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially a "sonic engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation (in-tune-ness) issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
- Taylor exclusive round shoulder dreadnought shape, introduced in 2019
- Beveled body edges
- Grained ivoroid peghead and fretboard inlays
- Curve Wing bridge shape
- Body type: Round Shoulder drednought
- Cutaway: No
- Top wood: Solid Sitka spruce
- Back and sides: Solid Neo-tropical mahogany
- Bracing pattern: V-Class
- Body finish: Satin
- Orientation: Right handed
- Neck shape: Taylor Grand Pacific Compound Carve
- Nut width: 1.75" (44.45 mm)
- Fingerboard: Genuine West African ebony
- Neck wood: Tropical mahogany
- Scale length: 25.5"
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band Explained above
- Feedback filter: Phase
- Tuner: No
- Headstock overlay: Genuine West African ebony
- Tuning machines: Nickel tuners with nickel buttons
- Bridge: Genuine West African ebony
- Saddle and nut: Micarta "wave"/Graphite nut
- Number of strings: 6
- Special features:
- Case: Taylor Deluxe hardshell "Country Western" case
- Accessories: None
- Country of origin: United States
Taylor 522e 12-Fret Acoustic Guitar - Shaded Edge Burst
$ 2,949.00 $ 3,838.00
Taylor's 500 Series is a favorite of players who enjoy the sound and look of mahogany back and sides. Now with Taylor's innovative V-Class Bracing, the 500 Series Grand Auditorium models, like this 522e 12-Fret V-Class Grand Concert acoustic-electric guitar, evoke a refined, rootsy charm that will satisfy players looking for an inspiring musical tool. The 522e 12-Fret V-Class Grand Concert ships in a deluxe hardshell case made by Taylor for optimal fit and protection.
Body Shape
Taylor's Grand Concert is slightly smaller that its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. The Grand Concert pairs well with both 14-fret and 12-fret neck-to-body construction, and offers an articulate voice with top-end chime. It's perfect for fingerstyle players and light strummers, though flat-pickers are known to enjoy its tonal character too. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable. Taylor’s compact Grand Concert 12-fret guitars deliver a uniquely inspiring playing experience. The shorter 12-fret neck and 24-7/8" scale length create a slinky hand-feel that makes fretting and bending strings easier, and the different bridge placement articulates the top in a way that produces a remarkably powerful voice for a small body. On this all-mahogany 12-fret, players can expect more warmth, power and responsiveness than ever.
Tonewood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Tropical mahogany is known for a meaty midrange featuring a strong fundamental without adding a lot of ringing overtones. It responds well to players with a strong attack who like dry, earthy, lo-fi sounds. It has a natural compression that smooths out strumming and picking technique. Mahogany's clear and direct tonal character makes it a great option for playing and standing out among other instruments.
V-Class Bracing
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially a "sonic engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation (in-tune-ness) issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
- Body type: Grand Concert/OO
- Cutaway: No
- Top wood: Solid Neo-tropical mahogany
- Back and sides: Solid Neo-tropical mahogany
- Bracing pattern: V-Class Grand Concert with relief rout
- Body finish: Gloss
- Orientation: Right handed
- Neck shape: Taylor Standard Profile
- Nut width: 1.75" (44.45 mm)
- Fingerboard: Genuine West African ebony
- Neck wood: Neo-tropical mahogany
- Scale length: 24.87"
- Number of frets: 18
- Neck finish: Satin
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band
- Feedback filter: Phase
- Tuner: No
- Headstock overlay: Genuine West African ebony
- Tuning machines: Taylor nickel slotted with ebony buttons
- Bridge: Genuine West African ebony
- Saddle and nut: Micarta "wave" saddle/Black graphite nut
- Number of strings: 6
- Special features:
- Case: Deluxe hardshell case
- Accessories: None
- Country of origin: United States
Taylor 562ce 12-String Acoustic Guitar
$ 2,799.99 $ 3,658.00
Taylor’s Grand Concert 12-strings reaffirm Taylor’s heritage of easy-playing double course instruments thanks to a lap-friendly body size, a 12-fret neck, and a 24-7/8" scale length. The slinky handfeel makes fretting and bending strings easier, the neck and body are comfortably balanced, and the compact body produces a clear 12-string voice. The hardwood mahogany top adds just enough compression to the attack to smooth out the response, bringing an appealing consistency across the tonal spectrum, while still capturing the beautiful octave shimmer. It makes a great 12-string choice for tracking in a studio, and behaves well with other instruments in a live setting. Refined aesthetic touches include a shaded edgeburst body and neck, faux tortoise shell binding, a rosette of faux tortoiseshell and grained ivoroid, and a grained ivoroid Century fretboard inlay.
The smallest of Taylor’s full-size body shapes. Its compact dimensions make for a physically comfortable guitar with an intimate feel and sound. The smaller footprint keeps the overtones in check, contributing to a focused, articulate sound that’s well-suited for recording and stage work.
Tropical Mahogany
As a top wood, mahogany produces a natural compression, so it won’t yield as quick a response as a spruce-top guitar will. A mahogany-top guitar will produce strong fundamentals, with clear and direct focus. It might be characterized as having a woody, dry tone.
Expression System 2
Taylor’s breakthrough acoustic pickup marks a major advance in piezo technology thanks to a patented behind-the-saddle design. The unique placement of three piezo sensors captures a more dynamic range of acoustic sound and responds well in a variety of settings.
- Body type: Grand Concert/OO
- Cutaway: Single cutaway
- Top wood: Tropical Mahogany
- Back & sides: Tropical Mahogany
- Bracing pattern: Performance with Relief Rout
- Body finish: Gloss
- Orientation: Right handed
- Neck
- Neck shape: Info not available
- Nut width: 1.75" (44.45mm)
- Fingerboard: Ebony
- Neck wood: Tropical Mahogany
- Scale length: 24.84"
- Number of frets: 20
- Neck finish: Satin
- Electronics
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind the saddle pickup
- Preamp EQ: No
- Feedback filter: No
- Tuner: No
- Other
- Headstock overlay: Ebony
- Tuning machines: Nickel
- Bridge: Ebony
- Saddle & nut: Bone
- Number of strings: 12-string
- Special features: Tonewoods
- Case: Gig bag
- Accessories: None
Taylor 612ce 12-Fret Acoustic Guitar - Natural
$ 3,649.00 $ 4,778.00
Historically, maple has actually been one of the classic tonewoods for other stringed instruments in the violin family. Taylor has voiced its maple 600s to re-introduce its true voice to guitar players, and the results have been amazing. If you have preconceptions about maple, check them at the door, because these guitars deliver plenty of the warmth, depth, richness and sustain your ears crave in an acoustic guitar, without losing the clarity and transparency that allows maple to reflect the player and fit into a mix with other instruments. All Taylor 600 Series instruments include a deluxe Taylor hard shell case for optimal fit and protection.
Body Shape
Taylor's Grand Concert is slightly smaller that its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable. Taylor's 12-fret designs are appealing to many players who enjoy the guitars' compact playing framework, blending the lap-friendly Grand Concert body with the slightly condensed fret spacing of the 24-7/8-inch scale length and the shorter 12-fret neck orientation. This combination creates a slinky "handfeel" and easier fretting.
Factor in the surprising tonal power and midrange warmth and vibrancy for a smaller body, thanks to the bridge's position near the center of the lower bout. The design is physically efficient, so it has strong projection; despite its smaller size it sounds like a huge instrument. Taylor 12-fret guitars are not just great for fingerstyle and light playing; players who love strumming or digging in with a heavier attack also appreciate them for their tonal character. Pairing a 12-fret neck design with a cutaway body blends the unique response from the bridge sitting back a little farther on the lower bout with the accessibility to the upper register - you get to play the high notes.
Tone Wood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. 600 Series guitars feature a special seasoning process for the spruce top called torrefaction, a method of roasting the wood to produce an aged tonal character with greater acoustic resonance and responsiveness.
Traditionally known for having a focused tone with a fast note decay that cuts through a mix, maple (back and sides) guitars have been voiced to produce greater warmth, complexity, volume, sustain and responsiveness, while retaining maple’s naturally clear, linear qualities. The clarity of the high end is still there, but the bottom end has been extended. The result is a more multi-dimensional sound that gives players the kind of musical versatility of other classic tonewoods, making these maple models a compelling choice as a primary guitar, not just a stage guitar. These maple guitars are voiced to be very reflective of the player’s technique, so a player with a dynamic playing style or someone who likes to vary their picking attack will appreciate how easily those playing nuances come through in the tonal response.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in.
Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
V-Class Bracing
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially an "engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation issues that have long plagued acoustic guitars.
V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
- Body type: Taylor Grand Concert
- Cutaway: Yes - Venetian
- Top wood: Solid Torrified Sitka Spruce
- Back & sides: Solid Figured Big Leaf Maple
- Bracing pattern: Taylor V-Class Bracing with Relief Rout
- Body finish: Gloss
- Orientation: Right-Handed
- Neck shape: Taylor Standard Profile
- Nut width: 1-3/4" (44.5mm)
- Fingerboard: Genuine West African Ebony
- Neck wood: Hard Rock Maple
- Scale length: 24-7/8"
- Number of frets: 18
- Neck finish: Satin
- Pickup/preamp: Expression System 2 Professional Audio-Grade
- Brand: Taylor
- Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
- Preamp EQ: Volume, Active Bass and Treble
- Feedback filter: Onboard Phase Switch
- Tuner: None
- Headstock overlay: Genuine West African Ebony
- Tuning machines: Taylor Nickel Tuners with Nickel Buttons
- Bridge: Genuine West African Ebony
- Saddle & nut: Micarta "Wave" Saddle; Teflon-Infused Graphite Nut
- Number of strings: 6
- Special features: V-Class Bracing
- Case: Taylor Deluxe Hard Shell Case
- Accessories: None
- Country of origin: USA
Taylor 614ce Acoustic Electric Guitar - V-Class
$ 3,499.00 $ 4,578.00
Taylor's revoiced maple guitars have sparked a revival among players thanks to Andy Powers' thoughtful update back in 2015. Going one giant step farther in 2018 with Taylor's innovative V-Class bracing, these refinements deliver much more than the sum of their parts. For everyone from pros to hobbyists, they make the playing experience more expressive, inspiring and fun. From the enhanced volume, sustain and the "in-tune-ness" of the instrument, to the beautifully preserved sonic transparency of maple, the new 614ce Deluxe V-Class guitar delivers a new level of player experience. A torrified spruce top coaxes out a played-in sound with pleasing warmth, complexity and sustain. Gorgeous aesthetic strokes include a hand-rubbed Brown Sugar stain which visually amplifies maple's rich fiddleback figure in a nod to the stains used on traditional violin-family instruments. Taylor also appreciates that maple is a sustainably-managed North American timber, with additional efforts in place to propagate in for future generations of guitar lovers. The 614ce V-Class guitar ships in a Taylor deluxe hardshell case for optimal fit and protection.
Body Shape
A Taylor original, the Grand Auditorium helped establish the Taylor acoustic sound. The popular body style makes for a versatile guitar that yields ample volume in response to light fingerpicking, and reacts to medium strumming and flatpicking with a clear, balanced sound across the tonal spectrum. If you want a great all-purpose guitar, the GA is an excellent choice.
Tonewood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. 600 Series guitars feature a special seasoning process for the spruce top called torrefaction, a method of roasting the wood to produce an aged tonal character with greater acoustic resonance and responsiveness. Traditionally known for having a focused tone with a fast note decay that cuts through a mix, our maple (back and sides) guitars have been voiced to produce greater warmth, complexity, volume, sustain and responsiveness, while retaining maple’s naturally clear, linear qualities. The clarity of the high end is still there, but the bottom end has been extended. The result is a more multi-dimensional sound that gives players the kind of musical versatility of other classic tonewoods, making our maple models a compelling choice as a primary guitar, not just a stage guitar. Our maple guitars are voiced to be very reflective of the player’s technique, so a player with a dynamic playing style or someone who likes to vary their picking attack will appreciate how easily those playing nuances come through in the tonal response.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acousticly or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
Other Features
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially a "sonic engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation (in-tune-ness) issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
Features:
- Brown Sugar hand-rubbed stain
- V-Class bracing
- Body type: Grand Auditorium
- Cutaway: Venetian
- Top wood: Solid Torrefied Sitka spruce
- Back and sides: Solid Figured Big Leaf Maple
- Bracing pattern: V-Class with Relief Rout
- Body finish: Gloss 4.5
- Orientation: Right handed
- Neck shape: Taylor Standard Profile
- Nut width: 1.75" (44.45 mm)
- Fingerboard: West African Ebony
- Neck wood: Tropical mahogany
- Scale length: 25.5"
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band
- Feedback filter: Phase
- Tuner: No
- Headstock overlay: West African ebony
- Tuning machines: Taylor nickel with Nickel Buttons
- Bridge: West African ebony
- Saddle and nut: Micarta "Wave"/NuBone
- Number of strings: 6
- Special features:
- Case: Deluxe Hardshell case
- Accessories:
- Country of origin: United States
Taylor 614ce LTD Quilt Maple Grand Auditorium Acoustic Electric Guitar - Desert Sunburst
$ 3,999.00 $ 5,198.00
Taylor's revoiced maple guitars have sparked a revival among players thanks to Andy Powers' thoughtful update back in 2015. Going one giant step farther in 2019 with Taylor's innovative V-Class bracing, these refinements deliver much more than the sum of their parts. For everyone from pros to hobbyists, they make the playing experience more expressive, inspiring and fun. From the enhanced volume, sustain and the "in-tune-ness" of the instrument, to the beautifully preserved sonic transparency of maple, the new 614ce Deluxe V-Class guitar delivers a new level of player experience. A torrified spruce top coaxes out a played-in sound with pleasing warmth, complexity and sustain. Taylor also appreciates that maple is a sustainably-managed North American timber, with additional efforts in place to propagate in for future generations of guitar lovers. The 614ce LTD V-Class guitar ships in a Taylor deluxe hardshell case for optimal fit and protection.
Body Shape
A Taylor original, the Grand Auditorium helped establish the Taylor acoustic sound. The popular body style makes for a versatile guitar that yields ample volume in response to light fingerpicking, and reacts to medium strumming and flatpicking with a clear, balanced sound across the tonal spectrum. If you want a great all-purpose guitar, the GA is an excellent choice.
Tonewood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. 600 Series guitars feature a special seasoning process for the spruce top called torrefaction, a method of roasting the wood to produce an aged tonal character with greater acoustic resonance and responsiveness. Traditionally known for having a focused tone with a fast note decay that cuts through a mix, our maple (back and sides) guitars have been voiced to produce greater warmth, complexity, volume, sustain and responsiveness, while retaining maple’s naturally clear, linear qualities. The clarity of the high end is still there, but the bottom end has been extended. The result is a more multi-dimensional sound that gives players the kind of musical versatility of other classic tonewoods, making our maple models a compelling choice as a primary guitar, not just a stage guitar. Our maple guitars are voiced to be very reflective of the player’s technique, so a player with a dynamic playing style or someone who likes to vary their picking attack will appreciate how easily those playing nuances come through in the tonal response.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acousticly or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
Other Features
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially a "sonic engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation (in-tune-ness) issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
Features:
- Limited Edition Desert Sunburst Finish
- V-Class bracing
- Body type: Grand Auditorium
- Cutaway: Venetian
- Top wood: Solid Torrefied Sitka spruce
- Back and sides: Solid Quilt Maple
- Bracing pattern: V-Class with Relief Rout
- Body finish: Gloss 4.5
- Orientation: Right handed
- Neck shape: Taylor Standard Profile
- Nut width: 1.75" (44.45 mm)
- Fingerboard: West African Ebony
- Neck wood: Tropical mahogany
- Scale length: 25.5"
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band
- Feedback filter: Phase
- Tuner: No
- Headstock overlay: West African ebony
- Tuning machines: Taylor nickel with Nickel Buttons
- Bridge: West African ebony
- Saddle and nut: Micarta "Wave"/NuBone
- Number of strings: 6
- Special features:
- Case: Deluxe Hardshell case
- Accessories:
- Country of origin: United States
Taylor 717e Builder's Edition Acoustic Guitar - Natural
$ 3,099.00 $ 4,018.00
Builder's Edition 717e
Part of Taylor’s inaugural class of Grand Pacific guitars, the Builder’s Edition 717e builds on a long tradition of rosewood/spruce dreadnoughts but breaks new ground with an entirely new Taylor sound. The round-shoulder dreadnought shape, featuring Taylor’s award-winning V-Class bracing, produces warm, seasoned acoustic tone in which individual notes overlap and blend smoothly together, while the low-end power common among dreadnoughts boasts greater clarity here. V-Class brings extra punch and sustain, along with improved intonation and musicality across the entire frequency spectrum. Together with rosewood’s harmonic complexity and the played-in sound of the torrefied spruce top, players can expect rich, luxurious tonal character from top to bottom. It’s a voice comfortably rooted in a traditional sound, yet updated to offer more expressive musical range. As a Builder’s Edition model, the 717e also sports an array of premium, player-friendly features: chamfered body edges, rolled fretboard edges, and a new compound-carve neck profile, whose contours match the natural adjustments in the player’s hand position when moving up and down the fretboard. Even the bridge design was refined to add a more ergonomic feel for the player’s pick hand. Taylor’s noise-reducing Silent Satin finish displays the muted sheen of an older guitar, while elegantly understated appointments include mother-of-pearl Arrowhead fretboard and peghead inlays, with sapele binding. This edition also features our stage-ready ES2 electronics.
- New for 2019 exclusive round shoulder dreadnought created by Master Luthier Andy Powers
- V-Class bracing for better in-tuneness, sustain, projection
- Beveled body edges
- Mother-of-pearl peghead and fretboard inlays
- Taylor ES2 electronics
- Special "Country Western" deluxe hardshell case
- Body type: Round Shoulder drednought
- Cutaway: No
- Top wood: Solid torrified Sitka spruce
- Back and sides: Solid Indian rosewood
- Bracing pattern: V-Class
- Body finish: Satin
- Orientation: Right handed
- Neck shape: Taylor Grand Pacific Compound Carve
- Nut width: 1.75" (44.45 mm)
- Fingerboard: Genuine West African ebony
- Neck wood: Tropical mahogany
- Scale length: 25.5"
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ: 2-band Explained above
- Feedback filter: Phase
- Tuner: No
- Headstock overlay: Genuine West African ebony
- Tuning machines: Nickel tuners with nickel buttons
- Bridge: Genuine West African ebony
- Saddle and nut: Micarta "wave"/Graphite nut
- Number of strings: 6
- Special features:
- Case: Taylor Deluxe hardshell "Country Western" case
- Accessories: None
- Country of origin: United States
Taylor BTe-Koa Acoustic Guitar - Natural Koa
$ 549.00 $ 708.00
The Taylor Hawaiian Koa Top Baby Taylor, an apparently limited version of the original Baby Taylor, substitutes a solid Hawaiian koa top with layered koa back and sides, giving this little Dreadnought an exotic, attractive complexion and a boost of warmth. The BTE Koa is the ultimate travel companion, delivering volume and tone that surprise for its diminutive dimensions. At three-quarters the size of a full-sized guitar, the Baby Taylor lives for the road. Another handy feature on this edition is the Expression System Baby (ES-B) pickup, which incorporates piezo design elements from the Taylor ES2. The pickup is powered by an onboard preamp with a built-in digital chromatic tuner. The preamp/tuner unit features an LED display for tuning and low battery indication, along with Tone and Volume controls. The Baby Taylor also loves little hands, which makes it an irresistible choice for the young beginner.
- Model: Baby BTe-Koa
- Type: 3/4 Size Dreadnought
- Top Wood: Layered Koa
- Back & Sides Wood: Layered Koa
- Neck Wood: Sapele
- Neck Dimensions: .820 1st - .850 9th
- Fretboard Material: Ebony
- Fingerboard Inlays: Dot
- Scale Length: 22-3/4"
- Width at Nut: 1-11/16"
- Nut Material: NuBone
- Rosette: Single Ring
- Electronics: ES-B
- Tuners: Enclosed Die-Cast Chrome Plated
- Bridge: Ebony
- Saddle: NuBone
- Case: Gig Bag
Taylor Custom BTO 12-Fret Grand Concert 12-String Acoustic Guitar
$ 7,072.00 $ 8,910.00
Guitar
- Strings: 12
- Shape: Grand Concert
- Cutaway: Florentine
- Armrest: No
- Backstrap: No
Wood
- Back/Sides: African Ebony
- Back Config: 3-Piece Mini Wedge
- Top: Lutz Spruce
- Fb/Bridge: Ebony
- Wedge: Same as Wood Binding
- Neck: Mahogany
- Peghead Veneer: Custom
- Bracing: 12-Fret Bracing Adirondack
Binding
- Material: Cocobolo
- Peg Head: Same as Body, Fretboard
Purfling
- Material: Fiber
- Body Top: B/W/B/W/W/B
Rosette: Cocobolo, Single Ring
Inlays
- Peghead Logo: Taylor Mother of Pearl
- Fretboard: Custom Inlay
- Peg Head: NA
- Bridge: NA
- Abalone Trim: NA
Neck
- Width: 1-7.8"
- Scale Length: Short Scale 24-7/8"
- Neck Profile: Standard Carve
- Peg Head Type: Standard
Finish
- Back/Sides: Gloss
- Top: Gloss
- Neck: Satin
- Peg Head: Gloss
- Stain/Sunburst: Natural
- Tuners: Taylor, Gold, 12-String
- Nut/Saddles: Tusq Nut/Micarta Saddle
- Strings: Elixir Nanoweb Lights
- Bridge Pins: Ebony
- Strap Pin: Bone/abalone dots
- End Pin:
- Pickguard: Tortoise Shell
- TRC: Match Back and Sides
- Electronics: ES2
- Case: Brown
Taylor Custom GO Cocobolo/Adirondack Grand Orchestra Cutaway Acoustic Guitar
$ 10,386.00 $ 13,086.00
The Custom Cocobolo/Adirondack Grand Orchestra Acoustic-Electric Guitar displays classic looks, while providing all the innovation and modern craftsmanship you'd expect from this Southern California builder. The top is Adirondack spruce with Adirondack bracing, and the back/sides are constructed with superb select cocobolo, creating a punchy and percussive sound.
The fingerboard features ivroid inlays that harken back to a simpler, folksy era. The top is given a light aged toner finish and the guitar is trimmed with cocobolo binding to enhance its traditional appearance. This workhorse guitar would feel at home in the hands of a bluegrass picker or a great singer-songwriter. It comes with Taylor's latest Expression System 2 electronics for flawless amplification.
Grand Orchestra
The newest shape to join the Taylor family unleashes the boldest, richest voice available in a Taylor guitar. Just as the Grand Symphony yields a deeper, more powerful voice than the Grand Auditorium, the Grand Orchestra stands out as a more robust alternative to the Grand Symphony. The GO shape features a slightly bigger footprint and a deeper body, which helps produce a potent low-end response. Under the hood, a new bracing scheme optimizes the movement of the soundboard to produce louder, more complex tone with incredible sustain.
What separates the Grand Orchestra from other big-bodied guitars is how balanced the tone is from top to bottom, especially given its brawny bass. And unlike other big-body guitars that require an aggressive attack to get the top moving, the GO is responsive to a light touch, rewarding players who have a dynamic playing style. If you crave a guitar sound that' brimming with power and rich detail, the Grand Orchestra won't disappoint. From big cowboy chords to lush fingerstyle arrangements, the Grand Orchestra might be the most expressive and versatile big guitar you ever play.
Expression System 2
The Taylor Expression System 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor's ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor's proprietary behind-the-saddle pickup (patent pending), which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before.
Together with Taylor's custom-designed professional audio-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.
- Body type: Grand Orchestra
- Cutaway: Cutaway
- Top wood: Spruce Adirondack
- Back & sides: Cocobolo
- Bracing pattern: Grand Orchestra
- Body finish: Gloss
- Orientation: Right handed
- Neck shape: C
- Nut width: 1.75" (44.45mm)
- Fingerboard: Ebony
- Neck wood: Mahogany Tropical
- Scale length: 25.5"
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Yes
- Brand: Taylor
- Configuration: Behind the saddle pickup
- Preamp EQ: 2-band
- Feedback filter: No
- Tuner: No
- Headstock overlay: Cocobolo
- Tuning machines: Nickel
- Bridge: Ebony
- Saddle & nut: Bone
- Number of strings: 6-string
- Special features: Tonewoods
- Case: Hardshell case
- Accessories: None
- Country of origin: United States
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