Accessories
CAD AS32 Acoustic-Shield 32 Stand Mounted Acoustic Enclosure
$ 129.99 $ 169.99
The Acousti-shield 32 is constructed from a high quality 16 gauge perforated stainless steel shield mated to 53mm high density micro cell acoustic foam, resulting in a dry recording environment. The AS32 reduces reflections, echo and attenuates unwanted environmental acoustic interference. An innovative advanced mounting design allows for a maximum positioning stability even when mated to an economy mic stand. Innovative microphone positioning flexibility accommodates a variety of microphone designs and allows for creative control and a tailored acoustic result. The portable design allows for easy studio placement and simplifies remote recording.
The Acousti-shield 32 was developed as an effective accessory for the home recording
professional. When effectively utilized, it can substantially reduce unwanted reflections,
echo flutter and unwanted environmental acoustic interference. A trouble-free design results
in an easy to use, highly flexible device, while not sacrificing stand mounted stability. The
AS32 is constructed from high quality stainless steel and high density micro cell acoustic foam.
The AS32 is supplied with mounting hardware to adapt to most microphones for easy, flexible
placement. The AS32 is an essential tool for enhanced performance and a vital accessory
for the professional musician.
Casio AD-E95100LU AC Adaptor
$ 19.99 $ 24.99
The AD-E95100B Power Adapter works with the following Casio models: CTK-1100, CTK-1150, CTK-1200, CTK-2080, CTK-2300, CTK-240, CTK-245, CTK-3200, CTK-4200, LK-120, LK-125, LK-127, LK-160, LK-165, LK-240, LK-247, LK-280, SA-46, SA-47, SA-76, SA-77, SA-78, WK-220, WK-225, XW-G1, XW-P1
dbx DI1 Active Direct Box
$ 35.99 $ 43.99
Plug your high-impedance gear into low-impedance equipment with the dbx DI1 Active Direct Box. Using a 9V battery or phantom power from your mixing board or interface, the DI1 takes the high-impedance signal which comes from instruments and other unbalanced TS or XLR sources and transforms it into a low-impedance balanced XLR signal. Low-impedance balanced signals can drive long cables without picking up interference or losing high-end articulation.
Fender 1977 Hardshell Electric Bass Case VINTAGE
$ 300.00
This is a genuine Fender hardshell case for a Precision or Jazz electric bass. This case is in 'good' condition for it's age. One latch does not work.
Fishman Classic Series M-200 Mandolin Pickup
$ 199.99
The Fishman M-200 is an archtop mandolin bridge pickup with a piezo-ceramic pickup element embedded in an adjustable ebony replacement bridge. Fishman ncludes a Carpenter-style 1/4" output jack that mounts on the side of your mandolin. Fishman recommends an impedance matching preamp (not required), and professional installation.
Fishman Classic Series V-200 Violin/Viola Pickup
$ 149.99
The same pickup element as the V-100, the V-200 employs a Carpenter-style, 1/4″ output jack which mounts on the side of the instrument with chinrest-style hardware. When paired with an impedance-matching preamp, such as our Platinum Stage, Platinum Pro EQ or Powerjack, the full potential of the V-200 can be realized.
Fishman Matrix Infinity Acoustic Guitar Pickup System
$ 149.99 $ 239.99
The Fishman Matrix Infinity is an undersaddle acoustic guitar pickup and preamp system that delivers transparent and natural sound allowing your instrument's natural tone to be heard in amplified performances. This Fishman pickup system is noted for providing crystal clear string response, balance, and sensitivity. The pickup senses the motion of the entire saddle, providing superb string-to-string balance and great sensitivity to the guitar strings and guitar top. The Fishman Matrix Infinity features switchable voicing and full volume and tone control with minimal tone coloration.
- Completely redesigned active, endpin mounted preamp
- Soundhole mounted rotary controls for Volume & Tone
- Unique Tone control cuts mids while boosting treble and bass
- Integrated LED low battery indicator
- Switchable voicing to accommodate all guitar body sizes & performance situations
- Available in two saddle slot widths: wide 1/8" (3.2mm) format or narrow 3/32" (2.3mm) format
- Standard overall length of 2.65"(67.3mm) will fit most guitars with string spacings of up to 2.5" (63.5mm)
- Solderless connections
- Professional installation is recommended
- Requires 9V battery (not included)
Fishman Platinum Stage Analog PreAmplification + DI
$ 149.99
Completely redesigned from the ground up, the all-analog Platinum Stage universal instrument preamp delivers incredibly accurate sonic detail for any acoustic instrument.
A discrete, high-headroom preamp combines with precision, high-speed circuitry for pure fidelity and low distortion. Classic Fishman tone controls are combined with a switchable guitar/bass EQ mode, making it more musical for use with bass instruments and more universal for recording and amplifying anything else. Critical performance features “ including adjustable volume boost and balanced XLR D.I. outputs “ are housed in a beautiful, road-ready design.
With an included belt-clip, the Platinum Stage is perfect for mobile instrumentalists, such as mandolin and fiddle players and other instruments which are too small or too precious for anything but a passive pickup. It can also be powered via 48V phantom power, offering complete control over your sound without batteries.
- 17-volt, high-headroom, discrete Class-A preamp
- 4-band tone control with sweep-mid and low frequency filter
- EQ mode tailors EQ for bass or most other instruments
- Phase control
- Volume boost switch with level control
- Balanced D.I. with pre/post EQ setting and auto-ground lift
- Belt-clip included
- Audio I/O:
- 1/4 Instrument input
- 1/4 Amp output
- XLR Balanced D.I. output with Auto-Ground Lift
- Tone Shaping:
Fishman PRO-REP-BAN Active Banjo Magnetic Pickup
$ 197.99 $ 304.53
Our second generation banjo pickup features a quiet humbucking coil, a powerful neodymium magnet assembly, and a specially designed preamp to strengthen and preserve the natural sound of the banjo. This pickup fits dual coordinator rod instruments and may be modified to fit single rod banjos.
| FEATURES & INFO | |
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MODEL NUMBER: |
PRO-REP-BAN |
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Features a quiet humbucking coil and a powerful neodymium magnet assembly |
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Specially designed preamp to strengthen and preserve the natural sound of the banjo |
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Fits dual-coordinator rod instruments and may be modified to fit single-rod banjos |
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Professional installation is recommended |
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| SPECS | |
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BATTERY: |
9-volt |
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BATTERY LIFE: |
5,000+ hours |
Fishman PRO-RES-NBA Resophonic Active Biscuit Cone-Mounted Pickup
$ 139.99 $ 215.00
Fastens to the center of the cone in National style instruments. Includes
an impedance matching endpin preamp
Requires onboard 9V battery.
Captures and reproduces the unique tonal character of your resophonic guitar. This simple and unobtrusive pickup (about the size and shape of a small washer) captures that funky, throaty signature resophonic tone with unprecedented accuracy and resistance to feedback.
Classic Series Resophonic Pickups feature:
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Fasten to the center of the cone in all resonator guitars
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Resophonic Pickup ts spider and Dobro® “biscuit” bridges
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National Style Pickup ts National® guitars
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Captures and reproduces the unique tonal character of your resonator guitar
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Simple and unobtrusive pickups capture that funky, throaty signature resonator tone with unprecedented accuracy
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Strong resistance to feedback
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Active models require a 9V battery and include an impedance matching preamp for direct connection to any DI, mixer or acoustic instrument ampli er
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For passive models, an impedance matching preamp is recommended, but not required
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Professional installation recommended
Fishman PRO-V20-0V1 Professional Violin Pickup
$ 175.99 $ 270.68
The same pickup element as the V-100, the V-200 employs a Carpenter-style, 1/4" output jack which mounts on the side of the instrument with chinrest-style hardware. When paired with an impedance-matching preamp, such as our Platinum Stage, Platinum Pro EQ or Powerjack, the full potential of the V-200 can be realized.
| FEATURES & INFO | |
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MODEL NUMBER: |
PRO-V20-0VI |
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Piezo-ceramic pickup |
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Lightweight to minimize muting |
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An impedance-matching preamp is recommended, but not required. Alternately, an Aura Imaging preamp can be used for the ultimate in depth and realism. |
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Easy installation with no alteration |
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Focusrite iTrack Pocket Portable Stereo Microphone for YouTube Performers
$ 79.99 $ 125.99
- Use Your Favorite Apps iTrack Pocket lets you capture audio in any of your favorite iPhone recording apps, including GarageBand. Alternatively, to create music videos on your iPhone you can download Focusrite's free Impact app. It enhances the sound quality of your videos using mastering and audio effects, which you can apply with a few taps
- Built for YouTube Performers Connect your iPhone, choose some effects, press record and edit in seconds. Your finished performance will be automatically mastered and uploaded to YouTube
- Instant HD Recording Record your performance in HD video with high-quality stereo audio
- Designed for Singer-Songwriters The stereo microphone captures clear, detailed recordings of your performance: vocals, guitar, piano or any other instrument
- Guitar Amp Simulation The dedicated guitar input and included amp simulation allows you to record guitar at the touch of a button
- Take it Anywhere Fits in your pocket, powered by your iPhone and designed to sound great in any situation, so you can use it wherever you take your phone
- Officially for iPhone Approved by Apple, so you can connect to any lightning compatible iPhone with the Lightning cable included. Officially supports iPhone 5, iPhone 5c, iPhone 5s, iPhone 6, and iPhone 6 Plus
- Impact App
- Compatible with the Impact app by Focusrite, which will make your performance look and sound professional, then let you upload it straight to YouTube
- Enhance Your Sound Quality Effortlessly find the perfect setting for the clearest possible recording, by letting iTrack Pocket take care of all the technical setup for you
| Stereo Microphone | |
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| Frequency Response | 20 Hz to 20 kHz |
| Gain Range | 28 dB |
| Maximum Input Level | 100 dBA @ 0 dBFS |
| Digital AD/DA Performance | |
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| Clock Sources | Internal clock only |
| Sample Rates | 44.1, 48 kHz |
| Bit Depth | 16-bit |
| Audio Level Metering | |
|---|---|
| Meter | Single LED Lit Red: Signal overload (0 dBFS), peak held for approximately 1 second |
| Dimensions & Weight | |
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| Dimensions (HxWxD) | 1.7 x 4.9 x 1.6" (43 x 124 x 40 mm) |
| Weight | 3.5 oz (100 g) |
| Packaging Info | |
|---|---|
| Package Weight | 0.4 lb |
| Box Dimensions (LxWxH) | 7.716 x 5.512 x 2.362" |
Gator G-Bus-8-US Pedal Board Power Supply
$ 94.99 $ 149.99
The G-Bus-8-US Pedal Board Power Supply is a one-unit solution for powering and protecting all your effect pedals. It gives you 8 - 9V outputs, and 3 - 18V outputs, provides short circuit protection, and is housed in a roadworthy heavy-duty aluminum casing that mounts easily to most pedal boards. Includes 9 - 24" patch cables.
- Multi-output power supply for guitar effects pedals
- Short circuit protection with reset
- Heavy-duty aluminum housing
- 4 mounting holes for mounting to Gator Pedal Totes, Gig Box Series, or any other pedal board
- 8 - 9V outputs and 3 - 18V outputs
- 1700 milliamp power output
- 9 - 24" cables for each output to power pedals
- UL-Approved Power Supply
Korg PB-AD Pitchblack Advance Pedal Tuner
$ 79.99
A popular tuner redesigned to be even more accurate and easier to use.
The Pitchblack is one of the most popular tuner, loved by professionals and amateurs around the world. The Pitchblack Advance is Korg's next-generation model, a further evolution that features an advanced cutting-edge form and many of the functions and technologies developed for previous models of the Pitchblack series. Embracing both the traditional and the revolutionary, it represents the perfect summation of pedal tuners.
Featuring a slanted design that hints at a new age, the Pitchblack Advance retains the toughness that is characteristic of the series, in spite of becoming even lighter in weight. The display features high-brightness color LEDs, nearly doubling the size of the note name display and providing amazing visibility. Whether you're on a dimly lit stage or outdoors in bright sunlight, this display will always be easy to read.
When using strobe mode, the Pitchblack Advance allows ultra-high-precision tuning with ±0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.
Choose from four meter display modes to suit your playing style. In addition to the standard “Regular mode,” you can use “Strobe mode” or “Half-strobe mode” in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences, as well as “Mirror mode” in which two LEDs move from left and right to coincide in the center as you tune.
The true-bypass design allows the input sound to be output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or color your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.
If a separately sold AC adaptor is used, the DC OUT jack can supply power to another effect unit. Since a dedicated power supply circuit is provided for DC OUT, it can provide stable and noiseless 9V 200 mA power.
The Pitchblack Advance provides a stable playing environment for all players. When using a power supply, for example, noise can be caused by interference between different pedals using the same power supply. The Pitchblack Advance is equipped with a circuit that suppresses sudden changes in current, and also applies software control, thereby completely avoiding the occurrence of such noise.
The eight-year journey of the Pitchblack series has brought its high efficiency and long-life design to an even higher pinnacle. With approximately 30 hours on zinc-carbon batteries and approximately 60 hours on alkaline batteries, this unit achieves ultra-long-life operation that is six times greater than the Pitchblack. Even on a long tour or an extended recording session, it will continue to fulfill its role as your faithful partner.
- Cutting-edge design, with a superbly visible display
- Ultra-high tuning accuracy of +/- 0.1 cents
- Four meter display modes
- True bypass has absolutely no effect on the sound
- DC out allows parallel connection for powering other pedals
- Completely eliminates noise caused by using a power supply
- Achieves up to 60 hours of battery life
Pitchblack Advance Tuner
- Scale: 12-note equal temperament
- Detection Range E0 (20.6 Hz) – C8 (4,186 Hz)
- Calibration Range: A4 = 436 – 445 Hz (1 Hz steps)
- Detection Accuracy: +/- 0.1 cent
- Input Impedance: 1 mOhm (tuner on)
- Display Modes: Regular, Strobe, Half-strobe, Mirror
- Connectors: INPUT (mono 1/4 in. jack), BYPASS (mono 1/4 in. jack), DC 9V IN, DC 9V OUT
- Power Supply: 9V type battery (6F22/6LR61) x 1 or AC adaptor (9V)
- Battery Life: Approximately 60 hours (6LR61, A4 continuous input, tuner on, display mode: Regular mode), approximately 30 hours (6F22, A4 continuous input, tuner on, display mode: Regular mode)
- Current Consumption: Maximum 20 mA
- Dimensions (WxDxH): 68 x 111 x 47 mm/2.68 x 4.37 x 1.85 in. (including rubber feet)
- Weight: 257 g / 9.07 oz. (including battery)
- Included Items
- 9V battery x 1
- Accessories
- AC adaptor (9V)
L.R. Baggs Anthem SL Classical Tru-Mic & Element Pickup System
$ 199.00 $ 289.00
For those of you who prefer a minimalist approach to controls, the Anthem SL delivers the same groundbreaking studio mic’d fidelity as the Anthem in a streamlined format with a single volume control. The endpin preamp has all-discrete circuitry for the purest signal and the TRU•MIC is premixed with the Element for optimum performance.
With the same housing and controls as the Anthem SL, the Anthem SL Classical’s preamp is specifically dialed to capture the unique voice and dynamics of nylon string guitars.
FEATURES:
- Anthem TRU•MIC carries the majority of the guitars’ frequency range while the Element Pickup carries only the lowest frequencies
- The mic is highly feedback-resistant
- Noise cancelling microphone technology eliminates any annoying honky or boxy qualities from the inside of the guitar
- Mic installs easily on the bridgeplate with peel and stick adhesive
- Mic and pickup levels preset for optimum performance
- Soundhole remote includes volume and mic trim controls
- All discrete pre-contoured endpin preamp with preset crossover
- Element Pickup fits most common string spacings and saddle width
- Comes with battery bag for secure and unobtrusive battery retention
- Patent-pending
L.R. Baggs Anthem SL Tru-Mic & Element Pickup Mixing System
$ 199.00 $ 289.00
The Award-winning Anthem series, featuring our patent-pending TRU•MIC technology, seamlessly combines a proprietary condenser microphone with our acclaimed Element pickup to deliver the warmth and fidelity of a studio-mic’d guitar anywhere you perform.
TRU•MIC TECHNOLOGY
At the heart of the Anthem is a revolutionary microphone engineered to capture a dynamic studio-mic’d sound for any live performance. The TRU•MIC mounts to the underside of the bridge plate and hovers just 3 mm above its surface to take advantage of the PZM or “boundary” effect. This proprietary mounting system, combined with noise cancellation, frees the mic to perform as if it were outside of the guitar in a studio and maintain remarkable feedback suppression for the stage. The result is a balanced frequency response with excellent clarity for the purest sound you have ever heard amplified. We have paired the Element pickup with the TRU•MIC to provide solidity and punch for low frequencies.
For those of you who prefer a minimalist approach to controls, the Anthem SL delivers the same groundbreaking studio mic’d fidelity as the Anthem in a streamlined format with a single volume control. The endpin preamp has all-discrete circuitry for the purest signal and the TRU•MIC is premixed with the Element for optimum performance.
FEATURES:
- Anthem TRU•MIC carries the majority of the guitars’ frequency range while the Element Pickup carries only the lowest frequencies
- The mic is highly feedback-resistant
- Noise cancelling microphone technology eliminates any annoying honky or boxy qualities from the inside of the guitar
- Mic installs easily on the bridgeplate with peel and stick adhesive
- Mic and pickup levels preset for optimum performance
- Soundhole remote includes volume and mic trim controls
- All discrete pre-contoured endpin preamp with preset crossover
- Element Pickup fits most common string spacings and saddle width
- Comes with battery bag for secure and unobtrusive battery retention
- Patent-pending
L.R. Baggs Element Active Pickup System
$ 129.99 $ 189.99
Unlike typical undersaddle acoustic guitar pickups that are dependent on string compression for their sound, the Element was engineered to mirror the soundboard’s actual movement as you play. At the heart of the pickup, a flexible film sensor only 2 thousandths of an inch thick picks up the guitar’s most delicate nuances. Tracking the motion of the top rather than a direct string attack suppresses “quack” caused by compression and unlocks the Element’s unrivaled dynamic range. The pickup’s minimalist construction lessens any influence on the acoustic properties and creates an intimate coupling between the pickup and guitar for the highest fidelity possible.
The patented one-size-fits-all Element reproduces impressive body sensitivity and articulation. It also has the greatest dynamic range of any undersaddle pickup available. The Element Active System features an all-discrete Class A endpin preamp and a soundhole-mounted volume control for easy access. Also included is our battery bag for secure battery retention.
FEATURES:
- All-discrete endpin preamp
- Pre-attached Element pickup
- Fits both 3/32” and 1/8” saddle slots
- Soundhole mounted volume control
- Battery type: Single 9V
- Battery life: 1,000 hrs
L.R. Baggs Five.O Ukulele Pickup System
$ 149.00 $ 209.00
An undersaddle pickup specifically tuned to track the uke's natural dynamics and unique voice.
The L.R. Baggs FIVE.O ukulele system is small, light-weight, and best of all, specifically tuned to track the uke's natural dynamics and its unmistakably unique voice.
The system combines a custom version of the award winning Element undersaddle pickup with a miniature endpin preamp, soundhole mounted volume control and is powered by a 3 Volt coin cell battery. The entire system weighs less than one 9 Volt battery and tucks away neatly inside the small instrument for a non-invasive installation.
The pure, all-discrete electronics are voiced for the most accurate frequency response you have ever heard, so plug into the FIVE.O and enjoy the performance you have been waiting for.
- Custom version of award-winning pickup for ukulele
- Light-weight design
FIVE.O Uke Pickup System with Endpin Preamp and volume control
- Battery: 3V Coin Cell battery (2032 sized)
- Current: 0.73mA
- Battery Life: 300 hours
- Output impedance: 3.6k
L.R. Baggs iBeam Active System Acoustic Guitar Pickup
$ 149.99 $ 259.99
The iBeam’s MIPA award-winning design employs a matched pair of virtually weightless film sensors that flex with the soundboard to trace your guitar’s voice much like diaphragms in a stereo mic. A key advantage over typical bridge plate sensors is the iBeam’s “cardioid” like response pattern that inhibits feedback and string squeak while selectively admitting rich tone-producting vibrations. Weighing less than 1/3 of an ounce, the pickup will not alter the guitar’s natural acoustics and easily mounts to the bridge plate with peel-and-stick adhesive.
The iBeam Active pairs the iBeam with an all-discrete Class A endpin preamp with soundhole volume control. The sweet and ultra-quiet audiophile-grade preamp faithfully amplifies every nuance of the pickup. Superior sound and performance is built in for easy plug-and-play performance. An auxiliary passive channel is also available for adding a secondary pickup.
The iBeam Active is also great for direct studio or home recording. Comparison tests have demonstrated that the fidelity of this system is a great alternative to studio microphones.
FEATURES:
- Quick and easy installation
- Includes iBeam placement jig (pin bridge guitars only)
- Peel-and-stick
- Natural string-to-string balance and dynamics
- Fits most X-Braced guitars
- All-discrete Class A preamp for warm, analog sound
- Available in steel and nylon string versions
L.R. Baggs Lyric Acoustic Microphone
$ 199.00 $ 289.00
There's no argument that a microphone is the best way to capture the sound of an acoustic guitar, but until now, using a microphone for most live performances has been an elusive dream. Lyric, the next step in TRU•MIC technology, is the long overdue realization of this dream. Without a pickup, Lyric’s microphone accurately transports your guitar's actual voice to a live audience for the most realistic and inspiring sound you will ever experience.
TRU•MIC TECHNOLOGY
Our featherweight microphone, each high-graded for ideal response, mounts to the underside of the bridge plate with simple peel-and-stick adhesive to preserve the integrity of your instrument. The microphone leverages the “pressure-zone” principle by positioning the capsule just 3mm from the surface of the top to hear the entire soundboard for even balance and tone. And the microphone’s proximity to the top allows high gain before feedback. Unlike other attempts to use an internal microphone, Lyric employs noise canceling technology that rejects “boxy” reflections inside of the acoustic chamber. This patent pending minor miracle enables the mic to act as if it were outside of the guitar delivering a clear and open performance.
CIRCUIT INNOVATIONS
In a studio, you would have to use an entire rack of gear to achieve what we have built into Lyric’s tiny circuit board. Our lead engineer, Tommy Linn, created several patent pending “black box” circuit innovations that unlock the potential of the microphone. The first tightens the lower frequencies for a punchier attack with natural dynamics. The second maintains the microphone’s sweetness no matter how hard you play. The third innovation, not patent pending but useful, is an adjustable “presence” control that dials high frequency response perfectly for your guitar. Wrap all of this in all discrete, high-fidelity mic pre and you have a world class microphone system as an integral part of your guitar anywhere you plug in.
FEATURES
- TRU•MIC noise canceling technology
- No pickup
- Analog signal conditioning
- All discrete mic preamplifier
- Soundhole volume control
- Microphone presence control
- Quick & easy installation
Lyric, the next step in TRU•MIC technology, provides studio mic’d fidelity engineered for live performance. The system includes an internal microphone, Hi-Fidelity mic preamplifier with soundhole volume and presence controls.
FEATURES
- TRU•MIC noise canceling technology
- No pickup
- Analog signal conditioning
- All discrete mic preamplifier
- Soundhole volume control
- Microphone presence control
L.R. Baggs Lyric Classical Acoustic Microphone
$ 199.00 $ 289.00
There's no argument that a microphone is the best way to capture the sound of an acoustic guitar, but until now, using a microphone for most live performances has been an elusive dream. Lyric, the next step in TRU•MIC technology, is the long overdue realization of this dream. Without a pickup, Lyric’s microphone accurately transports your guitar's actual voice to a live audience for the most realistic and inspiring sound you will ever experience.
TRU•MIC TECHNOLOGY
Our featherweight microphone, each high-graded for ideal response, mounts to the underside of the bridge plate with simple peel-and-stick adhesive to preserve the integrity of your instrument. The microphone leverages the “pressure-zone” principle by positioning the capsule just 3mm from the surface of the top to hear the entire soundboard for even balance and tone. And the microphone’s proximity to the top allows high gain before feedback. Unlike other attempts to use an internal microphone, Lyric employs noise canceling technology that rejects “boxy” reflections inside of the acoustic chamber. This patent pending minor miracle enables the mic to act as if it were outside of the guitar delivering a clear and open performance.
CIRCUIT INNOVATIONS
In a studio, you would have to use an entire rack of gear to achieve what we have built into Lyric’s tiny circuit board. Our lead engineer, Tommy Linn, created several patent pending “black box” circuit innovations that unlock the potential of the microphone. The first tightens the lower frequencies for a punchier attack with natural dynamics. The second maintains the microphone’s sweetness no matter how hard you play. The third innovation, not patent pending but useful, is an adjustable “presence” control that dials high frequency response perfectly for your guitar. Wrap all of this in all discrete, high-fidelity mic pre and you have a world class microphone system as an integral part of your guitar anywhere you plug in.
FEATURES
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TRU•MIC noise canceling technology
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No pickup
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Analog signal conditioning
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All discrete mic preamplifier
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Soundhole volume control
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Microphone presence control
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Quick & easy installation
L.R. Baggs Para DI Acoustic Guitar Preamp
$ 189.00 $ 269.00
Due to its studio quality performance, powerful tone shaping EQ and rock-solid reliability, the Para DI has become an indispensable stage tool for countless musicians around the world. This roadworthy box effortlessly tames the stage and enhances any acoustic pickup for a fuller, more complex sound. The Para DI features a 5-band EQ with a tunable midrange and notch, variable gain control for passive or active pickups and a high-quality DI output for a pristine signal to the board.
- Adjustable gain for both passive and active pickups
- 5 band EQ with tunable notch and midrange bands
- Phase inversion for best sound and feedback control
- XLR and 1/4" outputs
- Works with 9V battery or 48V phantom power
L.R. Baggs Session-VTC Acoustic Pickup
$ 199.00 $ 289.00
Inspired by the LR Baggs Handcrafted Video Sessions and our experience in some of Nashville’s great studios, the Session electronics were designed to impart the rich sonic character that you’d expect from an experienced audio engineer using some of the world’s finest studio gear. We’ve captured this studio magic and made it an integral part of your guitar for live performance with the Session VTC.
Studio Tools for the Stage
ANALOG WARMTH
Breathe life into your signal with additional harmonics for a superior, “natural warmth” and richness of tone. The Session VTC’s “tape-like” saturation is voiced specifically for the acoustic guitar and transports studio, analog warmth and inspiring playability to the stage.
DYNAMIC EQ
Like having your very own sound engineer responding to the way you play, this circuitry continually suppresses problematic frequencies common in live performances, allowing the best qualities of your guitar to come through the mix. The built-in low, mid, and high frequency compressors are essentially “touch-sensitive” EQs that respond in real-time to your dynamics. The harder you strum, the more they compress and vice versa.
Unrivaled Dynamic Range
THE PICKUP
The Session VTC pairs studio electronics with our patented Element pickup for a polished sound on stage. Engineered to mirror the soundboard’s actual movement as you play, a flexible sensor picks up the guitar’s most delicate nuances for the highest fidelity possible. Because the pickup tracks the motion of the top rather than the direct string attack, it mitigates the “quack” common in other undersaddle pickups and unlocks the Element’s unrivaled dynamic range.
Features
- Analog warmth enhances sonic character and harmonic content
- Dynamic EQ smoothes out common problem frequencies
- Tone control sweeps between a wide range of warmth, clarity, and everywhere in between
- Phase inversion for best sound and feedback control
- Master volume
- Multi-segment battery check
L.R. Baggs Stadium DI Electric Bass DI
$ 249.99 $ 359.99
Originally developed by the bass playing engineers at LR Baggs for their own use, the Stadium Electric Bass DI infuses your signal with a blend of studio-grade circuitry and a vibrant palette of unique, tone shaping tools. Composed of carefully selected, “top shelf” components, the all-discrete electronics provide a level of fidelity that rivals even the most sought after studio DIs. Then engage the effects to unveil an expansive range of colorful tones shaped by just a few powerful and easy-to-use controls. Built in a rugged enclosure constructed of aluminum, steel, and ABS plastic, the Stadium DI ensures over-the-top reliability for life on the road. Hand assembled in California.
Tone Shaping Tools
GROWL
Unlike overdrives that employ full-range distortion, the Growl saturates a focused range of low frequencies, enhancing warmth and creating harmonically rich overtones without too much breakup. The effect compliments dynamics and is responsive to even the lightest touch, providing just the right amount of edge to cut through the mix. For added versatility, a paired Drive button pushes the Growl to a full-range overdrive.
COMP EQ
The Comp EQ features 3 bands of compression for bringing evenness to your tone while retaining the natural feel of your playing dynamics. The low, mid, and high frequency compressors are essentially “touch-sensitive” EQs that respond in real time as you play. The harder you dig in, the more they compress and vice versa.
ATTACK
This highly specific EQ affects a unique, medium sized bandwidth to adjust the attack of the strings for a wide range of tones, covering all playing styles. Sweep left for warmer, muted jazz tones or right for added clarity and a punchier attack.
FEATURES
- Growl control adds low end distortion for thickness and rich, harmonic content
- Drive button pushes the Growl to a full overdrive
- Comp EQ enhances the feel of playing while evening out your tone
- Attack sweeps between a wide range of warmth, clarity, and everywhere in between
- Fat switch boosts 150Hz +3dB or +6dB for a fuller, rounded tone
- VU meter visually optimizes gain for passive and active pickups
- All-discrete signal path with XLR and quarter inch outputs
- 48V phantom power, 9V battery, or 9V DC powering options
- Pad boosts or cuts XLR out (-10dBV or +4dBu) to meet the needs of the PA
- Ground lift switch effectively eliminates ground-loop noise
- Rugged enclosure constructed of aluminum, steel, and ABS plastic
- Includes custom LR Baggs carrying case
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