Products
Pigtronix Cosmosis Stereo Morphing Reverb
$ 219.00 $ 262.80
MORPH ACROSS THE SPACETIME SPECTRUM.
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.
Specs
MODEL COSMOSIS |
||
MODEL NAME |
Cosmosis | |
SKU |
COS | |
FUNCTION |
Stereo Ambient Reverb with Morphing | |
CATEGORY 1 |
Reverb | |
CATEGORY 2 |
- | |
EXPRESSION |
TRS Remote | |
BYPASS |
Buffered | |
ELECTRONICS |
||
VOLTAGE |
9VDC | |
CURRENT DRAW |
100mA | |
INPUT IMPEDANCE |
High | |
OUTPUT IMPEDANCE |
1k | |
BODY |
||
LENGTH (IN) |
3.25 | |
WIDTH (IN) |
4.5 | |
HEIGHT (IN) |
2.2 | |
WEIGHT (LBS) |
1 | |
Pigtronix Infinity 3 Stereo Looper
$ 419.00 $ 502.80
A WHOLE NEW WORLD OF LOOPING
Infinity 3 is the world’s most musical looping pedal. Simple to operate, yet tremendously powerful and flexible, the Infinity 3 guarantees latency-free looping. Our state-of-the-art platform provides instantaneous record, playback, dub, undo and redo, on two stereo loop pairs that can be played in series or parallel as well as synchronized and cue'd for automatic playback. On top of superior speed and a unique, performance-friendly feature set, Infinity 3 sounds downright incredible thanks to its discrete analog limiter stages, transparent analog pass-through and 24 bit HD recording engine with variable sample rate that can be incremented in semi-tones over two octaves. With approximately 3 hours of recording time on up to 50 loop pairs, the Infinity 3 was designed to inspire compositional depth and engaging performances. Comprehensive MIDI control and intelligent MIDI clock jitter correction provide the ability to link the Infinity 3 to a DAW, Drum Machine or other effects pedals. Infinity 3 is the ultimate tool for writing, rehearsing and performing every style of music.
Specs
MODEL |
||
MODEL NAME |
Infinity Looper 3 | |
SKU |
SPL3 | |
FUNCTION |
Deluxe Stereo Double Looper w/ MIDI | |
CATEGORY 1 |
Looping | |
CATEGORY 2 |
- | |
EXPRESSION |
TRS 10K or 0-5V CV, TRS Remote, MIDI | |
BYPASS |
Buffered | |
ELECTRONICS |
||
VOLTAGE |
18VDC | |
CURRENT DRAW |
200mA | |
INPUT IMPEDANCE |
1M | |
OUTPUT IMPEDANCE |
150ohms | |
BODY |
||
LENGTH (IN) |
5 | |
WIDTH (IN) |
7.4 | |
HEIGHT (IN) |
2.4 | |
WEIGHT (LBS) |
1.2 | |
PRS Floating Guitar Stand
$ 199.00
PRS Guitars floating guitar stand is the perfect way to display your favorite guitar. Its sleek, minimalist design lets the stand disappear allowing your favorite guitar to take center stage!
Our Engineers have carefully helped in the design of this stand to make sure it is stable and safe for your favorite instrument.
Design features:
• Heavy Duty Construction
• Fits most acoustic and electric guitars
• Heavy weighted base ensures the stand will not tip over
• Three-pointed base engineered for maximum stability
• Nitro-friendly foam head stock cradle
PRS Horsemeat Overdrive Pedal
$ 249.00
The PRS Horsemeat transparent overdrive pedal is designed to enhance your sound without coloring your tone. Horsemeat adds harmonic midrange richness and overdrives without cutting out your high notes – all while giving you more available headroom. It features a robust EQ section so you can dial in your tone and has a wide range of gain on tap. Depending on the setting, Horsemeat can be used as a clean boost, straight overdrive, or even enhance your amplifier’s distortion by slightly pushing the front end of the amplifier’s preamp section.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
PRS John Mayer Silver Sky Hardshell Case
Sold Out
Want extra protection for your Silver Sky? Grab this specially fitted hardshell case with the classic PRS look. (ACC-4291)
SKU: 101747::001:
PRS Mary Cries optical compressor pedal
$ 219.00
The PRS Mary Cries optical compressor pedal is intuitive and sounds incredible. Based on the storied LA-2A, Mary Cries will thicken your tone, help control signal peaks, lengthen sustain, and push your tone without losing definition or clarity. Depending on your settings, it can be used as a boost as well as a straightforward compressor.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
PRS Paul Reed Smith Multifit D2 Molded Guitar Case, NF 53, Silver Sky, Fiore, Myles Kennedy
Sold Out
PRS ATA Hardshell Multi-fit Molded Cases provide your PRS guitar with the protection it deserves. These cases are formed from durable polyethylene and are built to military and ATA spec to give you peace of mind, whether you fly with your guitar or travel to local gigs, studios, and practice spots. All hardware is powder coated for longevity, and the ergonomic handle makes this guitar case easy to carry through the airport or to the stage. The proprietary zip-tie channel latch system provides a secure, TSA-friendly solution without the hassle of having to deal with unreliable locking systems of yesteryear.
The case’s interior features a custom-fit nest and neck cradle, designed with PRS Guitars’ engineering team to support PRS guitars. Additional interior appointments include black plush lining and two large, hinged accessory compartments to safely store your accessories.
Well-appointed and providing your PRS guitar with unmatched protection, PRS ATA Multi-Fit Molded Guitar Cases are the best choice for your prized PRS.
Which models fit which case?
PRS ATA Hardshell Multi-Fit Molded Cases, D1 (Design 1) was designed to fit PRS classic-perimeter body shapes and many Singlecut designs, regardless of Series (Core, Bolt-On, S2, SE), including the following models:
- CE 22, CE 24, Custom 22, Custom 24, Custom 24 Piezo, Custom 24 Floyd, Custom 24-08, McCarty, McCarty 594, McCarty 594 Single- cut, S2 Standard 22, S2 Standard 24, S2 McCarty 594 Thinline, SC 245, SC 250, SE Swamp Ash Special, and SE Standard 24-08
- Core Specialty Models, including 509, 513, Special Semi-Hollow, Studio, Modern Eagles
- Signature models, including DGT, Mark Tremonti, Santana Retro, Paul’s Guitar, DW CE 24 Floyd
PRS ATA Hardshell Multi-Fit Molded Cases, D2 (Design 2) was designed to fit PRS slab-body guitars, including the following models:
- NF 53
- Silver Sky
- Fiore
- Myles Kennedy
Features
- High-impact ABS exterior is built tough to military and ATA spec.
- Lightweight for easier carrying. 40% lighter than traditional tolex cases.
- Heavy-duty, powder coated hardware.
- TSA-friendly, proprietary zip-tie channel latch system for hassle-free travel.
- Ergonomic, injection-molded handle for comfortable transport.
- Rounded latch housings divert impacts.
- High-quality plush interior lining.
- Shock-absorbent EPP foam interior (same material used in F1 car seats, motorcycle helmets, and infant car seats, so you can trust it to protect your guitar).
- Two internal, hinged compartments that safely store your accessories.
- Molded-in stacking points for secure and easy storage for retailers & musicians.
Radial Big Shot ABY True Bypass Switcher
Sold Out $ 188.98
Effective control for your two-amp setup
The BigShot ABY makes it easy to run two amps on stage, without introducing noise or altering your tone. The pedal has two latching footswitches that allow you to choose which amp is active, or run through both simultaneously. The second amp output features a ground lift and an isolation transformer that can be engaged to eliminate buzz and hum from ground loops, while a 180° polarity reverse switch ensures both amps play back in phase to avoid frequency cancellation. When powered by an external 9V supply or pedalboard power brick, LEDs provide instant on-stage visual feedback - when power is unavailable, the passive audio circuit still works unaffected. Best of all, the BigShot ABY is true-bypass device, without any tone-altering buffers between the guitar and the amplifier to ensure you retain the pure tone of your instrument.
Features
- True bypass ABY amp selector with tuner out
- On-board transformer to eliminate ground buzz
- 180° polarity reverse to phase-align amps
- Bright LED status indicators
Applications
- Switch between or combine two amps
- Switch between two instruments and one amp
- Tuner output is always on for quick adjustments
Cool Stuff
- Plug and play easy to use
- 100% passive audio circuit
- Compact and rugged, perfect for pedalboards
- Works with all instruments: guitar, bass, keys
Dimensions (W x D x H)
- 3.6” x 4” x 2” (92mm x 100mm x 51mm)
- 3 Year transferable warranty
Radial BigShot i/o Instrument Switcher
$ 134.99 $ 188.98
True-bypass Instrument Selector
The BigShot i/o is an easy-to-use instrument selector that lets you quickly transition between any two instruments, while balancing the levels between them and feeding the output to your amplifier.
- Toggle between two instruments with a single foot stomp
- Adjustable volume control to match instrument levels
- True-bypass operation retains the tone of the instruments
- Separate tuner output and mute footswitch for silent tuning
Easy instrument changeovers on stage
The BigShot i/o allows you to switch between instruments on stage without pops through your amp or the need to adjust levels, while featuring 100% true-bypass for the most demanding purist. Input-2 is equipped with a volume control that lets you reduce the input sensitivity of the louder instrument so that the levels are matched when played through your amplifier. When passive instruments are used, a unique three-position Bright switch lets you compensate for instruments that lack shine in the high frequencies. The BigShot i/o is also equipped with a separate tuner output; with a simple foot stomp, the sound going to the amp is muted and diverted to the tuner for quiet on-stage adjustments.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, true bypass | |
| Frequency response: | 20Hz – 20kHz | |
| Gain: | -0.3dB | |
| Features | ||
| Dim Switch, Bright Switch | ||
| Input Connectors: | ¼" jack for first instrument connection Input-2, ¼" jack with dim and bright controls | |
| Output Connectors: | ¼" jack is switchable between always-on, or engaged by Mute switch | |
| Extras: | Tuner/toggle switch | |
| General | ||
| Construction: | 14-gauge steel | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.9" x 3.6" x 2" (99 x 91.4 x 50.8mm) | |
| Weight: | 1.25 lb (0.56 kg) | |
| Shipping size (L x W x D): | 6.25" x 4.25" x 3" (158.7 x 108 x 76.2mm) | |
| Shipping weight: | 1.55 lb (0.70 kg) | |
| Power: | 9VDC, center pole negative | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial BT-Pro V2 Stereo Bluetooth Direct Box
$ 349.99 $ 420.00
Stereo Bluetooth Direct Box
The BT-Pro V2 is a Bluetooth-enabled direct box that connects wirelessly to smartphones, tablets, and other mobile devices and provides a pair of balanced analog audio outputs to feed a PA system. Each BT-Pro V2 has a unique identifier, allowing multiple units to be used within the same building. The latest model of the BT-Pro can also be powered via 48V phantom from a mixing console.
- Wirelessly connect smartphones and tablets to a mixer
- Bluetooth reception of up to 30 meters (100ft)
- Dual balanced XLR outputs feed the PA system
- Powered via external supply or 48V phantom power
- Unique device ID allows multiple BT-Pro’s in a single location
Wireless connection, professional audio
The BT-Pro V2 makes it easy to quickly connect to any smartphone, tablet, or mobile device for high quality audio playback through a sound system. It wirelessly pairs over Bluetooth, eliminating the need to search for adaptor cables and providing you with the freedom to move around while staying connected. Superior audio quality is provided using the Bluetooth 5.0 protocol, allowing the BT-Pro to be used for playback even in critical listening environments. While the BT-Pro V2 is designed to last with a 14 gauge steel outer shell and high durability connectors and controls, it also has an enhanced reception range thanks to the plastic injection-molded insert, which allows wireless signals to pass through unimpeded. Balanced XLR outputs are provided for connection to pro audio equipment, with a level control to allow for easy volume adjustments, a headphone output for testing purposes, and a mono switch to reduce channel requirements when needed.
48V operation & unique device identifiers
For ease of use in live sound applications, the BT-Pro can be powered via 48V phantom from the PA console. This provides the ability to use the included external power supply as a redundant backup, or to eliminate it from the setup altogether. Under 48V phantom power, the BT-Pro provides mic-level signals at the XLR outputs, but when the external power supply is used it is capable of generating line-level signals that can be connected to the line inputs of a PA console and avoid using additional mic-level channels. Each individual BT-Pro V2 also has a unique Bluetooth identifier, allowing multiple units to be successfully used in close proximity to one another. This makes it easy for commercial multi-room facilities to employ a number of BT-Pro units without any confusion when trying to connect to a receiver in a specific part of the building.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Active audio line driver | |
| Frequency response: | 20Hz to 20KHz | |
| Dynamic range: | 90dB | |
| Total harmonic distortion: | 0.05% | |
| Output Impedance: | 150Ω | |
| Signal to Noise: | 90dB | |
| Bluetooth Compliance: | Bluetooth 5.0 | |
| Data Compression: | SBC and AAC Codecs | |
| Features | ||
| Mono Sum, Ground lift, Level Control, Headphone | ||
| Input Connectors: | Bluetooth 5.0, Device range up to 100' | |
| Output Connectors: | XLR-M, 3.5mm TRS Headphone | |
| Extras: | Included power supply | |
| General | ||
| Construction: | 14 gauge steel outer shell, molded nylon insert | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.3” X 5” X 2” (84 x 127 x 51mm) | |
| Weight: | 1.1lbs (500g) | |
| Power: | USB-C connector (Power Only) or 48V Phantom | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial Engineering J48 Active Direct Box
$ 249.99 $ 300.00
Phantom Powered Active Direct Box
The J48 is a high performance active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.
- Exceptional headroom & dynamic range
- Retains the natural sound of the instrument
- Merge switch sums stereo instruments to mono
- Powered by 48V phantom, no batteries required
Higher Rail Voltage, Higher Headroom
Most battery-powered guitars and basses will produce as much as 7 Volts when played at maximum volume, which can easily overload typical active direct boxes which have are only able to handle about 3 Volts. The J48 uses a unique switching power supply that raises the internal rail voltage so it can handle up to an incredible 9 Volts, resulting in improved signal handling and greater headroom. This additional headroom significantly reduces distortion of all types, allowing the natural tone and character of the instrument to shine through.
The Radial J48 has gained a tremendous following through the professional audio community. With significantly more headroom, lower distortion and unmatched durability, it is no wonder that the J48 has become the most specified direct box on stages around the world. As you will note with the specifications below, the J48 is exceptionally linear when tested both under laboratory conditions and when placed under the extra stress of 100 meters (300 feet) of cable. In the lab, the high frequency response actually exceeds 40kHz! This makes the J48 a perfect candidate for the most demanding studio recording while being the obvious choice for the artist on stage.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Proprietary analog circuit with low-noise op-amp | |
| Frequency response: | 20Hz ~ 20kHz | |
| Dynamic range: | 109dB | |
| Total harmonic distortion: | 0.002% @ -5dBu | |
| Intermodulation Distortion: | 0.003% @ -3dBu | |
| Phase Deviation: | +10º at 20Hz | 0º at 1kHz | -1º at 20kHz | |
| Input Impedance: | 220kΩ - ¼" input | |
| Output Impedance: | 200Ω - XLR output | |
| Equivalent Input Noise: | -103dBu | |
| Noise: | -99dB below 0dBu | |
| Maximum Input: | +10dBu | |
| Features | ||
| Input pad, Mono Sum, 180° polarity reverse, Ground lift, HPF | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | Balanced XLR, 1/4" Thru | |
| General | ||
| Construction: | 14 gauge steel chassis and outer shell | |
| Size (L x W x D): | 3.3" x 5.0" x 2" (84 x 127 x 48mm) | |
| Weight: | 1.55 lb (720 g) | |
| Power: | 48V phantom - proprietary digital switching | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial StageBug SB-2 Compact Passive DI
$ 89.99 $ 108.00
Passive Direct Box
The StageBug SB-2 is a compact passive direct box that is perfect for active basses and keyboards, is small enough to fit inside an instrument case, and features a stereo to mono mix function to save mixer channels.
- Passive DI for bass, acoustic and keyboard
- Ultra compact to fit in your guitar case
- Plug & play easy to use feature set
- Transformer isolation eliminates noise
Small size and big performance
The compact design begins with a ¼" input and thru-put to feed the on-stage amp. This connects to the custom made Eclipse ET-DB3 transformer which performs the impedance matching and balances the signal. When using extra high output instruments, a -15dB pad can be inserted into the signal path. This enables the SB-2 to be used with active basses and digital pianos that often tend to overload the input side of the interface. An innovative stereo-to-mono merge function provides a convenient way to connect stereo keyboards and computers without having to reset the source for mono operation, saving time and input channels on the PA. The SB-2 output features an XLR wired to the AES standard with pin-2 hot. Once connected, the SB-2 delivers a smooth warm sound reminiscent of older vintage gear. The Eclipse ET-DB3 transformer is magical in its ability to handle extreme signal levels with a natural compression that is pleasing to the ears. The transformer also helps eliminate hum and buzz caused by ground loops by isolating the input from the output. This is augmented with a ground lift switch that lifts pin-1 on the XLR for quiet, professional results.
The Radial SB-2 is a compact passive direct box that is designed primarily for buffered sources such as active acoustic guitar, keyboard and electric bass. A unique stereo-to-mono merge function enhances functionality by enabling stereo keyboards to be connected and mixed mono to save channels in the PA. Upon testing, the SB-2 exhibits exceptionally linear response and low distortion throughout the desired operating range, proving that size does not necessarily follow performance! The compact design provides the traveling musician with a quality direct box that can be depended upon for the most demanding club gigs.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, transformer based | |
| Transformer: | Eclipse ET-DB3, 12:1 ratio | |
| Number of channels: | 1 | |
| Frequency response: | 20Hz ~ 20KHz (± 0.5dB) | |
| Dynamic range: | 115dB | |
| Total harmonic distortion: | 0.005% @ 1kHz | |
| Phase Deviation: | 3° @ 100Hz; 8° @ 50Hz | |
| Input Impedance: | 140k Ohms, unbalanced | |
| Output Impedance: | 1k Ohms, balanced | |
| Maximum Input: | +20dB | |
| Features | ||
| Input pad, Ground lift | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | XLR | |
| General | ||
| Construction: | 14 gauge steel chassis & outer shell | |
| Size (L x W x D): | 4.5" x 1,85" x 1.35" (114mm x 47mm x 34mm) | |
| Weight: | 0.55 lbs (250 grams) | |
| Shipping size (L x W x D): | 8" x 5" x 3" (203mm x 127mm x 76mm) | |
| Shipping weight: | 0.8 lbs (365 grams) | |
| Power: | Passive, no power required | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial Twin City Active ABY Amp Switcher
$ 229.99 $ 321.98
Active circuitry for noise-free switching
The Radial Twin-City uses a class-A input buffer to drive the amp outputs, which reduces susceptibility to noise and allows for completely silent switching on stage. To eliminate hum and buzz from ground loops, the Twin-City is equipped with an isolation transformer on output-B, along with a ground lift switch and 180⁰ polarity reverse switch that ensures both amplifiers play back in phase with each other. At the input, Drag Control load correction allows you to recreate the natural load on the pickups as if you were connected directly to a tube amplifier, allowing the natural tone of your instrument to shine through.
Features
- Class-A audio signal path for high quality audio
- Drag control load correction for natural feel
- Isolated output to eliminate hum & buzz
- Electronic Impulse Switching to eliminate popping
Benefits
- Delivers the natural sound of your guitar to your amp
- Lets you transition between amps without noise
- Super compact, fits on any pedalboard
- Buffering circuit lets you drive long cables without hum
Cool Stuff
- Same signal path as the JD7 used by Vai, Lukather, Santana
- 180° polarity reveres switch ensures amps play in phase
- Easy to see LED indicators lets you know which amp is active
- No noise. Now that’s really important!
Dimensions (W x D x H)
- 3.6” x 4” x 2” (92mm x 100mm x 51mm)
- 3 Year transferable warranty
Rasial Headlight Guitar Amp Selector
$ 279.99 $ 336.00
Four Output Guitar Amp Selector
The Headlight is a unity gain guitar amp selector designed to easily integrate onto a pedalboard and provide the ability to switch between as many as four amplifiers with a single footswitch.
- Four output amp switcher with sequential switching
- Isolated outputs to eliminate hum and buzz
- Compact footprint easily fits on a pedalboard
- Mute footswitch for silent on-stage tuning
Small Size, Big Tone
The Headlight has a compact footprint that will fit on any pedalboard, but it's still powerful enough to drive up to four amplifiers without sacrificing on tone. The input features a class-A buffer along with Drag Control load correction that allows you to optimize the impedance for your pickups and recreate the feel of plugging your guitar directly into an amp. Custom transformers isolate the outputs to prevent buzz and hum from ground loops, with ground lift switches to further alleviate noise problems. Should you really want to get loud, the mute footswitch can be configured as an 'all on' switch, activating all four amp outputs simultaneously.
Driving four different amps on stage
Use the Headlight to switch between four stage amps to create the ultimate setup for clean, crunch, overdrive and power solo! Simply depress the selector footswitch to select the amp you want. Super bright LEDs let you know which amp is active. Use the mute footswitch for quiet on-stage tuning.
Using the Headlight as an ABY
Connect your two amps using outputs 1 and 2 and select between them using the right-hand footswitch. Set the left-hand footswitch to ALL-ON and when depressed, both amps will play. The isolation transformers will prevent buzz and hum from ground loops when both amps are on.
Using Headlight with DI Boxes and Amplifiers
Using the Headlight you can feed both direct boxes and amplifiers. The outputs from the direct boxes can be sent directly to the mixer and stage amps can be mic'd.
SPECS
| Specifications | ||
|---|---|---|
| Audio circuit type: | Classic Class-A FET | |
| Frequency response: | 30Hz - 30kHz | |
| Dynamic range: | 116dBu | |
| Gain: | -0.5dBu | |
| Clip Level: | +7dB | |
| Total harmonic distortion: | 0.01% | |
| Intermodulation Distortion: | 0.02% | |
| Phase Deviation: | -1.35° @ -20dBu / 1kHz | |
| Input Impedance: | 20k to 1MΩ | |
| Output Impedance: | 1kΩ | |
| Noise: | -112dBu | |
| Maximum Input: | +8dB | |
| Features | ||
| 180° polarity reverse, Ground lift, Drag Control | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | 1/4" | |
| General | ||
| Construction: | 14-Gauge Steel | |
| Size (L x W x D): | 5" x 4.7" x 2" | |
| Weight: | 2lb | |
| Shipping size (L x W x D): | 6.5" x 5.1" x 2.5" | |
| Shipping weight: | 2.4lb | |
| Power: | 9V adaptor / 80mA (Center Pin Negative) | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Roland CB-CS2 Carrying Case for CUBE Street EX
$ 123.99
CARRYING CASE FOR CUBE STREET EX
CB-CS2 Carrying Case for CUBE Street EX made with water-repellent material.
Roland DP-2 Damper Pedal Switch
$ 32.99
The Roland DP-2 Damper Pedal acts as amomentary footswitch for nonlatch footswitch operations such as sustaining notes on electronic keyboards. Black.
Roland KC-550 15" Keyboard Amp Replacement Speaker USED
$ 175.00
**This item is used and in good condition. Very light cosmetic wear can be seen. The price has been adjusted accordingly.
Roland KC-550 Replacement Speaker for Keyboard Amplifier - 15" / 8 ohm
A previously used item that exhibits signs of cosmetic wear and is fully operational and functions as intended.
Roland VT-4 Voice Transformer
$ 299.99 $ 419.98
The VT-4 is an effect processor for the instrument inside us all—the human voice. And like the human voice, the VT-4 is easy to use, yet devastatingly effective. Whether you’re a solo electronic artist, DJ, or singer in a band, the VT-4 lets you craft and shape your own unique vocal sounds, from subtle augmentation to radical transformation. Everything is hands on, with no menu diving or programming to get in the way. Jaw-dropping effects like harmonizing, vocoding, pitch shifting, hard tuning, and more are just a push, slide, or turn away. And with its compact size and five-hour battery life, you can use the VT-4 anywhere.
Insanely Creative
Today’s musical styles increasingly use unusual vocal sounds with heavy processing, making them stand out and grab the listener’s attention. With the VT-4, you have a wealth of modern and retro vocal effects at your fingertips, with no need to resort to a complicated setup with a computer and plug-ins. All the effects are top-notch, with everything from delay and reverb to mind-bending formant and vocoding effects. Better still, the VT-4’s performance-oriented interface lets you ride the controls while you sing to constantly alter the sound to suit the track and enhance the vibe of your performance.
Be Who You Want to Be
Great-sounding pitch and formant effects are hard to come by, especially without a computer. And real-time tweaking of these effects often results in nasty artifacts and other unpleasantness. With the VT-4 you have totally smooth, instant control over both pitch and formant, with dedicated faders for each. Dramatically change your entire persona from male to female, big to small, or good to evil—the choice is yours.
Transformative Effects
Achieving complex vocal effects is easy with the VT-4, and you can even use multiple effects at the same time. Use the central Auto-Pitch knob to dial in just the right amount of hard-tuned effect, then press the Megaphone button for some lo-fi raunchiness. Or run the vocoder through a tape delay or vintage chorus. Each effect has a selection of one-touch variations, so you can get different vocoder characteristics, various lo-fi effects, multi-part harmonies, and distinct kinds of reverb and delay. Chain your effects, set the controls just how you like them, and then simply hold down a preset button to save that setup for later. Changing presets and tweaking controls is smooth and immediate, with no jarring artifacts, glitches, or dropouts.
MIDI Control
The VT-4 works great on its own and can harmonize and vocode without any input other than your voice. But plugging a MIDI keyboard into the VT-4 opens even more expressive possibilities, letting you control the Auto-Pitch, harmony, and vocoder engines in real time with the notes you play. You can hard-tune your voice to specific notes as you sing, or create instant multi-part harmonies with voicings that follow your chords. The VT-4’s small footprint sits nicely on most keyboards and is easy to integrate into your setup, dishing out huge backing vocals and funky vocoded leads by the bucketload.
Fun and Games
Whether it’s a weekly podcast or nightly multiplayer battle, if you’re broadcasting your voice on the internet, you only have so many ways to stand out. The VT-4’s combination of small size, simple controls, and USB-audio capabilities make it uniquely suited to altering your voice for YouTube broadcasts, game streaming, podcasting, and more. Take on the persona of different characters in diverse locations, or sound larger than life when taunting your foes. Add humor, danger, wit, and variety to your streaming broadcasts—your imagination is your only limitation.
Sabine AX3000/AX3000-W Guitar Mounted Contact Autotuner
Sold Out
We have one black and two wood style left.
Mounts right on your instrument, works from direct vibration.
When a music note is struck the chromatic AX3000 responds instantly, displaying the note and holding it longer for easy tuning. It grabs low notes all the way down to the bottom end of a 5-string bass, and high notes on mandolins. The new MagnaPad magnifies the note for the contact mic and the Sabine's super-fast tuning circuit beams the note's status to the three-color LED display. This unique IndiColor„¢ LED display combines the note indicator and sharp/flat indicator into one easy-to-read display. Each LED flashes yellow for flat, red for sharp, and green when you are in tune, and the flash rate indicates how far the note is from in-tune.
This contact chromatic tuner features Sabine's superior tuning algorithm and works for all stringed instruments including electric and acoustic guitars, basses, banjos, violins, mandolins, dulcimers, etc. The AX3000 features a built-in, cordless contact mic, a 3-color LED display, auto-recalibration, and a hardshell DomeHome case. Includes a long-life lithium battery and a 2-year warranty.
Features
- Direct mounting with MagnaPad
- Works for all acoustic and electric stringed instruments
- Chromatic
- 3-color LED display
- Auto-recalibration
- Hardshell case
Schecter S-Shape Hardcase (SGR-3S) B-Stock
$ 139.00
- Case Style: PE Molded Hardcase
- Origin: China
- Color: Black w/ Blue Interior
- Material: PE (Polyethylene) Plastic exterior w/EPS foam protective interior with deep plush lining/ Heavy Duty Black Aluminum valance
- Handle: Through-bolted handle for extra strength
- Latch: Black Powder coated Metal w/Lockable middle latch
- Pockets: 3 Accessory Compartments
**Case has scratches on both sides **
Shure GLXD14+ Digital Wireless Bodypack System
$ 599.00 $ 838.00
The new GLX-D+ Dual Band Wireless Bodypack System features the WA302 guitar cable and the GLXD4+ tabletop receiver. The perfect combination of the automatic frequency management with the new Dual Band Technology provides reliable and consistent performance, while Shure proprietary Lithium-Ion rechargeable batteries provide up to 12 hours of use. Go wireless without complication.
In The Box
- 1 PS43 Power Supply
- 1 SB904 Lithium-Ion Rechargeable Battery
- 1 WA302 Instrument Cable (TA4F to 1/4")
- 1 Black Carrying Case
Shure SE425 Wireless Sound Isolating Earphones
Sold Out $ 416.00
Available in a striking silver color, the SE425 allows you to hear your music the way it was meant to be heard - the way your favorite artists intended. This is what true-to-life sounds like, when accuracy is important and range is imperative. Welcome to the big time.
SKB Acoustic Dreadnought Deluxe Guitar Case USED
Sold Out
**This case is used and in excellent condition. Little to no signs of wear can be found on this case. The price has been adjusted accordingly.
Fits dreadnought and 12 string guitars with a contoured arched lid that will fit knobs on electric models, and features molded-in bumpers for valance protection, rubber over-molded cushion grip handles, and a heavy duty Deluxe Plush interior.
This case comes with Travel Sentry® Approved locking latches installed. Using Travel Sentry® Approved locks allows your luggage to be opened, inspected, and relocked by TSA authorities without damage.
Features
- New fiberglass reinforced nylon trigger release latching system.
- This case comes with Travel Sentry® Approved locking latches installed. Using Travel Sentry® Approved locks allows your luggage to be opened, inspected, and relocked by TSA authorities without damage. For more information, visit www.travelsentry.org.
- Bumper protected valance
- Indestructible cushioned rubber over-molded handle
- Full length neck support
- Rigid EPS foam interiors to keep guitar from slipping
- Injection molded feet
- Accessories compartment
Specs
- Exterior: Hard
- Overall Length: 42.5 in
- Body Length: 20.5 in
- Body Depth: 5.5 in
- Upper Bout: 13.25 in
- Lower Bout: 16.5 in
- Product Weight: 9.95 lb
- Exterior Length: 45 in
- Exterior Width: 19.5 in
- Exterior Height: 7.75 in
Steinberger Synapse Hardshell Case USED
$ 45.00
This hardshell case is used with signs of wear (see attached pictures). The Dimensions of this guitar case are shown in the pictures. The price has been adjusted accordingly.
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