$ 244.99 $ 285.98
GENZLER® AMPLIFICATION proudly announces the addition of a second pedal from the “redux collaboration” that brings Jeff Genzler and engineer Andy Field back together again — developing a new line of bass effect pedals under the Genzler Amplification brand.
The GENZLER® AMPLIFICATION pedal line will explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting circuits that were started but never used, blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective pasts to develop what they feel players would use and appreciate, going forward.
And now, the introduction of the second model in the line —- the Re/Q — DUAL FUNCTION EQUALIZATION pedal, which offers 2 specific and separate filter networks, HPF and LPF filters with on/off switching and a 5 band EQ network, with its own on/off switching. And the EQ network provides an EQ Output level of +/- 9dB. This versatile design allows the pedal to be used as a clean boost, and is a great combination with the 4 ON THE FLOOR, CLASSIC BASS OVERDRIVE pedal. This pedal also offers another level of versatility as it accepts nearly any power supply; 9 – 18 Volts, either polarity. (Power supply not included).
The re/Q™ DUAL FUNCTION EQ PEDAL is a low noise, ALL ANALOG multi-function HIGH PASS FILTER – LOW PASS FILTER and 5 BAND EQ pedal that gives the player complete tonal control over the cut-off of the extreme low and high frequencies, plus 5 bands of peak-dip equalization. The filter section is foot switched independently from the EQ section, and there is additional make-up gain or cut after the EQ for balancing of levels or to act as an additional boost/cut function when the EQ is switched into the signal path. The re/Q is also a great companion to our 4 ON THE FLOOR Classic Overdrive Pedal. It can be used to tailor your instrument’s tone for various overdrive settings, or increased boost levels for any of the Overdrive gears.
There are a wide variety of uses for the re/Q and is an excellent compliment to either of our MAGELLAN 350 or MAGELLAN 800 bass amps.
Features:
$ 199.99 $ 263.98
The Studio Compressor provides recording-quality compression with Constant Headroom Technology™ and true bypass switching for clear, clean performance.
This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).
$ 219.00 $ 262.80
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.
MODEL COSMOSIS |
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MODEL NAME |
Cosmosis | |
SKU |
COS | |
FUNCTION |
Stereo Ambient Reverb with Morphing | |
CATEGORY 1 |
Reverb | |
CATEGORY 2 |
- | |
EXPRESSION |
TRS Remote | |
BYPASS |
Buffered | |
ELECTRONICS |
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VOLTAGE |
9VDC | |
CURRENT DRAW |
100mA | |
INPUT IMPEDANCE |
High | |
OUTPUT IMPEDANCE |
1k | |
BODY |
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LENGTH (IN) |
3.25 | |
WIDTH (IN) |
4.5 | |
HEIGHT (IN) |
2.2 | |
WEIGHT (LBS) |
1 |
$ 419.00 $ 502.80
Infinity 3 is the world’s most musical looping pedal. Simple to operate, yet tremendously powerful and flexible, the Infinity 3 guarantees latency-free looping. Our state-of-the-art platform provides instantaneous record, playback, dub, undo and redo, on two stereo loop pairs that can be played in series or parallel as well as synchronized and cue'd for automatic playback. On top of superior speed and a unique, performance-friendly feature set, Infinity 3 sounds downright incredible thanks to its discrete analog limiter stages, transparent analog pass-through and 24 bit HD recording engine with variable sample rate that can be incremented in semi-tones over two octaves. With approximately 3 hours of recording time on up to 50 loop pairs, the Infinity 3 was designed to inspire compositional depth and engaging performances. Comprehensive MIDI control and intelligent MIDI clock jitter correction provide the ability to link the Infinity 3 to a DAW, Drum Machine or other effects pedals. Infinity 3 is the ultimate tool for writing, rehearsing and performing every style of music.
MODEL |
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MODEL NAME |
Infinity Looper 3 | |
SKU |
SPL3 | |
FUNCTION |
Deluxe Stereo Double Looper w/ MIDI | |
CATEGORY 1 |
Looping | |
CATEGORY 2 |
- | |
EXPRESSION |
TRS 10K or 0-5V CV, TRS Remote, MIDI | |
BYPASS |
Buffered | |
ELECTRONICS |
||
VOLTAGE |
18VDC | |
CURRENT DRAW |
200mA | |
INPUT IMPEDANCE |
1M | |
OUTPUT IMPEDANCE |
150ohms | |
BODY |
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LENGTH (IN) |
5 | |
WIDTH (IN) |
7.4 | |
HEIGHT (IN) |
2.4 | |
WEIGHT (LBS) |
1.2 |
$ 249.00
The PRS Horsemeat transparent overdrive pedal is designed to enhance your sound without coloring your tone. Horsemeat adds harmonic midrange richness and overdrives without cutting out your high notes – all while giving you more available headroom. It features a robust EQ section so you can dial in your tone and has a wide range of gain on tap. Depending on the setting, Horsemeat can be used as a clean boost, straight overdrive, or even enhance your amplifier’s distortion by slightly pushing the front end of the amplifier’s preamp section.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
$ 219.00
The PRS Mary Cries optical compressor pedal is intuitive and sounds incredible. Based on the storied LA-2A, Mary Cries will thicken your tone, help control signal peaks, lengthen sustain, and push your tone without losing definition or clarity. Depending on your settings, it can be used as a boost as well as a straightforward compressor.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
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The PRS Wind Through the Trees dual analog flanger pedal is best described as two flangers fighting each other, resulting in a sound reminiscent of the wind whipping through the trees. With Manual, Depth, and Rate controls per flanger as well as global Regeneration and Added Highs, Wind Through the Trees offers nearly endless tonal possibilities. Bottom line, Wind Through the Trees offers hours of fun for any player.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
$ 349.00
The PRS Wind Through the Trees dual analog flanger pedal is best described as two flangers fighting each other, resulting in a sound reminiscent of the wind whipping through the trees. With Manual, Depth, and Rate controls per flanger as well as global Regeneration and Added Highs, Wind Through the Trees offers nearly endless tonal possibilities. Bottom line, Wind Through the Trees offers hours of fun for any player.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
Pedal Type | Dual Analog Flanger |
Analog/Digital | Analog |
Inputs | (1) 1/4" Instrument |
Outputs | (1) 1/4" Instrument |
Bypass Switching | True Bypass |
Amperage | 22 mA |
Power Sources | 9V DC Power Supply, regulated and/or isolated (not included) |
Batteries | (1) 9V (not included) |
Length | 5.5" |
Width | 1.5" |
Height | 4.5" |
Weight | 1.3 lbs |
$ 129.99 $ 181.99
The BigShot ABY makes it easy to run two amps on stage, without introducing noise or altering your tone. The pedal has two latching footswitches that allow you to choose which amp is active, or run through both simultaneously. The second amp output features a ground lift and an isolation transformer that can be engaged to eliminate buzz and hum from ground loops, while a 180° polarity reverse switch ensures both amps play back in phase to avoid frequency cancellation. When powered by an external 9V supply or pedalboard power brick, LEDs provide instant on-stage visual feedback - when power is unavailable, the passive audio circuit still works unaffected. Best of all, the BigShot ABY is true-bypass device, without any tone-altering buffers between the guitar and the amplifier to ensure you retain the pure tone of your instrument.
$ 219.99 $ 307.98
The Radial Twin-City uses a class-A input buffer to drive the amp outputs, which reduces susceptibility to noise and allows for completely silent switching on stage. To eliminate hum and buzz from ground loops, the Twin-City is equipped with an isolation transformer on output-B, along with a ground lift switch and 180⁰ polarity reverse switch that ensures both amplifiers play back in phase with each other. At the input, Drag Control load correction allows you to recreate the natural load on the pickups as if you were connected directly to a tube amplifier, allowing the natural tone of your instrument to shine through.
$ 39.99 $ 70.00
The Yamaha FC3A is a piano-style damper pedal for use with Yamaha keyboards that support half-damper positions. Instead of a typical on/off type pedal the half-damper feature allows you to fine tune your sustain by varying the pressure on the pedal,, giving you great control of your performance much like an acoustic piano. A robust design with a 6-foot cable and a 1/4" plug assures the FC3A will be a long lasting addition to your keyboard rig. Get more command out of your Yamaha keyboard with the FC3A keyboard pedal.
Yamaha FC3A Half-damper Pedal Features: