Products
PRS Studio 10 Top Electric Guitar - Gray Black
$ 5,600.00
The PRS Studio model is a modern take on a traditional single-single-hum guitar. With PRS’s proprietary Narrowfield pickups in the middle and bass positions and a 58/15 LT humbucking treble pickup, the PRS Studio offers punchy singlecoils, vintage scooped tones, and the chunky kick of a treble humbucker screaming in one instrument. This whole new scope of sounds (that are only possible with a three-pickup guitar) are easily accessible in the Studio model thanks to the push/pull tone control and 5-way blade switch. With seven combinations in all, the PRS Studio covers classic tones but maintains a unique voice making it a perfect “desert island” guitar.
Serial Number: 0381860
Weight: 7.4 lbs
Specifications
| BODY | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Finish | High Gloss Nitro |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Set |
HARDWARE |
|
| Bridge | PRS Patented Tremolo, Gen III |
| Tuners | PRS Phase III Locking |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "Studio" |
| ELECTRONICS | |
| Treble Pickup | 58/15 LT |
| Middle Pickup | PRS Narrowfield® |
| Bass Pickup | PRS Narrowfield® |
| Controls | Volume and Push/Pull Tone Control with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
PRS Studio 22 Electric Guitar - Faded Whale Blue
$ 4,680.00 $ 5,800.00
The PRS Studio model is a modern take on a traditional single-single-hum guitar. With PRS’s proprietary Narrowfield pickups in the middle and bass positions and a 58/15 LT humbucking treble pickup, the PRS Studio offers punchy singlecoils, vintage scooped tones, and the chunky kick of a treble humbucker screaming in one instrument. This whole new scope of sounds (that are only possible with a three-pickup guitar) are easily accessible in the Studio model thanks to the push/pull tone control and 5-way blade switch. With seven combinations in all, the PRS Studio covers classic tones but maintains a unique voice making it a perfect “desert island” guitar.
Serial Number: 0387355
Weight: 8 lbs
Specifications
| BODY | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Finish | High Gloss Nitro |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Set |
| HARDWARE | |
| Bridge | PRS Patented Tremolo, Gen III |
| Tuners | PRS Phase III Locking |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "Studio" |
| ELECTRONICS | |
| Treble Pickup | 58/15 LT |
| Middle Pickup | PRS Narrowfield® |
| Bass Pickup | PRS Narrowfield® |
| Controls | Volume and Push/Pull Tone Control with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
PRS Wind Through The Trees Dual Analog Flanger Pedal
Sold Out
The PRS Wind Through the Trees dual analog flanger pedal is best described as two flangers fighting each other, resulting in a sound reminiscent of the wind whipping through the trees. With Manual, Depth, and Rate controls per flanger as well as global Regeneration and Added Highs, Wind Through the Trees offers nearly endless tonal possibilities. Bottom line, Wind Through the Trees offers hours of fun for any player.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
PRS Wind Through The Tres Dual Analog Flanger
$ 349.00
DUELING FLANGERS
The PRS Wind Through the Trees dual analog flanger pedal is best described as two flangers fighting each other, resulting in a sound reminiscent of the wind whipping through the trees. With Manual, Depth, and Rate controls per flanger as well as global Regeneration and Added Highs, Wind Through the Trees offers nearly endless tonal possibilities. Bottom line, Wind Through the Trees offers hours of fun for any player.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
SPECIFICATIONS
| Pedal Type | Dual Analog Flanger |
| Analog/Digital | Analog |
| Inputs | (1) 1/4" Instrument |
| Outputs | (1) 1/4" Instrument |
| Bypass Switching | True Bypass |
| Amperage | 22 mA |
| Power Sources | 9V DC Power Supply, regulated and/or isolated (not included) |
| Batteries | (1) 9V (not included) |
| Length | 5.5" |
| Width | 1.5" |
| Height | 4.5" |
| Weight | 1.3 lbs |
QSC MX 1500A Professional Power Stereo Amplifier USED
$ 400.00
MX1500A Power Amplifier
QSC’s award-winning MXa Series amplifiers combine ultra-clean audio performance and unsurpassed reliability while delivering maximum power under the most demanding conditions.
• 350W @ 8ohms.
• 500W @ 4ohms.
EIA:
• 400W @ 8 ohms.
• 600W @ 4 ohms.
• 750W @ 2 ohms.
• 1000W @ 8 ohms (Bridgemono)
• 1500W @ 4 ohms (Bridgemono)
• High-efficiency stepped linear outputs reduce amplifier cooling requirements and AC current draw by greater than 40%*
Independent power supplies on each channel for greater reliability (split secondary on MX 1500a)
• Power transistors direct–mounted metal-to-metal to heatsink for superior thermal performance
• Level 1 Open Input Architecture for cost–and space–saving signal processing accessories*
• Independent DC, subsonic, ultrasonic and thermal overload protection on each channel automatically protect amplifier and speakers
• Patented Output Averaging short circuit protection
• Automatic two-speed fan matches cooling capacity to thermal requirements. Rear-to-front air flow prevents rack overheating.
• 1/4″ TRS and barrier strip balanced inputs for low noise
• Comprehensive LED array monitors operation and performance
• “Touch-proof” binding post output connectors
THX approved for cinema applications
• 3-year warranty plus optional 3-year extended service contract
• Distortion (SMPTE-IM) Less than 0.05%
• Damping Factor greater than 200
• Dynamic Headroom 3 dB at 4 ohms
• Input Impedance 10 K ohms unbalanced, 20 K ohms balanced
• Controls Front: AC Switch, Ch 1 and Ch 2 gain knobs
• Back: Parallel/Stereo/Bridge Switch
• Indicators POWER: Green LED
• SIGNAL: Yellow LED, 1 per channel
• CLIP: Red LED, 1 per channel
PROT: Red LED, 1 per channel
• Connectors (each channel) Input: 1/4″ TRS and Barrier strip
• Speakers: Touch-proof binding posts
• Amplifier Protection Full short circuit, open circuit, ultrasonic, and RF protection.
• Stable into reactive or mismatched loads.
• Output Circuit Type Complementary linear outputs: 2-Step Class H on MX 1500a
• Power Requirements 100, 120, 230 VAC, 50-60 Hz
• MX 1500a:19″ (48.3 cm) rack mounting, 3.5″ (8.9 cm) tall (2 rack spaces), 17.9″ (45.5 cm) deep
Radial BigShot ABY True-Bypass Switcher B-STOCK
Sold Out $ 156.00
True-Bypass Amp Switcher
The BigShot ABY™ is a compact true-bypass ABY switcher that enables you to switch between two amplifiers or play through both amps at the same time, while eliminating buzz and hum from ground loops.
- True-bypass ABY amp selector with LED indicators
- On-board transformer to eliminate hum & buzz
- 180° polarity reverse to phase-match amps
- 100% passive audio path, does not require power
Effective control for your two-amp setup
The BigShot ABY makes it easy to run two amps on stage, without introducing noise or altering your tone. The pedal has two latching footswitches that allow you to choose which amp is active, or run through both simultaneously. The second amp output features a ground lift and an isolation transformer that can be engaged to eliminate buzz and hum from ground loops, while a 180° polarity reverse switch ensures both amps play back in phase to avoid frequency cancellation. When powered by an external 9V supply or pedalboard power brick, LEDs provide instant on-stage visual feedback - when power is unavailable, the passive audio circuit still works unaffected. Best of all, the BigShot ABY is true-bypass device, without any tone-altering buffers between the guitar and the amplifier to ensure you retain the pure tone of your instrument.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, true bypass | |
| Frequency response: | 20Hz - 20KHz | |
| Gain: | -0.3db | |
| Features | ||
| 180° polarity reverse, Ground lift | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | Two 1/4" outputs, switchable transformer isolated from Output-B | |
| Extras: | Tuner Output, ISO switch | |
| General | ||
| Construction: | 14-gauge steel | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.9" x 3.6" x 2" (99 x 91.4 x 50.8mm) | |
| Weight: | 1.25 lb (0.56 kg) | |
| Shipping size (L x W x D): | 6.25" x 4.25" x 3" (158.7 x 108 x 76.2mm) | |
| Shipping weight: | 1.55 lb (0.70 kg) | |
| Power: | 9VDC, center pole negative | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial BigShot i/o Instrument Switcher
$ 129.99 $ 156.00
True-bypass Instrument Selector
The BigShot i/o is an easy-to-use instrument selector that lets you quickly transition between any two instruments, while balancing the levels between them and feeding the output to your amplifier.
- Toggle between two instruments with a single foot stomp
- Adjustable volume control to match instrument levels
- True-bypass operation retains the tone of the instruments
- Separate tuner output and mute footswitch for silent tuning
Easy instrument changeovers on stage
The BigShot i/o allows you to switch between instruments on stage without pops through your amp or the need to adjust levels, while featuring 100% true-bypass for the most demanding purist. Input-2 is equipped with a volume control that lets you reduce the input sensitivity of the louder instrument so that the levels are matched when played through your amplifier. When passive instruments are used, a unique three-position Bright switch lets you compensate for instruments that lack shine in the high frequencies. The BigShot i/o is also equipped with a separate tuner output; with a simple foot stomp, the sound going to the amp is muted and diverted to the tuner for quiet on-stage adjustments.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, true bypass | |
| Frequency response: | 20Hz – 20kHz | |
| Gain: | -0.3dB | |
| Features | ||
| Dim Switch, Bright Switch | ||
| Input Connectors: | ¼" jack for first instrument connection Input-2, ¼" jack with dim and bright controls | |
| Output Connectors: | ¼" jack is switchable between always-on, or engaged by Mute switch | |
| Extras: | Tuner/toggle switch | |
| General | ||
| Construction: | 14-gauge steel | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.9" x 3.6" x 2" (99 x 91.4 x 50.8mm) | |
| Weight: | 1.25 lb (0.56 kg) | |
| Shipping size (L x W x D): | 6.25" x 4.25" x 3" (158.7 x 108 x 76.2mm) | |
| Shipping weight: | 1.55 lb (0.70 kg) | |
| Power: | 9VDC, center pole negative | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial BT-Pro V2 Stereo Bluetooth Direct Box
$ 349.99 $ 420.00
Stereo Bluetooth Direct Box
The BT-Pro V2 is a Bluetooth-enabled direct box that connects wirelessly to smartphones, tablets, and other mobile devices and provides a pair of balanced analog audio outputs to feed a PA system. Each BT-Pro V2 has a unique identifier, allowing multiple units to be used within the same building. The latest model of the BT-Pro can also be powered via 48V phantom from a mixing console.
- Wirelessly connect smartphones and tablets to a mixer
- Bluetooth reception of up to 30 meters (100ft)
- Dual balanced XLR outputs feed the PA system
- Powered via external supply or 48V phantom power
- Unique device ID allows multiple BT-Pro’s in a single location
Wireless connection, professional audio
The BT-Pro V2 makes it easy to quickly connect to any smartphone, tablet, or mobile device for high quality audio playback through a sound system. It wirelessly pairs over Bluetooth, eliminating the need to search for adaptor cables and providing you with the freedom to move around while staying connected. Superior audio quality is provided using the Bluetooth 5.0 protocol, allowing the BT-Pro to be used for playback even in critical listening environments. While the BT-Pro V2 is designed to last with a 14 gauge steel outer shell and high durability connectors and controls, it also has an enhanced reception range thanks to the plastic injection-molded insert, which allows wireless signals to pass through unimpeded. Balanced XLR outputs are provided for connection to pro audio equipment, with a level control to allow for easy volume adjustments, a headphone output for testing purposes, and a mono switch to reduce channel requirements when needed.
48V operation & unique device identifiers
For ease of use in live sound applications, the BT-Pro can be powered via 48V phantom from the PA console. This provides the ability to use the included external power supply as a redundant backup, or to eliminate it from the setup altogether. Under 48V phantom power, the BT-Pro provides mic-level signals at the XLR outputs, but when the external power supply is used it is capable of generating line-level signals that can be connected to the line inputs of a PA console and avoid using additional mic-level channels. Each individual BT-Pro V2 also has a unique Bluetooth identifier, allowing multiple units to be successfully used in close proximity to one another. This makes it easy for commercial multi-room facilities to employ a number of BT-Pro units without any confusion when trying to connect to a receiver in a specific part of the building.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Active audio line driver | |
| Frequency response: | 20Hz to 20KHz | |
| Dynamic range: | 90dB | |
| Total harmonic distortion: | 0.05% | |
| Output Impedance: | 150Ω | |
| Signal to Noise: | 90dB | |
| Bluetooth Compliance: | Bluetooth 5.0 | |
| Data Compression: | SBC and AAC Codecs | |
| Features | ||
| Mono Sum, Ground lift, Level Control, Headphone | ||
| Input Connectors: | Bluetooth 5.0, Device range up to 100' | |
| Output Connectors: | XLR-M, 3.5mm TRS Headphone | |
| Extras: | Included power supply | |
| General | ||
| Construction: | 14 gauge steel outer shell, molded nylon insert | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.3” X 5” X 2” (84 x 127 x 51mm) | |
| Weight: | 1.1lbs (500g) | |
| Power: | USB-C connector (Power Only) or 48V Phantom | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial Engineering AC-Driver Compact Acoustic Preamp Pedal
$ 209.99 $ 252.00
Great tone can be simple
The AC-Driver allows you to obtain great sounding results in a short amount of time, with powerful easy-to-use controls that allow you to set your levels and reduce on-stage feedback. An adjustable low cut filter removes excessive low frequencies, while a 180° phase switch helps correct feedback build-up from hot spots on stage. A variable notch filter targets and removes specific problem frequencies, and a mute footswitch provides a way to silently tune on stage or change instruments without any popping or noise in the PA.
- Studio quality preamp and class-A buffer circuit
- Balanced DI output to feed a PA or powered speaker
- Mute footswitch for instrument changeovers
- Notch filter and phase switch to reduce feedback
Radial Engineering J48 Active Direct Box
$ 249.99 $ 300.00
Phantom Powered Active Direct Box
The J48 is a high performance active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.
- Exceptional headroom & dynamic range
- Retains the natural sound of the instrument
- Merge switch sums stereo instruments to mono
- Powered by 48V phantom, no batteries required
Higher Rail Voltage, Higher Headroom
Most battery-powered guitars and basses will produce as much as 7 Volts when played at maximum volume, which can easily overload typical active direct boxes which have are only able to handle about 3 Volts. The J48 uses a unique switching power supply that raises the internal rail voltage so it can handle up to an incredible 9 Volts, resulting in improved signal handling and greater headroom. This additional headroom significantly reduces distortion of all types, allowing the natural tone and character of the instrument to shine through.
The Radial J48 has gained a tremendous following through the professional audio community. With significantly more headroom, lower distortion and unmatched durability, it is no wonder that the J48 has become the most specified direct box on stages around the world. As you will note with the specifications below, the J48 is exceptionally linear when tested both under laboratory conditions and when placed under the extra stress of 100 meters (300 feet) of cable. In the lab, the high frequency response actually exceeds 40kHz! This makes the J48 a perfect candidate for the most demanding studio recording while being the obvious choice for the artist on stage.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Proprietary analog circuit with low-noise op-amp | |
| Frequency response: | 20Hz ~ 20kHz | |
| Dynamic range: | 109dB | |
| Total harmonic distortion: | 0.002% @ -5dBu | |
| Intermodulation Distortion: | 0.003% @ -3dBu | |
| Phase Deviation: | +10º at 20Hz | 0º at 1kHz | -1º at 20kHz | |
| Input Impedance: | 220kΩ - ¼" input | |
| Output Impedance: | 200Ω - XLR output | |
| Equivalent Input Noise: | -103dBu | |
| Noise: | -99dB below 0dBu | |
| Maximum Input: | +10dBu | |
| Features | ||
| Input pad, Mono Sum, 180° polarity reverse, Ground lift, HPF | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | Balanced XLR, 1/4" Thru | |
| General | ||
| Construction: | 14 gauge steel chassis and outer shell | |
| Size (L x W x D): | 3.3" x 5.0" x 2" (84 x 127 x 48mm) | |
| Weight: | 1.55 lb (720 g) | |
| Power: | 48V phantom - proprietary digital switching | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial Engineering JDI Passive Direct Box
$ 249.99 $ 300.00
World's Finest DI
The JDI is a high performance passive direct box for live concert touring and professional studio recording applications, featuring a premium Jensen transformer for exceptional audio performance.
- Jensen Transformer equipped passive DI
- Eliminates hum and buzz from ground loops
- Virtually zero phase & harmonic distortion
- Exceptional signal handling and noise rejection
Pure Sound of the Instrument
The Radial JDI is a passive direct box designed to handle extreme signal levels without distortion of any kind. At the heart, the Radial JDI employs the world class Jensen JT-DB-EPC audio transformer delivering a smooth, warm sounding Bessel curve, reminiscent of the finest vintage gear. Ruler flat from 10Hz to 40kHz and with virtually zero phase deviation, the JDI delivers the natural, pure sound of the instrument without artifact. By its no-power passive design, the Radial JDI performs both high-to-low impedance conversion and signal balancing over a magnetic bridge that passes signal while rejecting stray DC voltage. This makes the JDI particularly adept at eliminating hum and buzz caused by ground loops.
The Radial JDI is a phase coherent, passive direct box employing a nickel laminated Jensen® audio transformer with virtually zero phase distortion, huge dynamics handling and ruler flat response from 10Hz to 40kHz. The Radial JDI is quite simply the world’s finest passive direct box. With its heavy-duty steel shell and internal I-beam construction, the JDI is designed to work dependably for years in even the harshest of touring environments. Ideal for keyboards, bass and acoustic instruments of all kinds, the JDI Duplex and JD6 are also available for stereo and multi-channel applications.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, transformer based | |
| Transformer: | JT-DB-EPC | |
| Number of channels: | Single channel (mono) | |
| Frequency response: | 20Hz ~ 20KHz (± 0.2dB) | |
| Dynamic range: | 135dB | |
| Total harmonic distortion: | 0.05% from 20Hz ~ 20kHz @-10dB | |
| Phase Deviation: | 0.3° @ 100Hz; 3° @ 20Hz | |
| Input Impedance: | 140k Ohms, unbalanced | |
| Output Impedance: | 150 Ohms, balanced | |
| Maximum Input: | +21dB @ 20Hz ~ 20kHz | |
| Features | ||
| Input pad, Mono Sum, 180° polarity reverse, Ground lift, Speaker filter | ||
| General | ||
| Construction: | 14 gauge steel chassis & outer shell | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 5" x 3.3" x 1.8" (127mm x 84.1mm x 45.5mm) | |
| Weight: | 1.55 lbs (703 grams) | |
| Shipping size (L x W x D): | 6.5" x 4" x 3" (165mm x 102mm x 76mm) | |
| Shipping weight: | 1.92 lbs (870.9 grams) | |
| Power: | Passive, no power required | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Radial Engineering Power-1 Surge Supressor and Power Conditioner Rackmount
$ 109.99 $ 132.00
The Radial Engineering Power-1 is clean power conditioning unit in a rugged rackmount enclosure, providing anyone with valuable electronic gear and audio equipment with superior filtering against interference along with peace-of-mind surge protection.
| Specifications | ||
|---|---|---|
| Voltage Rating: | IEC Power: 120V, 50/60Hz USB: 5V | |
| Load Rating: | IEC Power: 15A total, 15A per outlet USB: 1A | |
| Features | ||
| General | ||
| Size (L x W x D): | 19″ x 6.38″ x 1.47″ (482.6mm x 162.0mm x 37.4mm). Cord length: 9.5' (290cm) | |
| Weight: | 3.1kg (6.5lb) - includes cord | |
| Overload Protection: | American-made Metal Oxide Varistor (MOV), 15A circuit breaker | |
| Agency Listing: | Conforms to UL Std 1419, 60950-1 and 60065 in USA, CSA Std 60950-1, C22.2 No. 62368 in Canada | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
| Warranty: | Radial 3-year, transferable | |
Radial Engineering Power-2 Surge Suppressor & Power Conditioner
$ 199.99 $ 240.00
Power supply with LED illumination
The Power-2 features Radial Engineering’s superior interference filtering and peace-of-mind surge protection, along with an innovative slide-out tray with multicolor LED illumination that allows you to see the rest of your equipment rack with ease in any poorly-lit environment.
- Made in USA ‘MOV’ (Metal-Oxide Varistor)
- High rejection RF interference filter
- Front panel USB charging port
- Sliding LED tray with multicolor and dim controls
- Built ‘Radial tough’ to handle years of touring use
Designed without compromise by Radial
Radial Power clean surge suppressors give musicians, engineers, producers, studio owners, commercial facilities, and anyone working with valuable electronic equipment protection from power surges that can damage or destroy music equipment instantaneously. Eight rear panel outlets are provided (four with wall-wart spacing to accommodate any PSU size), along with an easily accessible front panel outlet and a USB charging port for powering personal devices. A unique tray slides out to illuminate rack equipment below, with ultra-bright LEDs in seven color options along with a built in dimmer to adjust as needed.
Low noise, High level of confidence
Unlike competitive products that utilize low quality MOV's (Metal Oxide Varistor) for surge protection, Radial Power units are built using a USA made MOV. This critical component has been proven to offer superior thermal protection and have a much longer lifespan than the alternatives. The Power-2 utilizes shunt mode technology and is non-ground contaminating for lower system noise. A high-rejection RF interference filter is used to keep high frequencies and AM radio signals out of the power line, preventing contamination of audio signals.
Radial Engineering Pro D2 Direct Box
$ 199.99 $ 240.00
A high-quality, passive direct box that uses 2 proprietary custom-made transformers, one for each channel, for both impedance conversion and isolation. Linear from 20Hz-18kHz, with low distortion and virtually zero phase distortion makes it perfect for live or studio performances. Because of the transformer isolation, problems such as hum and buzz caused by ground loops are eliminated, making it very easy and hassle-free to use. Features include 1/4" thru/input, -15dB pad, and ground lift protected from damage by a protective front panel. Heavy-duty construction, baked enamel finish, and 600ohm balanced output. 3" x 5".
- Passive stereo direct box
- Dual proprietary transformer for impedance conversion and isolation
- Linear from 20Hz-18kHz
- Low distortion and zero phase distortion
- XLR input
- 1/4" thru/input
- -15dB pad
- Ground lift
- Protective front panel
- Heavy-duty construction
- Baked enamel finish
- 600ohm balanced output
Radial Engineering PZ-PRO 2 Channel Acoustic Preamp
$ 639.99 $ 768.00
2-Channel Acoustic Instrumental Preamp
Take complete control over your tone, EQ settings, and effects with the PZ-Pro, a two channel instrument preamp, DI and switcher. Each channel features a separate equalizer strip complete with a filter section to reduce feedback on stage. The second channel of the PZ-Pro also features a microphone input to allow any dynamic or condenser microphone to be used, including clip-on instrument mics. Three footswitches provide the ability to toggle between each input channel, activate a built-in booster and an effects loop, or mute the signal for silent tuning on stage.
- 2 channel acoustic instrument preamp with separate EQs
- Piezo input boosters available on both channels
- XLR input with available phantom power on channel 2
- Assignable FX loop with wet/dry control
Mission control for your acoustic setup
The PZ-Pro is designed for instrumentalists and performers who take a no-compromise approach when it comes to tone, both on stage and in the recording studio. Dual input channels allow you to switch between or blend together two sources, with full control over the sound of each input. Each channel has its own semi-parametric equalizer section and input level, along with individual filter controls to reduce feedback on stage. The second channel of the PZ-Pro also features a microphone input to allow any dynamic or condenser microphone to be used, including clip-on instrument mics or even vocal microphones. An FX Loop with a wet/dry knob provides the ability to blend in as much or as little pedal effects as desired, with a footswitch to bring them in and out of the signal chain at a moment's notice. Finally, once your tone is completely dialed-in, balanced XLR direct outs feed the PA system or a recording interface, with both Pre-EQ and Post-EQ outputs available.
Adaptable for any application
The PZ-Pro is highly configurable, so you can adapt it to meet the needs of your performance, instead of changing your performance to fit the limitations of your gear. Connect magnetic pickups, instruments with on-board preamps, or piezo transducers, and optimize the sound of each with powerful EQ controls and a variable notch or high-pass filter. Blend an instrument mic with your pickups, switch between two instruments, or connect a vocal microphone and feed it through your guitar pedals. The FX loop can be assigned to channel A, B, or both at once, and you can activate it with a footswitch or assign it to be always on, saving footswitch control for the variable clean boost function. With the PZ-Pro, you get the durability and performance Radial is known for, along with all the features you need to put on an unforgettable show.
Radial Engineering Switchbone V2 Amp Selector and Boost Effects Pedal
$ 479.99 $ 576.00
The Switchbone V2 may well be the ultimate guitar amp switcher. This device lets you switch and combine up to three guitar amplifiers without introducing distortion, switching noise, or hum into the signal path. Most importantly, it will retain the natural tone and feel of your instrument so that your natural playing style shines through. The Switchbone V2 may be used as a standard ABY switcher with both A and B outputs used separately or together, or the tuner output can be repurposed to feed a third amplifier. A built-in power booster at the output delivers up to +18db of ultra-clean boost with the option to add mid-boost for extra sustain when playing lead.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Discrete Class-A | |
| Gain: | Unity to +12dB (Baseline gain) | |
| Input Impedance: | Variable with drag control | |
| Output Impedance: | 10k Ohm | |
| Noise Floor: | -111dB | |
| Features | ||
| 180° polarity reverse, Ground lift, Boost | ||
| Input Connectors: | 1/4" input | |
| Output Connectors: | 4 1/4" outputs | |
| General | ||
| Construction: | 14-gauge steel chassis & outer shell | |
| Size (L x W x D): | 6.62" x 4.5" x 2" (168 x 114 x 51mm) | |
| Weight: | 2.35lb (1.07kg) | |
| Shipping size (L x W x D): | 10.75" x 4.75" x 2.5" (273 x 120 x 64mm) | |
| Shipping weight: | 3.35lbs (1.5kg) | |
| Power: | 15VDC 400mA, center pole positive | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
| Warranty: | Radial 3-year, transferable | |
Radial Engineering Texas-Pro Overdrive and Boost Pedal
$ 169.99 $ 220.00
Get Texas-sized overdrive punch and tone.
The Texas-Pro is a compact but extremely powerful dual-function pedal, providing a versatile overdrive circuit as well as a high output signal booster. These two features can be used on their own or in combination, giving you a wide range of tonal options, with the power to cut through when soloing or hit the front end of your amp harder for natural sustain and harmonics.
The overdrive section is equipped with a three-position Range switch, which tailors the response to produce vintage, modern, and high-gain overdrive tones. This allows you to choose between bluesy textures similar to an Ibanez TS9, a modern rock feel like a Fulltone OCD, or aggressive in-your-face saturation. Individual Drive, Tone, and Level controls allow you to further dial in the settings that best suit your guitar and amp setup. The Overdrive is followed by a 100% discrete, pure Class-A Boost circuit with a variable level control that can provide up to +22dB of clean gain. This can be used to let your solos sing out or to push the front end of a smaller amp harder, causing it to prematurely break up. Both the Overdrive and the Boost utilize true-bypass switching, which ensures that you retain the pure tone of your guitar as if it were plugged directly into your amplifier. For additional functionality, a built-in effects loop provides the ability to connect delays or other pedals, activating them when the Boost footswitch is engaged. This makes transitioning from rhythm to lead quick and efficient, with just a single foot-stomp required.
The Texas-Pro is housed in a compact chassis that is small enough for any pedalboard, while still able to handle the rigors of the road with 14-gauge steel construction and heavy-duty footswitches and connectors. Standard 9V power supplies and multi-pedal power bricks can be used to power the Texas-Pro.
- Versatile Overdrive with multiple tonal possibilities
- High output Class-A power booster
- Overdrive and Boost operate separately or in combination
Radial StageBug SB-2 Compact Passive DI
$ 89.99 $ 108.00
Passive Direct Box
The StageBug SB-2 is a compact passive direct box that is perfect for active basses and keyboards, is small enough to fit inside an instrument case, and features a stereo to mono mix function to save mixer channels.
- Passive DI for bass, acoustic and keyboard
- Ultra compact to fit in your guitar case
- Plug & play easy to use feature set
- Transformer isolation eliminates noise
Small size and big performance
The compact design begins with a ¼" input and thru-put to feed the on-stage amp. This connects to the custom made Eclipse ET-DB3 transformer which performs the impedance matching and balances the signal. When using extra high output instruments, a -15dB pad can be inserted into the signal path. This enables the SB-2 to be used with active basses and digital pianos that often tend to overload the input side of the interface. An innovative stereo-to-mono merge function provides a convenient way to connect stereo keyboards and computers without having to reset the source for mono operation, saving time and input channels on the PA. The SB-2 output features an XLR wired to the AES standard with pin-2 hot. Once connected, the SB-2 delivers a smooth warm sound reminiscent of older vintage gear. The Eclipse ET-DB3 transformer is magical in its ability to handle extreme signal levels with a natural compression that is pleasing to the ears. The transformer also helps eliminate hum and buzz caused by ground loops by isolating the input from the output. This is augmented with a ground lift switch that lifts pin-1 on the XLR for quiet, professional results.
The Radial SB-2 is a compact passive direct box that is designed primarily for buffered sources such as active acoustic guitar, keyboard and electric bass. A unique stereo-to-mono merge function enhances functionality by enabling stereo keyboards to be connected and mixed mono to save channels in the PA. Upon testing, the SB-2 exhibits exceptionally linear response and low distortion throughout the desired operating range, proving that size does not necessarily follow performance! The compact design provides the traveling musician with a quality direct box that can be depended upon for the most demanding club gigs.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, transformer based | |
| Transformer: | Eclipse ET-DB3, 12:1 ratio | |
| Number of channels: | 1 | |
| Frequency response: | 20Hz ~ 20KHz (± 0.5dB) | |
| Dynamic range: | 115dB | |
| Total harmonic distortion: | 0.005% @ 1kHz | |
| Phase Deviation: | 3° @ 100Hz; 8° @ 50Hz | |
| Input Impedance: | 140k Ohms, unbalanced | |
| Output Impedance: | 1k Ohms, balanced | |
| Maximum Input: | +20dB | |
| Features | ||
| Input pad, Ground lift | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | XLR | |
| General | ||
| Construction: | 14 gauge steel chassis & outer shell | |
| Size (L x W x D): | 4.5" x 1,85" x 1.35" (114mm x 47mm x 34mm) | |
| Weight: | 0.55 lbs (250 grams) | |
| Shipping size (L x W x D): | 8" x 5" x 3" (203mm x 127mm x 76mm) | |
| Shipping weight: | 0.8 lbs (365 grams) | |
| Power: | Passive, no power required | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Rainsong John A. Decker Jr. V-OM1000NSKC Acoustic Guitar USED - Natural/Carbon Fiber
$ 2,499.00
**This guitar is used and in great condition. Little to no signs of wear can be found. Comes with the original hardshell case. The price has been adjusted accordingly.
Rainsong John A. Decker Jr. V-OM1000NSKC Acoustic Guitar - Natural/Carbon Fiber
Features
- L.R. Baggs Stage Pro Anthem Electronics
- Graphite/Carbon Fiber Build
- Original Hardshell Case
Randall RG1003H Guitar Amplifier Head
$ 649.99 $ 1,000.00
The RG1003H is a 3 Channel, 100 watt high gain FET solid state guitar amplifier head with Reverb and a serial F/X loop. It has a 1/8″ stereo media input, headphone output, and a speaker emulated XLR direct output with ground lift. There is also a footswitch included.
ELECTRONICS
OTHER
Rasial Headlight Guitar Amp Selector
$ 279.99 $ 336.00
Four Output Guitar Amp Selector
The Headlight is a unity gain guitar amp selector designed to easily integrate onto a pedalboard and provide the ability to switch between as many as four amplifiers with a single footswitch.
- Four output amp switcher with sequential switching
- Isolated outputs to eliminate hum and buzz
- Compact footprint easily fits on a pedalboard
- Mute footswitch for silent on-stage tuning
Small Size, Big Tone
The Headlight has a compact footprint that will fit on any pedalboard, but it's still powerful enough to drive up to four amplifiers without sacrificing on tone. The input features a class-A buffer along with Drag Control load correction that allows you to optimize the impedance for your pickups and recreate the feel of plugging your guitar directly into an amp. Custom transformers isolate the outputs to prevent buzz and hum from ground loops, with ground lift switches to further alleviate noise problems. Should you really want to get loud, the mute footswitch can be configured as an 'all on' switch, activating all four amp outputs simultaneously.
Driving four different amps on stage
Use the Headlight to switch between four stage amps to create the ultimate setup for clean, crunch, overdrive and power solo! Simply depress the selector footswitch to select the amp you want. Super bright LEDs let you know which amp is active. Use the mute footswitch for quiet on-stage tuning.
Using the Headlight as an ABY
Connect your two amps using outputs 1 and 2 and select between them using the right-hand footswitch. Set the left-hand footswitch to ALL-ON and when depressed, both amps will play. The isolation transformers will prevent buzz and hum from ground loops when both amps are on.
Using Headlight with DI Boxes and Amplifiers
Using the Headlight you can feed both direct boxes and amplifiers. The outputs from the direct boxes can be sent directly to the mixer and stage amps can be mic'd.
SPECS
| Specifications | ||
|---|---|---|
| Audio circuit type: | Classic Class-A FET | |
| Frequency response: | 30Hz - 30kHz | |
| Dynamic range: | 116dBu | |
| Gain: | -0.5dBu | |
| Clip Level: | +7dB | |
| Total harmonic distortion: | 0.01% | |
| Intermodulation Distortion: | 0.02% | |
| Phase Deviation: | -1.35° @ -20dBu / 1kHz | |
| Input Impedance: | 20k to 1MΩ | |
| Output Impedance: | 1kΩ | |
| Noise: | -112dBu | |
| Maximum Input: | +8dB | |
| Features | ||
| 180° polarity reverse, Ground lift, Drag Control | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | 1/4" | |
| General | ||
| Construction: | 14-Gauge Steel | |
| Size (L x W x D): | 5" x 4.7" x 2" | |
| Weight: | 2lb | |
| Shipping size (L x W x D): | 6.5" x 5.1" x 2.5" | |
| Shipping weight: | 2.4lb | |
| Power: | 9V adaptor / 80mA (Center Pin Negative) | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
Recording King RK-R35 Banjo USED - Natural
Sold Out
**This banjo is used and in good condition. Little to no signs of wear can be found on the banjo. Comes with a gig bag. The price has been adjusted accordingly.
- Weight: 11.4 lbs
Madison Maple Resonator Banjo with Tone Ring
-
Maple Resonator & Neck
-
26-1/4” Scale Length
-
20 Hole Bell Brass Tone Ring
-
American Threaded Hook & Nuts
-
Hand-Rubbed Brown Satin Finish
The Madison RK-R35 gives banjo players a high-quality, great-sounding banjo with a classic Mastertone-style bell brass cast tone ring and one-piece flange.
The Recording King Madison RK-R35 is built around our 3-ply steam bent maple rim, using the same rim and hardware as in the best-selling RK-ELITE-75.
The maple neck has an adjustable two-way truss rod and a comfortable padauk fretboard. With a 24-hook brass tension hoop, players can enjoy precise adjustment of the head tension.
The planetary tuners, geared 5th peg and dual coordinator rods are pro components that add an authentic feel to these impressive banjos.
The Madison RK-R35 has a maple resonator with hand-rubbed brown matte finish. The peghead and fretboard feature our Seagull inlay, for a banjo that looks as classic as it sounds.
The Madison features American threaded nickel-plated hook and nut hardware, presto-style tailpiece and armrest, and comes standard with an authentic Remo head.
Regal RC-1 Duolian Resonator Guitar - Brushed Nickel-Plated Steel
Sold Out $ 1,095.00
Arguably the first true Heavy Metal instruments, resophonic guitars made of either brass or steel, created an entirely new instrument category with one intention…more volume! The added benefit of more volume combines with a never-before-heard sound took the musical instrument market by storm. So popular that metal body instruments were selected as the guitar of choice for many a Ragtime, Jazz, and Blues soloist…and the same holds true today.
Serial Number: 2022130
Weight: 8.4 lbs
Specs
- Authentic steel Duolian body in brushed nickel plate provides classic prewar tone and lasting beauty
- Spun 9.5″ aluminum resonator with biscuit bridge combines a warm pleasing voice with amazing carrying power
- Slim, comfortable mahogany neck is ideal for bottleneck and traditional playing styles
- Rock maple saddle and bone nut provide the best in sound transmission and sustain
- Die-cast 15:1 tuners for fast and precise tuning
Regal RD-40MS Squareneck Resophonic Guitar - Natural Mahogany
Sold Out $ 850.00
At the top of the line of our Regal Studio Series Resophonic Guitars, the new and improved RD-40 has been redesigned from the inside out making it the best value when it comes to truly vintage inspired, professional featured, resophonic instruments available. Using our many years of experience in the development and construction of traditional American acoustic instruments, we have also discovered ways to improve upon the most legendary designs from the past without pricing them out of the reach of any level player. Only the finest materials are used to create these new designs that reminisce of the past, while still meeting the demands of today’s modern players. The new body shape takes its cues from instruments of the past; while the real secret to the tone of these instruments lies within. It all starts with a combination of Regal exclusives such as the patented Power Reflex Tone Chamber for added volume, the patented DP-126 Die-cast spider for its bell like response, and a US made, hand-spun aluminum cone. All together work in perfect harmony to assure the maximum, most articulate tone that can be heard in any playing situation.
Weight: 5.6 lbs
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