$ 349.99 $ 449.96
Introducing the IR-200, the most advanced compact amp/IR solution available. This powerhouse stomp brings next-level performance to direct sound for guitar and bass, offering exceptional audio quality, premium amps, deep sound shaping, and instant sound recall with 128 memories. Over 150 hi-res cab impulse responses from BOSS and Celestion Digital are on board, plus 128 locations for loading your own mono or stereo IRs.
The IR-200 turns your pedalboard into a self-contained direct sound solution for live playing, studio recording, and practice. It delivers massive amp tones from a small footprint and smoothly integrates with all your favorite pedals, including stereo mod, delay, and reverb effects. And once you craft your tones, you can send them to a stage amp, house PA, computer recording system, or headphones—or all at once.
Backed by two powerful custom DSPs, the IR-200 provides exceptional IR performance with support for mono and stereo files, up to 32-bit floating point/96 kHz resolution, and up to 500 ms length for natural bass response. The 144 BOSS and 10 Celestion Digital IRs cover a vast range of cabinet and mic combinations and are always ready to use in your patches. And with the IR-200 IR Loader software for macOS and Windows, you can load in up to 128 mono or 64 stereo WAV IRs from your personal collection.
Speaker | Cabinet Type |
1 x 12” | BOSS Original (Open Back) |
2 x 12” JC-120 | Roland JC-120 (Open Back) |
2 x 12” Jensen C-12K | Fender Twin Reverb (Open Back) |
2 x 12” Celestion G12M Greenback | VOX AC-30 (Open Back) |
4 x 10” Jensen P10R | Fender Bassman (Open Back) |
4 x 12” Celestion G12M Greenback | Marshall 1960B (Closed Back) |
4 x 12” Celestion G12T-75 | Marshall 1960B (Closed Back) |
4 x 12” Celestion G12M Greenback | Bogner Ubercab (Closed Back) |
The IR-200’s inspiring amps sound and feel great to play, and they also interact nicely with drives and other pedal types in front. Eight guitar amps provide go-to platforms from classic clean, tweed, and class A to vintage and modern high-gain, while three bass amps offer rich, punchy sounds from clean to driven. Each amp type features responsive gain, bass, mid, and treble controls for dialing in core sounds quickly, and a noise suppressor is on hand for taming high-gain buzz. It’s also possible to bypass the amp section entirely and use the IR-200’s high-quality cab IRs with an amp/load box setup or external modeler.
NATURAL |
BOSS original amp type with balanced clean-to-driven sound
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JC-120
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Model of a Roland JC-120
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TWIN COMBO
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Model of a Fender Twin Reverb
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DIAMOND AMP
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Model of a VOX AC-30
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TWEED COMBO
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Model of a ’59 Fender Bassman
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X-HI GAIN
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BOSS original amp type that uses MDP (Multi-Dimensional Processing) technology to produce a high-gain sound with wide range and clarity
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BRITISH STACK
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Model of a Marshall 1959 Super Lead
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BGR UB METAL
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Model of the high-gain channel of a Bogner Uberschall
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Offering deep sound-shaping tools and 128 memories, the IR-200 lets you build a library of setups for every playing situation. Use different amps for different styles, dial things in further with two parametric or graphic EQs, and add some space with one of three ambience effects. Two IRs can be used at once, allowing you to blend tones or create wide stereo sounds. There’s also an effects loop that can be positioned before or after the cab IR section, complete with support for stereo effects, series/parallel operation, and more. And at the end of the chain, two global EQs are available for final sound refinement
With the IR-200’s display, panel controls, and flexible connectivity, you can perform with confidence on any stage. Grab the dedicated knobs to tweak tones in the heat of the moment, and send independent feeds to a stage amp and house PA via the two output jacks. Scroll through memories with the two onboard footswitches while performing, and control a variety of functions with external footswitches or an expression pedal. MIDI control is also available, allowing you to interface with other MIDI-equipped pedals and devices like the ES-8 and ES-5 loop switchers.
Along with its other powerful features, the IR-200 is a high-quality USB audio interface for music recording and streaming software. Dedicated drivers provide a full range of audio interface functionality on macOS and Windows computers, while basic stereo audio streaming is possible with iOS devices. Record tracks and monitor audio with your computer DAW and re-amp sounds through your pedalboard and the IR-200’s amps and cab IRs. Or perform live on your favorite streaming platforms with fantastic direct sound.
The IR-200 is also equipped with a headphones jack for sound monitoring while practicing, recording, or playing live. You can play with normal stereo sound through headphones or switch in a cool surround effect for an immersive and inspiring sonic experience. There’s also a stereo aux input for playing jam tracks or backing music from your phone, a mixer, or another audio device.
$ 189.00 $ 264.00
The TONE-BURST™ Boost/Overdrive offers a virtually transparent gain range usually associated with “clean” boost pedals. However, the TONE-BURST has enough gain to boost your guitar to the threshold of clip and slightly beyond, making it far more useful for a variety of applications. It’s incredibly powerful for adding boost, drive and/or EQ to any guitar and amp combination. Whether using it as a utility to boost the output of single coils to match a humbucker or as a subtle overdrive when a standard overdrive may be too much, the TONE-BURST is an incredibly useful and expressive pedal that makes the best things sound even better!
$ 199.00 $ 259.00
TERROR TONES AT THE TIP OF YOUR TOE…
For years, our Terror series amps have proven that the biggest sounds can come in the tiniest packages. Taking our pocket-sized powerhouse concept one step further, we’ve brought you the Terror Stamp. Packing all of the punch of the minuscule Micro Terror and Micro Dark amps into an even smaller pedal format, this Valve/Solid State hybrid amp brings 20 Watts of killer Orange tone right onto your pedalboard.
The Terror Stamp’s tiny footprint, 8/16 Ohm Speaker Output, fully-buffered FX Loop and CabSim headphone output integrate seamlessly with your other pedals, whether you’re rocking a loud stage, recording direct or practising into the early hours.
KEY FEATURES
The Terror Stamp is based on the Micro Dark with a few minor tweaks to the gain structure and the CabSim, with the added feature of being able to set up two volume levels and switch between them.
Typically-Orange simplicity, unmistakably-Orange tone. The Terror Stamp’s hybrid Valve/Solid State design gives you the best of both worlds. From crystal-clean to thundering high-gain, the ECC83 (12AX7)-based preamp has all the harmonics, dynamics and feel you’d expect, while the 20W Class AB Solid State power amp keeps things small, dependable and sounding great at any volume.
Footswitchable Master Volume controls give you the Terror Stamp’s full range of sounds at two different volumes. Jump right out of the mix for that all-important solo, without sacrificing your carefully crafted tone.
Our exclusive Shape knob crams a whole load of character and control into a single dial. Turn anticlockwise for a mid-forward voicing or clockwise for a classic scoop.
Just like our full-size amps, we’ve given you a fully-buffered, low-impedance FX Loop. Long cable runs? No Problem. True Bypass pedals? Great. The Terror Stamp fits right into your signal chain without ever compromising sound quality. Not only that, but connecting directly to the FX Return turns this little monster into a 20W power amp for whatever pedals, preamps or modellers you can throw at it – with a headphone output too!
It wouldn’t be the perfect pedal amp without a headphone output. Our tried-and-tested, analogue CabSim circuit provides instant access to a very Orange-flavoured 4×12 speaker emulation. Just the thing for late-night practice with headphones, ‘silent’ recording or running direct to PA. The Headphone Output works simultaneously with the Speaker Output for maximum versatility.
FEATURES: | VALVE PREAMP, FOOT-SWITCHABLE MASTER VOLUME, BUFFERED FX LOOP, CABSIM HEADPHONE OUTPUT |
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CONTROLS (RIGHT TO LEFT): | GAIN, SHAPE, VOLUME 2, VOLUME 1 |
VALVES: | PREAMP: 1 X 12AX7/ECC83 |
OUTPUT POWER: | 20 WATTS |
SPEAKER OUTPUT: | 8-16 OHMS |
UNBOXED DIMENSIONS (W X H X D): | 13.4 X 6.1 X 9.9CM (5.4 X 2.4 X 3.9 “) |
UNBOXED WEIGHT: | 0.38KG / 0.84LB |