Pedals
Electro-Harmonix Holy Grail Max Reverb Pedal
$ 185.10 $ 228.00
The Holy Grail Max shares the Holy Grail’s remarkable Spring and Hall reverbs. Then we added a Plate reverb, with its wonderfully lush tone, and Reverse reverb for the sonically adventurous. The Max’s multi-function control lets you adjust decay or reverse time. With the Holy Grail Max your quest for the perfect, portable reverb pedal is answered.
Specs
- Spring, Hall, Plate and Reverse reverb
- 9.6DC-200 power supply included
- True bypass for maximum signal path integrity
- Compact, rugged die-cast chassis
Electro-Harmonix Nano POG Polyphonic Octave Generator Effects Pedal
$ 230.40 $ 350.78
The smallest member of the polyphonic POG clan provides impeccable tracking and sound. Separate level controls for dry, sub octave and octave up plus an extra dry out and silent footswitching provide the perfect formula for this compact jewel.
- Super, space saving design
- Tracks chords, sweeps or single notes with no hitches or glitches
- Great 12-string guitar sound or turn your guitar into a bass
- Amazing organ-like sounds
- Adjustable original pitch volume, one octave up volume and one octave down volume
- Dry output jack in addition to the effect output jack
- Silent footswitching and road worthy die-cast package
- EHX 9.6DC-200 power supply included
Electro-Harmonix Op-Amp Big Muff Pi Distortion/Sustainer Effects Pedal
Sold Out $ 118.50
With original late-'70s Op-Amp Big Muffs commanding exorbitant prices, Mike Matthews decided to take the power to the people and reissue the classic pedal at a price that players could afford! The circuitry of the Op-Amp Big Muff—sometimes also referred to as the IC or V4 Big Muff—has been faithfully re-created while several practical enhancements have been added including a compact, die-cast chassis and true bypass switching.
The pedal relies on op-amps rather than transistors and three gain stages rather than four to create its signature sound.
The original Op-Amp Big Muff has many devotees including Billy Corgan, who made use of it extensively on the Smashing Pumpkins’ 1993 album Siamese Dream. After playing the new reissue, Billy said: “The magic’s still in the box; I can still get what I’m looking for!”
Features
- A faithful reissue of the original classic circa 1978
- Iconic sound and vibe that’s coveted by guitarists
- Controls for Tone, Sustain and Volume, plus a Tone Bypass switch
- True bypass switching for maximum signal integrity in bypass mode
- Rugged, compact, die-cast package
- Ships with a 9Volt battery, also accepts an optional EHX9.6DC-200 AC Adapter
Electro-Harmonix Pitch Fork Polyphonic Pitch Shifter
Sold Out $ 243.50
The Pitch Fork transposes an instrument’s pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.
Specs
- Transposes over a +/- three octave range
- Three shift modes: up, down or dual
- 11-position Shift knob selects the transposition interval
- EXP input lets you control pitch shift or glissando via optional expression pedal
- Latch and Momentary modes affect how the footswitch and EXP input behave
- Comes with EHX 9.6DC-200mA AC Adapter, can also run off a 9V battery
Electro-Harmonix Soul Food Guitar Effect Pedal
Sold Out $ 135.10
Tone aficionados kept telling EHX's Mike Matthews about a pedal that had achieved a lot of buzz because it was only obtainable at an exorbitant price. That pedal was the Klon Centaur.
A believer in bringing great tools to starving musicians, Mike tasked his trusty team to create an affordable alternative, and that is how the Soul Food was cooked up.
The Soul Food delivers transparent overdrive with great touch and response. Its circuitry features boosted power rails to provide abundant headroom and increased definition. Best of all, you don't have to be a rock star to own one!
- Transparent overdrive
- Boosted power rails for extended headroom and definition
- Super responsive
- Compact, rugged design
- Selectable true bypass or buffered bypass modes
Ernie Ball VP JR 6181 25K Active Signal Volume Pedal
$ 99.99 $ 142.00
The Ernie Ball VP Jr 25k provides all the same great features as our original volume pedal while reducing your footprint by 22%. The VP 25k pedal is perfectly voiced for active signals and features a compact, rugged design consisting of aircraft grade aluminum housing that is virtually indestructible. Tough, long lasting Vectran cable transmits pedal travel to the 25k potentiometer and is attached by a stainless steel spring.
Fender Dual Marine Layer Reverb
$ 229.99 $ 276.00
Fender and Reverb – name a more iconic musical duo. Fender’s Dual Marine Layer allows you to add even more dimension to your sonic arsenal. Featuring two independent footswitchable settings, three unique reverb algorithms allow the user to create multiple soundscapes. The sustain switch generates massive atmospheric creations for an out-of-this-world tonal experience.
Designed by Fender’s in-house tone gurus, the Dual Marine Layer is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, and the LED-backlit knobs show your control settings on a dark stage at a glance.
Product Specs
- Country Of Origin: CN
- Material: Anodized Aluminum
- Series: Fender® Pedals
Measurements
- Dimensions: 3.25x4.85x5.45 IN
- Shipping Height: 3.25 IN
- Shipping Length: 5.45 IN
- Shipping Weight: 1.50 LB
- Shipping Width: 4.85 IN
Electronics
- Power Consumption: 150mA
- Power Requirements: AC Adaptor-9V DC center negative (not included)
Fender Duel Pugilist Distortion
$ 229.99 $ 276.00
Step into the ring with this one-two punch distortion pedal. The Duel Pugilist features the same distortion voicings found in our popular Pugilist pedal, but with new combinations designed for a knockout. The Duel Pugilist offers three operating modes: Series, Mute and Parallel. Series mode allows stacking the two distortions as you would two separate pedals, while Bypass mode allows blending two different distortions, or a clean sound with a distorted sound. Mute mode offers the ability to use one distortion to create your main tone, and then layer an additional distortion sound on top for added richness and complexity. Also features an added 2-band master shelving EQ.
Designed by Fender’s in-house tone gurus, the Duel Pugilist is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, and the LED-backlit knobs show your control settings on a dark stage at a glance.
Product Specs
General
- Country Of Origin: CN
- Material: Anodized Aluminum
- Series: Fender® Pedals
Electronics
- Power Consumption: 165mA
- Power Requirements: AC Adaptor-9V DC center negative (not included)
Measurements
- Dimensions: 3.00x5.50x7.50 IN
- Shipping Height: 3.00 IN
- Shipping Length: 7.50 IN
- Shipping Weight: 2.40 LB
- Shipping Width: 5.50 IN
Fender Hammertone Chorus Pedal
Sold Out $ 134.00
Glassy, shimmering, and bubbly– the Hammertone™ Chorus is a simple and powerful modulation device designed to deliver pristine choral sweeps. Pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.
- Model #: 0234576000
Product Specs
General
- Series: Hammertone®
- Material: Aluminum
- Country Of Origin: CN
Electronics
- Input Impedance: 500k ohm
- Output Impedance: 470 ohm
- Power Consumption: 80mA
- Power Requirements: 9-Volt Center Negative AC Adaptor (Not Included)
Measurements
- Product Depth: 2.2" (5.59 cm)
- Product Height: 4.4" (11.18 cm)
- Product Width: 2.44" (6.20 cm)
Fender Hammertone Fuzz Pedal
$ 104.99 $ 108.00
The Hammertone™ Fuzz captures the iconic splat, saturation and horn-like sustain used on the formative records of rock’n’roll history. Despite its small size, this purple-tinged, psychedelic stompbox is feature-packed with three classic controls, two silicon diodes and an octave fuzz mode – allowing you to recreate the legendary sounds of the ‘60s & ‘70s or forge your own unique tone.
- Model #: 0234574000
Product Specs
General
- Series: Hammertone®
- Material: Aluminum
- Country Of Origin: CN
Electronics
- Input Impedance: 500k ohm
- Output Impedance: 5k ohm (max)
- Power Consumption: 15mA
- Power Requirements: 9-Volt Battery or Center Negative AC Adaptor (Not Included)
Measurements
- Product Depth: 2.2" (5.59 cm)
- Product Height: 4.4" (11.18 cm)
- Product Width: 2.44" (6.20 cm)
Fender Kevin Shields Signature Blender Effects Pedal
$ 329.99 $ 360.00
An innovator and pivotal influence on effect-laden guitar tones, Kevin Shields awakened iconic sonic walls of fuzz like the world had never heard as he defined the tone of alternative rock in the ‘80s and ‘90s. His tool of choice for fuzz laden chaos: an original Fender® Blender effect pedal, prized for its dynamic response and gripping fuzz splatter. Now, through over four years of co-development Fender and Shields have resurrected this mythical 1970’s fuzz and injected a subversive feature set, creating the all-new Fender Shields Blender.
At its core, the Fender Shields Blender echoes the tone of Shields' own vintage 1970s Fender Blender, thanks to carefully hand tracing the circuit from his personal fuzz box. Built around this vintage circuit are entirely new ways of controlling and blending the original fuzz voice, all crafted with performance in mind utilizing four easy-access footswitches. Two footswitchable channels of fuzz, each with dedicated level controls, offer the ability to blend the fuzz voice with your clean signal or to blend the fuzz voice with a beefy suboctave fuzz, while the sag footswitch introduces sputtering and ducking effects like never before heard, all controlled by the intensity of your playing dynamics.
FEATURES
- Original vintage Fender circuit combined with an all-new control set
- Two channels and three octaves of blendable, analog fuzz tones
- Footswitchable, reactive voltage sag circuit controlled by picking dynamics
- Custom 1970s inspired roadworthy chassis with top-mounted jacks
- True-bypass switching
- Powered by 9-Volt Battery or center negative AC adaptor, not included
Specifications
General
- Fender Signature Effects
- Brushed Aluminum
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CN
- Product Number: 0234552000
Electronics
- 100kΩ
- 15kΩ
- 80mA
- 9-Volt Battery or 9VDC Center Negative AC Adapter (not included)
Fender Tre-Verb Effects Pedal
$ 349.99
There’s no mistaking the sound of genuine Fender amp Tremolo and Reverb. These lush, dynamic amp effects inspired entire genres of music. The Tre-Verb pedal places independent Tremolo and Reverb effects at your feet in a compact, easy-to-use pedal. We included classic reverb voicings based on our renowned spring reverb units from 1963 and 1965 and multiple tremolo modes to make sure you can get the exact sound you need for your music. A full suite of tone-shaping controls, including tap tempo for the tremolo effect, make this pedal sonically flexible, while the stereo inputs and outputs ensure it’s easy to connect to any pedalboard or amp.
- Power Requirements: 9-Volt DC Negative AC Adaptor
- Material: Anodized Aluminum
- Based on Fender’s most advanced DSP
- Independent Tremolo and Reverb effects with three voices each
- Tap Tempo for Tremolo rate
- Stereo inputs and outputs
- LED-backlit knobs
Fender Waylon Jennings Signature Phaser Effects Pedal
$ 167.99 $ 218.00
Few artists can lay claim to defining the sound of a genre, but Waylon Jennings is the undisputed outlaw of outlaw country. Defining a tone all his own drenched in a signature sweeping phase-shifting effect, Waylon toured through the most prominent phaser effect pedals that the '70s and '80s had to offer. And now the Waylon Jennings Phaser pedal takes you along for that same ride by emulating the stomp boxes he used to forge his own path.
Building on Fender's original four-stage phaser circuit developed in the 1970's, the Waylon Jennings Phaser provides three distinct flavors of phasing by switching between two, four, or six phase stages. When combined with the Range and Feedback controls, these three phase voices cover the gamut of phasing tones used by Jennings on stage and in studio. Skip right to the good stuff and turn on the Sweet Switch to jump right to the "sweet spot" of clean signal mixed with phase-shifting tones, perfect for adding the right amount of flavor to your favorite cowboy chords. Whether you're looking to nail Waylon's signature tone, or find a new one all your own, the Waylon Jennings Phaser can dial in just the right phase for you.
General
- Fender Signature Effects
- Aluminum
- CN
Electronics
- 1MΩ
- 1KΩ
- 100mA
- 9-Volt Battery or 9VDC Center Negative AC Adapter (not included)
Fishman PRO-AFX-DI2 Pocket Blender Pedal
$ 99.95
ALL THE ESSENTIAL TOOLS IN ONE COMPACT PEDAL
A level-adjustable A/B pedal. A built-in DI output with ground-lift. A boost pedal. An output Y-splitter. A two-channel mixer. The AFX Pocket Blender is the ultimateA/B/Y pedal combining four essential tools:
- an Input Mixer that lets you continuously adjust the level of audio source(s) connected to the TRS input
- a D.I. output featuring Fishman’s balanced line driver circuit that can be used to send to a house PA or amplifier
- an ABY output to split a signal or connect to one or two stage amps
- an A/B Mode switch determines the overall behavior when the footswitch is pressed
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Balanced D.I. Output with Ground Lift
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Innovative Dual Path Routing
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Super Compact Design Fits Almost Anywhere
- 9V External Power Required (sold separately)
THIS IS THE CLASSIC POCKET BLENDER IN A SMALL FOOTPRINT.
Without even touching the A/B features, it’s a mini two-channel mixer allowing you to connect two audio sources and blend them together. This is perfect for dual-source systems such as Fishman soundhole pickups that feature a mic or body pickup.
Build on the simple blender by setting up an “A mix” and a “B mix” where pressing the footswitch toggles between one mix and the other. You could balance your onboard pickup (50%) with your onboard mic (50%) on mix A. Then on mix B, which you use to take solos, you could boost the pickup to 75% while leaving the mic on 50%. All with a single stomp of the footswitch.
And it’s not only an A/B pedal with a mixer, it is the heart of Fishman’s unique AFX Dual Path ecosystem. By using common TRS audio cables, you assign effects on either tip or ring signal paths and essentially switch between two ‘scenes,’ each with mix levels you control.
SPECIFICATIONS
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MODEL NUMBER |
PRO-AFX-DI2 |
|
AUDIO I/O |
1/4" TRS input and outputs, 1/4" balanced DI output with ground lift |
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DSP |
N/A (all analog) |
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DIMENSIONS |
1.9" W x 3.8" D x 1.92" H (49mm W x 97mm D x 49mm H) |
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MATERIAL |
Durable aluminum enclosure |
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CURRENT DRAW |
53mA, typical |
|
POWER |
910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative |
Fishman PRO-AFX-EQ2 Pro Eq Mini Pedal
$ 129.95
PERFECT ACOUSTIC EQ CONTROL IN ONE COMPACT PEDAL
Based on the highly-regarded Fishman Platinum series of instrument preamps, AFX Pro EQ Mini offers quality preamplification and critical equalization voiced specifically for acoustic instruments.
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5-Band EQ Specially Voiced for Acoustic Instruments
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True Bypass with Options for Buffered Bypass or Mute
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Feedback-Fighting Phase Control
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Innovative Dual Path Routing
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Super Compact Design Fits Almost Anywhere
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9V External Power Required (sold separately)
This is no off-the-shelf graphic EQ – plug in and your signal begins with a high-impedance instrument preamp to condition nearly any passive or active pickup.
Then, use the four bands of acoustic tone control
to sculpt your bass, mids, treble, and brilliance. A sweepable Low Cut fine-tunes the very low frequencies to reduce or enhance thumps and subs.
Finally, hold the footswitch to toggle your output polarity. Also known as “phase,” this simple circuit can tame low-frequency howl very effectively.
SPECIFICATIONS
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MODEL NUMBER |
PRO-AFX-EQ2 |
|
AUDIO I/O |
1/4" TRS input and output (TRS enables Dual Path Functionality) |
|
DSP |
32-bit processing |
|
DIMENSIONS |
1.9" W x 3.8" D x 1.92" H (49mm W x 97mm D x 49mm H) |
|
MATERIAL |
Durable aluminum enclosure |
|
CURRENT DRAW |
53mA, typical |
|
POWER |
910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative |
|
ANALOG SIGNAL PATH |
Input impedance: 10M Ohm | Output impedance: 1k Ohm | Signal-to-noise: -100dB | Dynamic range: 100dB |
|
DIGITAL SIGNAL PATH |
A/D, D/A conversion: 24-bit | Signal processing: 32-bit |
Fishman PRO-AFX-LP2 Broken Record Pedal
$ 109.95
LOOPER AND SAMPLER PEDAL WITH 6 MINUTES OF AUDIO RECORDING!
AFX Broken Record packs high-quality audio looping and sampling into a tiny, yet deceptively-simple stompbox package. It features intuitive one-button operation, endless overdub capability and offers easy transfer to a computer.
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Drag ’n Drop WAV File Transfer via USB
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True Bypass with Buffered Bypass Option
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24-bit / 44.1kHz Recording Quality
- Intuitive Record/Play Footswitch & Loop Level Control
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Innovative Dual Path Routing
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Super Compact Design Fits Almost Anywhere
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9V External Power Required (sold separately)
CREATING LOOPS ON THE FLY COULDN’T BE EASIER.
A single footswitch is all it takes to record, overdub, and play along with your coolest riffs and patterns.
Featuring high-quality 24-bit, 44.1kHz audio recording of up to 6 minutes, AFX Broken Record let’s you capture cool ideas and build on them, or even play along with pre-recorded audio you transfer from your computer.
Built-in memory will retain what you recorded even after the power is disconnected. So, you can unplug at your gig and transfer your loop to your computer later. This also means that the backing track you transfer from your computer will be ready and waiting for you to play back at your next performance.
SPECIFICATIONS
|
MODEL NUMBER |
PRO-AFX-LP2 |
|
AUDIO I/O |
1/4" TRS input and output (TRS enables Dual Path Functionality) |
|
DSP |
32-bit processing |
|
BYPASS |
True Bypass with Buffered Bypass Option |
|
DIMENSIONS |
1.9” W x 3.8” D x 1.92” H (49mm W x 97mm D x 49mm H) |
|
MATERIAL |
Durable aluminum enclosure |
|
CURRENT DRAW |
53mA, typical |
|
POWER |
910-R AC Adapter (sold separately) or suitable filtered and regulated 5.5mm OD, 2.1mm ID Barrel Connector, Center = negative |
|
ANALOG SIGNAL PATH |
Input impedance: 10M Ohm | Output impedance: 1k Ohm | Signal-to-noise: -100dB | Dynamic range: 100dB |
|
DIGITAL SIGNAL PATH |
A/D, D/A conversion: 24-bit | Signal processing: 32-bit |
Fulltone Robin Trower Overdrive Pedal USED
Sold Out
**This pedal is used and in good condition. Little to no signs of wear can be found on this pedal. The price has been adjusted accordingly.
Specs
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Genzler Crash Box 4 Effects Pedal
$ 239.99 $ 279.98
GENZLER® AMPLIFICATION proudly announces the third effects pedal in the product line, the CRASH BOX 4™, CLASSIC BASS DISTORTION.
This new model continues the collaboration of the GENZLER AMPLIFICATION design team and Andy Field, former Genz Benz engineer. Together they possess decades of innovative audio product design and manufacturing expertise. The GENZLER® AMPLIFICATION pedal line continues to explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting concepts and blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective experiences to develop what they feel players would use and appreciate, going forward.
And now the new CRASH BOX 4™ takes up where their original 4 ON THE FLOOR™ Classic Overdrive Pedal leaves off. While the 4-OTF compares to the smooth, effortless shifting of a syncro-mesh, manual transmission —- the CRASH BOX 4™ is reminiscent of the rough shifting, gear grinding, non-syncro straight-cut, gear boxes in vintage off-road vehicles and heavy trucks – often called “heavy metal” vehicles.
Description
The new CRASH BOX 4 PEDAL is an ALL-ANALOG distortion pedal that dynamically emulates 4 different distortion types found in popular tube and solid-state distortion circuit topologies and then gives the player additional flexibility and control over drive/gain, distortion path (only)–high pass and low pass filters and separately a clean signal path blend. The result is the ability to tailor and fine tune the distortion to fit a wide spectrum of music and playing techniques, without the loss of touch sensitivity, musicality, or the addition of excess noise.
1st GEAR: Reminiscent of a tube amp’s moderately driven channel (including natural harmonics) with a bit of compression when driven hard. Many players will find that this works well as a mellow/milder, smoother overdrive/distortion with plenty of even ordered harmonic richness , and dimensional texture.
2nd GEAR: Emulates a tube amp’s more heavily overdriven tone, with more odd order harmonics and compression, depth and top-end. While moderately compressed, there is still plenty of depth of tone, dynamics and feel present.
3rd GEAR: An aggressive up-shift from 2nd gear, this heavier and edgier distortion is higher in odd order harmonics as well as having greater compression for a tighter feel. The harder you dig in, the thicker the harmonics and texture, and the more compressed the feel, with greater sustain.
4th GEAR: This is the most aggressive gear of all — a heavy, symmetrical, mostly odd order harmonics style distortion. While there are a lot of harmonics and compression present, this gear does not give up tone but adds additional crush and increased sustain.
The CRASH BOX 4 is a dynamic and versatile distortion pedal and is an excellent compliment with our other pedals and either of our MAGELLAN 350 or MAGELLAN 800 bass amps.
Features:
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- Black Lightweight Aluminum Chassis
- Rugged Stomp Switches
- Low-noise, Silent Switching Circuitry
- High-Pass and Low-Pass Filter (Distortion Engine Only)
- 4 Position Distortion “Gear” Selector Switch
- Parallel Clean Signal Path
- High/Low Drive Sensitivity Switch
- Accepts Power Supplies From 9VDC – 18VDC (low noise type), Either Polarity (auto detecting) 40mA Max — (Power Supply Not Included)
- Dimensions: 5”W X 4.1”D X 2.3”H
- Weight: 1 Lb.
Specifications
- Power Supply: 9VDC-18VDC (low noise type), either polarity (auto-detecting), 40mA max (Power supply not included).
- Input Impedance: >1M ohm
- Output Impedance: 1k ohm
- Overdrive Engine Input HPF: 30Hz – 200hz
- Overdrive Engine Output LPF: 1kHz – 14kHz
- Input Sensitivity (nominal): -20dBu (high sensitivity), -10dBu (low sensitivity)
- Maximum Input Level: 0dBu (9V supply), +5dBu (12V supply), +10dBu (18V supply), high sensitivity, DRIVE at 9:00
- Maximum Input Level: +5dBu (9V supply), +12dBu (12V supply), +18dBu (18V supply), low sensitivity, DRIVE at 9:00
- Maximum Output Level: +9dBu (9V supply) +14dBu (12V supply), +20dBu (18V supply)
- Dimensions: 5” (127mm) W x 4.1” (104mm )D x 2.3” (59mm)H
- Weight: 1.1 lb (0.5kg)
Genzler Re/Q Dual Function EQ Pedal
$ 244.99 $ 285.98
GENZLER® AMPLIFICATION proudly announces the addition of a second pedal from the “redux collaboration” that brings Jeff Genzler and engineer Andy Field back together again — developing a new line of bass effect pedals under the Genzler Amplification brand.
The GENZLER® AMPLIFICATION pedal line will explore a variety of pedal concepts based on their decades of collaboration together, looking back into hundreds of pages of their old design ideas, and to explore interesting circuits that were started but never used, blending them with new innovations. A retrospective of sorts, this is a chance to dig into their collective pasts to develop what they feel players would use and appreciate, going forward.
And now, the introduction of the second model in the line —- the Re/Q — DUAL FUNCTION EQUALIZATION pedal, which offers 2 specific and separate filter networks, HPF and LPF filters with on/off switching and a 5 band EQ network, with its own on/off switching. And the EQ network provides an EQ Output level of +/- 9dB. This versatile design allows the pedal to be used as a clean boost, and is a great combination with the 4 ON THE FLOOR, CLASSIC BASS OVERDRIVE pedal. This pedal also offers another level of versatility as it accepts nearly any power supply; 9 – 18 Volts, either polarity. (Power supply not included).
Description
The re/Q™ DUAL FUNCTION EQ PEDAL is a low noise, ALL ANALOG multi-function HIGH PASS FILTER – LOW PASS FILTER and 5 BAND EQ pedal that gives the player complete tonal control over the cut-off of the extreme low and high frequencies, plus 5 bands of peak-dip equalization. The filter section is foot switched independently from the EQ section, and there is additional make-up gain or cut after the EQ for balancing of levels or to act as an additional boost/cut function when the EQ is switched into the signal path. The re/Q is also a great companion to our 4 ON THE FLOOR Classic Overdrive Pedal. It can be used to tailor your instrument’s tone for various overdrive settings, or increased boost levels for any of the Overdrive gears.
There are a wide variety of uses for the re/Q and is an excellent compliment to either of our MAGELLAN 350 or MAGELLAN 800 bass amps.
Features:
-
- Lightweight Aluminum Chassis
- Rugged Stomp Switches
- Low-noise, Silent Switching Circuitry
- High-Pass and Low-Pass Filter
- 5 Band Fixed EQ Network
- EQ Output Level Control
- Accepts Power Supplies From 9VDC – 18VDC (low noise type), Either Polarity (auto detecting) 40mA Max — (Power Supply Not Included)
- Dimensions: 6”W X 4.1”D X 2.3”H
- Weight: 1.3 Lbs.
Specifications
- Input Impedance: >1M ohm
- Output Impedance: 1k ohm
- HPF: 30Hz – 200hz
- LPF: 1kHz – 14kHz
- EQ Filter Points:
- LOW: 90 Hz
- LOW MID: 250Hz
- MID: 630Hz
- HIGH MID: 1.3kHz
- HIGH: 2.6kHz
- EQ Band Control Range: +/- 12dB
- EQ Output Level Control Range: +/-9dB
- Input Sensitivity (nominal): -10dBu to -20dBu (instrument level)
- Input Level (maximum): 0dBu (9V supply), +5dBu (12V supply), +10dBu (18V supply)
- Output Level (nominal): -10dBu to -20dBu (instrument level)
- Output Level (maximum): +9dBu (9V supply) +14dBu (12V supply), +20dBu (18V supply)
- Power Supply: 9VDC-18VDC (low noise type), either polarity (auto-detecting), 40mA max (Power supply not included)
- Dimensions: 6” (127mm) W x 4.1” (104mm )D x 2.3” (59mm)H
- Weight: 1.3 lb (0.6kg)
Hermida Audio Zendrive Guitar Pedal USED
Sold Out
**This pedal is used and being sold on consignment. It has some minor signs of wear. The price has been adjusted accordingly.
Specs
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Ibanez '80s Soundtank AW-5 Autowah Effects Pedal USED
$ 75.00
This pedal is in good condition, small amounts of wear on pedal enclosure.
Specifications
- Effect Type: Auto Wah/ Filter
- Controls: Range Knob, Depth Knob, Sens Knob, Footswitch
- Input: 1/4" TS
- Output: 1/4" TS
Ibanez TS-808 Tube Screamer Overdrive Pro Effects Pedal
$ 169.99 $ 206.00
The Ibanez Tube Screamer, in its many versions and forms, can be found on pedal boards in every corner of the globe, on arena stages, in small studios, and bedrooms. Its warm overdrive is a sound many players, from advanced to beginner, could never do without.
Modeling and boutique pedal makers have copied the smooth and full tone of this pedal countless times. Now you can have Ibanez's faithful reissue at a price that doesn't break the bank. The reissue includes the JRC 4558D IC chip and analog circuitry, and features traditional overdrive, level, and tone controls.
•Overdrive, Tone and Level controls
•Required Current: 8mA@9V
•Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative)), Converter Cable included.
Controls
Overdrive, Tone and Level.
Input is on the right side. Output is on the left side.
Required Current
Required Current: 8mA@9V
Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative))
Ibanez TS9 Tube Screamer Guitar Effect Pedal
$ 99.99 $ 144.00
The Ibanez TS9 Tube Screamer is a reissue that's just like the original in so many ways. Same housing, same instantly identifiable green paint, and the same crankin' overdrive that makes it one of the all-time classics in guitar effects. So, plug it in, crank it up, and you'll hear what all the fuss is about.
•Drive, Tone and Level controls
•Required Current: 8mA@9V
•Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative))
Controls
Overdrive, Tone and Level.
Input is on the right side. Output is on the left side.
Required Current
Required Current: 8mA@9VPower
Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Center-negative))
Ibanez Tube Screamer Mini Guitar Effect Pedal
$ 79.99 $ 114.27
For the guitarist who's looking to pack more onto to the pedal board, Ibanez offers the Tube Screamer Mini. Manufactured in Japan and measuring in at 1.375" wide and 3.5" long, the TSMINI has all the features that have made the TS808 a legend, including Overdrive, Tone and Level controls, analog circuitry and the legendary JRC4558 IC chip.
Features
- Controls: Overdrive, Tone and Level
- JRC4558D IC chip
- Analog circuitry
True-bypass switching
- Power supply: External AC adapter only (sold separately)
- Made in Japan
- Dimensions: 1.375"W x 3.5"L x 1.625"
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