Effects

Electro-Harmonix Nano Metal Muff

$ 84.40 $ 128.50

NANO METAL MUFF

DISTORTION WITH NOISE GATE

Built for the player who demands nothing less than hard-hitting distortion and an intense, aggressive sound!

The EHX Nano Metal Muff was built for the player who demands nothing less than hard-hitting distortion and an intense, aggressive sound. It’s a combination of weaponized distortion and an extremely powerful EQ section that provides all the flexibility and tone-shaping needed to dial in an array of ultra-heavy sounds.

The Nano Metal Muff’s newly designed noise gate is a superb addition to this high-gain pedal and eliminates unwanted hum when you stop playing. It features a noise floor threshold control (GATE) and its own LED to indicate when the gate is engaged.

A compact footprint and intelligent, straight forward controls complete the picture.

Voiced for the heavy metal player
Compact, pedalboard friendly footprint
Extensive EQ control: Bass +/- 14dB of cut or boost, Mid +/- 15dB and Treble +/- 10dB
VOL (volume) sets the pedal’s output volume level
DIST adjusts input gain and distortion
Noise gate eliminates unwanted noise and includes an LED to indicate when the output signal is muted
9V battery included

SPECIFICATIONS

Circuit: Analog

Bypass: Buffered Bypass

Audio: Mono

Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)

Dimensions (in): 4.5 x 2.75 x 2.1

Current Draw: 24 mA

Year Released: 2021

UPC: 683274012322

Electro-Harmonix Nano POG Polyphonic Octave Generator Effects Pedal

$ 230.40 $ 350.78

The smallest member of the polyphonic POG clan provides impeccable tracking and sound. Separate level controls for dry, sub octave and octave up plus an extra dry out and silent footswitching provide the perfect formula for this compact jewel.

FEATURES

Super, space saving design
Tracks chords, sweeps or single notes with no hitches or glitches
Great 12-string guitar sound or turn your guitar into a bass
Amazing organ-like sounds
Adjustable original pitch volume, one octave up volume and one octave down volume
Dry output jack in addition to the effect output jack
Silent footswitching and road worthy die-cast package
EHX 9.6DC-200 power supply included

Electro-Harmonix Nano Pulsar Tremolo Pedal

Sold Out $ 158.20

The Nano Pulsar takes tremolo beyond the ordinary and mundane. Equipped with a collection of tremolo-modulating waveforms and the option of operating in Triangle or Square Wave modes, the Nano Pulsar is a tremolo/panner treasure chest. In mono, it’s simply amazing, or, connect it in stereo to create shifting waves of sound that surround you and fill your space with weaving, pulsating energy.

For all its power, the Nano Pulsar’s layout is intuitive and using it is easy. There’s often a perceived volume drop with tremolo when the effect is engaged so we’ve included a Volume control. It allows a player to fine-tune their output level when the effect is on, and is a very useful addition.

The Nano Pulsar’s Depth knob adjusts the amount of tremolo applied to the signal. Past maximum (around 1 o’clock) the modulation becomes asymmetric and warps the audio signal between positive and negative phase. This creates a unique style of tremolo which sounds great alone or can be used in combination with other effects like the Oceans 11’s Shimmer patch to produce compelling synth-like sounds and textures.

The Rate knob provides a full range of speed adjustments for the tremolo or pan effect, and when you start to max out the Rate and Depth controls you enter ring modulation territory for a surreal sonic joyride!

Unlock a world of advanced sound shaping and control. Create tremolo and panning effects that go from sublimely beautiful to downright shocking. The compact Nano Pulsar will be your do-it-all, go to pedal for all things tremolo and panning.

Compact, yet powerful tremolo/panner pedal packed with effects
Run it in mono or in stereo for a fully immersive tremolo/panning experience
Flick the Triangle Wave/Square Wave mode switch to determine how sharp or smooth the effect will be
Select from falling and rising sawtooth, narrow and wide pulse width, or triangle and square wave tremolo-modulating waveforms to control how the tremolo morphs and evolves
Know whether the tremolo is on or off before you play a note. The Rate/Status LED pulses at the same rate the effect is modulating when the effect is engaged
9 Volt battery included, also works with an optional 9 Volt power supply
Buffered bypass

SPECIFICATIONS

Circuit

Analog

Bypass

Buffered Bypass

Audio

Stereo Out

Power Supply

9V battery included (optional 9.6VDC-200mA power adapter not included)

Dimensions (in)

4.5 x 2.75 x 2.1

Current Draw

30mA

Year Released

2022

UPC

683274012360

Electro-Harmonix Oceans 11 Reverb Pedal

$ 176.00 $ 268.00

The Oceans 11’s reverbs are:
1. HALL – the rich reverberant sound of a grand concert hall
2. SPRING – pays homage to the classic Fender® 6G15 tube spring reverb
3. PLATE – the lush, warm reverb that got its name because a large metal plate was originally used to create it
4. REVRS – emulates the quirky reverse reverb effect where a note’s reverb fades-in backwards. (Jimmy Page claims to have invented it.)
5. ECHO –sends a recirculating echo thru the Plate reverb. The crisp clear delays get tastefully smudged by the airy plate reverb
6. TREM – reverb plus tremolo that’s applied to both the wet and dry mix of a Hall reverb, your choice of three different tremolo shapes
7. MOD – modulated reverb, three modes. Chorus laced onto the reverb tails creates a luscious atmospheric effect. Flanger wraps around the reverb tails and weaves a hypnotic tapestry. Chorus and flanger combined.
8. DYNA – Swell, gate and duck. Swell silences your notes’ attacks before blooming the tails back into the soundscape. Gate passes the reverb tail thru a noise gate that opens when it detects playing. (Phil Collins popularized the technique by applying it to drums.) Duck compresses the reverb tail while you’re playing and fades it back in when you’re resting.
9. AUTO-INF – Auto-infinite reverb that triggers a reverb wash for each note or chord. When a new one is struck, the previously resounding reverb crossfades to the new one
10. SHIM – Shimmer generates a rich octave-shifted reverb wash that modulates and blossoms behind your signal
11. POLY – Polyphonic reverb, two configurable bi-directional pitch shifts operating on your pre-reverb signal. Combine dissonant intervals with near infinite decays to create disorienting soundtracks, or choose perfect/major intervals to generate creative harmonies when jumping around a key signature

The Oceans 11 features powerful, yet intuitive “hidden” parameters accessible thru its Secondary Knob Mode that let the player take greater control of its effects.

An internal Tails switch also provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a fresh reverb effect complete with adjustable parameters!

Quick Specs

- 11 different reverb types: HALL, SPRING, PLATE, REVRS, ECHO, TREM, MOD, DYNA, AUTO-INF, SHIM and POLY

- Tails switch. Select whether the reverb fades out naturally or stops immediately when the pedal is switched to bypass

- Easy access to powerful “hidden” parameters thru Secondary Knob Mode

- Able to produce infinite reverb you can play over in most settings

- EHX 9.6VDC-200mA power supply Included

- Current Draw: 150mA @ 9VDC

- Dimensions in inches: 2.75(w) x 4.5(l) x 2.1(h)

- Dimensions in mm: 70(w) x 115(l) x 54(h)

Electro-Harmonix QTron+ Envelope Filter Effects Pedal

$ 192.30 $ 255.80

Same design as the original Q-Tron but with extremely useful Effects Loop and an Attack Response Switch.

The Effects Loop gives the musician the ability to place an additional effect, or chain of effects between the Q-Tron Plus's preamp and filter section without changing the envelope drive. This is particularly important with most distortion devices, as most all do not have much of an amplitude envelope. The FX loop will also fire up your creative juices to try all sorts of combinations in the effects loop: try the Micro POG into a Deluxe Memory Man. You can invent all sorts of novel effects.

The added Response Switch selects between a slow, smooth, vowel-like attack and the fast, snaked response of the original Q-Tron.

Fender Dual Marine Layer Reverb

$ 229.99 $ 276.00

Fender and Reverb – name a more iconic musical duo. Fender’s Dual Marine Layer allows you to add even more dimension to your sonic arsenal. Featuring two independent footswitchable settings, three unique reverb algorithms allow the user to create multiple soundscapes. The sustain switch generates massive atmospheric creations for an out-of-this-world tonal experience.

Designed by Fender’s in-house tone gurus, the Dual Marine Layer is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, and the LED-backlit knobs show your control settings on a dark stage at a glance.

Product Specs

Country Of Origin: CN
Material: Anodized Aluminum
Series: Fender® Pedals

Measurements

Dimensions: 3.25x4.85x5.45 IN
Shipping Height: 3.25 IN
Shipping Length: 5.45 IN
Shipping Weight: 1.50 LB
Shipping Width: 4.85 IN

Electronics

Power Consumption: 150mA
Power Requirements: AC Adaptor-9V DC center negative (not included)

Fender Duel Pugilist Distortion

$ 229.99 $ 276.00

Step into the ring with this one-two punch distortion pedal. The Duel Pugilist features the same distortion voicings found in our popular Pugilist pedal, but with new combinations designed for a knockout. The Duel Pugilist offers three operating modes: Series, Mute and Parallel. Series mode allows stacking the two distortions as you would two separate pedals, while Bypass mode allows blending two different distortions, or a clean sound with a distorted sound. Mute mode offers the ability to use one distortion to create your main tone, and then layer an additional distortion sound on top for added richness and complexity. Also features an added 2-band master shelving EQ.

Designed by Fender’s in-house tone gurus, the Duel Pugilist is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, and the LED-backlit knobs show your control settings on a dark stage at a glance.

Product Specs

General

Country Of Origin: CN
Material: Anodized Aluminum
Series: Fender® Pedals

Electronics

Power Consumption: 165mA
Power Requirements: AC Adaptor-9V DC center negative (not included)

Measurements

Dimensions: 3.00x5.50x7.50 IN
Shipping Height: 3.00 IN
Shipping Length: 7.50 IN
Shipping Weight: 2.40 LB
Shipping Width: 5.50 IN

Fender Kevin Shields Signature Blender Effects Pedal

$ 329.99 $ 360.00

An innovator and pivotal influence on effect-laden guitar tones, Kevin Shields awakened iconic sonic walls of fuzz like the world had never heard as he defined the tone of alternative rock in the ‘80s and ‘90s. His tool of choice for fuzz laden chaos: an original Fender® Blender effect pedal, prized for its dynamic response and gripping fuzz splatter. Now, through over four years of co-development Fender and Shields have resurrected this mythical 1970’s fuzz and injected a subversive feature set, creating the all-new Fender Shields Blender.

At its core, the Fender Shields Blender echoes the tone of Shields' own vintage 1970s Fender Blender, thanks to carefully hand tracing the circuit from his personal fuzz box. Built around this vintage circuit are entirely new ways of controlling and blending the original fuzz voice, all crafted with performance in mind utilizing four easy-access footswitches. Two footswitchable channels of fuzz, each with dedicated level controls, offer the ability to blend the fuzz voice with your clean signal or to blend the fuzz voice with a beefy suboctave fuzz, while the sag footswitch introduces sputtering and ducking effects like never before heard, all controlled by the intensity of your playing dynamics.

FEATURES

Original vintage Fender circuit combined with an all-new control set
Two channels and three octaves of blendable, analog fuzz tones
Footswitchable, reactive voltage sag circuit controlled by picking dynamics
Custom 1970s inspired roadworthy chassis with top-mounted jacks
True-bypass switching
Powered by 9-Volt Battery or center negative AC adaptor, not included

Specifications

General

SERIES: Fender Signature Effects
MATERIAL: Brushed Aluminum
COUNTRY OF ORIGIN: CN
Product Number: 0234552000

Electronics

INPUT IMPEDANCE: 100kΩ
OUTPUT IMPEDANCE: 15kΩ
POWER CONSUMPTION: 80mA
POWER REQUIREMENTS: 9-Volt Battery or 9VDC Center Negative AC Adapter (not included)

Fender Tone Master Pro Multi-Effects Processor

$ 1,599.99 $ 2,010.00

Tone Master Pro is the first no-compromise multi-effects guitar workstation that features the amazing sound quality that the Tone Master series is known for. Combining a powerfully intuitive interface and the most comprehensive I/O array available, the Tone Master Pro is the best sounding, most powerful and easiest to use guitar processor ever.

Tone Master Pro features over 100 of the world's most popular amps and effects, including all of the classic Tone Master Fender models, the first officially licensed EVH 5150 III Stealth model, and other can't live without classics that have all been perfectly replicated using our proprietary Tone Master Modeling process. Tone Master Pro's lightweight, rugged, stage-friendly form factor is as beautiful as it is functional. With a full-color touchscreen, stunning graphics, and intuitive user interface, dialing in the perfect tone has never been easier or more inspired.

Create Presets, customize your footswitch assignments and combine them to create Songs and organize into Setlists with ease. Tone Master Pro's 10 custom-designed footswitch encoders make editing a breeze, giving you instant access to all your presets and parameters and make adjustments just like you would on the real thing. Connect to our Tone Master Pro Control app via USB for creating, editing and sharing your own presets or for auditioning and downloading thousands of tones created by Fender's community of players and artists.

Over 100 Tone Master quality Amp & Effect Models
Over 6000 Fender-captured Impulse Responses with a variety of cabinet and microphone options
3rd Party IR support
7" Color Touch-screen
Innovative Song & Setlist modes
60 second Stereo Looper
4 Effects Loops for integrating your favorite pedals
Instrument and XLR mic inputs
10 proprietary footswitch/encoders with LCD “scribble strips”
True preset spillover of delay and reverb tails for seamless preset changes
Firmware updates over USB
Compatible with Tone Master Pro Control desktop app for editing, sharing and downloading presets
Over 500 User Presets with access to thousands more from the Cloud using the Tone Master Pro Control App
Bluetooth wireless connection for streaming audio from a mobile device
Stereo 1/4" Headphone output jack for silent practice
Compatible with the Mission Engineering SP1-TMP Expression Pedal for realtime control of parameters
Lightweight, under 9 lbs.

Specifications

General

SERIES: Tone Master®
COLOR: Black
COUNTRY OF ORIGIN: CN

Performance

DIGITAL AUDIO BIT DEPTH: 32 Bit

Inputs

AUXILIARY INPUT CONNECTION TYPE: 3.5 mm Stereo
AUXILIARY INPUT IMPEDANCE: 10 kΩ
INSTRUMENT INPUT CONNECTION TYPE: 1/4"
INSTRUMENT INPUTS MAXIMUM LEVEL: 5.6V (2.8V with Input Pad Off)
LINE INPUT CONNECTION TYPE: 1/4” TRS Female (Combo), Balanced
LINE INPUTS IMPEDANCE: 1MΩ
LINE INPUTS MAXIMUM LEVEL: 7.8V Balanced, 4.5V Unbalanced
MICROPHONE INPUT CONNECTION TYPE: XLR Female (Combo), Balanced
MICROPHONE PREAMP INPUT IMPEDANCE: 1.8 kΩ Balanced
MICROPHONE PREAMP MAXIMUM INPUT LEVEL: 4.7V
AUXILIARY INPUT MAX INPUT LEVEL: 2.4V
EFFECTS LOOP IMPEDANCE: 10 kΩ

Hardware

MIDI IO: Dual 5-Pin DIN (In/Out-Through-Merge)
EFFECTS LOOP CONNECTION TYPE: Mono Loops (1 & 2) 1/4" Unbalanced, Mono Loops (3 & 4) 1/4" TRS Balanced (Can Be Combined into Stereo Pair)

Fender Tre-Verb Effects Pedal

$ 349.99

There’s no mistaking the sound of genuine Fender amp Tremolo and Reverb. These lush, dynamic amp effects inspired entire genres of music. The Tre-Verb pedal places independent Tremolo and Reverb effects at your feet in a compact, easy-to-use pedal. We included classic reverb voicings based on our renowned spring reverb units from 1963 and 1965 and multiple tremolo modes to make sure you can get the exact sound you need for your music. A full suite of tone-shaping controls, including tap tempo for the tremolo effect, make this pedal sonically flexible, while the stereo inputs and outputs ensure it’s easy to connect to any pedalboard or amp.

Specifications

Power Requirements: 9-Volt DC Negative AC Adaptor
Material: Anodized Aluminum
Based on Fender’s most advanced DSP
Independent Tremolo and Reverb effects with three voices each
Tap Tempo for Tremolo rate
Stereo inputs and outputs
LED-backlit knobs

Fender Waylon Jennings Signature Phaser Effects Pedal

$ 167.99 $ 218.00

Few artists can lay claim to defining the sound of a genre, but Waylon Jennings is the undisputed outlaw of outlaw country. Defining a tone all his own drenched in a signature sweeping phase-shifting effect, Waylon toured through the most prominent phaser effect pedals that the '70s and '80s had to offer. And now the Waylon Jennings Phaser pedal takes you along for that same ride by emulating the stomp boxes he used to forge his own path.

Building on Fender's original four-stage phaser circuit developed in the 1970's, the Waylon Jennings Phaser provides three distinct flavors of phasing by switching between two, four, or six phase stages. When combined with the Range and Feedback controls, these three phase voices cover the gamut of phasing tones used by Jennings on stage and in studio. Skip right to the good stuff and turn on the Sweet Switch to jump right to the "sweet spot" of clean signal mixed with phase-shifting tones, perfect for adding the right amount of flavor to your favorite cowboy chords. Whether you're looking to nail Waylon's signature tone, or find a new one all your own, the Waylon Jennings Phaser can dial in just the right phase for you.

General

SERIES: Fender Signature Effects
MATERIAL: Aluminum
COUNTRY OF ORIGIN: CN

Electronics

INPUT IMPEDANCE: 1MΩ
OUTPUT IMPEDANCE: 1KΩ
POWER CONSUMPTION: 100mA
POWER REQUIREMENTS: 9-Volt Battery or 9VDC Center Negative AC Adapter (not included)

Fishman PRO-AFX-DI2 Pocket Blender Pedal

Fishman

$ 99.95

ALL THE ESSENTIAL TOOLS IN ONE COMPACT PEDAL

A level-adjustable A/B pedal. A built-in DI output with ground-lift. A boost pedal. An output Y-splitter. A two-channel mixer. The AFX Pocket Blender is the ultimateA/B/Y pedal combining four essential tools:

an Input Mixer that lets you continuously adjust the level of audio source(s) connected to the TRS input
a D.I. output featuring Fishman’s balanced line driver circuit that can be used to send to a house PA or amplifier
an ABY output to split a signal or connect to one or two stage amps
an A/B Mode switch determines the overall behavior when the footswitch is pressed

Balanced D.I. Output with Ground Lift
Innovative Dual Path Routing
Super Compact Design Fits Almost Anywhere
9V External Power Required (sold separately)

THIS IS THE CLASSIC POCKET BLENDER IN A SMALL FOOTPRINT.

Without even touching the A/B features, it’s a mini two-channel mixer allowing you to connect two audio sources and blend them together. This is perfect for dual-source systems such as Fishman soundhole pickups that feature a mic or body pickup.

Build on the simple blender by setting up an “A mix” and a “B mix” where pressing the footswitch toggles between one mix and the other. You could balance your onboard pickup (50%) with your onboard mic (50%) on mix A. Then on mix B, which you use to take solos, you could boost the pickup to 75% while leaving the mic on 50%. All with a single stomp of the footswitch.

And it’s not only an A/B pedal with a mixer, it is the heart of Fishman’s unique AFX Dual Path ecosystem. By using common TRS audio cables, you assign effects on either tip or ring signal paths and essentially switch between two ‘scenes,’ each with mix levels you control.

SPECIFICATIONS

MODEL NUMBER	PRO-AFX-DI2
AUDIO I/O	1/4" TRS input and outputs, 1/4" balanced DI output with ground lift
DSP	N/A (all analog)
DIMENSIONS	1.9" W x 3.8" D x 1.92" H (49mm W x 97mm D x 49mm H)
MATERIAL	Durable aluminum enclosure
CURRENT DRAW	53mA, typical
POWER	910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative

Fishman PRO-AFX-EQ2 Pro Eq Mini Pedal

Fishman

$ 129.95

PERFECT ACOUSTIC EQ CONTROL IN ONE COMPACT PEDAL

Based on the highly-regarded Fishman Platinum series of instrument preamps, AFX Pro EQ Mini offers quality preamplification and critical equalization voiced specifically for acoustic instruments.

5-Band EQ Specially Voiced for Acoustic Instruments
True Bypass with Options for Buffered Bypass or Mute
Feedback-Fighting Phase Control
Innovative Dual Path Routing
Super Compact Design Fits Almost Anywhere
9V External Power Required (sold separately)

This is no off-the-shelf graphic EQ – plug in and your signal begins with a high-impedance instrument preamp to condition nearly any passive or active pickup.

Then, use the four bands of acoustic tone control
to sculpt your bass, mids, treble, and brilliance. A sweepable Low Cut fine-tunes the very low frequencies to reduce or enhance thumps and subs.

Finally, hold the footswitch to toggle your output polarity. Also known as “phase,” this simple circuit can tame low-frequency howl very effectively.

SPECIFICATIONS

MODEL NUMBER	PRO-AFX-EQ2
AUDIO I/O	1/4" TRS input and output (TRS enables Dual Path Functionality)
DSP	32-bit processing
DIMENSIONS	1.9" W x 3.8" D x 1.92" H (49mm W x 97mm D x 49mm H)
MATERIAL	Durable aluminum enclosure
CURRENT DRAW	53mA, typical
POWER	910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative
ANALOG SIGNAL PATH	Input impedance: 10M Ohm \| Output impedance: 1k Ohm \| Signal-to-noise: -100dB \| Dynamic range: 100dB
DIGITAL SIGNAL PATH	A/D, D/A conversion: 24-bit \| Signal processing: 32-bit

Fishman PRO-AFX-LP2 Broken Record Pedal

Fishman

$ 109.95

LOOPER AND SAMPLER PEDAL WITH 6 MINUTES OF AUDIO RECORDING!

AFX Broken Record packs high-quality audio looping and sampling into a tiny, yet deceptively-simple stompbox package. It features intuitive one-button operation, endless overdub capability and offers easy transfer to a computer.

Drag ’n Drop WAV File Transfer via USB
True Bypass with Buffered Bypass Option
24-bit / 44.1kHz Recording Quality
Intuitive Record/Play Footswitch & Loop Level Control
Innovative Dual Path Routing
Super Compact Design Fits Almost Anywhere
9V External Power Required (sold separately)

CREATING LOOPS ON THE FLY COULDN’T BE EASIER.

A single footswitch is all it takes to record, overdub, and play along with your coolest riffs and patterns.

Featuring high-quality 24-bit, 44.1kHz audio recording of up to 6 minutes, AFX Broken Record let’s you capture cool ideas and build on them, or even play along with pre-recorded audio you transfer from your computer.

Built-in memory will retain what you recorded even after the power is disconnected. So, you can unplug at your gig and transfer your loop to your computer later. This also means that the backing track you transfer from your computer will be ready and waiting for you to play back at your next performance.

SPECIFICATIONS

MODEL NUMBER	PRO-AFX-LP2
AUDIO I/O	1/4" TRS input and output (TRS enables Dual Path Functionality)
DSP	32-bit processing
BYPASS	True Bypass with Buffered Bypass Option
DIMENSIONS	1.9” W x 3.8” D x 1.92” H (49mm W x 97mm D x 49mm H)
MATERIAL	Durable aluminum enclosure
CURRENT DRAW	53mA, typical
POWER	910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative
ANALOG SIGNAL PATH	Input impedance: 10M Ohm \| Output impedance: 1k Ohm \| Signal-to-noise: -100dB \| Dynamic range: 100dB
DIGITAL SIGNAL PATH	A/D, D/A conversion: 24-bit \| Signal processing: 32-bit

Gator GPB-LAK-GR Green Aluminum Pedal Board w/ Small Carry Bag

Gator

$ 129.99 $ 155.98

Screamer Green Small aluminum pedal board with Gator carry bag and bottom mounting power supply bracket. Power supply not included.

Model: GPB-LAK-GR
UPC: 716408536224
Color: Green

Features

Lightweight Aluminum Pedal Board
Pedal Surface Measures 15.75" x 7"
Screamer Green Finish
Universal mounting bracket provided for mounting most common power supplies beneath the board
Angled for ease of access to pedals
Cable routing perforations make routing signal and power easy
No Slip Rubber Feet
Includes Adhesive Velcro Strips
Deluxe carry bag with polyethylene reinforced top and bottom has removable shoulder strap

Interior Dimensions

Length 15.75"
Width 7.00"
Height 2.25"

Exterior Dimensions

Length 18.75"
Width 10.50"
Height 5.75"
Weight 5.00 lbs

Shipping Dimensions

Length 20.00"
Width 12.00"
Height 7.00"
Weight 6.4 lbs

Genzler Crash Box 4 Effects Pedal

Genzler

$ 239.99 $ 279.98

GENZLER® AMPLIFICATION proudly announces the third effects pedal in the product line, the CRASH BOX 4™, CLASSIC BASS DISTORTION.

This new model continues the collaboration of the GENZLER AMPLIFICATION design team and Andy Field, former Genz Benz engineer. Together they possess decades of innovative audio product design and manufacturing expertise. The GENZLER® AMPLIFICATION pedal line continues to explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting concepts and blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective experiences to develop what they feel players would use and appreciate, going forward.

And now the new CRASH BOX 4™ takes up where their original 4 ON THE FLOOR™ Classic Overdrive Pedal leaves off. While the 4-OTF compares to the smooth, effortless shifting of a syncro-mesh, manual transmission —- the CRASH BOX 4™ is reminiscent of the rough shifting, gear grinding, non-syncro straight-cut, gear boxes in vintage off-road vehicles and heavy trucks – often called “heavy metal” vehicles.

Description

The new CRASH BOX 4 PEDAL is an ALL-ANALOG distortion pedal that dynamically emulates 4 different distortion types found in popular tube and solid-state distortion circuit topologies and then gives the player additional flexibility and control over drive/gain, distortion path (only)–high pass and low pass filters and separately a clean signal path blend. The result is the ability to tailor and fine tune the distortion to fit a wide spectrum of music and playing techniques, without the loss of touch sensitivity, musicality, or the addition of excess noise.

1^st GEAR: Reminiscent of a tube amp’s moderately driven channel (including natural harmonics) with a bit of compression when driven hard. Many players will find that this works well as a mellow/milder, smoother overdrive/distortion with plenty of even ordered harmonic richness , and dimensional texture.

2^nd GEAR: Emulates a tube amp’s more heavily overdriven tone, with more odd order harmonics and compression, depth and top-end. While moderately compressed, there is still plenty of depth of tone, dynamics and feel present.

3^rd GEAR: An aggressive up-shift from 2^nd gear, this heavier and edgier distortion is higher in odd order harmonics as well as having greater compression for a tighter feel. The harder you dig in, the thicker the harmonics and texture, and the more compressed the feel, with greater sustain.

4^th GEAR: This is the most aggressive gear of all — a heavy, symmetrical, mostly odd order harmonics style distortion. While there are a lot of harmonics and compression present, this gear does not give up tone but adds additional crush and increased sustain.

The CRASH BOX 4 is a dynamic and versatile distortion pedal and is an excellent compliment with our other pedals and either of our MAGELLAN 350 or MAGELLAN 800 bass amps.

Features:

- Black Lightweight Aluminum Chassis
- Rugged Stomp Switches
- Low-noise, Silent Switching Circuitry
- High-Pass and Low-Pass Filter (Distortion Engine Only)
- 4 Position Distortion “Gear” Selector Switch
- Parallel Clean Signal Path
- High/Low Drive Sensitivity Switch
- Accepts Power Supplies From 9VDC – 18VDC (low noise type), Either Polarity (auto detecting) 40mA Max — (Power Supply Not Included)
- Dimensions: 5”W X 4.1”D X 2.3”H
- Weight: 1 Lb.

Specifications

Power Supply: 9VDC-18VDC (low noise type), either polarity (auto-detecting), 40mA max (Power supply not included).
Input Impedance: >1M ohm
Output Impedance: 1k ohm
Overdrive Engine Input HPF: 30Hz – 200hz
Overdrive Engine Output LPF: 1kHz – 14kHz
Input Sensitivity (nominal): -20dBu (high sensitivity), -10dBu (low sensitivity)
Maximum Input Level: 0dBu (9V supply), +5dBu (12V supply), +10dBu (18V supply), high sensitivity, DRIVE at 9:00
Maximum Input Level: +5dBu (9V supply), +12dBu (12V supply), +18dBu (18V supply), low sensitivity, DRIVE at 9:00
Maximum Output Level: +9dBu (9V supply) +14dBu (12V supply), +20dBu (18V supply)
Dimensions: 5” (127mm) W x 4.1” (104mm )D x 2.3” (59mm)H
Weight: 1.1 lb (0.5kg)

Genzler Re/Q Dual Function EQ Pedal

Genzler

$ 244.99 $ 285.98

GENZLER® AMPLIFICATION proudly announces the addition of a second pedal from the “redux collaboration” that brings Jeff Genzler and engineer Andy Field back together again — developing a new line of bass effect pedals under the Genzler Amplification brand.

The GENZLER® AMPLIFICATION pedal line will explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting circuits that were started but never used, blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective pasts to develop what they feel players would use and appreciate, going forward.

And now, the introduction of the second model in the line —- the Re/Q — DUAL FUNCTION EQUALIZATION pedal, which offers 2 specific and separate filter networks, HPF and LPF filters with on/off switching and a 5 band EQ network, with its own on/off switching. And the EQ network provides an EQ Output level of +/- 9dB. This versatile design allows the pedal to be used as a clean boost, and is a great combination with the 4 ON THE FLOOR, CLASSIC BASS OVERDRIVE pedal. This pedal also offers another level of versatility as it accepts nearly any power supply; 9 – 18 Volts, either polarity. (Power supply not included).

Description

The re/Q™ DUAL FUNCTION EQ PEDAL is a low noise, ALL ANALOG multi-function HIGH PASS FILTER – LOW PASS FILTER and 5 BAND EQ pedal that gives the player complete tonal control over the cut-off of the extreme low and high frequencies, plus 5 bands of peak-dip equalization. The filter section is foot switched independently from the EQ section, and there is additional make-up gain or cut after the EQ for balancing of levels or to act as an additional boost/cut function when the EQ is switched into the signal path. The re/Q is also a great companion to our 4 ON THE FLOOR Classic Overdrive Pedal. It can be used to tailor your instrument’s tone for various overdrive settings, or increased boost levels for any of the Overdrive gears.

There are a wide variety of uses for the re/Q and is an excellent compliment to either of our MAGELLAN 350 or MAGELLAN 800 bass amps.

Features:

- Lightweight Aluminum Chassis
- Rugged Stomp Switches
- Low-noise, Silent Switching Circuitry
- High-Pass and Low-Pass Filter
- 5 Band Fixed EQ Network
- EQ Output Level Control
- Accepts Power Supplies From 9VDC – 18VDC (low noise type), Either Polarity (auto detecting) 40mA Max — (Power Supply Not Included)
- Dimensions: 6”W X 4.1”D X 2.3”H
- Weight: 1.3 Lbs.

Specifications

Input Impedance: >1M ohm
Output Impedance: 1k ohm
HPF: 30Hz – 200hz
LPF: 1kHz – 14kHz
EQ Filter Points:
- LOW: 90 Hz
- LOW MID: 250Hz
- MID: 630Hz
- HIGH MID: 1.3kHz
- HIGH: 2.6kHz
EQ Band Control Range: +/- 12dB
EQ Output Level Control Range: +/-9dB
Input Sensitivity (nominal): -10dBu to -20dBu (instrument level)
Input Level (maximum): 0dBu (9V supply), +5dBu (12V supply), +10dBu (18V supply)
Output Level (nominal): -10dBu to -20dBu (instrument level)
Output Level (maximum): +9dBu (9V supply) +14dBu (12V supply), +20dBu (18V supply)
Power Supply: 9VDC-18VDC (low noise type), either polarity (auto-detecting), 40mA max (Power supply not included)
Dimensions: 6” (127mm) W x 4.1” (104mm )D x 2.3” (59mm)H
Weight: 1.3 lb (0.6kg)

Greer Black Mountain Crunch Drive Pedal USED

Greer Amps

Sold Out

**This pedal is used and being sold on consignment. It is in excellent condition with little to no signs of wear. Comes with the original packaging. The price has been adjusted accordingly.

Looming large, like the towering behemoths of full stacks of yore, the Black Mountain Crunch Drive roars to life, bringing new dimensions of vintage tone to guitarists (and bass players, too!). This new crunch based drive is rooted in a tone quest for the sound of one particular recording of a crunchy British amp, but it has flexibility beyond just that sound. From simply adding crunch, to getting that famous midrange snarl and growl of those metal panel amps that came out just after the plexi era, the Black Mountain Crunch Drive gives up the goods in a way that has a natural, amp like crunch to it. This circuit was inspired by many conversations with many friends, and developed with The Darkness’ album Permission to Land blasting in the background…it’ll get ya there, if you want it to. The two clipping diodes responsible for the drive in this circuit are purposefully imbalanced, selected to impart the proper texture and crunch for this circuit.

Enclosure Dimensions (in): 4.39" x 2.34" x 1.06"
Power: 9-18 volt neg. center pin ONLY.
Current draw: 10mA @ 9v.

Ibanez '80s Soundtank AW-5 Autowah Effects Pedal USED

$ 75.00

This pedal is in good condition, small amounts of wear on pedal enclosure.

Specifications

Effect Type: Auto Wah/ Filter
Controls: Range Knob, Depth Knob, Sens Knob, Footswitch
Input: 1/4" TS
Output: 1/4" TS

Ibanez TS-808 Tube Screamer Overdrive Pro Effects Pedal

$ 169.99 $ 206.00

The Ibanez Tube Screamer, in its many versions and forms, can be found on pedal boards in every corner of the globe, on arena stages, in small studios, and bedrooms. Its warm overdrive is a sound many players, from advanced to beginner, could never do without.
Modeling and boutique pedal makers have copied the smooth and full tone of this pedal countless times. Now you can have Ibanez's faithful reissue at a price that doesn't break the bank. The reissue includes the JRC 4558D IC chip and analog circuitry, and features traditional overdrive, level, and tone controls.

•Overdrive, Tone and Level controls
•Required Current: 8mA@9V
•Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative)), Converter Cable included.

Controls

Overdrive, Tone and Level.
Input is on the right side. Output is on the left side.

Required Current

Required Current: 8mA@9V
Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative))

Ibanez TS9B Bass Tube Screamer

$ 129.99 $ 184.16

The TS9B is equipped with controls that allow bassists to preserve the low-end frequencies they need, while still maintaining the feel and tone of the original Tube Screamer. Experimenting with the mix and tone controls allows for a limitless number of sounds and textures. Players can go from just "a little bit of grit" to "full-on" overdrive and everything in-between.

•Drive, Mix, Bass, Treble and Level controls
•Required Current: 10mA@9V
•Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative))

Ibanez Tube Screamer Mini Guitar Effect Pedal

Sold Out $ 114.27

For the guitarist who's looking to pack more onto to the pedal board, Ibanez offers the Tube Screamer Mini. Manufactured in Japan and measuring in at 1.375" wide and 3.5" long, the TSMINI has all the features that have made the TS808 a legend, including Overdrive, Tone and Level controls, analog circuitry and the legendary JRC4558 IC chip.

Features

Controls: Overdrive, Tone and Level
JRC4558D IC chip
Analog circuitry
True-bypass switching
Power supply: External AC adapter only (sold separately)
Made in Japan
Dimensions: 1.375"W x 3.5"L x 1.625"

Ibanez UE400 Multi Effects USED

$ 599.00

**This piece of equipment is used and being sold on consignment. It is in good condition with some signs of wear (scratches, etc). The price has been adjusted accordingly.

Specs

Brand	Ibanez
Model	UE400 Multi-Effects Rack with Foot Controller
Categories	Multi Effect Unit
Year	1980's
Made In	Japan
Pedal Format	Rackmount