$ 399.00 $ 810.00
PRS Archon speaker cabinets feature a closed back design, delivering punch and tight low end. The Celestion V-Type speaker was chosen for its ability to maintain a balanced tonal signature from the Archon’s exceptional clean channel through classic crunch and modern metal gain. Wrapped in black vinyl and outfitted with British-style knitted weave grill cloth and PRS Signature logo, Archon speaker cabinets have a clean and powerful look. Their rugged construction means players can trust them out on the road for years to come.
Wood(s) | Plywood |
Construction | Closed Back |
Covering | Black Textured Vinyl |
Grill Cloth | Black British-Style Knitted Weave |
Speakers | Celestion V-Type |
Impedence | 16 Ohms |
Power Handling | 70 Watts |
Width | 24" |
Depth | 10.5" |
Height | 18" |
Weight | 43 lbs |
$ 1,199.00
Greek for “ruler” or “lord,” the PRS Archon is a commanding 2-channel amp with versatile overdriven tones and sparkling cleans with plenty of headroom. Designed with five gain stages before the master volume, the Archon’s lead channel is voiced to cover everything from Classic Rock to Metal with full, lush distortion. The clean channel provides rich tones that retain clarity even at high volume, and there is ample headroom, creating an excellent platform for pedals. The Archon has remarkably responsive tone with incredible note separation, whether you’re playing on the clean channel or chugging on the lead.
The PRS Archon is powered by 6L6 tubes, offering full, articulate tone with smooth high end and tight low end. They chug, distort, and get heavy without over-saturating, and they sing without becoming harsh. The 1x12 combo features a single Celestion V-type speaker, offering full, extended lows and sweet midrange. The compactness and portability of a “grab and go” combo design is also great for players who bring their amp along to rehearsals, studio time, and gigs.
Utilizing a ‘no flash or trash’ approach, the Archon’s control layout allows for detailed and intuitive tone shaping. Each channel features volume, treble, middle, bass, and master volume controls as well as a bright switch. The 3-band EQ lets players better dial-in their desired tone, while the volume and master controls work together to command the amp’s distortion and loudness. The bright switch acts almost as a treble boost, putting a shine on the amp’s high-end without going into icepick territory. The global presence and depth controls in the Archon’s power amp section both work to modify the feedback network of the amp to unleash the potential of the high- and low-end respectively. Turning up the Presence control releases more high- mid and treble frequencies, bringing the amp’s tone forward. Depending on the tone stack and volume settings, the Presence can change the gain/ texture and loudness of the high-end, making your tone wilder and more 3-dimensional (or more “present” sounding). In addition to adding low-end, Depth adds a resonance to those frequencies that more 3-dimensionally shapes the Archon’s tone.
Bottom Line: The Archon 50 delivers full, lush gain, a remarkable clean channel, and a versatile control layout that players of all genres will appreciate. Available as a 50-watt head or 1x12 combo.
GENERAL | |
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Available Configurations | 1x12 Combo, Head |
Channels | Lead & Clean |
ELECTRONICS | |
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Wattage | 50 |
FRONT PANEL CONTROLS | |
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Lead Channel |
Master Volume, Bass, Middle, Treble, Bright Switch, Volume |
Clean Channel |
Master Volume, Bass, Middle, Treble, Bright Switch, Volume |
Global Controls |
Presence, Depth |
BACK PANEL FEATURES | |
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Inlet | Fused Power Inlet (IEC) |
Effects Loop | Series - tube driven |
Bias | Adjustable with Monitoring Jacks |
Extension Speaker Jacks | 5 |
Ohm Switching | (2) 4 ohm & (2) 8 ohm parallel, (1) 16 ohm |
HARDWARE | |
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Covering | Black Textured Vinyl |
Grill Cloth | Black British-Style Knitted Weave |
Panel | Brushed Black Metal |
Piping | Black Embossed Welt |
Speakers | Celestion V-Type 70W |
TUBES | |
---|---|
Power Tubes | 2x 6CA7 or 6L6GC |
Preamp Tubes | 6x 12AX7 / ECC83 |
PREAMP TUBE POSITIONS & FUNCTIONS | |
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V1 | Common Input |
V2 | Clean Channel |
V3 & V4 | Lead Channel |
V5 | Effects Loop |
V6 | Phase Inverter |
MEASUREMENTS | |
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Amp Width | 21.5” |
Amp Depth | 10” |
Amp Height | 18” |
Amp Weight | 42.8 lbs |
ACCESSORIES | |
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Included Accessories | 1-Button Footswitch, for Channel Switching |
$ 799.00
The PRS HDRX 20 captures the flexibility, power, and balance of late 60’s British-inspired tone in a lower wattage package. The PRS HDRX 20 features a newly-documented “Authentic Hendrix” Touring Circuit. This circuit is heavily inspired by one of Hendrix’s personal amps, purportedly used at Woodstock, which Paul Reed Smith and PRS Amp Designer Doug Sewell were able to study in 2018.
Designed to push the high-end so it is very clear, but not so much that it’s harsh, the PRS HDRX shines without glaring and allows for aggression that can be backed off for smooth, sweet tones. The PRS HDRX 20 is driven by two 5881 power tubes. Chosen for their lower power, smaller size, and organic voice, the 5881 tubes bring thick but articulate tone that drives well and breaks up beautifully in this lower-wattage amp.
The PRS HDRX 20 features a 3-band TMB tone stack, 2-way bright switch, high-mid gain switch, and presence controls. These features mirror the historic amp and give players flexibility and increased control of their tone. The PRS HDRX 20 is also designed with internally bridged channels with individual treble and bass volume controls. This eliminates the need for a jumper cable (historically used on the outside of the amp) and allows players to dial in their distortion level and tone more easily by blending the lead and bass channels’ individual volume controls, bringing more modern convenience to the amp. The addition of a Master Volume control on the HDRX 20, a new feature for HDRX amps, is another modern convenience. Players can use the Master Volume to control the power amp section of the HDRX, making it more user friendly for players who do not want to add a volume attenuator to their setup.
GENERAL | |
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Available Configurations | Head Only |
ELECTRONICS | |
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Wattage | 20 |
FRONT PANEL CONTROLS | |
---|---|
Global Controls |
Master Volume, High Mid Gain Switch (off/on), Treble, Middle, Bass, Presence |
Channel 1 Controls - Bass Volume Channel 2 Controls - Treble Volume, Bright (on/off) Note: Channels 1 and 2 are internally bridged |
BACK PANEL FEATURES | |
---|---|
Inlet | Fused Power Inlet (IEC) |
Bias | Adjustable with Monitoring Jacks |
Extension Speaker Jacks | 5 |
Ohm Switching | (2) 4 ohm & (2) 8 ohm parallel, (1) 16 ohm |
HARDWARE | |
---|---|
Covering | Black Tolex |
Panel | Black Tolex |
Piping | Black |
TUBES | |
---|---|
Power Tubes | (2) 5881 or 6L6WGC-STR Short Bottle |
Preamp Tubes | (3) 12AX7 / ECC83 |
PREAMP TUBE POSITIONS & FUNCTIONS | |
---|---|
V1 | Input |
V2 | Cathode Follower |
V3 | Phase Inverter |
MEASUREMENTS | |
---|---|
Amp Width | 17.25” |
Amp Depth | 9” |
Amp Height | 9” |
Amp Weight | 27.6 lbs |
$ 999.00
The Sonzera 20 is a moderately powered 20-watt combo amplifier with two independently controlled, footswitchable channels designed for maximum versatility. The clean channel delivers full, 3D tones reminiscent of American mid-1960’s amplifiers. The gain channel is related to the clean channel circuit-wise, so that it can be set up to act as a boosted clean channel or manipulated to make the channels sound like two completely different amps (the gain channel can be set from slight to very heavy distortion by simply using the drive and level controls). The bright switch on the gain channel has been carefully tailored to deliver familiar high-end snap and is particularly effective on the low strings, neck pickup settings, and with singlecoils, while the low-end response of the gain channel is full, tight, and clear.
Both channels on the Sonzera are designed to maximize note clarity and definition. The global presence control and the tone stacks allow players to dial in a variety of tones from bell-like chime to warmer, thicker tones. The Sonzera 20 Combo also features global spring reverb control that is designed to enhance notes without clouding them. The reverb can be turned on and off via the footswitch. The addition of a built-in effects loop allows players to use all their time-based effects with ease without negatively impacting the overall tone of the amp.
With robust construction, a wide range of tones, and steadfast controllability, the Sonzera 20 Combo is a solid gig- and studio- worthy amplifier.
GENERAL
TUBES
ELECTRONICS
PREAMP TUBE POSITIONS & FUNCTIONS
FRONT PANEL CONTROLS
BACK PANEL FEATURES
HARDWARE
MEASUREMENTS
ACCESSORIES
$ 749.00 $ 900.00
The PRS MT 15 is a commanding two-channel amp with balanced aggression and articulation. Powered by 6L6 tubes, the MT 15 has a large, bold sound, so you can dig in heavy with rhythms but also get singing lead tones out of one amp. Whether recording, practicing, writing, or playing a small room, this amp has everything you need.
The MT 15’s design started with heavier players in mind, but in the end, it has a lot to offer players of all genres. Like the PRS Archon amplifier, the MT 15 features five gain stages before the Master for full, lush distortion. The gain channel gets big, chunky tone with massive, tight low end, never losing its articulate note definition or great lead tone. The clean channel is bright and chimey, good with chords and fingerstyle playing – whether with a pick or not. The clean channel also features a push/pull boost control that adds a little overdrive for old school crunch.
No matter what tone you dial in, the MT 15 stays balanced across the spectrum with a sweet, smooth tone that won’t bite your head off. Additional features include an effects loop and bias adjusters that are accessible from the back panel for ease of servicing.
Despite its 15 watts, the MT 15 sounds more like 50W, so a half-power switch that takes the MT to 7 watts is a welcome edition. Bottom line, the amount of features, the hugeness of the sound, and the raw horsepower of the circuit make the MT 15 an impressive lunchbox hero. The MT 15 is Mark Tremonti’s first signature amplifier.