$ 199.99 $ 299.99
Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W.
The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.
The CE-1 Chorus Ensemble, Released in 1976
In 1975, Roland debuted the “Dimensional Space Chorus” effect in the famous JC-120 Jazz Chorus amplifier. Released the following year by Roland’s newly formed BOSS division, the stereo CE-1 Chorus Ensemble made it possible for players to achieve the lush, spacious chorus and unique vibrato sounds of the Jazz Chorus with any amplifier setup. Housed in a robust metal chassis with an attached AC cord, the CE-1 contained the same analog chorus and vibrato circuitry from the original Jazz Chorus amp. While both of these effects sounded great in mono, the CE-1 offered up its real magic when used in stereo with two separate amps. This delivered an incredibly rich and immersive sound experience that was a true joy to play. The CE-2W provides an authentic reproduction of the CE-1’s analog sounds, with additional chorus adjustment now possible with a variable depth control.
The CE-2 Chorus, Released in 1979
Soon after the iconic BOSS compact pedal line was launched in 1977, guitarists started requesting the CE-1 chorus sound in this smaller, battery-powered format. In 1979, these demands were answered with the CE-2 Chorus. Specially designed for guitarists, the CE-2 offered a milder modulation compared to the CE-1, always keeping the guitar sound sharp and well defined. This refined chorus tone was an instant success, becoming the go-to sound for hit guitar tracks throughout the 1980s and beyond. In addition to authentically producing the CE-2’s original mono-only sound, the CE-2W makes the classic pedal’s soft modulated tone available in true stereo for the first time ever.
Proudly Made In Japan
The CE-1 and CE-2 represent the early days of BOSS’s longstanding dedication to innovation and quality, which remains stronger than ever at four decades and counting. Bringing together the cutting-edge technology of the time, savvy craftsmanship, and a devotion to helping musicians create great music, these landmark pedals embodied the spiritual mission for every BOSS product since. For this memorable 40th anniversary, the Waza Craft CE-2W Chorus is produced in Japan just like the original pedals, honoring the long, rich heritage of BOSS effects.
Waza Craft: The Art of Superior Tone
Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. This enthusiastic spirit continues on with the Waza Craft series, which brings you exceptional tone and touch response through carefully selected analog components, refined circuitry, and meticulous attention to detail. In Japan, “Waza” is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship.
The TLC Compressor is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Proprietary Trans Linear Control (TLC) circuit enables Aguilar to achieve unprecedented levels of performance in a small package.
The TLC Compressor features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you'll be able to dial in just the right sound. Aguilar's TLC Compressor gives you a range of control usually found only in expensive studio compressors.
The 427 is the modern muscle car of distortion pedals, with a big, meaty tone that's ready to kick ass. Another Paul Gagon creation, 427 builds on his experience crafting pedals for the gods of rock, but this one's got a distinctly American voice.
427 fires up with a potent variation of Gagon's proven LED-based distortion circuit as used in the BBE Blacksmith, with the power flowing to a sweepable EQ (CSEQ) section inspired by an early '70s Big Muff Pi and optimized for maximum flexibility.
On a mission to raise hell on rock-and-roll streets from New York to L.A., 427 delivers more raw power than yesteryear's muscle with better handling. With a beefy mil-spec circuit board sporting big, fat signal traces, 1% metal-film resistors and high-voltage poly caps, 427 is engineered to be deliver rock-solid performance and never leave you stranded. And when you aren't in the mood to lay down serious rubber, 427's true hardwire bypass lets your tone slip by without so much as angry glance from the tone police.
$ 119.99 $ 169.00
The BBE Free Fuzz effects pedal works for guitar and bass and was patterned after a rare and sought-after silicon transistor fuzz pedal made famous by players like Jimi Hendrix in the late '60s. The BBE effects pedal provides a wide range of creamy, dynamic fuzz effects with an almost endless amount of sustain for soloing and chunky rhythms.
Free Fuzz Effects Pedal
The music of Gus G and his band Firewind can be described as melodic, soaring and punishing - in short, metal masterpieces. But just as Gus is shaping the bleeding edge of metal, he is deeply passionate about its roots, as evidenced by his scoring the coveted gig as guitarist for Ozzy Osbourne.
Gus' gear reflects his passion, inspired by the classics and updated for a new level of sophistication and musical expression. BBE stompboxes share his ethos, born out of respect and appreciation for the classics while pushing forward, evolving the breed. Gus' new G Screamer signature overdrive is a thundering example. For years, the BBE Green Screamer was Gus' overdrive pedal of choice. But working closely with BBE's legendary mastermind Paul Gagon, Gus has now dialed in his tone still more, for solos that power his vision for the modern metal realm:
"BBE's Green Screamer is the one pedal I always had to have with me. When I'm soloing, the Green Screamer gives me that extra kick I need, a great combination of meaty gain and harmonics that drive my amp's tubes harder for a really thick, punishing tone. But it's not just an old school wall of distortion. It's complex and sophisticated, never ragged.
"The Green Screamer was working great for me, but I had ideas about how to make it even better for my tone. Paul Gagon and I collaborated and we modified the input driver to the distortion circuit so that more lower-mid harmonics are focused where I want them. Now my new G Screamer pedal lets me drive even more harmonics, and they're focused right where I need them to be for a cleaner, tighter distortion. The G Screamer delivers explosive power with precision. It's my new weapon."