Sold Out $ 448.50
Start your signal chain with the best possible version of your guitar tone. Treat your guitar signal to true studio quality analog compression with two distinct voices for smooth transparency or vintage squeeze. Hit the Boost switch to add clean boost or soft-clipped dirty boost, with the EQ curve of your choice. Mix in some dry signal for natural attack even with extreme compression settings. Feel the perfectly tailored dynamic response, feeding your amp and effects just what they need to sound their best.
$ 299.00 $ 448.50
Riverside is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. Our goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. We didn’t want to build just another distortion or overdrive. We knew we must examine what has been done, and bring a new approach to the world of drive sounds.
$ 290.00
**This item is used and in good condition. The item works as it should with some signs of wear. Please see the attached pictures. The price has been adjusted accordingly.
When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.
TimeLine provides you with twelve unique delay machines, each with extensive control over sonic character and feel. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays.
Tweak to your hearts content and save up to 200 presets of your favorite sounds. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.
Are presets your thing? TimeLine gives you the option to instantly save and recall up to 200 of your own presets. Easily bank up or down through your presets using the front panel switches. Or select presets externally with a Multiswitch or MIDI controller.
Multi-Delay With Unrivaled Flexibility
12 curated delay voicings capture everything from classic tape delays to ambient soundscapes, all with unparalled sound quality
Integrated 30 second stereo looper (60 at half speed)
Feedback Loop allows you to process your delays with other effects
Full MIDI control + 200 presets
Each algorithm includes its own unique set of parameters, from tape age to bucket loss
All analog dry path + True or Buffered bypass
$ 249.00 $ 335.00
Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.
VERSION 2
With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.
BUILT-IN SPEAKER/CAB SIM: The 100% analog SansAmp Tube Amplifier Emulation technology encompasses the entire signal chain, from pre-amp to power amp to speaker simulation. An integral part of the circuitry, the SansAmp speaker simulation will complement any type of guitar or bass speaker cabinet system. You can also place an external IR after a SansAmp to give additional flavor if you so desire. The SansAmp speaker sim is designed and individually tailored for a smooth, even response as would be achieved by a multiply-miked cabinet –without peaks, valleys, and notches associated with single miking and many IRs.
For studio and live applications, SansAmp Bass Driver DI is engineered with three outputs:
• effected XLR
• effected 1/4″
• parallel, uneffected 1/4″
The footswitch activates the Tube Amplifier Emulation circuitry. Disengaging the circuitry enables you to use SansAmp Bass Driver DI as a standard active transparent direct box.
Measures 4.75″ x 3.75″ x 2″
• Operable via phantom power.
• Operable with 9V alkaline battery (not included).
$ 249.00 $ 335.00
This floor version of our RPM rackmount provides the same detailed tone shaping possibilities for any signal source. It is particularly useful with acoustic, electric and bass guitars, and upright bass, either direct to a mixing console or with an instrument amplifier. The Para Driver DI gives your instrument a natural warmth and presence, as if miking it through a tube pre-amp. The SansAmp circuitry eliminates the harsh, unnatural harmonics of piezo pickups, while the Drive control offers some tasteful edge — just a little or over-the-top.
Version 2 has exactly the same tonality and functionality with the addition of two new features: Rumble Filter and Air. The Rumble Filter removes unwanted sub-sonic frequencies that cause boominess and audible handling noises associated with acoustic guitars.The Air button adds top-end clarity and sparkle to acoustics.
$ 249.00 $ 398.00
Always thinking of our fat-stringed brethren, we had to make a 3-channel, programmable, rig-in-a-box for bassists who can’t get enough of a great thing. Like the TRI-A.C. for guitar, you get three hot tones right at your toetips. The all-analog circuitry features the same controls as its single channel predecessor: Drive, Bass, Treble, Presence, Blend and Level. Digital only in its programmability, you just tweak the knobs until you find a tone, double-tap on a footswitch, and it’s saved in that channel. It’s that simple. Three of your faves — to go!
$ 199.99
**This preamp is used and in good condition. Little no signs of wear can be found on this product. Does not come with the 9 volt power adapter. The price has been adjusted accordingly.
The ToneDEQ Preamp EQ Multi-effects is a complete performance solution for the acoustic musician. With a high-quality preamp, dual effects section, tone controls, a compressor, level booster and a balanced D.I. — it’s got everything you need in one box.
Pure Analog Circuitry
The ToneDEQ analog signal path goes from end to end — from preamp to output — to give acoustic musicians a richer tonal quality. Even the digital effects are mixed in parallel so they don’t affect the purity of your acoustic instrument.
Multi-effects
The ToneDEQ offers two separate effects sections: “reverb/delay” with 2 reverbs, 2 delays, time and level controls, and “chorus” with 2 chorus settings, one flanger, and one tremelo. There is also an onboard compressor.
Fully Balanced Stage D.I.
Flexible outputs include a 1/4″ amplifier output and XLR D.I. output for the lowest noise possible. Plus the D.I. features automatic ground-lifting and selectable pre/post EQ settings.
Discrete Class-A Preamp
With Fishman, you get quality discrete class-A signal conditioning created by the leader in instrument preamp design. The high-impedance input is a must when using a passive instrument pickup.
Advanced 4-Band EQ
Legendary 4-band equalizer design provides superior tone control for any acoustic instrument. The variable low-cut filter controls sub-bass effects produced by some passive pickups.
INPUT: |
10M Ohm, discrete class-A JFET design |
AUDIO: |
All-analog signal path with parallel digital effects |
TONE CONTROL: |
4-band EQ with Bass, Middle, Treble, and selectable Low Cut |
DUAL EFFECTS: |
Reverb (2) or Delay (2), Chorus (2), Flanger or Tremolo |
DYNAMICS: |
Soft-knee Compressor, Boost footswitch (up to 9dB) |
FEEDBACK CONTROL: |
Selectable Phase invert |
AUDIO I/O: |
1/4” mono instrument input, 1/4” amplifier output, balanced XLR D.I. output with pre/post routing |
DIMENSIONS: |
5.36” L x 9.5” W x 2.2” H (136 mm) (241 mm) (56 mm) |
WEIGHT: |
2.5 lbs (1.1 kg) |
BATTERY |
Powered by 9-volt battery (not included), or Fishman 910-R power adapter (optional) BATTERY LIFE 12 hours |
$ 149.00
In 1999, Truetone made the statement “Our Route 66 is sure to become as legendary as its namesake.” Since then, the Route 66 pedal has become a must-have for artists like Jonny Lang and Kings of Leon.
With broad flavors of Compression and Overdrive, Route 66 sounds amazing with both guitar and bass. Many players leave the compressor on all the time because it just makes your instrument sound better. The overdrive is smooth and crisp, covering everything from mild boost to cranked amp sounds.
The V2 Series Route 66 gives the same great tone guitarists have come to love over the years, plus an added noise reduction system that gives you that quiet ride you’ve always wanted. Classic compression combined with Classic Overdrive – these two effects sound great on their own, but combine them together and get the ultimate compliment to one another in one pedal. Housing and stomp switches designed by Bob Weil himself — and a noise-free experience — this version of the Route 66 has raised the bar for years to come.
Current Draw: 15-24mA
Sold Out $ 133.99
The Vox V845 Classic Wah Wah Guitar Effects Pedal is based on the specifications of the original pedal developed by VOX in the '60s. The V845 Wah-Wah offers guitarists the same legendary Wah-Wah tone in a new sturdy but very affordable design. The fitted AC power connector saves on batteries and the outer case is coated with tough all-black finish making the VOX Classic Wah-Wah a perfect choice for your pedal board.
VOX developed the world's first Wah Wah effect during the '60s to give guitarists the ability to sound like a trumpet being muted-an important musical ingredient of the day. VOX's original Wah Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since.
V845 Classic Wah Wah Guitar Effects Pedal
Sold Out $ 359.99
The legendary V846 is back, and it's better than ever. Introducing the V846-HW, a wah pedal for the tone enthusiast, featuring hand-wired turret board construction and premium components.
VOX created their first wah wah pedal back in the 1960s and guitarists from around the world rushed to embrace it. Now in 2011, the V846 has been reborn as the VOX V846-HW Hand-Wired Wah Wah Pedal. While its classic tone is undeniable, VOX's V846-HW writes new chapters in the wah book of sound. As its name implies, the V846 Hand Wired boasts hand-wired turret board construction. Every component, including the inductors, resistors, capacitors, and the potentiometer has been carefully selected for premium fidelity and tone, a tone-preserving true bypass was even added to the original design. Outside, the die-cast body features a sandblasted exterior with crepe finish. The V846-HW is a perfect combination of VOX's world-famous technology, with classical yet modern specifications.
Hand Wired Artistry
The hand-wired turret board construction of the V846-HW requires a high level of craftsmanship, technical skill, and precise manual assembly. Labor intensive, this hand-wiring artistry creates an ideal and efficient signal path. Responding to every nuance of the guitarist's touch.
True Bypass
Designed as a premier pedal for the tone purist, the V846-HW provides a true bypass circuit to meet the needs of today's guitarist. Any coloration of the sound or loss in audio quality when the wah function is off has been totally removed.
Vintage-Spec Inductor; Smooth Potentiometer
The VOX V846-HW Hand-Wired Wah Wah pedal uses a specially-voiced vintage-spec Halo type inductor. The carefully selected magnetic core material and winding ensures a perfect reproduction of the original V846's wah sound. The potentiometer features a distinctive response and is sealed for durability. Thanks to a remarkably smooth curve, the region at the very beginning of the pedal's travel - a region difficult for conventional wah pedals - is assured sensitive response with an unprecedentedly fine degree of control.
Premium Components
Carbon composite resistors (made by KAMAYA ELECTRIC CO., LTD) are used for their extremely low noise and uncolored sound. The high-quality footswitch made by Carling Technologies, was selected for both its reliability and its good feel underfoot. The Switchcraft jacks used are well-known and trusted for their sturdy bushings, simple construction and high reliability. These carefully selected components come together in the amazing VOX V846-HW Hand Wired Wah Wah.
Sold Out
**Pedal is still new in box
$ 199.97
Fuzztration (noun): The torturous feeling of desperation when searching for THE perfect fuzz.
$ 149.97
Based on an infamous circuit from a classic 1980’s high gain distortion pedal, the Ratsbane is Brian’s answer to the countless requests he has received to build his interpretation of this much-loved design.
$ 39.99 $ 70.00
The Yamaha FC3A is a piano-style damper pedal for use with Yamaha keyboards that support half-damper positions. Instead of a typical on/off type pedal the half-damper feature allows you to fine tune your sustain by varying the pressure on the pedal,, giving you great control of your performance much like an acoustic piano. A robust design with a 6-foot cable and a 1/4" plug assures the FC3A will be a long lasting addition to your keyboard rig. Get more command out of your Yamaha keyboard with the FC3A keyboard pedal.
Yamaha FC3A Half-damper Pedal Features:
$ 45.00