$ 299.99 $ 387.60
With touch-sensitive pads in an ergonomic layout perfect for finger drumming, the FGDP Series features a built-in sound bank, speaker and rechargeable battery that makes it a true, all-in-one instrument ready to be played at any time, anywhere.
FGDP-50 | ||
---|---|---|
Dimensions | Width | 223 mm (8-3/4 in) |
Height | 51 mm (2 in) | |
Depth | 223 mm (8-3/4 in) | |
Weight | 1.1 kg (2 lbs 7oz) | |
Packing Box | Width | 282 mm (11-1/16 in) |
Height | 110 mm (4-11/32 in) | |
Depth | 272 mm (10-3/4 in) | |
Drum Pads | 18 pads | |
RGB square pads | 8 pads | |
Number of Trigger Settings | Preset | 12 |
User | 50 | |
After Touch | Polyphonic, Channel | |
Assignable Functions | Yes | |
Display | LCD with backlight | |
Tone Generator | AWM2 | |
Maximum Polyphony | 64 notes | |
Drum Kits | Preset: 48 Kits, User: 50 Kits | |
Voices | 1,500 | |
Effects | Reverb: 11, Chorus: 10, Variation: 23, Speaker EQ: 5 | |
Kit Edit | Yes | |
Import Limit | 100 files | |
Sample Format | WAV, AIFF (44.1 kHz, 16-bit, mono/stereo) | |
Maximum Loadable Sample Time | Approx. 600 seconds (44.1 kHz, 16-bit, mono), approx. 300 seconds (44.1 kHz, 16-bit, stereo), approx. 20 seconds per file | |
Tempo | 30 to 300 BPM, Tap Tempo supported | |
Others | Patterns (1/4, 1/4T, 1/8, 1/8T, 1/16, 1/16T, Clave) | |
Number of Session Creators | 23 | |
Sections | Intro, Main × 4, Ending | |
Parts | Drum, Bass, Other × 4 | |
Recording Time | USB Flash Drive | Approx. 80 minutes per file |
Format | WAV (44.1 kHz, 16 bit, stereo) | |
Voices | Note Repeat | Each Pad |
Humanize | Each Pad | |
Registration Memory | Number of Buttons | 4 |
Preset: 5 Banks, User: 50 Banks | ||
Amplifiers | 2.5 W | |
Speakers | 4 cm × 1 | |
Connectors | Headphones | Headphones/Output (Stereo mini jack x 1) |
AUX IN | AUX IN (stereo mini jack × 1) | |
USB | USB TO DEVICE (Type A), USB TO HOST (Micro B) | |
Power Supply | USB power adaptor 5 V/1.5 A or greater USB BC specification compatible products (Sold separately) | |
Internal Battery | 1,400 mAh, 4.5 Wh 3 hours | |
Power Consumption | 7 W | |
Included Accessories | Owner’s Manual, USB cable |
Sold Out $ 581.20
Derived from the FG800, which has a solid spruce top and nato/okoume back and sides, the FGX800C has a cutaway body and an electric system. The Yamaha proprietary undersaddle piezo pickup and System66 analog preamp ensure solid, plugged-in performance.
Traditional Western Cutaway |
650 mm (25 9/16”) |
505 mm (19 7/8") |
1038 mm (40 7/8") |
412 mm (16 1/4") |
100-118 mm (3 15/16”- 4 5/8”) |
43 mm (1 11/16”) |
11 mm |
Solid Spruce |
Nato/Okoume |
Nato/Okoume |
Nato |
Walnut |
R400 mm (15 3/4") |
Walnut |
Urea |
Urea |
Black ABS with White Dot |
Die-Cast Chrome (TM29T) |
Black |
Black + White |
Tortoise Pattern (Black for BL color variation) |
Gloss |
Matte |
SYSTEM66 + SRT Piezo Pickup |
Vol/3-Band EQ/Tuner/Mid FQ |
LINE OUT |
Yamaha FS50BT or D'Addario EXP11 |
Hex Wrench |
$ 419.99 $ 515.00
Derived from the FG800, which has a solid spruce top and nato/okoume back and sides, the FGX800C has a cutaway body and an electric system. The Yamaha proprietary undersaddle piezo pickup and System66 analog preamp ensure solid, plugged-in performance.
Traditional Western Cutaway |
650 mm (25 9/16”) |
505 mm (19 7/8") |
1038 mm (40 7/8") |
412 mm (16 1/4") |
100-118 mm (3 15/16”- 4 5/8”) |
43 mm (1 11/16”) |
11 mm |
Solid Spruce |
Nato/Okoume |
Nato/Okoume |
Nato |
Walnut |
R400 mm (15 3/4") |
Walnut |
Urea |
Urea |
Black ABS with White Dot |
Die-Cast Chrome (TM29T) |
Black |
Black + White |
Tortoise Pattern (Black for BL color variation) |
Gloss |
Matte |
SYSTEM66 + SRT Piezo Pickup |
Vol/3-Band EQ/Tuner/Mid FQ |
LINE OUT |
Yamaha FS50BT or D'Addario EXP11 |
Hex Wrench |
Sold Out
Derived from the FG800, which has a solid spruce top and nato/okoume back and sides, the FGX800C has a cutaway body and an electric system. The Yamaha proprietary undersaddle piezo pickup and System66 analog preamp ensure solid, plugged-in performance.
Sold Out $ 705.74
Derived from the FG830, which has a solid spruce top and rosewood back/sides, the FGX830C has a cutaway body and an electric system. The Yamaha undersaddle piezo pickup and System66 analog preamp ensure solid, plugged-in performance.
Traditional Western Cutaway |
650 mm (25 9/16”) |
505 mm (19 7/8") |
1038 mm (40 7/8") |
412 mm (16 1/4") |
100-118 mm (3 15/16”- 4 5/8”) |
43 mm (1 11/16”) |
11 mm |
Solid Spruce |
Rosewood |
Rosewood |
Nato |
Rosewood |
R400 mm (15 3/4") |
Rosewood |
Urea |
Urea |
Black ABS with White Dot |
Die-Cast Chrome (TM29T) |
Cream |
Abalone w/ Black + White |
Tortoise Pattern (Black for BL color variation) |
Gloss |
Matte |
SYSTEM66 + SRT Piezo Pickup |
Vol/3-Band EQ/Tuner/Mid FQ |
LINE OUT |
Yamaha FS50BT or D'Addario XT |
Hex Wrench |
None |
$ 779.99 $ 927.00
Playing guitar in a great sounding room is one of the most inspiring and engaging playing experiences imaginable – far more enjoyable than in a dry-sounding room like a lounge, office, den, or bedroom. Yamaha’s FS-TA TransAcoustic Concert acoustic-electric guitar intuitively recreates the incredible experience of playing in a rich, live room without needing any external amplification or effects. All you need is the guitar itself.
Whether you’re practicing, writing, recording or just playing for fun, the Yamaha FS-TA TransAcoustic Concert will inspire your creativity with built-in Hall or Room Reverb and Chorus you can mix and adjust for just the right sound you're looking for.
If you don't warn your listeners, they'll swear you've got some wireless doodad hidden somewhere or an amp up your sleeve, but it's actually Yamaha's innovative actuator installed on the inner surface of the guitar back vibrating in response to the vibrations of the strings. These vibrations are then conveyed to the body of the guitar, and out into the air in and around the guitar body, giving you authentic reverb and chorus effects from inside the body.
The FS-TA TransAcoustic's controls are conveniently located where a normal preamp is found and it's three simple knobs make it easy to adjust how much of an effect you add to the TransAcoustic's naturally bright tone. The three controls include Chorus, Reverb Control (Room/Hall), TA Switch/Line Out Volume Control. Yep, that's right, if you really want to plug in for a clean recording, the FS-TA offers you that as well.
Body Design
Body
Neck
Electronics
Other
$ 679.99 $ 1,063.80
Playing guitar in a great sounding room is one of the most inspiring and engaging playing experiences imaginable – far more enjoyable than in a dry-sounding room like a lounge, office, den, or bedroom. Yamaha’s FS-TA TransAcoustic Concert acoustic-electric guitar intuitively recreates the incredible experience of playing in a rich, live room without needing any external amplification or effects. All you need is the guitar itself.
Whether you’re practicing, writing, recording or just playing for fun, the Yamaha FS-TA TransAcoustic Concert will inspire your creativity with built-in Hall or Room Reverb and Chorus you can mix and adjust for just the right sound you're looking for.
If you don't warn your listeners, they'll swear you've got some wireless doodad hidden somewhere or an amp up your sleeve, but it's actually Yamaha's innovative actuator installed on the inner surface of the guitar back vibrating in response to the vibrations of the strings. These vibrations are then conveyed to the body of the guitar, and out into the air in and around the guitar body, giving you authentic reverb and chorus effects from inside the body.
The FS-TA TransAcoustic's controls are conveniently located where a normal preamp is found and it's three simple knobs make it easy to adjust how much of an effect you add to the TransAcoustic's naturally bright tone. The three controls include Chorus, Reverb Control (Room/Hall), TA Switch/Line Out Volume Control. Yep, that's right, if you really want to plug in for a clean recording, the FS-TA offers you that as well.
Body Design
Body
Neck
Electronics
Other
Sold Out $ 320.96
The FS800 Folk is Yamaha's standard acoustic model, with simple and traditional looks and outstanding quality, at an affordable price. A solid-top guitar with authentic sound that is well-balanced without sacrificing its robust strength, thanks to the newly developed scalloped bracing design. At this price, the FS800 Folk Acoustic is perfect for all beginner guitarists. Its small and thin body is perfect not only for female/young players but for intermediate to upper level fingerpicking style players as well.
Sold Out $ 373.60
The FS800 Folk is Yamaha's standard acoustic model, with simple and traditional looks and outstanding quality, at an affordable price. A solid-top guitar with authentic sound that is well-balanced without sacrificing its robust strength, thanks to the newly developed scalloped bracing design. At this price, the FS800 Folk Acoustic is perfect for all beginner guitarists. Its small and thin body is perfect not only for female/young players but for intermediate to upper level fingerpicking style players as well.
$ 259.99 $ 320.96
The FS800 Folk is Yamaha's standard acoustic model, with simple and traditional looks and outstanding quality, at an affordable price. A solid-top guitar with authentic sound that is well-balanced without sacrificing its robust strength, thanks to the newly developed scalloped bracing design. At this price, the FS800 Folk Acoustic is perfect for all beginner guitarists. Its small and thin body is perfect not only for female/young players but for intermediate to upper level fingerpicking style players as well.
$ 369.99 $ 484.00
In addition to warmer and stronger sound, thanks to the mahogany back and sides, the body and fingerboard binding are cream plastic for an upgraded look. Its small and thin body is perfect for intermediate- to upper-level, fingerpicking-style players.
Sold Out $ 539.00
Rich overtones and improved sustain, thanks to the rosewood back and sides, deliver improved sound through greater depth. Its small and thin body is perfect for intermediate- to upper-level, fingerpicking-style players.
The FS830 offers rich overtones, greater depth and improved sustain thanks to the rosewood back and sides and special bracing. The appearance, with abalone inlay around the sound hole, is more luxurious and an obvious step-up. The small and thin body is perfect not only for female/young players but for intermediate to upper level finger-picking style players.
Sold Out $ 2,409.00
The original Yamaha FG body delivers a full, punchy low-end, well-suited for strumming and flatpicking, and 1960s aesthetics and modern craftsmanship culminate over 50 years of Yamaha guitar development.
634 mm (25”) |
497 mm (19 9/16") |
1022 mm (40 1/4") |
380 mm (14 15/16") |
90-110 mm (3 9/16”- 4 5/16”) |
44 mm (1 3/4”) |
11 mm |
Solid Sitka Spruce A.R.E |
Solid Mahogany |
Solid Mahogany |
African Mahogany |
Ebony |
R400 mm (15 3/4") |
Ebony |
Bone |
Bone |
Ebony |
Open-Gear Chrome (Y1D) |
Black + White |
Black + White |
Wooden Type |
Gloss |
Satin |
Atmosfeel (SYSTEM74) |
Master Volume, Mic Blend, Bass EQ |
LINE OUT |
Elixir NANOWEB 80/20 Bronze Light |
Sound Hole Cover, Hex Wrench |
Hardshell Case |
Sold Out $ 442.00
The FSX Series FSX800C from Yamaha is a concert-style acoustic/electric guitar made with a solid spruce top, and nato/okume back and sides with a natural finish. The compact, single-cutaway, concert-style FS body is 10mm slimmer than the larger dreadnought-style FG body, providing increased comfort with no loss of volume or bass.
Well suited for solo performance or playing with a full band, the FSX800C utilizes a newly developed scalloped bracing design, which results in a powerful and balanced acoustic sound with strong lows and mids when used unplugged. For amplified performances, the FSX800C also includes a proprietary undersaddle piezo pickup and System 66 analog preamp, which features a volume control, 3-band EQ, mid-freq Q control, and onboard chromatic tuner.
The FSX800C has a nato neck with a smooth matte finish for ease in playing and is equipped with a set of chrome die-cast tuners on the headstock. The fingerboard and bridge are both made of rosewood, while the nut and saddle are made from urea. Additional features include black ABS bridge pins to secure the strings, black body binding, white and black soundhole inlay, and a tortoise-patterned pickguard.
$ 419.99 $ 515.00
The FSX Series FSX800C from Yamaha is a concert-style acoustic/electric guitar made with a solid spruce top, and nato/okume back and sides with a natural finish. The compact, single-cutaway, concert-style FS body is 10mm slimmer than the larger dreadnought-style FG body, providing increased comfort with no loss of volume or bass.
Well suited for solo performance or playing with a full band, the FSX800C utilizes a newly developed scalloped bracing design, which results in a powerful and balanced acoustic sound with strong lows and mids when used unplugged. For amplified performances, the FSX800C also includes a proprietary undersaddle piezo pickup and System 66 analog preamp, which features a volume control, 3-band EQ, mid-freq Q control, and onboard chromatic tuner.
The FSX800C has a nato neck with a smooth matte finish for ease in playing and is equipped with a set of chrome die-cast tuners on the headstock. The fingerboard and bridge are both made of rosewood, while the nut and saddle are made from urea. Additional features include black ABS bridge pins to secure the strings, black body binding, white and black soundhole inlay, and a tortoise-patterned pickguard.
$ 659.99 $ 831.76
Derived from the FS830, which has a solid spruce top and rosewood back/sides, the FSX830C has a cutaway body and an electric system. The Yamaha undersaddle piezo pickup and System66 analog preamp ensure solid, plugged-in performance. Perfect for intermediate- to upper-level fingerpicking-style players.
Concert Cutaway |
634 mm (25”) |
497 mm (19 9/16") |
1021 mm (40 3/16") |
380 mm (14 15/16") |
90-110 mm (3 9/16”- 4 5/16”) |
43 mm (1 11/16”) |
10 mm |
Solid Spruce |
Rosewood |
Rosewood |
Nato |
Rosewood |
R400 mm (15 3/4") |
Rosewood |
Urea |
Urea |
Black ABS with White Dot |
Die-Cast Chrome (TM29T) |
Cream |
Abalone w/ Black + White |
Tortoise Pattern |
Gloss |
Matte |
SYSTEM66 + SRT Piezo Pickup |
Vol/3-Band EQ/Tuner/Mid FQ |
LINE OUT |
Yamaha FS50BT or D'Addario XT |
Hex Wrench |
$ 659.99 $ 705.74
Derived from the FS830, which has a solid spruce top and rosewood back/sides, the FSX830C has a cutaway body and an electric system. The Yamaha undersaddle piezo pickup and System66 analog preamp ensure solid, plugged-in performance. Perfect for intermediate- to upper-level fingerpicking-style players.
Concert Cutaway |
634 mm (25”) |
497 mm (19 9/16") |
1021 mm (40 3/16") |
380 mm (14 15/16") |
90-110 mm (3 9/16”- 4 5/16”) |
43 mm (1 11/16”) |
10 mm |
Solid Spruce |
Rosewood |
Rosewood |
Nato |
Rosewood |
R400 mm (15 3/4") |
Rosewood |
Urea |
Urea |
Black ABS with White Dot |
Die-Cast Chrome (TM29T) |
Cream |
Abalone w/ Black + White |
Tortoise Pattern |
Gloss |
Matte |
SYSTEM66 + SRT Piezo Pickup |
Vol/3-Band EQ/Tuner/Mid FQ |
LINE OUT |
Yamaha FS50BT or D'Addario XT |
Hex Wrench |
$ 239.99 $ 288.50
The GigMaker Standard includes an F310 acoustic guitar, gig bag, digital tuner, strap and picks—everything you need to start playing immediately.
Top: Solid Spruce
Back & Sides: Nato
Neck: Nato
Fingerboard and Bridge: Rosewood
Finish: Natural
Sold Out $ 132.00
GL1 | ||
---|---|---|
Body Shape | Guitalele Original Small Body | |
Scale Length | 433 mm (17") | |
Body Length | 319 mm (12 9/16") | |
Total Length | 698 mm (27 1/2") | |
Body Width | 229 mm (9") | |
Body Depth | 70 mm (2 3/4") | |
Nut Width | 48 mm (1 7/8") | |
String Spacing | 10.2 mm | |
Top Material | Spruce | |
Back Material | Locally Sourced Tonewood ** | |
Side Material | Locally Sourced Tonewood ** | |
Neck Material | Locally Sourced Tonewood ** | |
Fingerboard Material | Rosewood | |
Fingerboard Radius | Flat | |
Bridge Material | Maple | |
Nut Material | Urea | |
Saddle Material | Urea | |
Bridge Pins | None | |
Tuners | Chrome (RM-1252X) | |
Body Binding | Black (None for BL Color Variation) | |
Sound Hole Inlay | None | |
Pickguard | None | |
Body Finish | Matte | |
Neck Finish | Matte | |
Electronics | None | |
Controls | None | |
Connections | None | |
Strings | Medium | |
Accessories | None | |
Case | Gig Bag |
$ 116.99 $ 184.00
Optimally tuned for listening to electronic musical instruments, HPH-150 headphones offer excellent tonal projection, with a crisp, clear sound that you won't tire of even after prolonged use, and superb sound separation ensuring that each and every sonic detail is reproduced accurately.
With large 40-mm diameter drivers in a rear-vented format, HPH-150 earphones feature an open-air design that ensures superb tonal projection and comfortable listening even over extended periods. Note: Open-air headphones can easily leak sound due to their design. Please ensure that you show consideration for others by keeping listening volume at an appropriate level while riding on public transportation or when in a public place.
Featuring small, soft, light-weight velour ear pads, a swivel mechanism that allows the driver unit to turn 90 degrees to fit the angle of your ears, and a headband that allows smooth adjustment of its length, HPH150 earphones are designed to provide a comfortable, stress-free listening experience, hour after hour.
$ 35.99 $ 59.00
Yamaha HPH-50 Entry-Level Stereo Headphones, Black Simple compact headphones that let you enjoy professional-grade sound quality. Compact, fashionable design available in black or white to match your instrument Compact, fashionable design available in black or white to match your instrument. Stereo plug for easy, convenient connection The 2-meter cable allows easy connection to your musical instrument and features a detachable standard stereo plug (6.3 mm) that can be connected to various instruments. Gold-plated plugs that are resistant to deterioration are used for all connectors.$ 199.99 $ 252.00
$ 398.99 $ 572.00
The Yamaha HS8 is a 2-way bass-reflex bi-amplified nearfield studio monitor with 8" cone woofer and 1" dome tweeter. The Yamaha HS-Series have the inherited universal mix-translation legacy and distinctive white cones of the industry-respected NS-10's, designed to deliver your mixes with transparent honesty. Room control and frequency response switches allow custom tailoring of the monitor's response to give you accurate performance in any environment.
High-performance Speakers and Mounting System
The elegant white-cone speakers used in the HS-series monitors deliver superlative audio performance that is further enhanced by a carefully engineered mounting system. A system of screws and a specially designed mounting ring eliminates spurious vibration and resonance, allowing the speaker to deliver its full sonic potential. Another feature that boosts woofer performance is a magnet selected to produce accurate, solid low-end response. The tweeter frames employ an advanced smooth-contour design that minimizes losses so that high-frequency details come through with remarkable accuracy. The extra thickness of the tweeter frame also minimizes resonance that can interfere with high-end clarity. The overall result is extraordinarily smooth, accurate response throughout the audio spectrum.
The Benefits of Built-in Power and Bi-amplification
Powered, bi-amplified monitor speakers simply make the most electrical and sonic sense, and that's why they have become the first choice of sound professionals the world over for near- and mid-field monitoring applications. In addition to the obvious advantage that you don't need separate power amplifiers, the fact that power and speakers are integrated in one unit means that the amplifiers can be perfectly matched to the characteristics of the speaker units used so you get consistently superior performance with any source in just about any listening environment. Bi-amplification means that separate power amplifiers are used to drive the low-mid and high-frequency speaker units, and this eliminates interaction between the units as well as the response and phase anomalies introduced by passive crossover networks. Both speaker units can function at optimum performance levels for correspondingly high overall sonic quality.
Large Magnets in an Advanced Magnetic Circuit Design
One feature of the HS-series monitors that you'll hear but are not likely to see is the extra large magnets. In combination with an advanced magnetic circuit design these magnets provide a powerful, uniform, tightly controlled flux field that results in exceptionally smooth response and dynamic capability over a wider frequency range.
Portable, Versatile Monitoring for Your Audio Workstation
All you really need for top-class stereo production capability is a good audio workstation and a pair of HS-series monitors. A system like this is not only portable and extremely easy to set up anywhere you need it, it can deliver outstanding monitoring performance that will let you get your mixes just right. The response-control features of these monitors let you tweak them for the best response no matter where you set them up.
Serious Surround Production
Although stereo is still the most common format for basic music listening, 5.1 surround has become the audio format of choice for today's advanced visual media, and is beginning to be recognized as a superior vehicle for pure musical enjoyment as well. But to properly mix and produce surround sound you need a good 5.1 monitoring system. The HS-series speakers and subwoofer are the perfect choice if you want competitive surround-monitoring performance without having to spend big-studio megabucks to get it.
Optimum Response In Any Room
Speaker response can vary greatly depending on the size, shape, and surface acoustics of the room in which they're used, as well as how they're placed within that environment. The HS8 gives you extra room-matching and speaker placement versatility with ROOM CONTROL, MID EQ, and HIGH TRIM response control switches that are specifically designed to compensate for common acoustic deficiencies and monitoring needs. The ROOM CONTROL switch, for example, can be used to compensate for the unnatural low-end exaggeration that usually occurs when speakers are placed close to walls or in corners. The MID EQ switch gives you subtle midrange boost and cut options in addition to flat response, while the HIGH TRIM switch offer the same type of response-tailoring capability for the high frequencies.
$ 499.99 $ 775.00