Strymon BigSky Multidimensional Reverb Effects Pedal

Strymon

$ 479.00

Clear Skies Ahead.

Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you’re elevated into a glow of lush, glorious, radiant reverbs.

To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.

Go where no reverb has gone before.

Feel the mechanical tension of the Spring reverbs. Hear the floating particles of the Cloud machine. Defy the laws of physics with the Nonlinear reverbs. Unleash the multi-head reverberations of the Magneto machine. BigSky gives you twelve studio-class reverb machines, each with simple yet powerful controls.

Simple Yet Powerful Controls

We’ve gone to extraordinarily lengths to craft BigSky to empower your creativity without getting in the way of it. We’ve hand-picked the most essential reverb controls, and tailored their range and functionality so that sounds can be created effortlessly without extended tweaking.

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Strymon BlueSky Reverberator Effects Pedal

Strymon

$ 299.00

Lush, Majestic Reverbs. Insane DSP Power.

The philosophy behind our blueSky Reverberator is simple—take a ridiculously powerful SHARC DSP and dedicate it to doing one thing only: producing the most lush, majestic and stunning reverbs ever. Many hours and sleepless nights in the Strymon sound design labs were devoted to developing the complex reverb algorithms found inside blueSky. We squeezed every last drop of processing power available.

Prepare for Reverb Bliss.

Whether you’re a classic spring reverb fan or a studio rack aficionado, you’ll find your mojo here. blueSky provides three different reverb types, each with three modes, for a total of nine completely unique reverb experiences. blueSky even delivers an extremely versatile plate reverb, a rarity for a stompbox pedal. A full pre-delay and damping section provide deep reverb tone shaping. Add the mod and shimmer modes and you’re in store for unending reverb bliss. Couple that with 24-bit 96kHz converters and 115dB typical signal to noise, blueSky is equally at home on top of a studio console as it is in front of a tube amp.

Normal mode provides an unmodified version of the selected reverb type.

Mod mode adds gorgeous modulation to the selected reverb type.

Shimmer mode adds regenerative pitch shifting “in the tank” for a reverb trail that rises into the clouds. With the Plate type, pitch shifting is octave-up. With Room and Spring types, pitch shifting is an octave plus a fifth.

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Strymon Compadre Dual Voice Compressor and Boost Effects Pedal

Strymon

$ 299.00 $ 448.50

Your Dream Tone Starts Here.

Start your signal chain with the best possible version of your guitar tone. Treat your guitar signal to true studio quality analog compression with two distinct voices for smooth transparency or vintage squeeze. Hit the Boost switch to add clean boost or soft-clipped dirty boost, with the EQ curve of your choice. Mix in some dry signal for natural attack even with extreme compression settings. Feel the perfectly tailored dynamic response, feeding your amp and effects just what they need to sound their best.

• Premium analog VCA (Voltage Controlled Amplifier) compressor circuits
• Two voicing options: smooth studio compression and hard pedal style compression
• Independently controlled clean or dirty boost circuit with 3 EQ options
• Dirty boost option provides overdrive when boost is engaged
• DRY Knob lets you blend the dry signal with the compressed signal to preserve attack transients
• High impedance ultra low-noise discrete Class A JFET preamp input
  
• Low impedance mono output
  
• Output VCA allows Compadre to function as a volume pedal when a standard TRS expression pedal plugged into the dedicated Volume jack
  
• Compatible with MiniSwitch for remote selection of a Favorite preset
  
• Compatible with MultiSwitch Plus for remote selection of 3 presets
  
• Full featured MIDI control. Access to 300 presets and remote parameter control via quarter-inch TRS. (requires Strymon MIDI EXP Cable or MIDI > TRS interface)
  
• Selectable True Bypass (electromechanical relay switching) or ultra low-noise Buffered Bypass
  
• Strong and lightweight anodized dark red aluminum chassis
  
• 9V DC power supply included. Power requirements: maximum 9 volts DC center-negative, with a minimum of 150mA of current
  
• Compressor Signal/Noise: 109 dB typical
  
• Dimensions: 4.5” deep x 4” wide x 1.75” tall (11.4 cm deep x 10.2 cm wide x 4.4 cm tall)
  
• Designed and built in the USA
• Selectable True Bypass (electromechanical relay switching) or ultra low-noise Buffered Bypass
  
• Strong and lightweight anodized dark red aluminum chassis
  
• 9V DC power supply included. Power requirements: maximum 9 volts DC center-negative, with a minimum of 150mA of current
  
• Compressor Signal/Noise: 109 dB typical
  
• Dimensions: 4.5” deep x 4” wide x 1.75” tall (11.4 cm deep x 10.2 cm wide x 4.4 cm tall)
  
• Designed and built in the USA
  

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Strymon Dig Dual Digital Delay Effects Pedal

Strymon

$ 299.00

DELAY DOPPELGÄNGER.

DIG unearths the true soul of digital delay and doubles it—two simultaneous, integrated delays with the captivating rack delay voicings from the 1980s and today, for incredible expressive potential. Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails all in a compact, pedalboard-friendly format.

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Strymon Flint Tremolo & Reverb Effects Pedal

Strymon

Sold Out

A Perfect Gentleman.

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made it’s way onto countless records and performances—from early surf, swampy bayou blues, spaghetti westerns, film noir soundtracks, to modern day indie rock. There are certain things in life that just belong together—the blend of tremolo and reverb create the perfect pair.

Given this storied history, there was no doubt that we wanted to develop a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities, and faithfully accounted for every detail in our hand-crafted algorithms. Flint harnesses the complete power of a SHARC DSP to authentically exhibit these details.

From a Classic Era.

Flint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex ’61 Harmonic Tremolo, the swampy and sultry ’63 Power Tube Tremolo, and the sharp and balanced ’65 Photocell Tremolo. You also get the classic ’60s Spring Tank Reverb, the inventive ’70s Electronic Plate Reverb, and the nostalgic ’80s Hall Rack Reverb.

With eight parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a high quality analog front end and output section, and you have yourself the history of tremolo and reverb in a pedal-board friendly format.

Tremolo Types

The ’61 Harmonic Tremolo is somewhat rare due to its very short period of availability in tube amplifiers in the early 1960s. It gets its signature sound through a dual-band filtering effect that alternately emphasizes low and high frequencies. The end-result is a soothing pulse that has shades of a mild phaser effect combined with tremolo due to the nature of the frequency bands that are alternated.

The ’63 Power Tube Tremolo utilized the LFO signal to directly influence the power tube bias of the amplifier’s push-pull output stage. The power tubes are biased into lower and higher idle currents, creating the fluctuating gain that produces the tremolo effect. The effects of crossover distortion at low tremolo volumes, increased power tube harmonic distortion at maximum tremolo volumes, as well as the influence of power-supply sag, all add up to the boggy and dirty nature of this tremolo circuit.

The ’65 Photocell Tremolo is a faithful recreation of the classic photo-trem circuits found in mid-1960s American amplifiers. Those classic circuits used a light-dependent resistor to attenuate the input signal, coupled with a miniature neon bulb that is connected to the LFO. As the LFO oscillates, the bulb gets brighter and dimmer which in turn varies the resistance of the LDR. The varying resistance works with other circuit impedances to change the signal level, which produces a characteristically ‘hard’ sounding tremolo that moves between two levels, reminiscent of a square wave.

Reverb Types

The ’60s Spring Tank Reverb is our faithful recreation of the full-size two-spring tank that was commonly used in vintage amps. The two-spring tank uses spring segments of differing delay times, which adds to the complexity of the reverberated sound. Contributing greatly to the sound are the input and output tube circuits which convert the electrical guitar signal into a mechanical signal and then back to an electrical signal.

The ’70s Electronic Plate Reverb pays homage to one of the earliest digital reverbs ever created. The astounding hardware-based algorithm used multiple delay-lines configured in parallel, with each delay featuring multiple output taps and filtered feedback paths. The result is a rich, smooth reverb with a very quick build-up in density due to the summation of the many parallel output taps.

The ’80s Hall Rack Reverb is our rendition of the now nostalgic digital microprocessor rack reverbs from the late ’80s. The limited processing power of the day led to the implementation of efficient regenerative series loops of all-pass filters, delays, and low-pass filters. Modulating delay lines were used to increase the reverb density and add warmth. This reverb provides the signature sound of distinctive early reflections followed by the slowly-building density of the late reverberation.

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Strymon Iridium Amp and Ir Cab Effects Pedal

Strymon

$ 399.00 $ 598.50

Leave Your Amp At Home.

Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialing in the perfect amp tone when going direct. Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.

Go Direct With Gorgeous Tone.

Iridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With Iridium, it’s a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.

Three Iconic Amplifiers

Our Matrix Modeling™ process captures all the subtleties and unique tonal qualities of each amplifier. We’ve taken three iconic tube amps with distinct characters and mathematically modeled every aspect of their circuitry with absolute precision to deliver the response, feel, and inspiring experience of playing through the original amps at their best. Taking the process a step further, we’ve hot-rodded each amp to provide an extended range of tonal options beyond what was available from the original designs.

Nine Stereo IR Cabinets

Iridium’s speaker cabinets offer a level of realism and responsiveness unprecedented in outboard effects. Iridium delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. Until now, IRs of this resolution have only been available for use within studio recording software. Iridium’s breakthrough technology means you can use the very best impulse responses available, bringing maximum realism to your pedalboard.

Adjustable Room Ambience

Iridium’s hybrid room reverb combines a 256 millisecond stereo impulse response with Strymon’s reverb tank algorithm for extended decay. This combination places your amp and cab in a natural sounding room (small, medium, or large), creating a space for your amp to open up and breathe.

The Amps We've Always Wanted.

Round Amp

Based on* a Fender® Deluxe Reverb

The Deluxe is one of the most recorded amps in history for good reason. This amp is clean, bright, and mid-scooped, with plenty of headroom. At higher Drive settings it delivers an overdriven sound unique to its architecture. We chose the Deluxe’s Normal channel for its round tone that plays well with pedals. While preserving access to all the tones originally available with this channel, our model gives you something extra: a midrange control. With the midrange at noon, you get the original fixed-resistor value and standard tonal characteristics of the Deluxe. Turn down the midrange for a more scooped sound, or turn it up for tweed-era tones.

Chime Amp

Based on* the Brilliant channel of a Vox® AC30TB

The amp that defined the guitar sound of the British Invasion. Our model of the AC30TB Brilliant channel is jangly, bright, and chimey, providing air for subtle passages with a light touch, and bite when you want to dig in. For this amp, the Middle knob acts a Tone Cut knob, providing high-end roll-off just before the power tubes, per the original AC30 design. In addition to the full available gain of the original amp, toward the top end of the Drive knob’s range of travel, we’ve added a frequency-shaped front end boost to tighten the low end while driving the amp further into saturation.

Punch Amp

Based on* a Marshall® Plexi (Super Lead model number 1959)

This powerful amp is meatier, with higher gain than the other two amps, and has a powerful midrange response. This amp features a buttery, smooth overdrive. At higher Drive settings it will deliver all the high gain distortion and growl this amp is known for, and then some. Setting the Drive control at around 2 o’clock gets you the maximum gain the original Plexi design allowed. Beyond that, our model has some additional gain on tap, giving you access to custom hot-rodded Plexi high gain tones.

Amp Science

Our Matrix Modeling™ process captures all the subtleties and unique character of each amplifier. From the unique composition of each tone stack, to component values, bias levels, corner frequencies, and tube stage gain; all of these factors affect the way a note or chord reacts and evolves over time, and all have been mathematically modeled with the highest fidelity. We included multi-stage power sag, so that the sag response and time constant for each stage of the amplifier is modeled separately, adding further harmonic complexity and realistic feel.

We also modeled the compression, limited cone movement, and speaker distortion that can happen at high signal levels. We carefully set the range and taper for each knob to make it easy to dial in a variety of great tones with intuitive, predictable amp-like responsiveness. Combining the meticulous reproduction of original circuits with careful fine-tuning has resulted in three stellar amp models that deliver the response, feel, and inspiring experience of playing through the original amps at their best.

Tone Stacks That Hit All The Sweet Spots

Aggressively boost the treble, and Iridium beautifully reveals all the subtle nuances of even the softest fingerstyle playing. Crank the bass, and enjoy resonant low end that will make you swear there’s an amp in the room even when monitoring through headphones. True to the tone stacks of the classic amps we modeled, Iridium’s tone controls have the same interdependences as found in the original circuit designs. Iridium gives you amp EQ that is a joy to use, yielding a wide variety of great tones in any direction you go.

View full product details »

Strymon Iridium Effects Pedal

Strymon

Sold Out

Leave Your Amp At Home.

Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialing in the perfect amp tone when going direct. Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.

Go Direct With Gorgeous Tone.

Iridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With Iridium, it’s a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.

Three Iconic Amplifiers

Our Matrix Modeling™ process captures all the subtleties and unique tonal qualities of each amplifier. We’ve taken three iconic tube amps with distinct characters and mathematically modeled every aspect of their circuitry with absolute precision to deliver the response, feel, and inspiring experience of playing through the original amps at their best. Taking the process a step further, we’ve hot-rodded each amp to provide an extended range of tonal options beyond what was available from the original designs.

Nine Stereo IR Cabinets

Iridium’s speaker cabinets offer a level of realism and responsiveness unprecedented in outboard effects. Iridium delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. Until now, IRs of this resolution have only been available for use within studio recording software. Iridium’s breakthrough technology means you can use the very best impulse responses available, bringing maximum realism to your pedalboard.

Adjustable Room Ambience

Iridium’s hybrid room reverb combines a 256 millisecond stereo impulse response with Strymon’s reverb tank algorithm for extended decay. This combination places your amp and cab in a natural sounding room (small, medium, or large), creating a space for your amp to open up and breathe.

The Amps We've Always Wanted.

Round Amp

Based on* a Fender® Deluxe Reverb

The Deluxe is one of the most recorded amps in history for good reason. This amp is clean, bright, and mid-scooped, with plenty of headroom. At higher Drive settings it delivers an overdriven sound unique to its architecture. We chose the Deluxe’s Normal channel for its round tone that plays well with pedals. While preserving access to all the tones originally available with this channel, our model gives you something extra: a midrange control. With the midrange at noon, you get the original fixed-resistor value and standard tonal characteristics of the Deluxe. Turn down the midrange for a more scooped sound, or turn it up for tweed-era tones.

Chime Amp

Based on* the Brilliant channel of a Vox® AC30TB

The amp that defined the guitar sound of the British Invasion. Our model of the AC30TB Brilliant channel is jangly, bright, and chimey, providing air for subtle passages with a light touch, and bite when you want to dig in. For this amp, the Middle knob acts a Tone Cut knob, providing high-end roll-off just before the power tubes, per the original AC30 design. In addition to the full available gain of the original amp, toward the top end of the Drive knob’s range of travel, we’ve added a frequency-shaped front end boost to tighten the low end while driving the amp further into saturation.

Punch Amp

Based on* a Marshall® Plexi (Super Lead model number 1959)

This powerful amp is meatier, with higher gain than the other two amps, and has a powerful midrange response. This amp features a buttery, smooth overdrive. At higher Drive settings it will deliver all the high gain distortion and growl this amp is known for, and then some. Setting the Drive control at around 2 o’clock gets you the maximum gain the original Plexi design allowed. Beyond that, our model has some additional gain on tap, giving you access to custom hot-rodded Plexi high gain tones.

Amp Science

Our Matrix Modeling™ process captures all the subtleties and unique character of each amplifier. From the unique composition of each tone stack, to component values, bias levels, corner frequencies, and tube stage gain; all of these factors affect the way a note or chord reacts and evolves over time, and all have been mathematically modeled with the highest fidelity. We included multi-stage power sag, so that the sag response and time constant for each stage of the amplifier is modeled separately, adding further harmonic complexity and realistic feel.

We also modeled the compression, limited cone movement, and speaker distortion that can happen at high signal levels. We carefully set the range and taper for each knob to make it easy to dial in a variety of great tones with intuitive, predictable amp-like responsiveness. Combining the meticulous reproduction of original circuits with careful fine-tuning has resulted in three stellar amp models that deliver the response, feel, and inspiring experience of playing through the original amps at their best.

Tone Stacks That Hit All The Sweet Spots

Aggressively boost the treble, and Iridium beautifully reveals all the subtle nuances of even the softest fingerstyle playing. Crank the bass, and enjoy resonant low end that will make you swear there’s an amp in the room even when monitoring through headphones. True to the tone stacks of the classic amps we modeled, Iridium’s tone controls have the same interdependences as found in the original circuit designs. Iridium gives you amp EQ that is a joy to use, yielding a wide variety of great tones in any direction you go.

View full product details »

Strymon Iridium Effects Pedal

Strymon

Sold Out

Leave Your Amp At Home.

Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialing in the perfect amp tone when going direct. Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.

Go Direct With Gorgeous Tone.

Iridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With Iridium, it’s a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.

Three Iconic Amplifiers

Our Matrix Modeling™ process captures all the subtleties and unique tonal qualities of each amplifier. We’ve taken three iconic tube amps with distinct characters and mathematically modeled every aspect of their circuitry with absolute precision to deliver the response, feel, and inspiring experience of playing through the original amps at their best. Taking the process a step further, we’ve hot-rodded each amp to provide an extended range of tonal options beyond what was available from the original designs.

Nine Stereo IR Cabinets

Iridium’s speaker cabinets offer a level of realism and responsiveness unprecedented in outboard effects. Iridium delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. Until now, IRs of this resolution have only been available for use within studio recording software. Iridium’s breakthrough technology means you can use the very best impulse responses available, bringing maximum realism to your pedalboard.

Adjustable Room Ambience

Iridium’s hybrid room reverb combines a 256 millisecond stereo impulse response with Strymon’s reverb tank algorithm for extended decay. This combination places your amp and cab in a natural sounding room (small, medium, or large), creating a space for your amp to open up and breathe.

The Amps We've Always Wanted.

Round Amp

Based on* a Fender® Deluxe Reverb

The Deluxe is one of the most recorded amps in history for good reason. This amp is clean, bright, and mid-scooped, with plenty of headroom. At higher Drive settings it delivers an overdriven sound unique to its architecture. We chose the Deluxe’s Normal channel for its round tone that plays well with pedals. While preserving access to all the tones originally available with this channel, our model gives you something extra: a midrange control. With the midrange at noon, you get the original fixed-resistor value and standard tonal characteristics of the Deluxe. Turn down the midrange for a more scooped sound, or turn it up for tweed-era tones.

Chime Amp

Based on* the Brilliant channel of a Vox® AC30TB

The amp that defined the guitar sound of the British Invasion. Our model of the AC30TB Brilliant channel is jangly, bright, and chimey, providing air for subtle passages with a light touch, and bite when you want to dig in. For this amp, the Middle knob acts a Tone Cut knob, providing high-end roll-off just before the power tubes, per the original AC30 design. In addition to the full available gain of the original amp, toward the top end of the Drive knob’s range of travel, we’ve added a frequency-shaped front end boost to tighten the low end while driving the amp further into saturation.

Punch Amp

Based on* a Marshall® Plexi (Super Lead model number 1959)

This powerful amp is meatier, with higher gain than the other two amps, and has a powerful midrange response. This amp features a buttery, smooth overdrive. At higher Drive settings it will deliver all the high gain distortion and growl this amp is known for, and then some. Setting the Drive control at around 2 o’clock gets you the maximum gain the original Plexi design allowed. Beyond that, our model has some additional gain on tap, giving you access to custom hot-rodded Plexi high gain tones.

Amp Science

Our Matrix Modeling™ process captures all the subtleties and unique character of each amplifier. From the unique composition of each tone stack, to component values, bias levels, corner frequencies, and tube stage gain; all of these factors affect the way a note or chord reacts and evolves over time, and all have been mathematically modeled with the highest fidelity. We included multi-stage power sag, so that the sag response and time constant for each stage of the amplifier is modeled separately, adding further harmonic complexity and realistic feel.

We also modeled the compression, limited cone movement, and speaker distortion that can happen at high signal levels. We carefully set the range and taper for each knob to make it easy to dial in a variety of great tones with intuitive, predictable amp-like responsiveness. Combining the meticulous reproduction of original circuits with careful fine-tuning has resulted in three stellar amp models that deliver the response, feel, and inspiring experience of playing through the original amps at their best.

Tone Stacks That Hit All The Sweet Spots

Aggressively boost the treble, and Iridium beautifully reveals all the subtle nuances of even the softest fingerstyle playing. Crank the bass, and enjoy resonant low end that will make you swear there’s an amp in the room even when monitoring through headphones. True to the tone stacks of the classic amps we modeled, Iridium’s tone controls have the same interdependences as found in the original circuit designs. Iridium gives you amp EQ that is a joy to use, yielding a wide variety of great tones in any direction you go.

View full product details »

Strymon Lex Rotary Effects Pedal

Strymon

$ 299.00

Born to Revolve.

When Strymon decided to create a studio-class pedal that faithfully recreates the classic, unmistakable sound of the most sought-after rotating speaker system, they prepared to study every nuance and finest detail. The Strymon sound design labs have been filled with those signature, swirling, three-dimensional sounds, as they painstakingly analyzed and recreated the physics and mechanics behind these systems.

The complete rotary system.

Lex provides you with a complete, accurately reproduced rotary system: the low-frequency bass rotor, the rotating treble horn, the tube-driven amplifier, finely tuned microphone placement, and all the complex sonic interactions between these elements.

Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed to authentically represent these details.

Extensive control.

You get eight parameters to tweak, allowing extensive control over the tonality and mechanics of the rotating speaker system. You can manipulate each element, from rotor speed, horn level, acceleration time, microphone distance, tube drive and saturation, and volume level.

Go from a maelstrom of dramatic, up-close, sweeping and swirling sounds, all the way to mellow, tranquil and calming undulations. All of this without a giant cabinet, microphone setup, and costly motor maintenance.

Features

Slow/Fast Switch: Alternate between a slow and fast rotor speed. Ramp up and slow down with the press of a switch.

Rotary Brake: Press and hold the Slow/Fast switch to put the brakes on. The Lex rotary will wind down and stop. When at rest, the horn and drum “brake angle” is optimally positioned for consistent results. Release the Slow/Fast switch and the rotary will begin to spin.

Bi-Amping: Lex provides you with a selectable Bi-Amp mode to send bass rotor signal out to the Left output, and the treble horn to the Right output. Stack two cabinets and add another dimension to your sound.

Expression Pedal: You get an expression pedal input with assignable control over any front-panel knob parameter. When set to Fast Rotor Speed, you can sweep and ramp all the way from the “braked” position up to a selectable speed.

Specs

Sound Design

• Hand crafted rotary algorithms faithfully deliver the signature, three-dimensional rotating speaker experience
• Extensive control over rotating speaker mechanics and configuration
• Four rotary adjustment and tone shaping knobs:
  Fast Rotor Speed, Preamp Drive, Mic Distance, Horn Level.
• Four “hidden” knobs for extensive tone tweaking:
  Slow Rotor Speed, Cab Direction, Acceleration Time, +/- 6dB Boost/Cut.
• Instantly alternate between a fast and slow rotor speed with the Fast/Slow footswitch
• Selectable Cab Filter allows for an optimal experience in front of guitar amplifiers and full range systems

Ins, Outs, Switches

• Stereo output
• High impedance mono input (internal jumper enables selectable TRS stereo input) Please read this FAQ for more info on the TRS input.
• Expression pedal input with selectable control over any knob parameter
• Connect our optional Favorite switch to save a favorite preset or use as an external speed switch
• Fast/Slow and Bypass footswitches
• Press and hold Fast/Slow footswitch for Rotary Brake
• Selectable Bi-Amp mode splits bass rotor and treble horn signals to separate outputs

Audio Quality 

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Strymon NightSky Reverb Effects Pedal

Strymon

$ 429.00 $ 611.50

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Strymon Ojai Compact High Current DC Power Supply Pedal

Strymon

Sold Out

Huge horsepower, small size.

Power your pedals with Ojai—the highest horsepower, most technologically advanced effects pedal power supply of its size. Ojai delivers clean, rock-steady power to your effects pedals in a lightweight and expandable package, giving you flexibility and room to grow.

You get five high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Each output provides a massive 500mA of current.

Ojai’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.

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Strymon Ojai Compact High Current DC Power Supply Pedal

Strymon

$ 149.00 $ 223.50

Huge horsepower, small size.

Power your pedals with Ojai—the highest horsepower, most technologically advanced effects pedal power supply of its size. Ojai delivers clean, rock-steady power to your effects pedals in a lightweight and expandable package, giving you flexibility and room to grow.

You get five high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Each output provides a massive 500mA of current.

Ojai’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.

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Strymon Ojai R30 Power Supply Pedal

Strymon

$ 169.00 $ 240.82

Formidably Flexible.

Power your pedals with Ojai R30—the highest horsepower, most technologically advanced effects pedal power supply of its size. You get clean, rock-steady power for your 9V, 12V and 18V effects pedals in a low profile, expandable package, giving you room to grow.

Ojai R30’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering allow your pedals to achieve their highest possible dynamic range.

• 5 high-current, fully isolated 9V outputs with center-negative polarity3 dedicated 9V outputs (500mA)
• 2 adjustable outputs offer 9V (500mA), 12V (375mA), or 18V (250mA) DC options
• 500mA per output powers nearly any pedal
• 5 pedal cables included (5.5mm x 2.1mm barrel connectors, right angle to right angle, 18″ length)
• 24V power adapter (PS-124), EIAJ-05 power adapter cable, and IEC cable included
• 24V Thru jack allows connection to additional Strymon Ojai (sold separately)
• 5 individual custom transformers (one per channel) deliver clean, consistent power
  
• Worldwide power compatibility ensures no-hassle international touring
  
• Energy efficient, compact design
• Lightweight and rugged anodized midnight blue aluminum chassis
• Ultra low profile design fits under nearly any pedalboard
• Designed and built in the USA

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Strymon Orbit dBucket Flanger Effects Pedal

Strymon

$ 299.00 $ 448.50

Beyond Your Classic Flange.

With the Orbit dBucket Flanger, we’ve painstakingly recreated every aspect of some of the greatest vintage analog flangers. To go beyond that, we’ve also added features such as through zero flanging to take you where few have ever ventured before.

Our high performance DSP is dedicated entirely to doing one thing and one thing only, delivering the ultimate flanger. Add true bypass, extensive expression pedal control, a favorite preset, super high quality analog front end and output sections, low power consumption and you’ll never want to let go of your Orbit.

• Hand crafted dBucket algorithm for highly accurate reproduction of every stage of an analog bucket brigade chip
• 3 flanger Feedback Types: Positive, Negative, Positive/Negative
• 3 flanger LFO Types: Log, Lin, Through Zero
• Mix control for dialing in the intensity of your flange sounds
• High impedance mono input (internal jumper enables selectable TRS stereo input)
  
• Stereo output
  
• Expression pedal input allows the connection of an expression pedal (for selectable control over any knob parameter)
  
• Favorite footswitch for saving your favorite setting
• Super low noise, high performance 24-bit 96kHz A/D and D/A converters
  
• 110dB signal to noise
  
• +8dBu maximum input level easily handles instrument and line signals
  
• 20Hz to 20kHz frequency response
  
• Premium analog front end and output section
  
• Super high performance SHARC DSP in a compact form factor
  
• 32-bit floating point processing
• True Bypass (electromechanical relay switching)
  
• 9V center negative DC supply included, 250mA current draw
  
• Strong and lightweight purple anodized aluminum chassis
  
• Crafted with love in the USA

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Strymon Riverside Multi-Stage Drive Effects Pedal

Strymon

$ 299.00 $ 448.50

A new world of drive.

Riverside is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. Our goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. We didn’t want to build just another distortion or overdrive. We knew we must examine what has been done, and bring a new approach to the world of drive sounds.

• Custom cascading multistage distortion topology provides a wide range of tube-inspired drive tones
• Digitally controlled analog class A JFET input gain stage maximizes headroom while adding up to 20dB of pure analog gain
• Precision crafted DSP gain stages provide detailed complexity and responsiveness
• Low gain channel for smooth classic overdrive
• High gain channel for modern saturated distortion
• 3-band EQ with independent Bass, Middle and Treble controls
• Selectable post-analog gain mid-band EQ push
• Presence switch to tailor the sound for use with all amplifiers from dark to bright
• Optional variable-threshold noise reduction helps tame noisy guitar pickups
• High impedance mono input
• Mono output
• Favorite footswitch to save a favorite setting
• Favorite Input to connect an external MiniSwitch to recall a Favorite preset
• Expression pedal input allows the connection an expression pedal for simultaneous morphing control over multiple parameters (Expression mode), or logarithmic taper for smooth volume control (Volume mode)
• MIDI accessible via Expression jack for remote parameter control and access to 300 preset locations
• Boost pedal input allows connection of an external footswitch for up to +6dB of analog boost, or to toggle the Favorite preset on other Strymon pedals (Favorite Out mode)
• Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
• Premium analog front end and output section
• Super high performance SHARC DSP in a compact form factor
• 32-bit floating point processing
• True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass
• Strong and lightweight anodized gold aluminum chassis
  
• 9V DC power supply included
  
• Power requirements: maximum 9 volts DC center-negative, with a minimum of 250mA of current
  
• Dimensions:
• 4.5″ deep x 4″ wide x 1.75″ tall
• 11.4 cm deep x 10.2 cm wide x 4.4 cm tall
• Designed and built in the USA
  

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Strymon Sunset Effects Pedal

Strymon

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Classic overdrive sound, x2.

Sunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. We studied six circuit types found in many truly timeless and iconic overdrive and boost pedals, and put our takes on all six of them into a single two-channel unit.

Two pedals at once.

Sunset is really two customizable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your amp any way you want, from transparent “more amp” to heavy saturated fuzz, and all the best places in between.

Holy Grail tone, minus the quest.

We are all familiar with the endless search for the ultimate overdrive pedal and the perfect tone. We did the critical listening and custom voicing to design each side of Sunset with just one tone knob, so you can quickly dial in the sound you want. The knob ranges for each circuit type are custom calibrated to provide maximal usable control. We applied the same design philosophy and care to the stacking options, ensuring each combination interacts optimally and sounds great, so a huge range of classic overdrive tones are instantly achievable.

Six classic circuits.

Sunset utilizes an all-analog JFET gain stage coupled with custom-voiced, precision-crafted DSP algorithms to capture the nuances and character of each circuit type.

Channel A overdrive circuits

The Ge overdrive combines the softer response of germanium diodes with a parallel path that blends in the dry signal as the Drive is lowered. At higher gains the lower-midrange frequencies are emphasized to create a tight, thick response. This overdrive really fattens up single coil pickups, and responds with a bold push when paired with humbuckers.

The Texas overdrive employs a single stage soft-clipper configuration that is filtered before and after the gain stage to create a smooth and dynamic overdrive. The original signal dynamics are retained as the gain is increased – perfect for playing the blues or just fattening up your sound with a signature midrange bump.

Channel A boost circuit

The Treble type is a treble booster that removes the low frequencies as the Tone knob is turned up – great for tightening up an overdriven amp, or driving another gain pedal that’s a bit looser on the low end. Turning the Tone knob down brings in the low end, making for a versatile all-around boost.

Channel B overdrive circuits

The 2stage overdrive combines a soft-clipping stage followed by a hard-clipping stage, creating a complex overdrive with a wide range of gain. Its EQ structure preserves the low end while adding some muscle to push your amp. This overdrive can easily take you from lightly clipped to beefy saturation.

The Hard overdrive uses a single-stage hard-clipping circuit that has a ton of available gain, approaching fuzz territory with the Drive knob maxed. At lower gains, mildly clipped transparent tones are achieved with this versatile drive. The wide-ranging Tone knob lets you shape the top end from smooth to buzzy.

Channel B boost circuit

The JFET type is a clean boost that subtly beefs up your signal with the dynamics and responsiveness created from the JFET front end. As you turn up the drive, the signal gets rounded and warmer. This is a great option when your amp just “needs a little extra.”

Optimized Stacking.

Since the time when overdrives were created to simply push an amp in order to achieve an overdriven sound even at sane volume levels, players have evolved to want more layered, multistage tonalities. Stacking gives you more flexibility and tone range on the floor. You can find an overdrive that sounds good on its own, then run it through a second drive to add new dimensions to your tone. Sunset allows you to use any of its six overdrive circuits on their own, or route the Channel A drive circuit through Channel B, or Channel B through Channel A, or use two circuits in parallel. Routing options have been chosen deliberately to present the best-sounding combinations of drive circuits. Sunset eliminates the guesswork.

Digital or analog?
We chose both.

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Strymon TimeLine Delay Effects Pedal

Strymon

$ 449.00 $ 673.50

Inspiration Machine.

When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.

• Hand crafted, studio-class delay algorithms deliver meticulous, detailed and nuanced delay experiences
• Twelve delay machines to choose from: Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem, Filter, Lo-fi, dTape™, dBucket™.
• Seven front-panel tone shaping knobs: Time, Repeats, Mix, Filter, Grit, Mod Speed, Mod Depth
• Additional menu-driven parameters deliver extremely flexible tone shaping options and complete tweakability
• 200 easily accessible and nameable presets, save and recall at the press of a switchThree rugged metal footswitches for preset selection, effect bypass, looper control, and Tap Tempo
• LED display for preset info, BPM/time readout, and extended parameter control
• Multi-color preset LEDs (green for active preset, amber for edited preset)
• Full MIDI implementation allows extended control for those with more complex rigs
• 30-second stereo Looper, routable pre- or post-delay, with MIDI capability.
• Sturdy and lightweight gunmetal gray anodized aluminum chassis, with laser-etched artwork
• Durable black anodized aluminum knobs
• Studio-grade audio input and output jacks
• Stereo input and output
• Expression pedal input with selectable control over knob or combination of knobs, saveable per preset (also configurable as external tap input)
• MIDI input and output
• Switchable I/O configuration: Stereo Out or Mono with Delay Feedback Loop Insert
• Included 9V center-negative power supply (300mA minimum required)
• Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters
  
• 115dB typical signal to noise
  
• Analog dry path for a zero latency dry signal that is never converted to digital
  
• Premium analog front end and output section
  
• Super high performance DSP in a compact form factor
  
• 32-bit floating point processing
• True Bypass (electromechanical relay switching)
  
• Selectable Trails mode with high quality, transparent Analog Buffered Bypass, saveable per preset
  
• +/- 3dB Boost/Cut, saveable per preset
  
• Selectable Tap Subdivision, saveable per preset
  
• Optional Kill Dry mode mutes dry signal, for use in parallel effects loops
  
• Optional Global Tap Tempo mode
  
• Dimensions: 6.75″ (171mm) wide, 5.1″ (130mm) deep
  
• Designed and Built in the USA
  

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Strymon TimeLine Multidimensional Delay Effects Pedal

Strymon

Sold Out

Inspiration Machine.

When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.

Explore Your Creativity.

TimeLine provides you with twelve unique delay machines, each with extensive control over sonic character and feel. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays.

Tweak to your hearts content and save up to 200 presets of your favorite sounds. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.

200 Built-In Presets

Are presets your thing? TimeLine gives you the option to instantly save and recall up to 200 of your own presets. Easily bank up or down through your presets using the front panel switches. Or select presets externally with a MultiSwitch or MIDI controller.

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