Products
JHS 3 Series Flanger Effects Pedal USED
$ 79.00
The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.
LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22
JHS Bonsai Screamer Style Effects Pedal
$ 249.00
In the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer. It is probably the most produced and sold pedal in the history of guitar pedals! The Bonsai is our tribute to one of the greatest pedals ever created.
Following in the steps of our Muffuletta (released 2015), the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer. Creating the Bonsai became an archeological dig of sorts that sent us deep into the history of this circuit by examining dozens of versions, variations and replications. At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal. One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our Audio Precision analyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a "box of mods," it is exact replications of these nine units all housed in one box! The Bonsai is exact replication, not emulation. When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.
LETS TAKE A LOOK AT THE 9 MODES OF THE BONSAI BASED ON THE 9 PEDALS WE HAVE CHOSEN...
OD-1 - 1977
An overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.
TS-808 - 1979
The classic low gain with that signature pronounced mid range.
TS-9 - 1982
Nearly identical to the TS-808 but with a slightly more pushed low-mid range.
MSL, POWER OR L SERIES - 1985
Though metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of. Still it has a higher gain sound with a more low end and an overall more gooey feel.
TS-10 - 1986
Made famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.
EXAR OD-1 1989
The EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.
TS-7 (+MODE) - 1999
The hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.
KEELEY MOD PLUS - 2002
Robert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.
JHS STRONG MOD - 2008
Our own mod we’ve been doing since 2008 is much cleaner and overall more powerful. The mode has more pronounced higher and low end drop offs.
With the JHS Pedals’ Bonsai you can get the classic sounds of nine Tubescreamers in one pedal. Let the Bonsai help you find your overdrive zen.
THIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 20 MA, AND MEASURES 2.6"X4.8"X1.6".
JHS Morning Glory V4 Overdrive Effects Pedal
$ 199.00 $ 258.70
The Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use the Morning Glory. When you want to boost a crunchy tone into thicker sustain, use the Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use the Morning Glory. When you need to switch between two gain levels on the fly...Yeah, you get the idea.
TRULY TRANSPARENT TONE
The best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone, so just plug into our Morning Glory overdrive for yourself, and then you’ll understand.
- Gain control sweeps from completely clean to rock‘n’roll
- Tame high end on brighter rigs with the side-mounted bright-cut switch
- Increased headroom and output for use as a full-frequency boost
ON-THE-FLY VERSATILITY
An update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.
- Switch to a more powerful sound with enhanced low end and grit
- Plug in your JHS Red Remote to switch between the two voices with a tap of your toe
- Handy LED changes from blue to red, indicating the status of the boost circuit
VERSION HISTORY:
V1 = Bigger white enclosure with black knobs; no bright-cut switch; no logo.
V2 = Changed to smaller current enclosure; gold powder coat color.
V3 = Bright-cut toggle added.
V4 = Two times more headroom; Gain Toggle added; Red Remote system added.
JHS Pedals Mini A/B Effects Pedal
$ 65.00 $ 86.00
There are two types of players, those that utilize an A/B box like our Mini A/B here, and those that don’t know what they’re missing. Add one to your pedalboard, and you’ll find the Mini A/B is full of indispensable benefits on the gig, in the studio, or even at home. At its core, the simple footswitch design selects between a pair of ¼” jacks on the left side of the unit. Hook one up and you’ll instantly be switching between amps, quickly swapping guitars between songs, using it to isolate your tuner from your signal, killing your stage sound as a mute, and more. And with its adorably tiny footprint, the Mini A/B will fit on even the most cramped pedalboards.
THE DO-IT-ALL SWITCH
How many ways you utilize the JHS Mini A/B is only limited by your necessity. While it may not be a modulation pedal or fuzz (don’t worry, we have those for you too: Mini Foot Fuzz, Emperor), you’ll be hard pressed to find a pedal you step on more than this little gem.
- Instantly swap between two instruments
- Perfect for switching tones on dual-amplifier rigs
- Isolate your tuner from the signal chain, while achieving silent onstage tuning
- Leave output unplugged for a convenient mute function
CONVENIENT LOW-PROFILE DESIGN
Like its name suggests, the Mini A/B is a bite-sized wonder. We can achieve that because of its passive design, which also means it won’t cause any tonal loss. However, we did choose to include a bright LED indicator, letting you know which jack is selected. Don’t need that light? Just unplug the power cable. The Mini A/B will still work just fine.
- Small size is ideal for saving pedalboard space
- LED indicator tells you which ¼” you have selected
- Can run perfectly without power
- Built rugged
JHS Pedals Wanderer Overdrive Pedal
$ 299.00 $ 390.00
THEY'VE ARRIVED
A Morning Glory, a NOTAKLÖN and the best features you've ever seen, in one compact enclosure.
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The first pedal in our new vertical two-in-one format with top-mounted jacks and power.
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Individual input and output jacks for each circuit — put anything between them, or give each side its own loop on a switcher. Expansive configuration flexibility.
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Red Remote jack for each circuit. Four separate gain stages, instantly accessible for live and studio use in one pedal.
Specs
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Pedal Type: Dual Overdrive
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Controls: Knobs: 2 x Volume, Gain, Treble, Drive, Tone; Switches: Hi-Cut, Order, Gain
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Number of Footswitch Buttons: 2
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Power Source: 9V DC power supply (sold separately)
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Power Usage: 165mA
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Height: 1.5"
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Width: 4.7"
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Depth: 3.5"
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Manufacturer Part Number: WND
JHS PG-14 Paul Gilbert Overdrive/Distortion Effects Pedal
$ 199.00
JHS Pedals is proud to release the Paul Gilbert signature distortion "PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier.
This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels.
ALL THE MIDS CONTROL!
A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination.
The PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice! Just hit the footswitch!
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