$ 2,799.00 $ 3,500.00
The Guild D-40 Traditional embodies the features that have made the D-40 one of Guild’s most beloved and revered models. Using a high-grade solid Sitka spruce top and solid African mahogany back and sides, Guild adds scalloped Adirondack braces for power, nuance and responsiveness. The D-40 Traditional’s three piece mahogany and walnut neck is topped with an Indian rosewood fingerboard and is joined to the body with an authentic dovetail joint. This classic dreadnought is handsomely appointed with a tortoiseshell pickguard, rosette, and binding, a genuine mother-of-pearl Guild peak and chesterfield logo inlaid on the headstock, and nickel-plated open gear tuners. A lustrous nitrocellulose lacquer provides an elegant finish to this masterpiece, optimizing the beauty and resonant qualities of its premium woods.
Each D-40 Traditional includes a hand-signed, numbered certificate of authenticity, and ships with a Guild humidified hardshell case. Available in Natural or with an Antique Sunburst top. Proudly made in the USA.
Body Top | Solid Sitka Spruce |
Body Back | Solid Mahogany |
Body Sides | Solid Mahogany |
Body Shape | Dreadnought |
Bracing | Scalloped Adirondack Spruce |
Rosette | Tortoiseshell and ABS Ring |
Finish | Gloss Nitrocellulose in Natural |
Body Depth Upper Bout | 4″ (101 mm) |
Body Depth Lower Bout | 5″ (127 mm) |
Body Length | 20″ (508 mm) |
Body Width Lower Bout | 16″ (406.4 mm) |
Body Width Upper Bout | 11 5/8″ (295.3 mm) |
Overall Guitar Length | 41.75″ (1060.5 mm) |
Body Binding | Tortoiseshell |
Purfling | Black and Cream ABS |
Neck Material | 3-piece Mahogany/Walnut/ Mahogany |
Neck Shape | C Shape |
Neck Joint | Dovetail |
Scale Length | 25 5/8″ (650.9 mm) |
Nut Width | 1 11/16″ (43 mm) |
Nut Material | Bone |
Fingerboard Material | Indian rosewood |
Fingerboard Radius | 12″ |
Fingerboard Inlays | 5mm MOP Dots |
# of Frets | 20 |
Tuning Machines | Guild Vintage Style Open Gear in Nickel with Nickel Buttons, 20:1 Ratio |
Hardware Finish/Plating | NA |
Truss Rod | Dual Action |
Truss Rod Wrench | 5/16″ / 8mm Socket Wrench |
Bridge | Indian Rosewood |
Saddle Spacing | 2 1/8″ / 54mm |
Saddle | Compensated Bone |
Bridge Pins | Bone |
Case or Gig Bag | Deluxe Humidified Hardshell Case |
Endpin | Ivory Colored Plastic |
Strings | D’Addario EXP16 – Coated Phosphor Bronze Light (.012 – .053) |
Pickguard | Tortoiseshell |
Item # | 385-0440-821 |
Sold Out $ 5,375.00
First introduced in 1968 as a special-order top-of-the-line model, the D-55 was so well-received that Guild added it into the regular production line by 1974. Famously played by Tommy Smothers on the Smothers Brothers Show in the 1960s, the D-55 grew in both popularity and longevity over the decades, finding homes in the hands of more contemporary artists like Waylon Jennings, Billie Joe Armstrong, and David Nail. The most anticipated return of a Guild acoustic to date, the 2017 Guild D-55 is back and better than ever. The D-55 remains true to all the premium appointments of its 1968 predecessor, including a AAA Sitka spruce top, solid Indian Rosewood back and sides, ebony fingerboard and bridge, and nitrocellulose finish. Internal refinements include scalloped Adirondack bracing as well as an improved dovetail neck-joint, hand fit to make this generation of D-55 the lightest, loudest, and best-sounding yet. The D-55 showcases Guild’s most recognizable headstock which is fully bound and features the Guild “Peak and Shield” inlay combination over a figured ebony overlay. The matching ebony fingerboard is also fully bound and inlayed with Guild’s iconic abalone/pearl “V-Blocks” and multi-line “railroad track” purfling on the bass and treble sides. The D-55’s fingerboard is set on an all-mahogany neck with beautiful walnut center seam running the length of the heel to headstock. The D-55’s nitro finish is available in natural or Antique Burst and is hand sprayed for minimum thickness and maximum resonance that will only get better with age. An LR Baggs pickup system is available as an option, and each guitar includes a hand-signed certificate of authenticity and ships with Guild’s Premium humidified hardshell case.
Body Shape | D - Dreadnought |
Body Top | Solid Sitka Spruce |
Top Bracing Pattern | Scalloped X |
Soundhole Diameter | 4" (102mm) |
Rosette | Abalone and ABS Ring |
Top Purfling Inlay | Black and White ABS |
Body Sides | Solid Indian Rosewood |
Body Back | Solid Indian Rosewood |
Body Binding | White ABS |
Neck Material | Mahogany with a Walnut Center Strip |
Scale Length | 25 5/8" (651mm) |
Neck Shape | C Shape |
Nut Width | 1 11/16" (43mm) |
Neck Thickness 1st Fret | 21mm |
Neck Thickness 9th Fret | 22.5mm |
Truss Rod | Dual Action |
Truss Rod Wrench | 4mm Allen Key |
Fingerboard Material | Ebony |
Fingerboard Radius | 12" (305mm) |
Fingerboard Inlays | V-Blocks - Mother-Of-Pearl and Abalone |
Frets Total | 20 |
Fret Type | Jescar 43080 |
Color | Antique Burst (ATB) |
Finish | Gloss Nitrocellulose Lacquer |
Bridge Material | Ebony |
Bridge String Spacing | 2 1/8" (54mm) |
Bridge Pins | Bone |
Saddle Material | Compensated Bone |
Hardware Finish / Plating | Gold |
Nut Material | Bone |
Tuning Machines | Gotoh SE700 Open-Gear in Gold |
Endpin | Endpin Jack |
Pickguard | Tortoiseshell |
Electronics | LR Baggs Anthem with Volume, Mix, and Phase Controls |
Strings | D'Addario EXP16 - Coated Phosphor Bronze Light (.012 - .053) |
Included Case | Guild Premium Humidified Archtop Wood Case |
Upper Bout Width | 11 5/8" (295mm) |
Lower Bout Width | 16" (406mm) |
Body Depth Upper Bout | 4" (101mm) |
Body Depth Lower Bout | 5" (127mm) |
Body Length | 20" (508mm) |
Overall Length | 41 3/4" (1061mm) |
Item # | 3850554837 |
Sold Out $ 735.00
Here to help you write your own story—the Memoir DS-240. This retro-looking slope shoulder dreadnought is built with a solid spruce top and mahogany back and sides with a sleek, gloss finish. The vintage-inspired mother of pearl rosette and Guild Script Logo pay homage to the classic styling of instruments from the 1920s. The DS-240’s sound is instantly warm, clear and inviting—almost as if its tone has been perfected over years of fireside strumming and family jamming.
Body Shape | DS - Sloped Shoulder Dreadnought |
Body Top | Solid Sitka Spruce |
Top Bracing Pattern | Scalloped X |
Soundhole Diameter | 4" (102mm) |
Rosette | Three Ring with Mother-of-Pearl Center |
Top Purfling Inlay | Black and White ABS |
Body Sides | Mahogany |
Body Back | Mahogany |
Body Binding | Ivory ABS |
Neck Material | Mahogany |
Scale Length | 24 3/4" (629mm) |
Neck Shape | C Shape |
Nut Width | 1 11/16" (43mm) |
Neck Thickness 1st Fret | 20mm |
Neck Thickness 9th Fret | 24mm |
Truss Rod | Dual Action |
Truss Rod Wrench | 4mm Allen Key |
Fingerboard Material | Pau Ferro |
Fingerboard Radius | 16" (406mm) |
Fingerboard Inlays | 3mm Dots - Mother-Of-Pearl |
Frets Total | 20 |
Color | Vintage Sunburst (VSB) |
Finish | Satin Polyurethane |
Bridge Material | Pau Ferro |
Bridge String Spacing | 2 1/8" (55mm) |
Bridge Pins | Ivory Colored Plastic with Black Dot |
Saddle Material | Compensated Bone |
Hardware Finish / Plating | Nickel Plated |
Nut Material | Bone |
Tuning Machines | Guild Vintage 18 Open Gear Tuners - Nickel |
Endpin | Strap Button - Nickel |
Pickguard | Tortoiseshell |
Electronics | N / A |
Strings | D'Addario EXP16 - Coated Phosphor Bronze Light (.012 - .053) |
Included Case | Case Sold Separately |
Upper Bout Width | 11 1/4" (286mm) |
Lower Bout Width | 15 7/8" (403mm) |
Body Depth Upper Bout | 4" (101mm) |
Body Depth Lower Bout | 5" (127mm) |
Body Length | 20 1/4" (514mm) |
Overall Length | 40 1/2" (1029mm) |
Item # | 3830470937 |
Sold Out $ 5,500.00
The F-512 Maple is back and better than ever. Formerly the F-412, this USA-made jumbo has been a staple of the Guild line since the late 1960’s. and features a tight grained solid Sitka spruce top with arched flamed maple back and maple sides. Created on the same arch press that’s been a part of Guild manufacturing since 1985, the F-512 Maple provides sharply focused trebles and an articulate mid-range, perfect for a full, centralized, harp-like sound. Braced with delicate, scalloped Adirondack spruce, this model produces the shimmering highs that players have come to expect from a Guild 12-string. Elegant cosmetic appointments include the classic Guild “V-block” inlays, gold Gotoh hardware, and a beautiful Nitrocellulose lacquer finish. Exceptional build quality and premium specifications make it a worthy heir to the historic Guild 12-string legacy. Available in Natural finish and with LR Baggs Electronics.
Serial Number: C240075
Weight: 6.2
Body Shape | F - Jumbo |
Body Top | Solid Sitka Spruce |
Top Bracing Pattern | Scalloped X |
Soundhole Diameter | 4" (102mm) |
Rosette | Abalone and ABS Ring |
Top Purfling Inlay | Black and White ABS |
Body Sides | Flamed Maple |
Body Back | Arched Flamed Maple |
Body Binding | White and Black ABS |
Neck Material | Mahogany with Walnut Center Strip |
Scale Length | 25 5/8" (651mm) |
Neck Shape | C Shape |
Nut Width | 1 7/8" (48mm) |
Neck Thickness 1st Fret | 23mm |
Neck Thickness 9th Fret | 25mm |
Truss Rod | Dual Action |
Truss Rod Wrench | 8mm Socket Wrench |
Fingerboard Material | Ebony |
Fingerboard Radius | 12" (305mm) |
Fingerboard Inlays | V-Blocks - Mother-Of-Pearl and Abalone |
Frets Total | 20 |
Color | Natural (NAT) |
Finish | Gloss Nitrocellulose Lacquer |
Bridge Material | Indian Rosewood |
Bridge String Spacing | 2 3/8" (60mm) |
Bridge Pins | Bone |
Saddle Material | Compensated Bone |
Hardware Finish / Plating | Gold |
Nut Material | Bone |
Tuning Machines | Gotoh SE701 Open Gear in Gold |
Endpin | Endpin Jack |
Pickguard | Nitrocellulose |
Electronics | LR Baggs Anthem with Volume, Mix, and Phase Controls |
Strings | D'Addario EXP38 - Coated Phosphor Bronze, 12-String, Light Gauge (.010 - .047) |
Included Case | Guild Premium Humidified Wood Case |
Upper Bout Width | 12 1/2" (318mm) |
Lower Bout Width | 17 1/4" (438mm) |
Body Depth Upper Bout | 3 3/4" (95mm) |
Body Depth Lower Bout | 4 3/4" (119mm) |
Body Length | 20 1/2" (521mm) |
Overall Length | 44" (1118mm) |
Item # | 3853664801 |
$ 699.99 $ 945.00
Serial Number: 1PA240200536
Weight: 4.6 lbs
$ 599.99 $ 899.99
Serial Number: CD211112249
Weight: 4.6lbs
BODY DIMENSIONS
$ 599.99 $ 899.99
Serial Number: CD2111112263
Weight: 4.6lbs
BODY DIMENSIONS
$ 199.99 $ 239.98
Small body with sweet open pore finish which lets you appreciate more of the ovangkol woodgrain.
Smaller scale instruments have increased in popularity over the past few years, because not only do students seem to be starting younger than ever, but also the easy-to-transport guitar has become recognized as an excellent companion for the weary traveler. From the on-the-go businessperson who needs a guitar that can fit in a plane’s overhead compartment, to the happy wanderer just looking to animate his sojourn with a song, the compact travel guitar can be an uplifting addition to any expedition.
The EWP14OPN is a 1/3-size, steel string Piccolo acoustic guitar. Similar in scale to a Baritone ukulele (17”), the EWP14 sports an EW style cutaway body. The top, back, and sides are made of ovangkol, a wood found in Western Africa, known for its beautiful figuring and rosewood-like tone. An Open Pore Natural finish allows the body to resonate more freely for improved tone and projection. Other features include an abalone rosette, rosewood fretboard, bridge and chrome die-cast tuners.
To optimize string tension, intonation, and tone, the EWP14 is tuned in the key of A (A, D, G, C, E, A), up a fourth from standard tuning.
FEATURES
$ 499.99 $ 749.99
The Nyatoh neck provides a rich mid-low end.
A Walnut fretboard features a well-balanced tonal character from low to high end.
Solid Sitka Spruce top provides an enormous frequency range that offers wave after wave of shimmering highs along with tight mids and a full-bodied low end.
Sapele back and sides offer a full-bodied and warm mid-range and a bright tone.
The Walnut bridge transfers string vibration directly to the body, delivering a natural and warm tone.
Its thin, compact body and superior high fret access contribute to the superb playability of this guitar.
It has less feedback as there’s no sound hole on the body top. Fan bracing, which is commonly used for classical guitars, allows this guitar to have a warm and natural nylon string sound.
The sound port on the body side allows you to feel and hear the pure acoustic tone of this guitar more clearly and directly.
The combination of a narrow 46mm width nut and 400R fretboard radius offers easy fingering.
The Ibanez T-bar Undersaddle pickup accurately translates that full sound to whatever amplification system you plug it into.
$ 329.99 $ 494.99
$ 279.99 $ 419.99
$ 149.99 $ 224.99
The Ibanez IJV30 guitar feels just right to beginners while the quickstart pack includes everything they need to get going. The small 3/4 guitar size is ideal for the smaller fingers and sizes of younger players. The durable spruce top and agathis back and sides produce a clear tone that will inspire new guitarists to practice. The other quality components make this guitar a keeper, even when the player graduates to a full-size instrument.
Includes gig bag.
$ 179.99 $ 269.99
The Nyatoh neck provides a rich mid-low end.
These pins really are an advantage over old-fashioned pins. Advantage™ pins are easier to take out and easier to put in than standard pins. A special bulb-shaped end makes the pin easy to grip and also prevents the pin from being pushed in too far. Best of all, with Advantage™ the pin and string stay put.
$ 699.99 $ 1,049.99
A Walnut fretboard features a well-balanced tonal character from low to high end.
Solid Sitka Spruce top provides an enormous frequency range that offers wave after wave of shimmering highs along with tight mids and a full-bodied low end.
Sapele back and sides offer a full-bodied and warm mid-range and a bright tone.
Fishman® S-Core pickup accurately translates a full guitar sound to whatever amplification system you plug into. The AEQ210TF preamp provides the extra punch of on-board EQ, and the convenience of an easy-to-read digital tuner.
The Walnut bridge transfers string vibration directly to the body, delivering a natural and warm tone.
Its thin, compact body and superior high fret access contribute to the superb playability of this guitar.
It has less feedback as there’s no sound hole on the body top. Fan bracing, which is commonly used for classical guitars, allows this guitar to have a warm and natural nylon string sound.
The combination of a narrow 46mm width nut and 400R fretboard radius offers easy fingering.
The sound port on the body side allows you to feel and hear the pure acoustic tone of this guitar more clearly and directly.
The name and the design of this fingerboard inlay are both nods to the iconic Ibanez "Tree of Life" inlay design, but with a twist.
Serial Number: 241201669
Weight: 4.6 lbs
Sold Out $ 269.99
Ibanez Performance acoustic guitars offer you professional features, quality, and sound at an entry-level price. In the case of the 25" scale PC15NT, it provides you with Ibanez's popular Grand Concert body with a spruce top, and mahogany back, sides, and neck with a natural high gloss finish. Other appointments include a rosewood bridge and fingerboard, chrome die-cast tuners, a multi-rosette, black pickguard, and Ibanez Advantage bridge pins.
Serial Number: 3U08SA240500486
Weight: 4.8 lbs
$ 699.99
The OF422 Overhead® collapsible acoustic travel guitar features a solid sitka top with solid Pau Ferro Rosewood back with a wider 13.25″ lower bout – and collapses to carry-on size of 22*14*9 inches! It assembles in 20 seconds with our patented detachable neck system that’s guaranteed for life. A full 24.5 inch scale, a versatile 1 3/4 nut width, locking 18:1 Journey Tuners , best-in-class components, and a wedged ergonomic design make this the most enjoyable guitar you’ll ever play! Tri-piezo pickup and a full-featured TSA compliant carry-on backpack included. (If viewing product category list, click on product image on the left to view full specs, otherwise scroll down for specs and media.)
Sold Out $ 229.00
The Kala Student Guitar presents a familiar classical guitar look and feel with the guarantee of Kala quality and affordable price our ukuleles are known for — now at a larger scale.
Cedar top, mahogany back, sides & neck with a gloss finish, the Kala Student Guitar features a stylized rosette and slotted headstock with a pairing of Gold and Mother of Pearl style tuning machines.
With comfortable action and a clear, mellow tone, the Kala Student guitar packs immense playability into a beginner price, providing the right foundation for growth and development for a brand new player.
For over a decade, Kala Ukuleles have been the most popular and trusted ukulele choice for classrooms throughout North America. By popular demand from educators, we are excited to present the Kala Student Guitar.
This series features two sizes for beginner players: ¾ size and full size.
SIZE: | Full Classical |
TOP: | Cedar |
BACK & SIDES: | Mahogany |
BINDING: | Black |
NECK: | Mahogany |
FINISH: | Gloss |
FINGERBOARD: | Rosewood |
HEADSTOCK: | Slotted |
TUNERS: | Gold Slotted Open Gear |
STRINGS: | Hard Tension Nylon |
ELECTRONICS: | N/A |
NUT & SADDLE: | Natural |
STRAP BUTTON: | N/A |
Sold Out $ 279.99
The Peace design on this Safari travel guitar is a very special one for us here at Luna as it embodies a philosophy we hold dear. A laser-cut peace sign at the sound hole is surrounded by the word peace in different languages forming a graceful continuum across the soundboard.
Go forth and raise smiles through music: the universal language!
Serial Number: 230601230
Weight: 3.2lbs
$ 189.99 $ 279.99
The Peace design on this Safari travel guitar is a very special one for us here at Luna as it embodies a philosophy we hold dear. A laser-cut peace sign at the sound hole is surrounded by the word peace in different languages forming a graceful continuum across the soundboard.
Go forth and raise smiles through music: the universal language!
Serial Number: 230601257
Weight: 2.8lbs
$ 1,839.00 $ 2,299.00
The history of Rodríguez guitars is as rich as the wood from which they are crafted. Manuel Rodríguez — grandson of flamenco guitarist Manuel Rodriguez Perez Marequi and son of classical luthier Manuel Rodríguez Perez — learned the art of constructing a guitar firsthand. His apprenticeship began at the age of 13 in Madrid, where he also began exporting his finely crafted instruments to France, the United Kingdom, and the U.S. Fast forward to 1959, Manuel Sr. opened a shop Los Angeles, making classical guitars for a myriad of professional players, teachers, students, and even the Hollywood elite. He and his son moved back to Madrid in 1973 where Rodríguez guitars have been designed and built ever since. His son, Manuel Jr, continues on with the family tradition of crafting exquisite instruments with the fire and passion he learned from his heritage. Using only the finest tonewoods and expert craftsmanship, Manuel Rodríguez develops distinctive guitars fit for the world’s preeminent artists. Each instrument is as unique and individual as the musicians who play them. Embodying the skills he learned as an apprentice to the master luthiers of Spain, Manuel Jr. ensures each guitar is a work of art to be treasured for generations. “If that which cannot be repeated is art, then our guitars are also an artistic instrument. It is even more so when each artist constructs his guitar by creating exclusive ornamentation, using precious and unique woods, creating a mosaic, which distinguishes this soundhole from all the other soundholes. It is like a feather; a purfling that will never be repeated as far as color, thickness and taste are concern. We are therefore talking about an art piece that has a life of its own, produces elegant sound, and provides the guitarist with their own one-of-a-kind instrument to express their musical skill and harmonic knowledge. It is held in the hands and close to the body; it is an art piece of precious natural materials built to the luthier’s taste and woodworking skills; it is your trade, personality, and dignity in doing a good job.” — Manuel Rodríguez Jr.
The career of Manuel Rodríguez Pérez as a professional guitar-maker started back in 1905 when he was just 18 years old. He was an apprentice in Agustín de Andrés’ workshop. At that time, Julián Gómez Ramírez (who would later become the first skilled worker of José Ramírez guitars) worked there as well. Manuel Rodríguez Pérez then worked at Julián Gómez’s workshop and remained there until 1914 when World War I broke out. After Manuel’s return to Spain in 1914, he joined the workshop of José Ramírez I. After leaving the shop in 1930, Manuel went on to work with other famed luthiers (Santos Borreguero, Saturnino Rojas) and also handcrafted his own instruments on a special order basis.
In 1939, the Rodríguez family returned to Madrid. Soon after, Ramírez II called Marcelo and Manuel Rodríguez I to resume the activities in the Ramírez workshop. The workshop included a young Manuel Rodríguez II — who was just 13 years old at the time — as an apprentice. Manuel Rodríguez II undertook the task of handcrafting the inner parts of bandurrias, lutes and guitars, manufacturing sticks and bracings and also carrying out bel labrado (carving). On March 4th, 1954, shortly after joining the Ramirez workshop, Manuel Rodríguez II installed a workbench in his own house. He used it to fix instruments belonging to some of his amateur musician friends. This enabled him to manufacture his first guitars, bandurrias and lutes. He also produced a great amount of capos for the then popular flamenco musicians. The first guitar signed and labeled by Manuel Rodríguez II was a flamenco guitar. This was an evolution that made Manuel Rodríguez II’s name more widely known than his father’s – who only manufactured instruments for workshops and never signed any of them. In 1955, Manuel Rodríguez II set up his own workshop. During the following few years he exported guitars to France, United Kingdom and the USA. In June 1959, thanks to the support of a few UCLA professors, Manuel moved to Los Angeles. Manuel Rodríguez I passed away in 1958, having had the satisfaction of seeing his son firmly established in the trade. Many professional players, teachers and students visited his Hollywood shop from the summer of 1959 through the early ‘70s, when Manuel returned to Madrid.
1973 was the beginning of a new phase for Rodríguez guitars. Manuel Rodríguez Jr. decided to go beyond displaying and selling their guitars in their own workshop. He travelled and worked in London, visiting nearly every guitar expert, shop and school. Shortly thereafter, articles extolling the virtues of Rodriguez’ finely crafted instruments started appearing in international magazines, such as “Classic Guitar” and “Magazine Guitar International”. In 1994, Rodríguez founded their own guitar factory on the outskirts of Esquivias, in the province of Toledo, Spain, not far from Madrid. This is still a family-run company in which each member of the family plays an important role. In the late early 2000s, Manuel Jr noticed the trend in the market of moving production to make guitars more affordable: in an effort to keep his products competitive while maintaining the long-standing quality tradition of the Rodriguez name, he began a multi-year process of identifying a potential partner factory in Asia. Under the expert tutelage of Manuel Jr, this new factory partner has learned the exacting techniques pioneered and carried down by the Rodriguez family, and combined them with larger-scale production, allowing for lower-priced options while maintaining the expert build quality and superior sound that has become synonymous with the Rodriguez name. Of course, the facility in Spain still produces a largest portion of Rodriguez’ production, and continues the Rodriguez legacy. Over 100 years of knowledge, history, and passion find its way into each and every Rodriguez guitar.
$ 425.99 $ 559.00
Guitar has a crack in body that has been repaired. Does not affect playability.
Headstock
Neck
Body
$ 379.00 $ 449.00
Specifications
$ 379.00 $ 449.00
Specifications
$ 8,000.00
Specifications
Headstock
Neck
Body
Finish