Products tagged "Effects/Pedals" Page 8

Tech 21 SansAmp Bass Driver V2 DI Effects Pedal

$ 249.00 $ 335.00

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

VERSION 2
With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.

FEATURES

Preamp, stompbox, and direct box in one
Offers a wide range of bass amp sounds
Active EQ boosts/cuts up to ±12db
BUILT-IN SPEAKER/CAB SIM: The 100% analog SansAmp Tube Amplifier Emulation technology encompasses the entire signal chain, from pre-amp to power amp to speaker simulation. An integral part of the circuitry, the SansAmp speaker simulation will complement any type of guitar or bass speaker cabinet system. You can also place an external IR after a SansAmp to give additional flavor if you so desire. The SansAmp speaker sim is designed and individually tailored for a smooth, even response as would be achieved by a multiply-miked cabinet –without peaks, valleys, and notches associated with single miking and many IRs.

For studio and live applications, SansAmp Bass Driver DI is engineered with three outputs:
• effected XLR
• effected 1/4″
• parallel, uneffected 1/4″

The footswitch activates the Tube Amplifier Emulation circuitry. Disengaging the circuitry enables you to use SansAmp Bass Driver DI as a standard active transparent direct box.

Measures 4.75″ x 3.75″ x 2″
• Operable via phantom power.
• Operable with 9V alkaline battery (not included).

View full product details »

Tech 21 SansAmp Para Driver V2 DI Pedal

Tech 21

$ 249.00 $ 335.00

This floor version of our RPM rackmount provides the same detailed tone shaping possibilities for any signal source. It is particularly useful with acoustic, electric and bass guitars, and upright bass, either direct to a mixing console or with an instrument amplifier. The Para Driver DI gives your instrument a natural warmth and presence, as if miking it through a tube pre-amp. The SansAmp circuitry eliminates the harsh, unnatural harmonics of piezo pickups, while the Drive control offers some tasteful edge — just a little or over-the-top.

Version 2 has exactly the same tonality and functionality with the addition of two new features: Rumble Filter and Air. The Rumble Filter removes unwanted sub-sonic frequencies that cause boominess and audible handling noises associated with acoustic guitars.The Air button adds top-end clarity and sparkle to acoustics.

PARA DRIVER DI
FEATURES

Active tone controls with 12dB of cut or boost
Sweepable semi-parametric EQ
1/4-inch 4.7 megOhm instrument level input
1/4-inch and XLR outputs with selectable levels
Parallel, uneffected output to run a dry signal to a separate channel

View full product details »

Tech 21 SansAmp Programmable Bass Driver PBDR

Tech 21

$ 249.00 $ 398.00

Always thinking of our fat-stringed brethren, we had to make a 3-channel, programmable, rig-in-a-box for bassists who can’t get enough of a great thing. Like the TRI-A.C. for guitar, you get three hot tones right at your toetips. The all-analog circuitry features the same controls as its single channel predecessor: Drive, Bass, Treble, Presence, Blend and Level. Digital only in its programmability, you just tweak the knobs until you find a tone, double-tap on a footswitch, and it’s saved in that channel. It’s that simple. Three of your faves — to go!

FEATURES

Build your Bass Driver DI into a live rig with a Bass Power Engine 60, and run through the PA for extra power.
Boldly go live with just your Bass Driver DI straight into the PA.
Bounce into any studio with a Programmable Bass Driver DI and plug directly into the board.
BUILT-IN SPEAKER/CAB SIM: The 100% analog SansAmp Tube Amplifier Emulation technology encompasses the entire signal chain, from pre-amp to power amp to speaker simulation. An integral part of the circuitry, the SansAmp speaker simulation will complement any type of guitar or bass speaker cabinet system. You can also place an external IR after a SansAmp to give additional flavor if you so desire. The SansAmp speaker sim is designed and individually tailored for a smooth, even response as would be achieved by a multiply-miked cabinet –without peaks, valleys, and notches associated with single miking and many IRs.
While larger than our other SansAmp pedals, the Programmable Bass Driver DI still fits into a gig bag. Actual size: 7.25”L x 5.25”W x 2.25”H.
Even with its roadworthy all-metal construction, each unit weighs in at a mere 25 oz.
Operable via phantom power.
Operable with 9V alkaline battery (not included).
Optional DC power supply is available:

View full product details »

ToneDEQ Acoustic Multi-effects Preamp DI USED

Fishman

$ 199.99

**This preamp is used and in good condition. Little no signs of wear can be found on this product. Does not come with the 9 volt power adapter. The price has been adjusted accordingly.

The ToneDEQ Preamp EQ Multi-effects is a complete performance solution for the acoustic musician. With a high-quality preamp, dual effects section, tone controls, a compressor, level booster and a balanced D.I. — it’s got everything you need in one box.

Pure Analog Circuitry

The ToneDEQ analog signal path goes from end to end — from preamp to output — to give acoustic musicians a richer tonal quality. Even the digital effects are mixed in parallel so they don’t affect the purity of your acoustic instrument.

Multi-effects

The ToneDEQ offers two separate effects sections: “reverb/delay” with 2 reverbs, 2 delays, time and level controls, and “chorus” with 2 chorus settings, one flanger, and one tremelo. There is also an onboard compressor.

Fully Balanced Stage D.I.

Flexible outputs include a 1/4″ amplifier output and XLR D.I. output for the lowest noise possible. Plus the D.I. features automatic ground-lifting and selectable pre/post EQ settings.

Discrete Class-A Preamp

With Fishman, you get quality discrete class-A signal conditioning created by the leader in instrument preamp design. The high-impedance input is a must when using a passive instrument pickup.

Advanced 4-Band EQ

Legendary 4-band equalizer design provides superior tone control for any acoustic instrument. The variable low-cut filter controls sub-bass effects produced by some passive pickups.

Specifications

INPUT:	10M Ohm, discrete class-A JFET design
AUDIO:	All-analog signal path with parallel digital effects
TONE CONTROL:	4-band EQ with Bass, Middle, Treble, and selectable Low Cut
DUAL EFFECTS:	Reverb (2) or Delay (2), Chorus (2), Flanger or Tremolo
DYNAMICS:	Soft-knee Compressor, Boost footswitch (up to 9dB)
FEEDBACK CONTROL:	Selectable Phase invert
AUDIO I/O:	1/4” mono instrument input, 1/4” amplifier output, balanced XLR D.I. output with pre/post routing
DIMENSIONS:	5.36” L x 9.5” W x 2.2” H (136 mm) (241 mm) (56 mm)
WEIGHT:	2.5 lbs (1.1 kg)
BATTERY	Powered by 9-volt battery (not included), or Fishman 910-R power adapter (optional) BATTERY LIFE 12 hours

View full product details »

TrueTone V2RT66 Route 66 Overdrive and Compression Effects Pedal

Truetone

$ 149.00

V2 Route 66

Overdrive & Compression

In 1999, Truetone made the statement “Our Route 66 is sure to become as legendary as its namesake.” Since then, the Route 66 pedal has become a must-have for artists like Jonny Lang and Kings of Leon.

With broad flavors of Compression and Overdrive, Route 66 sounds amazing with both guitar and bass. Many players leave the compressor on all the time because it just makes your instrument sound better. The overdrive is smooth and crisp, covering everything from mild boost to cranked amp sounds.

The V2 Series Route 66 gives the same great tone guitarists have come to love over the years, plus an added noise reduction system that gives you that quiet ride you’ve always wanted. Classic compression combined with Classic Overdrive – these two effects sound great on their own, but combine them together and get the ultimate compliment to one another in one pedal. Housing and stomp switches designed by Bob Weil himself — and a noise-free experience — this version of the Route 66 has raised the bar for years to come.

Current Draw: 15-24mA

View full product details »

VOX V845 Classic Wah Wah Pedal

Vox

Sold Out $ 133.99

The Vox V845 Classic Wah Wah Guitar Effects Pedal is based on the specifications of the original pedal developed by VOX in the '60s. The V845 Wah-Wah offers guitarists the same legendary Wah-Wah tone in a new sturdy but very affordable design. The fitted AC power connector saves on batteries and the outer case is coated with tough all-black finish making the VOX Classic Wah-Wah a perfect choice for your pedal board.

VOX developed the world's first Wah Wah effect during the '60s to give guitarists the ability to sound like a trumpet being muted-an important musical ingredient of the day. VOX's original Wah Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since.

V845 Classic Wah Wah Guitar Effects Pedal

Input/output jacks: INST jack, AMP jack, DC IP jack.
Power supply: One 9V DC battery 6F22(S-006P)
Power consumption: 540uA @ 9VDC
Battery life for continuous use: approximately >100 hours with manganese battery (will vary depending on conditions)
Dimensions: 3"H x 4"W x 10"D (including rubber feet, pedal in lowest postion)
Weight: 2.07 lb. (including battery)

View full product details »

VOX V846-HW Hand Wired Wah Wah Pedal

Vox

Sold Out $ 359.99

The legendary V846 is back, and it's better than ever. Introducing the V846-HW, a wah pedal for the tone enthusiast, featuring hand-wired turret board construction and premium components.

VOX created their first wah wah pedal back in the 1960s and guitarists from around the world rushed to embrace it. Now in 2011, the V846 has been reborn as the VOX V846-HW Hand-Wired Wah Wah Pedal. While its classic tone is undeniable, VOX's V846-HW writes new chapters in the wah book of sound. As its name implies, the V846 Hand Wired boasts hand-wired turret board construction. Every component, including the inductors, resistors, capacitors, and the potentiometer has been carefully selected for premium fidelity and tone, a tone-preserving true bypass was even added to the original design. Outside, the die-cast body features a sandblasted exterior with crepe finish. The V846-HW is a perfect combination of VOX's world-famous technology, with classical yet modern specifications.

Hand Wired Artistry
The hand-wired turret board construction of the V846-HW requires a high level of craftsmanship, technical skill, and precise manual assembly. Labor intensive, this hand-wiring artistry creates an ideal and efficient signal path. Responding to every nuance of the guitarist's touch.

True Bypass
Designed as a premier pedal for the tone purist, the V846-HW provides a true bypass circuit to meet the needs of today's guitarist. Any coloration of the sound or loss in audio quality when the wah function is off has been totally removed.

Vintage-Spec Inductor; Smooth Potentiometer
The VOX V846-HW Hand-Wired Wah Wah pedal uses a specially-voiced vintage-spec Halo type inductor. The carefully selected magnetic core material and winding ensures a perfect reproduction of the original V846's wah sound. The potentiometer features a distinctive response and is sealed for durability. Thanks to a remarkably smooth curve, the region at the very beginning of the pedal's travel - a region difficult for conventional wah pedals - is assured sensitive response with an unprecedentedly fine degree of control.

Premium Components
Carbon composite resistors (made by KAMAYA ELECTRIC CO., LTD) are used for their extremely low noise and uncolored sound. The high-quality footswitch made by Carling Technologies, was selected for both its reliability and its good feel underfoot. The Switchcraft jacks used are well-known and trusted for their sturdy bushings, simple construction and high reliability. These carefully selected components come together in the amazing VOX V846-HW Hand Wired Wah Wah.

FEATURES

Hand-wired turret board construction; premium components used throughout
Vintage-spec Halo type inductor; precise control potentiometer; Switchcraft jacks
Low-noise carbon composite resistors; polyester film capacitors; Carling switch
Tone-preserving true-bypass circuit
Die-cast aluminum body; soft case included; Optional AC power

View full product details »

VOX VC-4 Foot Controller (NEW OLD STOCK)

Vox

Sold Out

Convenient footpedal control for using your Valvetronix on stage.

The Vox VC-4 Foot Controller for Valvetronix Amps is a 4-button pedal with tap tempo and an expression pedal. Select presets or effects modules with the touch of a toe.

Features

4 buttons
Tap tempo
Expression pedal
Selects presets or effects modules with the touch of a toe
Includes volume jack and Vox bus jack
16-3/8"W x 2-1/2"H x 6-1/4"D

**Pedal is still new in box

View full product details »

Wampler Fuzztration Pedal

Wampler

$ 199.97

Fuzztration (noun): The torturous feeling of desperation when searching for THE perfect fuzz.

The search for the perfect fuzz can be an exercise in frustration. On one hand, there's always the desire to emulate the classic, vintage-inspired tones like the Rock Gods before us. They used what was available at the time to forge some of the most memorable songs in history with unbeatable sustain.

On the other hand, there are players who desire to break outside of the norm and push their own boundaries, using fuzzes that are over the top, like a tsunami of fuzz ready to envelop their guitar's signal. Despite the already incredible credentials some fuzzes have by being on such iconic songs, they weren't without their shortcomings. Many of those pedals were simple and lacked some EQ controls that could really make a great pedal extraordinary -- or not so much, due to the manufacturer using whatever parts they had available, which led to major part tolerance issues leading to each of the pedals sounding potentially drastically different.

The three-band EQ gives full sculpting capability to dial in whatever tone you want without needing magic vintage mojo. The voicing switch can take it from classic, tight response to dark, sludgy and writhing with a depth to it like piping hot magma bubbling just below the surface.

The Fuzztration isn't a pedal designed to really play "nice." It's brash, raspy, doomy, in-your-face fuzz from top to bottom. This is not to say it can't get some classic Floyd sounds, but this isn't just another classic with some added EQ options. It's rough, it's gruff, and it's like an angry lion trying to bust out of its cage. When the search for the perfect fuzz leads to a plethora of choices, the end of your Fuzztration comes when everything is packed into one, do-it-all fuzz box. Want the classic sounds? Done. How about some raunchy doom metal or sludge rock? Yep, it does that too

The volume knob is pretty self-explanatory, but it controls the overall output of the Fuzztration. The Bass controls the overall low-end response of the Fuzztration. Noon is standard, counterclockwise it removes some of the bottom end that warrants a more searing tone, where taking it clockwise will increase the bottom end tremendously, going from a raspy fuzz to full-on doom machine. Mids controls the mid presence of the circuit. Center is fairly flat, counter-clockwise will scoop the mids and become much more aggressive and cutting, almost distortion-like. Clockwise will add in some mids, which helps combat the scoop that lead many of those old classic fuzzes to be lost in the mix with the full band. The treble control effects the overall high-end and brightness of the circuit and has a tremendous effect on the overall way of shaping the tone of the fuzz.

Noon is standard, going counter-clockwise will yield in a much thicker, saturated fuzz tone that sounds like a wall of wool coming from the speakers. Clockwise will increase the brightness, and thus the raspiness and spit of the fuzz depending on where you have the voicing switch set. The Voicing switch gives you two very different but usable sets of tones. On the Tight setting, it has a classic, more modern sound that's...well, tighter, less sag and acts more as a fuzzy distortion that totals up to a sum of a whole lot more than that magical number of 3.14.

The Open setting is much woolier, darker, saggier, and an overall thicker and sludgier fuzz tone. The huge Fuzz knob controls the overall amount of fuzzy goodness. This pedal isn't designed for sparkly edge-of-breakup tones, so even fully counterclockwise it yields a thick, sputtering result that works great for alt-rock and grunge. Turning the fuzz knob clockwise unleashes a torrent of fuzz, leading to massive sustain combined with some compression, classic velcro sputters and everything in between.

NOT JUST ANOTHER CLONE

This is not just another clone with fancy graphics… it’s got that familiar tone, but once you add in the secret Wampler trademark 3 band EQ you have the most brutal yet controllable fuzz you can imagine.

YOU WANT OCTAVE?

We all love an analog Octave feature on our fuzzes, but imagine one that you can put either pre or post gain… if you’ve never tried putting it in the other place to what you are used to, prepare to have your socks blown clean off.

OPEN OR TIGHT

Two clipping modes make the Fuzztration one of the most versatile original fuzz circuits out there… One of them is gives you that beautifully horrible fat width, destroying the first three rows and the other is just sustain… smoothness and, yes, even more sustain…

BUILT FOR FOREVER

Brian Wampler’s attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Fuzztration. We’re all tone-freaks, and we’re always trying new things, but we hope this pedal finds it’s forever home on your pedalboard, so we built it to last that long.

Built in the U.S.A.
High grade components picked for their superior sound and response
Switchable between two completely independent clipping circuits, a more open fuzz or much more compressed
Completely independent octave – can be put pre or post fuzz or used on its own
Relay true bypass with soft switches
Top mounted input and output jacks
Battery connection and 9v power jack
Power draw: 18mA at 9v and 23.3mA at 18v (LED will flash 3 times when power from battery is getting low)
2.5″ x 4.5″ x 1.5″ (63.5mm x 114.3mm x 38.1mm) – height excludes knobs and switches
Includes Wampler’s limited 5-year warranty

View full product details »

Wampler Ratsbane Pedal

Wampler

$ 149.97

Based on an infamous circuit from a classic 1980’s high gain distortion pedal, the Ratsbane is Brian’s answer to the countless requests he has received to build his interpretation of this much-loved design.

RATSBANE DISTORTION

If you are looking for a single pedal solution with multiple degrees of gain from light overdrive to full out saturated fuzz tones, then you’ll surely love the Ratsbane. The Ratsbane is based on a true benchmark sound amongst guitarists that has been heard on thousands of famous recordings.

The full, dynamic range, and sheer sonic force of this circuit is what makes it a true king amongst distortion pedals. Turn the distortion control all the way down for a deep but powerful gain booster. Crank it up and you will find rich harmonic overtones and a throaty, fuzz-like distortion. The “secret sauce” for this circuit has always been the filter control. Turn it counter-clockwise to cut straight through the mix with precision and high-frequency attack that lets your tone soar with absolute clarity. Turn it clockwise to filter the top end, for a warm, buttery, yet clear tone. This natural full-range distortion, mixed with its unique filter control, delivers a classic cranked tube-amp sound that crosses genres and generations of music.

In typical Wampler fashion, Brian improved the circuit’s flexibility by adding two new switches. The Gain switch offers three distinct choices. In the middle gives you the “stock” gain for this pedal. Flick it either right or left for 2 additional turbocharged gain stages you can play with. The left position offers a firm, yet smooth boost in gain, whereas the right delivers an insane level of creamy distortion. The Voice switch subtly alters the compression and clipping of this pedal. It tightens the distortion to be more manageable with greater levels of gain, while rolling back some of the fuzz qualities, to deliver a modern, high gain distortion.

THREE GAIN OPTIONS

Brian has incorporated some unique modifications into this circuit, easily accessed by the toggle switches. With the gain switch set in the center you get the classic circuit, flick it either right or left to get insane amounts of gain on tap.

CLASSIC AND MODERN TONES

Not content with just modifying the gain stages, Brian also added a voice switch which totally changes this circuit into a modern, higher gain style distortion. This pedal can cover boosted overdrive tones, full on fuzz, and modern searing distortion tones in one small package.

SWAP THE ENGINE

This circuit is based on a modern, and in our opinion more harmonically complex, operational amplifier IC, but we know there are some purists out there that will want to try it with an LM308 IC, so we put our “engine” in a socket to allow those adventurous DIY “modders” amongst you to have some fun. We don’t recommend it though and it shouldn’t be attempted by novices.

BUILT FOR FOREVER

Brian Wampler’s attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Ratsbane. We’re all tone-freaks, and we’re always trying new things, but we hope this pedal finds it’s forever home on your pedalboard, so we built it to last that long.

Built in the U.S.A.
High grade components picked for their superior sound and response
True bypass
9v – 18v power jack (no battery connector inside)
Power draw: between 2.5mA (9v) and 3.2mA (18v)
Five controls – Volume, Distortion, Filter rotary, plus 3 way Gain switch and 2 way Voice switch
Includes Wampler’s limited 5-year warranty
1.5″ x 3.5″ x 1.5″ (38.1mm x 88.9mm x 38.1mm) – height excludes knobs and switches

View full product details »

Yamaha FC3A Continuous Piano Style Sustain Pedal

Yamaha

$ 39.99 $ 70.00

Achieve Great Control of Your Keyboard!

The Yamaha FC3A is a piano-style damper pedal for use with Yamaha keyboards that support half-damper positions. Instead of a typical on/off type pedal the half-damper feature allows you to fine tune your sustain by varying the pressure on the pedal,, giving you great control of your performance much like an acoustic piano. A robust design with a 6-foot cable and a 1/4" plug assures the FC3A will be a long lasting addition to your keyboard rig. Get more command out of your Yamaha keyboard with the FC3A keyboard pedal.

Yamaha FC3A Half-damper Pedal Features: