Sold Out $ 156.00
The BigShot ABY™ is a compact true-bypass ABY switcher that enables you to switch between two amplifiers or play through both amps at the same time, while eliminating buzz and hum from ground loops.
The BigShot ABY makes it easy to run two amps on stage, without introducing noise or altering your tone. The pedal has two latching footswitches that allow you to choose which amp is active, or run through both simultaneously. The second amp output features a ground lift and an isolation transformer that can be engaged to eliminate buzz and hum from ground loops, while a 180° polarity reverse switch ensures both amps play back in phase to avoid frequency cancellation. When powered by an external 9V supply or pedalboard power brick, LEDs provide instant on-stage visual feedback - when power is unavailable, the passive audio circuit still works unaffected. Best of all, the BigShot ABY is true-bypass device, without any tone-altering buffers between the guitar and the amplifier to ensure you retain the pure tone of your instrument.
Specifications | ||
---|---|---|
Audio circuit type: | Passive, true bypass | |
Frequency response: | 20Hz - 20KHz | |
Gain: | -0.3db | |
Features | ||
180° polarity reverse, Ground lift | ||
Input Connectors: | 1/4" | |
Output Connectors: | Two 1/4" outputs, switchable transformer isolated from Output-B | |
Extras: | Tuner Output, ISO switch | |
General | ||
Construction: | 14-gauge steel | |
Finish: | Durable powder coat | |
Size (L x W x D): | 3.9" x 3.6" x 2" (99 x 91.4 x 50.8mm) | |
Weight: | 1.25 lb (0.56 kg) | |
Shipping size (L x W x D): | 6.25" x 4.25" x 3" (158.7 x 108 x 76.2mm) | |
Shipping weight: | 1.55 lb (0.70 kg) | |
Power: | 9VDC, center pole negative | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 129.99 $ 156.00
The BigShot i/o is an easy-to-use instrument selector that lets you quickly transition between any two instruments, while balancing the levels between them and feeding the output to your amplifier.
The BigShot i/o allows you to switch between instruments on stage without pops through your amp or the need to adjust levels, while featuring 100% true-bypass for the most demanding purist. Input-2 is equipped with a volume control that lets you reduce the input sensitivity of the louder instrument so that the levels are matched when played through your amplifier. When passive instruments are used, a unique three-position Bright switch lets you compensate for instruments that lack shine in the high frequencies. The BigShot i/o is also equipped with a separate tuner output; with a simple foot stomp, the sound going to the amp is muted and diverted to the tuner for quiet on-stage adjustments.
Specifications | ||
---|---|---|
Audio circuit type: | Passive, true bypass | |
Frequency response: | 20Hz – 20kHz | |
Gain: | -0.3dB | |
Features | ||
Dim Switch, Bright Switch | ||
Input Connectors: | ¼" jack for first instrument connection Input-2, ¼" jack with dim and bright controls | |
Output Connectors: | ¼" jack is switchable between always-on, or engaged by Mute switch | |
Extras: | Tuner/toggle switch | |
General | ||
Construction: | 14-gauge steel | |
Finish: | Durable powder coat | |
Size (L x W x D): | 3.9" x 3.6" x 2" (99 x 91.4 x 50.8mm) | |
Weight: | 1.25 lb (0.56 kg) | |
Shipping size (L x W x D): | 6.25" x 4.25" x 3" (158.7 x 108 x 76.2mm) | |
Shipping weight: | 1.55 lb (0.70 kg) | |
Power: | 9VDC, center pole negative | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 349.99 $ 420.00
The BT-Pro V2 is a Bluetooth-enabled direct box that connects wirelessly to smartphones, tablets, and other mobile devices and provides a pair of balanced analog audio outputs to feed a PA system. Each BT-Pro V2 has a unique identifier, allowing multiple units to be used within the same building. The latest model of the BT-Pro can also be powered via 48V phantom from a mixing console.
The BT-Pro V2 makes it easy to quickly connect to any smartphone, tablet, or mobile device for high quality audio playback through a sound system. It wirelessly pairs over Bluetooth, eliminating the need to search for adaptor cables and providing you with the freedom to move around while staying connected. Superior audio quality is provided using the Bluetooth 5.0 protocol, allowing the BT-Pro to be used for playback even in critical listening environments. While the BT-Pro V2 is designed to last with a 14 gauge steel outer shell and high durability connectors and controls, it also has an enhanced reception range thanks to the plastic injection-molded insert, which allows wireless signals to pass through unimpeded. Balanced XLR outputs are provided for connection to pro audio equipment, with a level control to allow for easy volume adjustments, a headphone output for testing purposes, and a mono switch to reduce channel requirements when needed.
For ease of use in live sound applications, the BT-Pro can be powered via 48V phantom from the PA console. This provides the ability to use the included external power supply as a redundant backup, or to eliminate it from the setup altogether. Under 48V phantom power, the BT-Pro provides mic-level signals at the XLR outputs, but when the external power supply is used it is capable of generating line-level signals that can be connected to the line inputs of a PA console and avoid using additional mic-level channels. Each individual BT-Pro V2 also has a unique Bluetooth identifier, allowing multiple units to be successfully used in close proximity to one another. This makes it easy for commercial multi-room facilities to employ a number of BT-Pro units without any confusion when trying to connect to a receiver in a specific part of the building.
Specifications | ||
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Audio circuit type: | Active audio line driver | |
Frequency response: | 20Hz to 20KHz | |
Dynamic range: | 90dB | |
Total harmonic distortion: | 0.05% | |
Output Impedance: | 150Ω | |
Signal to Noise: | 90dB | |
Bluetooth Compliance: | Bluetooth 5.0 | |
Data Compression: | SBC and AAC Codecs | |
Features | ||
Mono Sum, Ground lift, Level Control, Headphone | ||
Input Connectors: | Bluetooth 5.0, Device range up to 100' | |
Output Connectors: | XLR-M, 3.5mm TRS Headphone | |
Extras: | Included power supply | |
General | ||
Construction: | 14 gauge steel outer shell, molded nylon insert | |
Finish: | Durable powder coat | |
Size (L x W x D): | 3.3” X 5” X 2” (84 x 127 x 51mm) | |
Weight: | 1.1lbs (500g) | |
Power: | USB-C connector (Power Only) or 48V Phantom | |
Conditions: | For use in dry locations only between 5°C and 40°C | |
$ 249.99 $ 300.00
The J48 is a high performance active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.
Most battery-powered guitars and basses will produce as much as 7 Volts when played at maximum volume, which can easily overload typical active direct boxes which have are only able to handle about 3 Volts. The J48 uses a unique switching power supply that raises the internal rail voltage so it can handle up to an incredible 9 Volts, resulting in improved signal handling and greater headroom. This additional headroom significantly reduces distortion of all types, allowing the natural tone and character of the instrument to shine through.
The Radial J48 has gained a tremendous following through the professional audio community. With significantly more headroom, lower distortion and unmatched durability, it is no wonder that the J48 has become the most specified direct box on stages around the world. As you will note with the specifications below, the J48 is exceptionally linear when tested both under laboratory conditions and when placed under the extra stress of 100 meters (300 feet) of cable. In the lab, the high frequency response actually exceeds 40kHz! This makes the J48 a perfect candidate for the most demanding studio recording while being the obvious choice for the artist on stage.
Specifications | ||
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Audio circuit type: | Proprietary analog circuit with low-noise op-amp | |
Frequency response: | 20Hz ~ 20kHz | |
Dynamic range: | 109dB | |
Total harmonic distortion: | 0.002% @ -5dBu | |
Intermodulation Distortion: | 0.003% @ -3dBu | |
Phase Deviation: | +10º at 20Hz | 0º at 1kHz | -1º at 20kHz | |
Input Impedance: | 220kΩ - ¼" input | |
Output Impedance: | 200Ω - XLR output | |
Equivalent Input Noise: | -103dBu | |
Noise: | -99dB below 0dBu | |
Maximum Input: | +10dBu | |
Features | ||
Input pad, Mono Sum, 180° polarity reverse, Ground lift, HPF | ||
Input Connectors: | 1/4" | |
Output Connectors: | Balanced XLR, 1/4" Thru | |
General | ||
Construction: | 14 gauge steel chassis and outer shell | |
Size (L x W x D): | 3.3" x 5.0" x 2" (84 x 127 x 48mm) | |
Weight: | 1.55 lb (720 g) | |
Power: | 48V phantom - proprietary digital switching | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 89.99 $ 108.00
The StageBug SB-2 is a compact passive direct box that is perfect for active basses and keyboards, is small enough to fit inside an instrument case, and features a stereo to mono mix function to save mixer channels.
The compact design begins with a ¼" input and thru-put to feed the on-stage amp. This connects to the custom made Eclipse ET-DB3 transformer which performs the impedance matching and balances the signal. When using extra high output instruments, a -15dB pad can be inserted into the signal path. This enables the SB-2 to be used with active basses and digital pianos that often tend to overload the input side of the interface. An innovative stereo-to-mono merge function provides a convenient way to connect stereo keyboards and computers without having to reset the source for mono operation, saving time and input channels on the PA. The SB-2 output features an XLR wired to the AES standard with pin-2 hot. Once connected, the SB-2 delivers a smooth warm sound reminiscent of older vintage gear. The Eclipse ET-DB3 transformer is magical in its ability to handle extreme signal levels with a natural compression that is pleasing to the ears. The transformer also helps eliminate hum and buzz caused by ground loops by isolating the input from the output. This is augmented with a ground lift switch that lifts pin-1 on the XLR for quiet, professional results.
The Radial SB-2 is a compact passive direct box that is designed primarily for buffered sources such as active acoustic guitar, keyboard and electric bass. A unique stereo-to-mono merge function enhances functionality by enabling stereo keyboards to be connected and mixed mono to save channels in the PA. Upon testing, the SB-2 exhibits exceptionally linear response and low distortion throughout the desired operating range, proving that size does not necessarily follow performance! The compact design provides the traveling musician with a quality direct box that can be depended upon for the most demanding club gigs.
Specifications | ||
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Audio circuit type: | Passive, transformer based | |
Transformer: | Eclipse ET-DB3, 12:1 ratio | |
Number of channels: | 1 | |
Frequency response: | 20Hz ~ 20KHz (± 0.5dB) | |
Dynamic range: | 115dB | |
Total harmonic distortion: | 0.005% @ 1kHz | |
Phase Deviation: | 3° @ 100Hz; 8° @ 50Hz | |
Input Impedance: | 140k Ohms, unbalanced | |
Output Impedance: | 1k Ohms, balanced | |
Maximum Input: | +20dB | |
Features | ||
Input pad, Ground lift | ||
Input Connectors: | 1/4" | |
Output Connectors: | XLR | |
General | ||
Construction: | 14 gauge steel chassis & outer shell | |
Size (L x W x D): | 4.5" x 1,85" x 1.35" (114mm x 47mm x 34mm) | |
Weight: | 0.55 lbs (250 grams) | |
Shipping size (L x W x D): | 8" x 5" x 3" (203mm x 127mm x 76mm) | |
Shipping weight: | 0.8 lbs (365 grams) | |
Power: | Passive, no power required | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 279.99 $ 336.00
The Headlight is a unity gain guitar amp selector designed to easily integrate onto a pedalboard and provide the ability to switch between as many as four amplifiers with a single footswitch.
The Headlight has a compact footprint that will fit on any pedalboard, but it's still powerful enough to drive up to four amplifiers without sacrificing on tone. The input features a class-A buffer along with Drag Control load correction that allows you to optimize the impedance for your pickups and recreate the feel of plugging your guitar directly into an amp. Custom transformers isolate the outputs to prevent buzz and hum from ground loops, with ground lift switches to further alleviate noise problems. Should you really want to get loud, the mute footswitch can be configured as an 'all on' switch, activating all four amp outputs simultaneously.
Use the Headlight to switch between four stage amps to create the ultimate setup for clean, crunch, overdrive and power solo! Simply depress the selector footswitch to select the amp you want. Super bright LEDs let you know which amp is active. Use the mute footswitch for quiet on-stage tuning.
Connect your two amps using outputs 1 and 2 and select between them using the right-hand footswitch. Set the left-hand footswitch to ALL-ON and when depressed, both amps will play. The isolation transformers will prevent buzz and hum from ground loops when both amps are on.
Using the Headlight you can feed both direct boxes and amplifiers. The outputs from the direct boxes can be sent directly to the mixer and stage amps can be mic'd.
SPECS
Specifications | ||
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Audio circuit type: | Classic Class-A FET | |
Frequency response: | 30Hz - 30kHz | |
Dynamic range: | 116dBu | |
Gain: | -0.5dBu | |
Clip Level: | +7dB | |
Total harmonic distortion: | 0.01% | |
Intermodulation Distortion: | 0.02% | |
Phase Deviation: | -1.35° @ -20dBu / 1kHz | |
Input Impedance: | 20k to 1MΩ | |
Output Impedance: | 1kΩ | |
Noise: | -112dBu | |
Maximum Input: | +8dB | |
Features | ||
180° polarity reverse, Ground lift, Drag Control | ||
Input Connectors: | 1/4" | |
Output Connectors: | 1/4" | |
General | ||
Construction: | 14-Gauge Steel | |
Size (L x W x D): | 5" x 4.7" x 2" | |
Weight: | 2lb | |
Shipping size (L x W x D): | 6.5" x 5.1" x 2.5" | |
Shipping weight: | 2.4lb | |
Power: | 9V adaptor / 80mA (Center Pin Negative) | |
Conditions: | For use in dry locations only between 5°C and 40°C |