Effects
Fender Hammertone Chorus Pedal
Sold Out $ 134.00
Glassy, shimmering, and bubbly– the Hammertone™ Chorus is a simple and powerful modulation device designed to deliver pristine choral sweeps. Pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.
- Model #: 0234576000
Product Specs
General
- Series: Hammertone®
- Material: Aluminum
- Country Of Origin: CN
Electronics
- Input Impedance: 500k ohm
- Output Impedance: 470 ohm
- Power Consumption: 80mA
- Power Requirements: 9-Volt Center Negative AC Adaptor (Not Included)
Measurements
- Product Depth: 2.2" (5.59 cm)
- Product Height: 4.4" (11.18 cm)
- Product Width: 2.44" (6.20 cm)
Fender Hammertone Fuzz Pedal
Sold Out $ 108.00
The Hammertone™ Fuzz captures the iconic splat, saturation and horn-like sustain used on the formative records of rock’n’roll history. Despite its small size, this purple-tinged, psychedelic stompbox is feature-packed with three classic controls, two silicon diodes and an octave fuzz mode – allowing you to recreate the legendary sounds of the ‘60s & ‘70s or forge your own unique tone.
- Model #: 0234574000
Product Specs
General
- Series: Hammertone®
- Material: Aluminum
- Country Of Origin: CN
Electronics
- Input Impedance: 500k ohm
- Output Impedance: 5k ohm (max)
- Power Consumption: 15mA
- Power Requirements: 9-Volt Battery or Center Negative AC Adaptor (Not Included)
Measurements
- Product Depth: 2.2" (5.59 cm)
- Product Height: 4.4" (11.18 cm)
- Product Width: 2.44" (6.20 cm)
Fender Kevin Shields Signature Blender Effects Pedal
$ 329.99 $ 360.00
An innovator and pivotal influence on effect-laden guitar tones, Kevin Shields awakened iconic sonic walls of fuzz like the world had never heard as he defined the tone of alternative rock in the ‘80s and ‘90s. His tool of choice for fuzz laden chaos: an original Fender® Blender effect pedal, prized for its dynamic response and gripping fuzz splatter. Now, through over four years of co-development Fender and Shields have resurrected this mythical 1970’s fuzz and injected a subversive feature set, creating the all-new Fender Shields Blender.
At its core, the Fender Shields Blender echoes the tone of Shields' own vintage 1970s Fender Blender, thanks to carefully hand tracing the circuit from his personal fuzz box. Built around this vintage circuit are entirely new ways of controlling and blending the original fuzz voice, all crafted with performance in mind utilizing four easy-access footswitches. Two footswitchable channels of fuzz, each with dedicated level controls, offer the ability to blend the fuzz voice with your clean signal or to blend the fuzz voice with a beefy suboctave fuzz, while the sag footswitch introduces sputtering and ducking effects like never before heard, all controlled by the intensity of your playing dynamics.
FEATURES
- Original vintage Fender circuit combined with an all-new control set
- Two channels and three octaves of blendable, analog fuzz tones
- Footswitchable, reactive voltage sag circuit controlled by picking dynamics
- Custom 1970s inspired roadworthy chassis with top-mounted jacks
- True-bypass switching
- Powered by 9-Volt Battery or center negative AC adaptor, not included
Specifications
General
- Fender Signature Effects
- Brushed Aluminum
-
CN
- Product Number: 0234552000
Electronics
- 100kΩ
- 15kΩ
- 80mA
- 9-Volt Battery or 9VDC Center Negative AC Adapter (not included)
Fender Tone Master Pro Multi-Effects Processor
Sold Out $ 2,010.00
Tone Master Pro is the first no-compromise multi-effects guitar workstation that features the amazing sound quality that the Tone Master series is known for. Combining a powerfully intuitive interface and the most comprehensive I/O array available, the Tone Master Pro is the best sounding, most powerful and easiest to use guitar processor ever.
Tone Master Pro features over 100 of the world's most popular amps and effects, including all of the classic Tone Master Fender models, the first officially licensed EVH 5150 III Stealth model, and other can't live without classics that have all been perfectly replicated using our proprietary Tone Master Modeling process. Tone Master Pro's lightweight, rugged, stage-friendly form factor is as beautiful as it is functional. With a full-color touchscreen, stunning graphics, and intuitive user interface, dialing in the perfect tone has never been easier or more inspired.
Create Presets, customize your footswitch assignments and combine them to create Songs and organize into Setlists with ease. Tone Master Pro's 10 custom-designed footswitch encoders make editing a breeze, giving you instant access to all your presets and parameters and make adjustments just like you would on the real thing. Connect to our Tone Master Pro Control app via USB for creating, editing and sharing your own presets or for auditioning and downloading thousands of tones created by Fender's community of players and artists.
- Over 100 Tone Master quality Amp & Effect Models
- Over 6000 Fender-captured Impulse Responses with a variety of cabinet and microphone options
- 3rd Party IR support
- 7" Color Touch-screen
- Innovative Song & Setlist modes
- 60 second Stereo Looper
- 4 Effects Loops for integrating your favorite pedals
- Instrument and XLR mic inputs
- 10 proprietary footswitch/encoders with LCD “scribble strips”
- True preset spillover of delay and reverb tails for seamless preset changes
- Firmware updates over USB
- Compatible with Tone Master Pro Control desktop app for editing, sharing and downloading presets
- Over 500 User Presets with access to thousands more from the Cloud using the Tone Master Pro Control App
- Bluetooth wireless connection for streaming audio from a mobile device
- Stereo 1/4" Headphone output jack for silent practice
- Compatible with the Mission Engineering SP1-TMP Expression Pedal for realtime control of parameters
- Lightweight, under 9 lbs.
Specifications
General
- Tone Master®
- Black
- CN
Performance
- 32 Bit
Inputs
- 3.5 mm Stereo
- 10 kΩ
- 1/4"
- 5.6V (2.8V with Input Pad Off)
- 1/4” TRS Female (Combo), Balanced
- 1MΩ
- 7.8V Balanced, 4.5V Unbalanced
- XLR Female (Combo), Balanced
- 1.8 kΩ Balanced
- 4.7V
- 2.4V
- 10 kΩ
Hardware
- Dual 5-Pin DIN (In/Out-Through-Merge)
- Mono Loops (1 & 2) 1/4" Unbalanced, Mono Loops (3 & 4) 1/4" TRS Balanced (Can Be Combined into Stereo Pair)
Fender Tre-Verb Effects Pedal
$ 349.99
There’s no mistaking the sound of genuine Fender amp Tremolo and Reverb. These lush, dynamic amp effects inspired entire genres of music. The Tre-Verb pedal places independent Tremolo and Reverb effects at your feet in a compact, easy-to-use pedal. We included classic reverb voicings based on our renowned spring reverb units from 1963 and 1965 and multiple tremolo modes to make sure you can get the exact sound you need for your music. A full suite of tone-shaping controls, including tap tempo for the tremolo effect, make this pedal sonically flexible, while the stereo inputs and outputs ensure it’s easy to connect to any pedalboard or amp.
- Power Requirements: 9-Volt DC Negative AC Adaptor
- Material: Anodized Aluminum
- Based on Fender’s most advanced DSP
- Independent Tremolo and Reverb effects with three voices each
- Tap Tempo for Tremolo rate
- Stereo inputs and outputs
- LED-backlit knobs
Fender Waylon Jennings Signature Phaser Effects Pedal
$ 167.99 $ 218.00
Few artists can lay claim to defining the sound of a genre, but Waylon Jennings is the undisputed outlaw of outlaw country. Defining a tone all his own drenched in a signature sweeping phase-shifting effect, Waylon toured through the most prominent phaser effect pedals that the '70s and '80s had to offer. And now the Waylon Jennings Phaser pedal takes you along for that same ride by emulating the stomp boxes he used to forge his own path.
Building on Fender's original four-stage phaser circuit developed in the 1970's, the Waylon Jennings Phaser provides three distinct flavors of phasing by switching between two, four, or six phase stages. When combined with the Range and Feedback controls, these three phase voices cover the gamut of phasing tones used by Jennings on stage and in studio. Skip right to the good stuff and turn on the Sweet Switch to jump right to the "sweet spot" of clean signal mixed with phase-shifting tones, perfect for adding the right amount of flavor to your favorite cowboy chords. Whether you're looking to nail Waylon's signature tone, or find a new one all your own, the Waylon Jennings Phaser can dial in just the right phase for you.
General
- Fender Signature Effects
- Aluminum
- CN
Electronics
- 1MΩ
- 1KΩ
- 100mA
- 9-Volt Battery or 9VDC Center Negative AC Adapter (not included)
Fishman PRO-AFX-DI2 Pocket Blender Pedal
$ 99.95
ALL THE ESSENTIAL TOOLS IN ONE COMPACT PEDAL
A level-adjustable A/B pedal. A built-in DI output with ground-lift. A boost pedal. An output Y-splitter. A two-channel mixer. The AFX Pocket Blender is the ultimateA/B/Y pedal combining four essential tools:
- an Input Mixer that lets you continuously adjust the level of audio source(s) connected to the TRS input
- a D.I. output featuring Fishman’s balanced line driver circuit that can be used to send to a house PA or amplifier
- an ABY output to split a signal or connect to one or two stage amps
- an A/B Mode switch determines the overall behavior when the footswitch is pressed
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Balanced D.I. Output with Ground Lift
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Innovative Dual Path Routing
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Super Compact Design Fits Almost Anywhere
- 9V External Power Required (sold separately)
THIS IS THE CLASSIC POCKET BLENDER IN A SMALL FOOTPRINT.
Without even touching the A/B features, it’s a mini two-channel mixer allowing you to connect two audio sources and blend them together. This is perfect for dual-source systems such as Fishman soundhole pickups that feature a mic or body pickup.
Build on the simple blender by setting up an “A mix” and a “B mix” where pressing the footswitch toggles between one mix and the other. You could balance your onboard pickup (50%) with your onboard mic (50%) on mix A. Then on mix B, which you use to take solos, you could boost the pickup to 75% while leaving the mic on 50%. All with a single stomp of the footswitch.
And it’s not only an A/B pedal with a mixer, it is the heart of Fishman’s unique AFX Dual Path ecosystem. By using common TRS audio cables, you assign effects on either tip or ring signal paths and essentially switch between two ‘scenes,’ each with mix levels you control.
SPECIFICATIONS
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MODEL NUMBER |
PRO-AFX-DI2 |
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AUDIO I/O |
1/4" TRS input and outputs, 1/4" balanced DI output with ground lift |
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DSP |
N/A (all analog) |
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DIMENSIONS |
1.9" W x 3.8" D x 1.92" H (49mm W x 97mm D x 49mm H) |
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MATERIAL |
Durable aluminum enclosure |
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CURRENT DRAW |
53mA, typical |
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POWER |
910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative |
Fishman PRO-AFX-EQ2 Pro Eq Mini Pedal
$ 129.95
PERFECT ACOUSTIC EQ CONTROL IN ONE COMPACT PEDAL
Based on the highly-regarded Fishman Platinum series of instrument preamps, AFX Pro EQ Mini offers quality preamplification and critical equalization voiced specifically for acoustic instruments.
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5-Band EQ Specially Voiced for Acoustic Instruments
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True Bypass with Options for Buffered Bypass or Mute
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Feedback-Fighting Phase Control
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Innovative Dual Path Routing
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Super Compact Design Fits Almost Anywhere
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9V External Power Required (sold separately)
This is no off-the-shelf graphic EQ – plug in and your signal begins with a high-impedance instrument preamp to condition nearly any passive or active pickup.
Then, use the four bands of acoustic tone control
to sculpt your bass, mids, treble, and brilliance. A sweepable Low Cut fine-tunes the very low frequencies to reduce or enhance thumps and subs.
Finally, hold the footswitch to toggle your output polarity. Also known as “phase,” this simple circuit can tame low-frequency howl very effectively.
SPECIFICATIONS
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MODEL NUMBER |
PRO-AFX-EQ2 |
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AUDIO I/O |
1/4" TRS input and output (TRS enables Dual Path Functionality) |
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DSP |
32-bit processing |
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DIMENSIONS |
1.9" W x 3.8" D x 1.92" H (49mm W x 97mm D x 49mm H) |
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MATERIAL |
Durable aluminum enclosure |
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CURRENT DRAW |
53mA, typical |
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POWER |
910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative |
|
ANALOG SIGNAL PATH |
Input impedance: 10M Ohm | Output impedance: 1k Ohm | Signal-to-noise: -100dB | Dynamic range: 100dB |
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DIGITAL SIGNAL PATH |
A/D, D/A conversion: 24-bit | Signal processing: 32-bit |
Fishman PRO-AFX-LP2 Broken Record Pedal
$ 109.95
LOOPER AND SAMPLER PEDAL WITH 6 MINUTES OF AUDIO RECORDING!
AFX Broken Record packs high-quality audio looping and sampling into a tiny, yet deceptively-simple stompbox package. It features intuitive one-button operation, endless overdub capability and offers easy transfer to a computer.
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Drag ’n Drop WAV File Transfer via USB
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True Bypass with Buffered Bypass Option
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24-bit / 44.1kHz Recording Quality
- Intuitive Record/Play Footswitch & Loop Level Control
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Innovative Dual Path Routing
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Super Compact Design Fits Almost Anywhere
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9V External Power Required (sold separately)
CREATING LOOPS ON THE FLY COULDN’T BE EASIER.
A single footswitch is all it takes to record, overdub, and play along with your coolest riffs and patterns.
Featuring high-quality 24-bit, 44.1kHz audio recording of up to 6 minutes, AFX Broken Record let’s you capture cool ideas and build on them, or even play along with pre-recorded audio you transfer from your computer.
Built-in memory will retain what you recorded even after the power is disconnected. So, you can unplug at your gig and transfer your loop to your computer later. This also means that the backing track you transfer from your computer will be ready and waiting for you to play back at your next performance.
SPECIFICATIONS
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MODEL NUMBER |
PRO-AFX-LP2 |
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AUDIO I/O |
1/4" TRS input and output (TRS enables Dual Path Functionality) |
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DSP |
32-bit processing |
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BYPASS |
True Bypass with Buffered Bypass Option |
|
DIMENSIONS |
1.9” W x 3.8” D x 1.92” H (49mm W x 97mm D x 49mm H) |
|
MATERIAL |
Durable aluminum enclosure |
|
CURRENT DRAW |
53mA, typical |
|
POWER |
910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative |
|
ANALOG SIGNAL PATH |
Input impedance: 10M Ohm | Output impedance: 1k Ohm | Signal-to-noise: -100dB | Dynamic range: 100dB |
|
DIGITAL SIGNAL PATH |
A/D, D/A conversion: 24-bit | Signal processing: 32-bit |
Fulltone Robin Trower Overdrive Pedal USED
Sold Out
**This pedal is used and in good condition. Little to no signs of wear can be found on this pedal. The price has been adjusted accordingly.
Specs
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Gator GPB-LAK-GR Green Aluminum Pedal Board w/ Small Carry Bag
$ 119.99 $ 194.99
Screamer Green Small aluminum pedal board with Gator carry bag and bottom mounting power supply bracket. Power supply not included.
- Model: GPB-LAK-GR
- UPC: 716408536224
- Color: Green
Features
- Lightweight Aluminum Pedal Board
- Pedal Surface Measures 15.75" x 7"
- Screamer Green Finish
- Universal mounting bracket provided for mounting most common power supplies beneath the board
- Angled for ease of access to pedals
- Cable routing perforations make routing signal and power easy
- No Slip Rubber Feet
- Includes Adhesive Velcro Strips
- Deluxe carry bag with polyethylene reinforced top and bottom has removable shoulder strap
Interior Dimensions
- Length 15.75"
- Width 7.00"
- Height 2.25"
Exterior Dimensions
- Length 18.75"
- Width 10.50"
- Height 5.75"
- Weight 5.00 lbs
Shipping Dimensions
- Length 20.00"
- Width 12.00"
- Height 7.00"
- Weight 6.4 lbs
Gator GPB-LAK-WH White Aluminum Pedal Board w/ Small Carry Bag
Sold Out $ 164.00
White Small aluminum pedal board with Gator carry bag and bottom mounting power supply bracket. Power supply not included.
- Model: GPB-LAK-WH
- UPC: 716408543901
- Color: White
Features
- Lightweight Aluminum Pedal Board
- Pedal Surface Measures 15.75" x 7"
- White Finish
- Universal mounting bracket provided for mounting most common power supplies beneath the board
- Angled for ease of access to pedals
- Cable routing perforations make routing signal and power easy
- No Slip Rubber Feet
- Includes Adhesive Velcro Strips
- Deluxe carry bag with polyethylene reinforced top and bottom has removable shoulder strap
Interior Dimensions
- Length 15.75"
- Width 7.00"
- Height 2.25"
Exterior Dimensions
- Length 18.75"
- Width 10.50"
- Height 5.75"
- Weight 5.00 lbs
Shipping Dimensions
- Length 20.00"
- Width 12.00"
- Height 7.00"
- Weight 6.4 lbs
Genzler Crash Box 4 Effects Pedal
$ 239.99 $ 279.98
GENZLER® AMPLIFICATION proudly announces the third effects pedal in the product line, the CRASH BOX 4™, CLASSIC BASS DISTORTION.
This new model continues the collaboration of the GENZLER AMPLIFICATION design team and Andy Field, former Genz Benz engineer. Together they possess decades of innovative audio product design and manufacturing expertise. The GENZLER® AMPLIFICATION pedal line continues to explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting concepts and blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective experiences to develop what they feel players would use and appreciate, going forward.
And now the new CRASH BOX 4™ takes up where their original 4 ON THE FLOOR™ Classic Overdrive Pedal leaves off. While the 4-OTF compares to the smooth, effortless shifting of a syncro-mesh, manual transmission —- the CRASH BOX 4™ is reminiscent of the rough shifting, gear grinding, non-syncro straight-cut, gear boxes in vintage off-road vehicles and heavy trucks – often called “heavy metal” vehicles.
Description
The new CRASH BOX 4 PEDAL is an ALL-ANALOG distortion pedal that dynamically emulates 4 different distortion types found in popular tube and solid-state distortion circuit topologies and then gives the player additional flexibility and control over drive/gain, distortion path (only)–high pass and low pass filters and separately a clean signal path blend. The result is the ability to tailor and fine tune the distortion to fit a wide spectrum of music and playing techniques, without the loss of touch sensitivity, musicality, or the addition of excess noise.
1st GEAR: Reminiscent of a tube amp’s moderately driven channel (including natural harmonics) with a bit of compression when driven hard. Many players will find that this works well as a mellow/milder, smoother overdrive/distortion with plenty of even ordered harmonic richness , and dimensional texture.
2nd GEAR: Emulates a tube amp’s more heavily overdriven tone, with more odd order harmonics and compression, depth and top-end. While moderately compressed, there is still plenty of depth of tone, dynamics and feel present.
3rd GEAR: An aggressive up-shift from 2nd gear, this heavier and edgier distortion is higher in odd order harmonics as well as having greater compression for a tighter feel. The harder you dig in, the thicker the harmonics and texture, and the more compressed the feel, with greater sustain.
4th GEAR: This is the most aggressive gear of all — a heavy, symmetrical, mostly odd order harmonics style distortion. While there are a lot of harmonics and compression present, this gear does not give up tone but adds additional crush and increased sustain.
The CRASH BOX 4 is a dynamic and versatile distortion pedal and is an excellent compliment with our other pedals and either of our MAGELLAN 350 or MAGELLAN 800 bass amps.
Features:
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- Black Lightweight Aluminum Chassis
- Rugged Stomp Switches
- Low-noise, Silent Switching Circuitry
- High-Pass and Low-Pass Filter (Distortion Engine Only)
- 4 Position Distortion “Gear” Selector Switch
- Parallel Clean Signal Path
- High/Low Drive Sensitivity Switch
- Accepts Power Supplies From 9VDC – 18VDC (low noise type), Either Polarity (auto detecting) 40mA Max — (Power Supply Not Included)
- Dimensions: 5”W X 4.1”D X 2.3”H
- Weight: 1 Lb.
Specifications
- Power Supply: 9VDC-18VDC (low noise type), either polarity (auto-detecting), 40mA max (Power supply not included).
- Input Impedance: >1M ohm
- Output Impedance: 1k ohm
- Overdrive Engine Input HPF: 30Hz – 200hz
- Overdrive Engine Output LPF: 1kHz – 14kHz
- Input Sensitivity (nominal): -20dBu (high sensitivity), -10dBu (low sensitivity)
- Maximum Input Level: 0dBu (9V supply), +5dBu (12V supply), +10dBu (18V supply), high sensitivity, DRIVE at 9:00
- Maximum Input Level: +5dBu (9V supply), +12dBu (12V supply), +18dBu (18V supply), low sensitivity, DRIVE at 9:00
- Maximum Output Level: +9dBu (9V supply) +14dBu (12V supply), +20dBu (18V supply)
- Dimensions: 5” (127mm) W x 4.1” (104mm )D x 2.3” (59mm)H
- Weight: 1.1 lb (0.5kg)
Genzler Re/Q Dual Function EQ Pedal
$ 244.99 $ 285.98
GENZLER® AMPLIFICATION proudly announces the addition of a second pedal from the “redux collaboration” that brings Jeff Genzler and engineer Andy Field back together again — developing a new line of bass effect pedals under the Genzler Amplification brand.
The GENZLER® AMPLIFICATION pedal line will explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting circuits that were started but never used, blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective pasts to develop what they feel players would use and appreciate, going forward.
And now, the introduction of the second model in the line —- the Re/Q — DUAL FUNCTION EQUALIZATION pedal, which offers 2 specific and separate filter networks, HPF and LPF filters with on/off switching and a 5 band EQ network, with its own on/off switching. And the EQ network provides an EQ Output level of +/- 9dB. This versatile design allows the pedal to be used as a clean boost, and is a great combination with the 4 ON THE FLOOR, CLASSIC BASS OVERDRIVE pedal. This pedal also offers another level of versatility as it accepts nearly any power supply; 9 – 18 Volts, either polarity. (Power supply not included).
Description
The re/Q™ DUAL FUNCTION EQ PEDAL is a low noise, ALL ANALOG multi-function HIGH PASS FILTER – LOW PASS FILTER and 5 BAND EQ pedal that gives the player complete tonal control over the cut-off of the extreme low and high frequencies, plus 5 bands of peak-dip equalization. The filter section is foot switched independently from the EQ section, and there is additional make-up gain or cut after the EQ for balancing of levels or to act as an additional boost/cut function when the EQ is switched into the signal path. The re/Q is also a great companion to our 4 ON THE FLOOR Classic Overdrive Pedal. It can be used to tailor your instrument’s tone for various overdrive settings, or increased boost levels for any of the Overdrive gears.
There are a wide variety of uses for the re/Q and is an excellent compliment to either of our MAGELLAN 350 or MAGELLAN 800 bass amps.
Features:
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- Lightweight Aluminum Chassis
- Rugged Stomp Switches
- Low-noise, Silent Switching Circuitry
- High-Pass and Low-Pass Filter
- 5 Band Fixed EQ Network
- EQ Output Level Control
- Accepts Power Supplies From 9VDC – 18VDC (low noise type), Either Polarity (auto detecting) 40mA Max — (Power Supply Not Included)
- Dimensions: 6”W X 4.1”D X 2.3”H
- Weight: 1.3 Lbs.
Specifications
- Input Impedance: >1M ohm
- Output Impedance: 1k ohm
- HPF: 30Hz – 200hz
- LPF: 1kHz – 14kHz
- EQ Filter Points:
- LOW: 90 Hz
- LOW MID: 250Hz
- MID: 630Hz
- HIGH MID: 1.3kHz
- HIGH: 2.6kHz
- EQ Band Control Range: +/- 12dB
- EQ Output Level Control Range: +/-9dB
- Input Sensitivity (nominal): -10dBu to -20dBu (instrument level)
- Input Level (maximum): 0dBu (9V supply), +5dBu (12V supply), +10dBu (18V supply)
- Output Level (nominal): -10dBu to -20dBu (instrument level)
- Output Level (maximum): +9dBu (9V supply) +14dBu (12V supply), +20dBu (18V supply)
- Power Supply: 9VDC-18VDC (low noise type), either polarity (auto-detecting), 40mA max (Power supply not included)
- Dimensions: 6” (127mm) W x 4.1” (104mm )D x 2.3” (59mm)H
- Weight: 1.3 lb (0.6kg)
Hermida Audio Zendrive Guitar Pedal USED
Sold Out
**This pedal is used and being sold on consignment. It has some minor signs of wear. The price has been adjusted accordingly.
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Ibanez '80s Soundtank AW-5 Autowah Effects Pedal USED
$ 75.00
This pedal is in good condition, small amounts of wear on pedal enclosure.
Specifications
- Effect Type: Auto Wah/ Filter
- Controls: Range Knob, Depth Knob, Sens Knob, Footswitch
- Input: 1/4" TS
- Output: 1/4" TS
Ibanez TS-808 Tube Screamer Overdrive Pro Effects Pedal
$ 169.99 $ 206.00
The Ibanez Tube Screamer, in its many versions and forms, can be found on pedal boards in every corner of the globe, on arena stages, in small studios, and bedrooms. Its warm overdrive is a sound many players, from advanced to beginner, could never do without.
Modeling and boutique pedal makers have copied the smooth and full tone of this pedal countless times. Now you can have Ibanez's faithful reissue at a price that doesn't break the bank. The reissue includes the JRC 4558D IC chip and analog circuitry, and features traditional overdrive, level, and tone controls.
•Overdrive, Tone and Level controls
•Required Current: 8mA@9V
•Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative)), Converter Cable included.
Controls
Overdrive, Tone and Level.
Input is on the right side. Output is on the left side.
Required Current
Required Current: 8mA@9V
Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative))
Ibanez TS9 Tube Screamer Guitar Effect Pedal
$ 99.99 $ 144.00
The Ibanez TS9 Tube Screamer is a reissue that's just like the original in so many ways. Same housing, same instantly identifiable green paint, and the same crankin' overdrive that makes it one of the all-time classics in guitar effects. So, plug it in, crank it up, and you'll hear what all the fuss is about.
•Drive, Tone and Level controls
•Required Current: 8mA@9V
•Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative))
Controls
Overdrive, Tone and Level.
Input is on the right side. Output is on the left side.
Required Current
Required Current: 8mA@9VPower
Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative))
Ibanez Tube Screamer Mini Guitar Effect Pedal
$ 79.99 $ 114.27
For the guitarist who's looking to pack more onto to the pedal board, Ibanez offers the Tube Screamer Mini. Manufactured in Japan and measuring in at 1.375" wide and 3.5" long, the TSMINI has all the features that have made the TS808 a legend, including Overdrive, Tone and Level controls, analog circuitry and the legendary JRC4558 IC chip.
Features
- Controls: Overdrive, Tone and Level
- JRC4558D IC chip
- Analog circuitry
True-bypass switching
- Power supply: External AC adapter only (sold separately)
- Made in Japan
- Dimensions: 1.375"W x 3.5"L x 1.625"
Ibanez UE400 Multi Effects USED
$ 599.00
**This piece of equipment is used and being sold on consignment. It is in good condition with some signs of wear (scratches, etc). The price has been adjusted accordingly.
Specs
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Ibanez UE400 Multi Effects USED
$ 599.00
**This piece of equipment is used and being sold on consignment. It is in good condition with some signs of wear (scratches, etc). The price has been adjusted accordingly.
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JHS Pedals Mini A/B Effects Pedal
$ 65.00 $ 86.00
There are two types of players, those that utilize an A/B box like our Mini A/B here, and those that don’t know what they’re missing. Add one to your pedalboard, and you’ll find the Mini A/B is full of indispensable benefits on the gig, in the studio, or even at home. At its core, the simple footswitch design selects between a pair of ¼” jacks on the left side of the unit. Hook one up and you’ll instantly be switching between amps, quickly swapping guitars between songs, using it to isolate your tuner from your signal, killing your stage sound as a mute, and more. And with its adorably tiny footprint, the Mini A/B will fit on even the most cramped pedalboards.
THE DO-IT-ALL SWITCH
How many ways you utilize the JHS Mini A/B is only limited by your necessity. While it may not be a modulation pedal or fuzz (don’t worry, we have those for you too: Mini Foot Fuzz, Emperor), you’ll be hard pressed to find a pedal you step on more than this little gem.
- Instantly swap between two instruments
- Perfect for switching tones on dual-amplifier rigs
- Isolate your tuner from the signal chain, while achieving silent onstage tuning
- Leave output unplugged for a convenient mute function
CONVENIENT LOW-PROFILE DESIGN
Like its name suggests, the Mini A/B is a bite-sized wonder. We can achieve that because of its passive design, which also means it won’t cause any tonal loss. However, we did choose to include a bright LED indicator, letting you know which jack is selected. Don’t need that light? Just unplug the power cable. The Mini A/B will still work just fine.
- Small size is ideal for saving pedalboard space
- LED indicator tells you which ¼” you have selected
- Can run perfectly without power
- Built rugged
JHS Pedals Red Remote Pedal
$ 45.00
Use our new Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote equipped pedal with any 1/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting. The Red Remote is currently compatible with the following JHS Pedals:
- MORNING GLORY V4
- SUPERBOLT V2
- TWIN TWELVE V2
- DOUBLE BARREL V4
- KILT V2
- SWITCHBACK
When using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch. For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's "GAIN" toggle will be deactivated and the Red Remote will switch the toggle on/off as you step on the footswitch.
To use the Red Remote, plug the remote into the jack of the pedal labeled "REMOTE..." ...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into.
Jim Dunlop Cry Baby 535 Pedal USED
Sold Out
**This pedal is used and in good condition. Little to no signs of wear can be found on the pedal. The price has been adjusted accordingly.
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