$ 129.99 $ 156.00
The BigShot ABY™ is a compact true-bypass ABY switcher that enables you to switch between two amplifiers or play through both amps at the same time, while eliminating buzz and hum from ground loops.
The BigShot ABY makes it easy to run two amps on stage, without introducing noise or altering your tone. The pedal has two latching footswitches that allow you to choose which amp is active, or run through both simultaneously. The second amp output features a ground lift and an isolation transformer that can be engaged to eliminate buzz and hum from ground loops, while a 180° polarity reverse switch ensures both amps play back in phase to avoid frequency cancellation. When powered by an external 9V supply or pedalboard power brick, LEDs provide instant on-stage visual feedback - when power is unavailable, the passive audio circuit still works unaffected. Best of all, the BigShot ABY is true-bypass device, without any tone-altering buffers between the guitar and the amplifier to ensure you retain the pure tone of your instrument.
Specifications | ||
---|---|---|
Audio circuit type: | Passive, true bypass | |
Frequency response: | 20Hz - 20KHz | |
Gain: | -0.3db | |
Features | ||
180° polarity reverse, Ground lift | ||
Input Connectors: | 1/4" | |
Output Connectors: | Two 1/4" outputs, switchable transformer isolated from Output-B | |
Extras: | Tuner Output, ISO switch | |
General | ||
Construction: | 14-gauge steel | |
Finish: | Durable powder coat | |
Size (L x W x D): | 3.9" x 3.6" x 2" (99 x 91.4 x 50.8mm) | |
Weight: | 1.25 lb (0.56 kg) | |
Shipping size (L x W x D): | 6.25" x 4.25" x 3" (158.7 x 108 x 76.2mm) | |
Shipping weight: | 1.55 lb (0.70 kg) | |
Power: | 9VDC, center pole negative | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 349.99 $ 420.00
The BT-Pro V2 is a Bluetooth-enabled direct box that connects wirelessly to smartphones, tablets, and other mobile devices and provides a pair of balanced analog audio outputs to feed a PA system. Each BT-Pro V2 has a unique identifier, allowing multiple units to be used within the same building. The latest model of the BT-Pro can also be powered via 48V phantom from a mixing console.
The BT-Pro V2 makes it easy to quickly connect to any smartphone, tablet, or mobile device for high quality audio playback through a sound system. It wirelessly pairs over Bluetooth, eliminating the need to search for adaptor cables and providing you with the freedom to move around while staying connected. Superior audio quality is provided using the Bluetooth 5.0 protocol, allowing the BT-Pro to be used for playback even in critical listening environments. While the BT-Pro V2 is designed to last with a 14 gauge steel outer shell and high durability connectors and controls, it also has an enhanced reception range thanks to the plastic injection-molded insert, which allows wireless signals to pass through unimpeded. Balanced XLR outputs are provided for connection to pro audio equipment, with a level control to allow for easy volume adjustments, a headphone output for testing purposes, and a mono switch to reduce channel requirements when needed.
For ease of use in live sound applications, the BT-Pro can be powered via 48V phantom from the PA console. This provides the ability to use the included external power supply as a redundant backup, or to eliminate it from the setup altogether. Under 48V phantom power, the BT-Pro provides mic-level signals at the XLR outputs, but when the external power supply is used it is capable of generating line-level signals that can be connected to the line inputs of a PA console and avoid using additional mic-level channels. Each individual BT-Pro V2 also has a unique Bluetooth identifier, allowing multiple units to be successfully used in close proximity to one another. This makes it easy for commercial multi-room facilities to employ a number of BT-Pro units without any confusion when trying to connect to a receiver in a specific part of the building.
Specifications | ||
---|---|---|
Audio circuit type: | Active audio line driver | |
Frequency response: | 20Hz to 20KHz | |
Dynamic range: | 90dB | |
Total harmonic distortion: | 0.05% | |
Output Impedance: | 150Ω | |
Signal to Noise: | 90dB | |
Bluetooth Compliance: | Bluetooth 5.0 | |
Data Compression: | SBC and AAC Codecs | |
Features | ||
Mono Sum, Ground lift, Level Control, Headphone | ||
Input Connectors: | Bluetooth 5.0, Device range up to 100' | |
Output Connectors: | XLR-M, 3.5mm TRS Headphone | |
Extras: | Included power supply | |
General | ||
Construction: | 14 gauge steel outer shell, molded nylon insert | |
Finish: | Durable powder coat | |
Size (L x W x D): | 3.3” X 5” X 2” (84 x 127 x 51mm) | |
Weight: | 1.1lbs (500g) | |
Power: | USB-C connector (Power Only) or 48V Phantom | |
Conditions: | For use in dry locations only between 5°C and 40°C | |
$ 209.99 $ 252.00
The AC-Driver allows you to obtain great sounding results in a short amount of time, with powerful easy-to-use controls that allow you to set your levels and reduce on-stage feedback. An adjustable low cut filter removes excessive low frequencies, while a 180° phase switch helps correct feedback build-up from hot spots on stage. A variable notch filter targets and removes specific problem frequencies, and a mute footswitch provides a way to silently tune on stage or change instruments without any popping or noise in the PA.
$ 169.99 $ 220.00
The Elevator is a unique multi-level power booster and buffer that provides the guitarist with a degree of customization to better match the playing style with the guitar, amplifier and pedal chain.
The design begins with a 100% discrete class-A signal path that is completely void of integrated circuits (ICs). Each gain stage is carefully crafted for optimal gain without introducing extraordinary levels of phase-cancelling negative feedback to control the ICs. This circuit topology eliminates problems, such as zero-cross distortion, which tends to cause other boosters to sound harsh.
On the ground floor (Level 1), a selector switch allows you to set the Elevator to true-bypass for those that prefer a direct feed to the amp when the power booster is out of the circuit.
Level-2 lets you activate a unity gain buffer that will drive your guitar signal to 15 meters (50') without noise. This eliminates problems such as tone loss due to cables and popping when switching with high gain amps.
This setting also activates the level-3 Drag Control load correction circuit that replicates the 'tone and feel' of being connected directly to your amp.
Level-4 pushes things up a notch with a "baseline" power booster that drives the front end of the amp for more crunch and bite. This recessed "set and forget" control is particularly useful with vintage amps that produce less gain than today's more modern designs.
Level-5 is a super clean power booster that is activated using the footswitch. This variable booster delivers up to 18dB of pure gain for soloing. Level-6 is a three-position mid boost switch that lets you increase the mid range content for added sustain.
The compact enclosure fits nicely on any pedal board and is powered using a standard Boss-style 9V DC power supply. A sturdy footswitch controls the internal gold-sealed military grade relay for maximum durability while the solid 14-gauge steel outer casing protects the sensitive internal electronics, eliminating opportunity to torque the PCB and cause premature failure.
$ 249.99 $ 300.00
The J48 is a high performance active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.
Most battery-powered guitars and basses will produce as much as 7 Volts when played at maximum volume, which can easily overload typical active direct boxes which have are only able to handle about 3 Volts. The J48 uses a unique switching power supply that raises the internal rail voltage so it can handle up to an incredible 9 Volts, resulting in improved signal handling and greater headroom. This additional headroom significantly reduces distortion of all types, allowing the natural tone and character of the instrument to shine through.
The Radial J48 has gained a tremendous following through the professional audio community. With significantly more headroom, lower distortion and unmatched durability, it is no wonder that the J48 has become the most specified direct box on stages around the world. As you will note with the specifications below, the J48 is exceptionally linear when tested both under laboratory conditions and when placed under the extra stress of 100 meters (300 feet) of cable. In the lab, the high frequency response actually exceeds 40kHz! This makes the J48 a perfect candidate for the most demanding studio recording while being the obvious choice for the artist on stage.
Specifications | ||
---|---|---|
Audio circuit type: | Proprietary analog circuit with low-noise op-amp | |
Frequency response: | 20Hz ~ 20kHz | |
Dynamic range: | 109dB | |
Total harmonic distortion: | 0.002% @ -5dBu | |
Intermodulation Distortion: | 0.003% @ -3dBu | |
Phase Deviation: | +10º at 20Hz | 0º at 1kHz | -1º at 20kHz | |
Input Impedance: | 220kΩ - ¼" input | |
Output Impedance: | 200Ω - XLR output | |
Equivalent Input Noise: | -103dBu | |
Noise: | -99dB below 0dBu | |
Maximum Input: | +10dBu | |
Features | ||
Input pad, Mono Sum, 180° polarity reverse, Ground lift, HPF | ||
Input Connectors: | 1/4" | |
Output Connectors: | Balanced XLR, 1/4" Thru | |
General | ||
Construction: | 14 gauge steel chassis and outer shell | |
Size (L x W x D): | 3.3" x 5.0" x 2" (84 x 127 x 48mm) | |
Weight: | 1.55 lb (720 g) | |
Power: | 48V phantom - proprietary digital switching | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 249.99 $ 300.00
The JDI is a high performance passive direct box for live concert touring and professional studio recording applications, featuring a premium Jensen transformer for exceptional audio performance.
The Radial JDI is a passive direct box designed to handle extreme signal levels without distortion of any kind. At the heart, the Radial JDI employs the world class Jensen JT-DB-EPC audio transformer delivering a smooth, warm sounding Bessel curve, reminiscent of the finest vintage gear. Ruler flat from 10Hz to 40kHz and with virtually zero phase deviation, the JDI delivers the natural, pure sound of the instrument without artifact. By its no-power passive design, the Radial JDI performs both high-to-low impedance conversion and signal balancing over a magnetic bridge that passes signal while rejecting stray DC voltage. This makes the JDI particularly adept at eliminating hum and buzz caused by ground loops.
The Radial JDI is a phase coherent, passive direct box employing a nickel laminated Jensen® audio transformer with virtually zero phase distortion, huge dynamics handling and ruler flat response from 10Hz to 40kHz. The Radial JDI is quite simply the world’s finest passive direct box. With its heavy-duty steel shell and internal I-beam construction, the JDI is designed to work dependably for years in even the harshest of touring environments. Ideal for keyboards, bass and acoustic instruments of all kinds, the JDI Duplex and JD6 are also available for stereo and multi-channel applications.
Specifications | ||
---|---|---|
Audio circuit type: | Passive, transformer based | |
Transformer: | JT-DB-EPC | |
Number of channels: | Single channel (mono) | |
Frequency response: | 20Hz ~ 20KHz (± 0.2dB) | |
Dynamic range: | 135dB | |
Total harmonic distortion: | 0.05% from 20Hz ~ 20kHz @-10dB | |
Phase Deviation: | 0.3° @ 100Hz; 3° @ 20Hz | |
Input Impedance: | 140k Ohms, unbalanced | |
Output Impedance: | 150 Ohms, balanced | |
Maximum Input: | +21dB @ 20Hz ~ 20kHz | |
Features | ||
Input pad, Mono Sum, 180° polarity reverse, Ground lift, Speaker filter | ||
General | ||
Construction: | 14 gauge steel chassis & outer shell | |
Finish: | Durable powder coat | |
Size (L x W x D): | 5" x 3.3" x 1.8" (127mm x 84.1mm x 45.5mm) | |
Weight: | 1.55 lbs (703 grams) | |
Shipping size (L x W x D): | 6.5" x 4" x 3" (165mm x 102mm x 76mm) | |
Shipping weight: | 1.92 lbs (870.9 grams) | |
Power: | Passive, no power required | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 249.99 $ 300.00
The Radial JDX Reactor is a direct box designed to capture the explosive dynamics and warm tone of the electric guitar by connecting between the head and cabinet of a guitar amplifier to provide a direct feed to the PA or recording system.
100% discrete class-A circuitry, multi-stage filtering and a unique reactive load all interact with the signal coming from the head and the electromagnetic back impulse from the cabinet to produce a more realistic rendering.
In use, the Radial JDX DI box improves the consistency of the guitar signal over a typical microphone, as irregularities of mic placement and varying acoustics no longer play the dominant role on stage. When combined with a microphone, fatter tones can be created by double tracking and stereo imaging the two signals for more "produced" results.
DX Reactor Guitar Amp and Cabinet Direct Box
$ 129.99 $ 156.00
The Pro48 is an active direct box designed for use on stage or in home recording studios, with exceptional signal handling for use with both active and passive instruments.
The Pro48's innovative internal switching power supply significantly increases headroom producing less distortion while yielding a smooth, linear response that extends from 20Hz to well above 40kHz. This results in natural, uncolored signal that is as good or better than DI boxes costing several times more. The superior performance makes the Pro48 an ideal candidate for use with battery powered active basses and acoustic guitars that tend to overload other direct boxes.
Specifications | ||
---|---|---|
Audio circuit type: | Proprietary analog circuit with low-noise op-amp | |
Frequency response: | 20Hz ~ 20kHz (± 1.5 dB | |
Dynamic range: | 99dB | |
Total harmonic distortion: | 0.001% @ 0 dBu | |
Intermodulation Distortion: | 0.002% @ 0 dBu | |
Phase Deviation: | +28º at 20Hz | +1º at 1kHz | -2º at 20kHz | |
Input Impedance: | 220kΩ - ¼" input | |
Output Impedance: | 600Ω - XLR output | |
Equivalent Input Noise: | -86dBu | |
Noise: | -82dB below 0dBu | |
Maximum Input: | +9dBu | |
Features | ||
Input pad, Ground lift | ||
General | ||
Construction: | 14-gauge steel | |
Size (L x W x D): | 4.25" x 2.75" x 1.75" (108 x 70 x 44mm) | |
Weight: | 1.2 lb (0.54kg) | |
Power: | 48V phantom - proprietary digital switching | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 199.99 $ 240.00
A high-quality, passive direct box that uses 2 proprietary custom-made transformers, one for each channel, for both impedance conversion and isolation. Linear from 20Hz-18kHz, with low distortion and virtually zero phase distortion makes it perfect for live or studio performances. Because of the transformer isolation, problems such as hum and buzz caused by ground loops are eliminated, making it very easy and hassle-free to use. Features include 1/4" thru/input, -15dB pad, and ground lift protected from damage by a protective front panel. Heavy-duty construction, baked enamel finish, and 600ohm balanced output. 3" x 5".
$ 129.99 $ 156.00
The ProDI is a passive direct box designed for use on stage or in home recording studios, with the ability to handle high output instruments without distortion, and a transformer-isolated output to eliminate noise from ground loops.
The heart of the ProDI is a custom wound Radial transformer. It features an exceptionally high 140kΩ input impedance to reduce loading while enabling the ProDI to handle extreme signal levels at all frequencies without distortion. This is further improved upon with an internal MuMETAL® shield to protect against electromagnetic fields that can cause unshielded transformers to distort.
Specifications | ||
---|---|---|
Audio circuit type: | Passive, transformer based | |
Transformer: | Eclipse ET-DB2, 12:1 ratio | |
Number of channels: | Single channel (mono) | |
Frequency response: | 20Hz ~ 18.5KHz (± 0.2dB) | |
Dynamic range: | 128dB | |
Total harmonic distortion: | 0.01% from 20Hz~20kHz @-10dB | |
Phase Deviation: | 1° @ 100Hz; 8° @ 20Hz | |
Input Impedance: | 140k Ohms, unbalanced | |
Output Impedance: | 150 Ohms, balanced | |
Maximum Input: | +18dB @ 20Hz | |
Features | ||
Input pad, Ground lift | ||
Input Connectors: | 1/4" in & thru | |
Output Connectors: | XLR-M out | |
General | ||
Construction: | 14 gauge steel chassis & outer shell | |
Size (L x W x D): | 4.25” x 2.75” x 1.75" (108 x 70 x 44mm) | |
Weight: | 1.2lb (0.54kg) | |
Shipping size (L x W x D): | 6.5" x 4" x 3" (165 x 76 x 102mm) | |
Shipping weight: | 1.35lb (0.61kg) | |
Power: | Passive, no power required | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 109.99
The ProDI is a passive direct box designed for use on stage or in home recording studios, with the ability to handle high output instruments without distortion, and a transformer-isolated output to eliminate noise from ground loops.
The heart of the ProDI is a custom wound Radial transformer. It features an exceptionally high 140kΩ input impedance to reduce loading while enabling the ProDI to handle extreme signal levels at all frequencies without distortion. This is further improved upon with an internal MuMETAL® shield to protect against electromagnetic fields that can cause unshielded transformers to distort.
Specifications | ||
---|---|---|
Audio circuit type: | Passive, transformer based | |
Transformer: | Eclipse ET-DB2, 12:1 ratio | |
Number of channels: | Single channel (mono) | |
Frequency response: | 20Hz ~ 18.5KHz (± 0.2dB) | |
Dynamic range: | 128dB | |
Total harmonic distortion: | 0.01% from 20Hz~20kHz @-10dB | |
Phase Deviation: | 1° @ 100Hz; 8° @ 20Hz | |
Input Impedance: | 140k Ohms, unbalanced | |
Output Impedance: | 150 Ohms, balanced | |
Maximum Input: | +18dB @ 20Hz | |
Features | ||
Input pad, Ground lift | ||
Input Connectors: | 1/4" in & thru | |
Output Connectors: | XLR-M out | |
General | ||
Construction: | 14 gauge steel chassis & outer shell | |
Size (L x W x D): | 4.25” x 2.75” x 1.75" (108 x 70 x 44mm) | |
Weight: | 1.2lb (0.54kg) | |
Shipping size (L x W x D): | 6.5" x 4" x 3" (165 x 76 x 102mm) | |
Shipping weight: | 1.35lb (0.61kg) | |
Power: | Passive, no power required | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 479.99 $ 576.00
The Switchbone V2 may well be the ultimate guitar amp switcher. This device lets you switch and combine up to three guitar amplifiers without introducing distortion, switching noise, or hum into the signal path. Most importantly, it will retain the natural tone and feel of your instrument so that your natural playing style shines through. The Switchbone V2 may be used as a standard ABY switcher with both A and B outputs used separately or together, or the tuner output can be repurposed to feed a third amplifier. A built-in power booster at the output delivers up to +18db of ultra-clean boost with the option to add mid-boost for extra sustain when playing lead.
Specifications | ||
---|---|---|
Audio circuit type: | Discrete Class-A | |
Gain: | Unity to +12dB (Baseline gain) | |
Input Impedance: | Variable with drag control | |
Output Impedance: | 10k Ohm | |
Noise Floor: | -111dB | |
Features | ||
180° polarity reverse, Ground lift, Boost | ||
Input Connectors: | 1/4" input | |
Output Connectors: | 4 1/4" outputs | |
General | ||
Construction: | 14-gauge steel chassis & outer shell | |
Size (L x W x D): | 6.62" x 4.5" x 2" (168 x 114 x 51mm) | |
Weight: | 2.35lb (1.07kg) | |
Shipping size (L x W x D): | 10.75" x 4.75" x 2.5" (273 x 120 x 64mm) | |
Shipping weight: | 3.35lbs (1.5kg) | |
Power: | 15VDC 400mA, center pole positive | |
Conditions: | For use in dry locations only between 5°C and 40°C | |
Warranty: | Radial 3-year, transferable |
$ 169.99 $ 220.00
Get Texas-sized overdrive punch and tone.
The Texas-Pro is a compact but extremely powerful dual-function pedal, providing a versatile overdrive circuit as well as a high output signal booster. These two features can be used on their own or in combination, giving you a wide range of tonal options, with the power to cut through when soloing or hit the front end of your amp harder for natural sustain and harmonics.
The overdrive section is equipped with a three-position Range switch, which tailors the response to produce vintage, modern, and high-gain overdrive tones. This allows you to choose between bluesy textures similar to an Ibanez TS9, a modern rock feel like a Fulltone OCD, or aggressive in-your-face saturation. Individual Drive, Tone, and Level controls allow you to further dial in the settings that best suit your guitar and amp setup. The Overdrive is followed by a 100% discrete, pure Class-A Boost circuit with a variable level control that can provide up to +22dB of clean gain. This can be used to let your solos sing out or to push the front end of a smaller amp harder, causing it to prematurely break up. Both the Overdrive and the Boost utilize true-bypass switching, which ensures that you retain the pure tone of your guitar as if it were plugged directly into your amplifier. For additional functionality, a built-in effects loop provides the ability to connect delays or other pedals, activating them when the Boost footswitch is engaged. This makes transitioning from rhythm to lead quick and efficient, with just a single foot-stomp required.
The Texas-Pro is housed in a compact chassis that is small enough for any pedalboard, while still able to handle the rigors of the road with 14-gauge steel construction and heavy-duty footswitches and connectors. Standard 9V power supplies and multi-pedal power bricks can be used to power the Texas-Pro.
$ 89.99 $ 108.00
The StageBug SB-2 is a compact passive direct box that is perfect for active basses and keyboards, is small enough to fit inside an instrument case, and features a stereo to mono mix function to save mixer channels.
The compact design begins with a ¼" input and thru-put to feed the on-stage amp. This connects to the custom made Eclipse ET-DB3 transformer which performs the impedance matching and balances the signal. When using extra high output instruments, a -15dB pad can be inserted into the signal path. This enables the SB-2 to be used with active basses and digital pianos that often tend to overload the input side of the interface. An innovative stereo-to-mono merge function provides a convenient way to connect stereo keyboards and computers without having to reset the source for mono operation, saving time and input channels on the PA. The SB-2 output features an XLR wired to the AES standard with pin-2 hot. Once connected, the SB-2 delivers a smooth warm sound reminiscent of older vintage gear. The Eclipse ET-DB3 transformer is magical in its ability to handle extreme signal levels with a natural compression that is pleasing to the ears. The transformer also helps eliminate hum and buzz caused by ground loops by isolating the input from the output. This is augmented with a ground lift switch that lifts pin-1 on the XLR for quiet, professional results.
The Radial SB-2 is a compact passive direct box that is designed primarily for buffered sources such as active acoustic guitar, keyboard and electric bass. A unique stereo-to-mono merge function enhances functionality by enabling stereo keyboards to be connected and mixed mono to save channels in the PA. Upon testing, the SB-2 exhibits exceptionally linear response and low distortion throughout the desired operating range, proving that size does not necessarily follow performance! The compact design provides the traveling musician with a quality direct box that can be depended upon for the most demanding club gigs.
Specifications | ||
---|---|---|
Audio circuit type: | Passive, transformer based | |
Transformer: | Eclipse ET-DB3, 12:1 ratio | |
Number of channels: | 1 | |
Frequency response: | 20Hz ~ 20KHz (± 0.5dB) | |
Dynamic range: | 115dB | |
Total harmonic distortion: | 0.005% @ 1kHz | |
Phase Deviation: | 3° @ 100Hz; 8° @ 50Hz | |
Input Impedance: | 140k Ohms, unbalanced | |
Output Impedance: | 1k Ohms, balanced | |
Maximum Input: | +20dB | |
Features | ||
Input pad, Ground lift | ||
Input Connectors: | 1/4" | |
Output Connectors: | XLR | |
General | ||
Construction: | 14 gauge steel chassis & outer shell | |
Size (L x W x D): | 4.5" x 1,85" x 1.35" (114mm x 47mm x 34mm) | |
Weight: | 0.55 lbs (250 grams) | |
Shipping size (L x W x D): | 8" x 5" x 3" (203mm x 127mm x 76mm) | |
Shipping weight: | 0.8 lbs (365 grams) | |
Power: | Passive, no power required | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 119.99 $ 144.00
The Radial StageBug SB-5 is a compact & portable stereo direct box designed to accommodate laptop computers, tablets, and other consumer audio products when amplifying the signal through a PA system.
The StageBug SB-5 provides an easy to use professional interface for connecting any mobile playback device to a mixer or PA system, with a built-in cable and 3.5mm stereo plug to connect directly to your laptop, smartphone, or tablet. Inside, a pair of custom wound transformers isolate the signals to prevent hum and buzz, and balance the audio to feed long cable runs without noise. Left and right 1/4" TRS outputs are provided for stereo operation, or a mono XLR output can be used to save channels on the PA system. The SB-5 works without any power required, and features additional ground lift and pad switches to eliminate ground loop noise and prevent distortion from high output audio sources.
The Radial Stage Bug SB-5 Laptop is a stereo direct box designed to easily integrate with laptop computers and other audio sources that employ a mini 3.6mm (1/8″ TRS) connector. It features an integral cable and storage cleat for easy deployment. inside, the passive design features two custom transformers that perform the balancing and impedance conversion. Transformer isolation benefits by eliminating hum and buzz caused by ground loops. Although remarkably compact and affordable, the SB-5 produces a exceptionally linear response with almost zero phase shift and less than 0.2% distortion at all frequencies. This makes the Stage Bug SB-5 an excellent choice for audio playback via PA systems, audio-visual integration and portable DJ setups.
Specifications | ||
---|---|---|
Audio circuit type: | Passive, transformer based | |
Number of channels: | Two channels | |
Frequency response: | 20Hz ~ 20KHz (± 1dB) | |
Dynamic range: | 100dB | |
Total harmonic distortion: | 0.01% @ 1kHz | |
Phase Deviation: | 2° @ 100Hz; 5° @ 50Hz | |
Input Impedance: | 40k Ohms, unbalanced | |
Output Impedance: | 2.8k Ohms, balanced | |
Maximum Input: | +20dB | |
Features | ||
Input pad, Mono Sum, Ground lift | ||
Input Connectors: | 3.5mm | |
Output Connectors: | 1/4" TRS, XLR | |
General | ||
Construction: | 14 gauge steel chassis & outer shell | |
Size (L x W x D): | 4.5" x 1,85" x 1.35" (114mm x 47mm x 34mm) | |
Weight: | 0.55 lbs (250 grams) | |
Shipping size (L x W x D): | 8" x 5" x 3" (203mm x 127mm x 76mm) | |
Shipping weight: | 0.8 lbs (365 grams) | |
Power: | Passive, no power required | |
Conditions: | For use in dry locations only between 5°C and 40°C | |
$ 249.00 $ 290.00
The USB-Pro is a high-resolution stereo digital audio converter and direct box that is designed to connect to any computer and seamlessly convert digital audio tracks to a pair of balanced analog outputs.
Whether you are playing backing tracks on stage, giving an audio presentation, or performing the role of DJ at an event, the USB-Pro is the easiest way to provide a high quality noise-free connection between a laptop and any sound system. Made for plug and play simplicity, the USB-Pro will automatically be listed as an available sound card in the audio settings of all popular operating systems including Windows and Mac, with 24bit/96kHz digital to analog converters that retain the quality of the audio signal. A stereo pair of balanced XLR outputs allows you to connect to a microphone preamplifier, PA system, mixing console, or even a powered speaker, with an on-board level control for quick and easy volume adjustments. Should any noise be encountered, ground lift switches are provided and isolation transformers can be inserted into the signal path to eliminate hum and buzz from ground loops, for a clean connection to the PA.
Specifications | ||
---|---|---|
Audio circuit type: | Custom decoder with analog line drive | |
Frequency response: | 5Hz ~ 40kHz (30Hz ~ 18kHz with isolation) | |
Dynamic range: | >90dB | |
Gain: | +8dBu | |
Total harmonic distortion: | 0.01% | |
Output Impedance: | 250Ω nominal | |
Noise: | -90dB | |
Maximum Output: | +8dBu | |
Data Compression: | Software compatibility: Windows XP/Vista/Win7/Win8/Win10 and Mac OS, Sound file compatibility: WDM, MME, CoreAudio, DirectSound, WASAPI and .WAV | |
Features | ||
Mono Sum, Ground lift, Level Control, Headphone | ||
Input Connectors: | USB connector B-type | |
Output Connectors: | 2 x XLR-M, 3.5mm headphone output | |
Extras: | USB 1.1 full speed, Sampling Rate: 44.1kHz / 48kHz / 96kHz auto sensing, 75dBu stereo separation | |
General | ||
Construction: | 14-gauge steel | |
Size (L x W x D): | 5.0" x 3.3" x 2" (127 x 84 x 48mm) | |
Weight: | 1.5 lb (0.68kg) | |
Power: | USB bus powered 500mA maximum | |
Conditions: | For use in dry locations only between 5°C and 40°C |
$ 279.99 $ 336.00
The Headlight is a unity gain guitar amp selector designed to easily integrate onto a pedalboard and provide the ability to switch between as many as four amplifiers with a single footswitch.
The Headlight has a compact footprint that will fit on any pedalboard, but it's still powerful enough to drive up to four amplifiers without sacrificing on tone. The input features a class-A buffer along with Drag Control load correction that allows you to optimize the impedance for your pickups and recreate the feel of plugging your guitar directly into an amp. Custom transformers isolate the outputs to prevent buzz and hum from ground loops, with ground lift switches to further alleviate noise problems. Should you really want to get loud, the mute footswitch can be configured as an 'all on' switch, activating all four amp outputs simultaneously.
Use the Headlight to switch between four stage amps to create the ultimate setup for clean, crunch, overdrive and power solo! Simply depress the selector footswitch to select the amp you want. Super bright LEDs let you know which amp is active. Use the mute footswitch for quiet on-stage tuning.
Connect your two amps using outputs 1 and 2 and select between them using the right-hand footswitch. Set the left-hand footswitch to ALL-ON and when depressed, both amps will play. The isolation transformers will prevent buzz and hum from ground loops when both amps are on.
Using the Headlight you can feed both direct boxes and amplifiers. The outputs from the direct boxes can be sent directly to the mixer and stage amps can be mic'd.
SPECS
Specifications | ||
---|---|---|
Audio circuit type: | Classic Class-A FET | |
Frequency response: | 30Hz - 30kHz | |
Dynamic range: | 116dBu | |
Gain: | -0.5dBu | |
Clip Level: | +7dB | |
Total harmonic distortion: | 0.01% | |
Intermodulation Distortion: | 0.02% | |
Phase Deviation: | -1.35° @ -20dBu / 1kHz | |
Input Impedance: | 20k to 1MΩ | |
Output Impedance: | 1kΩ | |
Noise: | -112dBu | |
Maximum Input: | +8dB | |
Features | ||
180° polarity reverse, Ground lift, Drag Control | ||
Input Connectors: | 1/4" | |
Output Connectors: | 1/4" | |
General | ||
Construction: | 14-Gauge Steel | |
Size (L x W x D): | 5" x 4.7" x 2" | |
Weight: | 2lb | |
Shipping size (L x W x D): | 6.5" x 5.1" x 2.5" | |
Shipping weight: | 2.4lb | |
Power: | 9V adaptor / 80mA (Center Pin Negative) | |
Conditions: | For use in dry locations only between 5°C and 40°C |