$ 499.00
The PRS DGT 1x12 cabinet features a Celestion Vintage 30 speaker so it can handle high-output with vintage tone and style. With warm low-end, rich, vocal midrange, and detailed top-end, it is the perfect pair for the PRS DGT 15 head. The ported back adds expressiveness to the tone, keeping your sound from any boxiness, and the blonde tolex covering with salt & pepper grill cloth and PRS signature logo make for a handsome cabinet as well.
| Covering | Blonde |
| Grill Cloth | Salt & Pepper |
| Speakers | Celestion Vintage 30 |
| Impedence | 8 Ohms |
| Power Handling | 60 Watts |
| Width | 24” (60.96 cm) |
| Depth | 10.5” (26.67 cm) |
| Height | 18” (45.72 cm) |
| Weight | 27 lbs (12.25 kg) |
$ 5,540.00
“For me, the DGT Semi-Hollow has been a super versatile companion to my solidbody DGTs. The semi-hollow design has a bit warmer top end, a little less bottom than the solid body, and I can get more controlled feedback. I’m glad it’s officially joining the PRS lineup after a couple successful limited runs.”
– David Grissom
The DGT Semi-Hollow is based off one of David Grissom’s personal Private Stock guitars. It carries all the core features players love about the PRS Core DGT, including the wood selection, 22 frets, 25” scale length, the signature DGT neck shape, and jumbo frets, while adding the unique character of a semi-hollow body.
Equipped with custom-voiced DGT pickups and dual volume controls and push/pull tone control, this model delivers a versatile, vintage-inspired voice. The semi-hollow construction enhances resonance and dynamics, giving the instrument a lively, open tone.
Born from more than 20 years of collaboration between PRS Guitars and David Grissom, the DGT (David Grissom Trem) remains a masterfully refined evolution of the PRS McCarty: a player’s guitar built for pure expression.
| Body | |
| Body Construction | Semi-Hollow Body with Single F-Hole |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 22 |
| Fret Wire | PRS Jumbo Fret Wire |
| Width of Fret Crown | .110" |
| Height of Fret Crown | .055" |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | DGT |
| Neck Depth at the 1/2 Fret | 27/32" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 21/32" |
| Neck Width at the Body | 2 7/32" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Moons (Birds Optional) |
| Headstock Logo | Signature, Decal |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Hardware | |
| Bridge | PRS Patented Tremolo, Gen II |
| Tuners | PRS Phase III Locking Tuners w/ Faux Bone Buttons |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "DGT" |
| Electronics | |
| Treble Pickup | DGT |
| Bass Pickup | DGT |
| Controls | Two Volume Controls w/ Push/Pull Tone Control and 3-Way Toggle Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 11-49 (with a plain “G”) |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
$ 4,420.00
“For me, the DGT Semi-Hollow has been a super versatile companion to my solidbody DGTs. The semi-hollow design has a bit warmer top end, a little less bottom than the solid body, and I can get more controlled feedback. I’m glad it’s officially joining the PRS lineup after a couple successful limited runs.”
– David Grissom
The DGT Semi-Hollow is based off one of David Grissom’s personal Private Stock guitars. It carries all the core features players love about the PRS Core DGT, including the wood selection, 22 frets, 25” scale length, the signature DGT neck shape, and jumbo frets, while adding the unique character of a semi-hollow body.
Equipped with custom-voiced DGT pickups and dual volume controls and push/pull tone control, this model delivers a versatile, vintage-inspired voice. The semi-hollow construction enhances resonance and dynamics, giving the instrument a lively, open tone.
Born from more than 20 years of collaboration between PRS Guitars and David Grissom, the DGT (David Grissom Trem) remains a masterfully refined evolution of the PRS McCarty: a player’s guitar built for pure expression.
| Body | |
| Body Construction | Semi-Hollow Body with Single F-Hole |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 22 |
| Fret Wire | PRS Jumbo Fret Wire |
| Width of Fret Crown | .110" |
| Height of Fret Crown | .055" |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | DGT |
| Neck Depth at the 1/2 Fret | 27/32" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 21/32" |
| Neck Width at the Body | 2 7/32" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Moons (Birds Optional) |
| Headstock Logo | Signature, Decal |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Hardware | |
| Bridge | PRS Patented Tremolo, Gen II |
| Tuners | PRS Phase III Locking Tuners w/ Faux Bone Buttons |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "DGT" |
| Electronics | |
| Treble Pickup | DGT |
| Bass Pickup | DGT |
| Controls | Two Volume Controls w/ Push/Pull Tone Control and 3-Way Toggle Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 11-49 (with a plain “G”) |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
$ 199.00
PRS Guitars floating guitar stand is the perfect way to display your favorite guitar. Its sleek, minimalist design lets the stand disappear allowing your favorite guitar to take center stage!
Our Engineers have carefully helped in the design of this stand to make sure it is stable and safe for your favorite instrument.
Design features:
• Heavy Duty Construction
• Fits most acoustic and electric guitars
• Heavy weighted base ensures the stand will not tip over
• Three-pointed base engineered for maximum stability
• Nitro-friendly foam head stock cradle
$ 479.00
PRS HDRX speaker cabinets feature a closed-back design, delivering full-spectrum sound. The Celestion V-type speaker offers a balanced, vintage tone with crisp highs and airy lows. This speaker cabinet is expressive (not boxy) and an ideal pairing with PRS HDRX heads. And with black paisley covering, salt and pepper British-style knitted weave grill cloth and PRS signature logo, this PRS HDRX cabinet is a handsome accompaniment as well.
| Wood(s) | Plywood |
| Construction | Closed Back |
| Covering | Black Paisley |
| Grill Cloth | Salt and Pepper British-Style Knitted Weave |
| Speakers | Celestion V-Type |
| Impedence | 16 Ohms |
| Power Handling | 70 Watts |
| Width | 24” (60.96 cm) |
| Depth | 10.5” (26.67 cm) |
| Height | 18” (45.72 cm) |
| Weight | 26 lbs (11.79 kg) |
$ 999.00
The PRS HDRX 20 captures the flexibility, power, and balance of late 60’s British-inspired tone in a lower wattage package. The PRS HDRX 20 features a newly-documented “Authentic Hendrix” Touring Circuit. This circuit is heavily inspired by one of Hendrix’s personal amps, purportedly used at Woodstock, which Paul Reed Smith and PRS Amp Designer Doug Sewell were able to study in 2018.
Designed to push the high-end so it is very clear, but not so much that it’s harsh, the PRS HDRX shines without glaring and allows for aggression that can be backed off for smooth, sweet tones. The PRS HDRX 20 is driven by two 5881 power tubes. Chosen for their lower power, smaller size, and organic voice, the 5881 tubes bring thick but articulate tone that drives well and breaks up beautifully in this lower-wattage amp.
The PRS HDRX 20 features a 3-band TMB tone stack, 2-way bright switch, high-mid gain switch, and presence controls. These features mirror the historic amp and give players flexibility and increased control of their tone. The PRS HDRX 20 is also designed with internally bridged channels with individual treble and bass volume controls. This eliminates the need for a jumper cable (historically used on the outside of the amp) and allows players to dial in their distortion level and tone more easily by blending the lead and bass channels’ individual volume controls, bringing more modern convenience to the amp. The addition of a Master Volume control on the HDRX 20, a new feature for HDRX amps, is another modern convenience. Players can use the Master Volume to control the power amp section of the HDRX, making it more user friendly for players who do not want to add a volume attenuator to their setup.
| General | |
| Available Configurations | Head Only |
| Electronics | |
| Wattage | 20 |
| Tubes | |
| Power Tubes | (2) 5881 |
| Preamp Tubes | (3) 12AX7 / ECC83 |
| Front Panel Controls | |
| Global Controls | Master Volume, High Mid Gain Switch (off/on), Treble, Middle, Bass, Presence |
| Front Panel Controls |
Channel 1 Controls - Bass Volume Channel 2 Controls - Treble Volume, Bright (on/off)
Note: Channels 1 and 2 are internally bridged |
| Back Panel Features | |
| Inlet | Fused Power Inlet (IEC) |
| Extension Speaker Jacks | 5 |
| Ohm Switching | (2) 4 ohm & (2) 8 ohm parallel, (1) 16 ohm |
| Bias | Adjustable with Monitoring Jacks |
| Hardware | |
| Covering | Black Paisley |
| Piping | Black |
| Panel | Black Tolex |
| Measurements | |
| Amp Width | 17.25” (43.82 cm) |
| Amp Depth | 9” (22.86 cm) |
| Amp Height | 9” (22.86 cm) |
| Amp Weight | 27.6 lbs (12.52 kg) |
| Preamp Tube Positions & Functions | |
| V1 | Input |
| V2 | Cathode Follower |
| V3 | Phase Inverter |
$ 249.00
The PRS Horsemeat transparent overdrive pedal is designed to enhance your sound without coloring your tone. Horsemeat adds harmonic midrange richness and overdrives without cutting out your high notes – all while giving you more available headroom. It features a robust EQ section so you can dial in your tone and has a wide range of gain on tap. Depending on the setting, Horsemeat can be used as a clean boost, straight overdrive, or even enhance your amplifier’s distortion by slightly pushing the front end of the amplifier’s preamp section.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
Sold Out
**This PRS guitar has been discounted as "new old stock". Comes with a factory warranty from the manufacturer.
The SE Silver Sky is a familiar iteration of the original Silver Sky model that was first introduced with John Mayer in 2018. This workhorse guitar provides ample tone and playability in four distinct colors, delivering looks, feel, and sound.
The PRS SE Silver Sky starts with a poplar body, bolt-on maple neck, and rosewood fretboard with PRS trademark bird inlays. The 22-fret, 25.5” scale length neck features the original 635JM carve and an 8.5” fretboard radius, so the PRS SE Silver Sky will feel right at home. Plug it in, and the three single-coil 635JM “S” pickups will bark and sing. This guitar is anchored by a two-point steel tremolo, synthetic bone nut, and vintage-style tuners. Other design features include the PRS Silver Sky inverted headstock shape and the PRS double-acting truss rod (accessible from the front of the headstock for ease of use). Ships with PRS Classic 10-46 strings and gig bag.
| BODY | |
|---|---|
| Body Construction | Solidbody |
| Body Wood | Poplar |
| Top Carve | Flat Top |
| NECK | |
|---|---|
| Number of Frets | 22 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | Multi-Ply |
| Truss Rod | PRS Double-Acting |
| Neck Shape | 635JM |
| Neck Depth At The Nut | 53/64" |
| Width Of Fretboard At The Nut | 1 20/32" |
| Width Of Fretboard At The Body | 2 7/32" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 8.5” |
| Fretboard Inlay | Small Birds |
| Headstock Logo | Signature "SE" |
| NECK/BODY ASSEMBLY | |
|---|---|
| Neck/Body Assembly Type | Bolt-On |
| HARDWARE | |
|---|---|
| Bridge | 2-Point Steel Tremolo |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | Synthetic Bone |
| ELECTRONICS | |
|---|---|
| Treble Pickup | 635JM “S” |
| Middle Pickup | 635JM “S” |
| Bass Pickup | 635JM “S” |
| Controls | Volume and Two Tone Controls with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
|---|---|
| Strings | PRS Classic 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Gig Bag |
$ 979.00
The SE Silver Sky is a familiar iteration of the original Silver Sky model that was first introduced with John Mayer in 2018. This workhorse guitar provides ample tone and playability in four distinct colors, delivering looks, feel, and sound.
The PRS SE Silver Sky starts with a poplar body, bolt-on maple neck, and rosewood fretboard with PRS trademark bird inlays. The 22-fret, 25.5” scale length neck features the original 635JM carve and an 8.5” fretboard radius, so the PRS SE Silver Sky will feel right at home. Plug it in, and the three single-coil 635JM “S” pickups will bark and sing. This guitar is anchored by a two-point steel tremolo, synthetic bone nut, and vintage-style tuners. Other design features include the PRS Silver Sky inverted headstock shape and the PRS double-acting truss rod (accessible from the front of the headstock for ease of use). Ships with PRS Classic 10-46 strings and gig bag.
| Body | |
| Body Construction | Solidbody |
| Body Wood | Poplar |
| Top Carve | Flat Top |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | 635JM |
| Neck Depth at the 1/2 Fret | 27/32" |
| Neck Depth at the 12 1/2 Fret | 31/32" |
| Neck Width at the Nut | 1 41/64" |
| Neck Width at the Body | 2 15/64" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 8.5” |
| Fretboard Inlay | Small Birds |
| Headstock Logo | Signature "SE" |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Bolt-On |
| Hardware | |
| Bridge | 2-Point Steel Tremolo |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | Synthetic Bone |
| Electronics | |
| Treble Pickup | 635JM “S” |
| Middle Pickup | 635JM “S” |
| Bass Pickup | 635JM “S” |
| Controls | Volume and Two Tone Controls with 5-Way Blade Pickup Switch |
| Additional Info | |
| Strings | PRS Classic 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Gig Bag |
$ 2,749.00
“It’s been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like.” – John Mayer
The PRS Silver Sky is an idealized version of a vintage single-coil guitar where every detail adds up and sets this guitar apart from the pack and the past. The result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith, the Silver Sky is based off of years of development. Incorporating Mayer and Smith’s favorite elements of 1963 and 1964 instruments with an eye toward modern references, the PRS Silver Sky delivers the warmth and familiarity of an old guitar with the finesse of a brand-new instrument.
| BODY | |
| Body Construction | Solidbody |
| Body Wood | Alder |
| Top Carve | Flat Top |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | 635JM (Maple Fretboard) |
| Neck Depth at the 1/2 Fret | 27/32" |
| Neck Depth at the 12 1/2 Fret | 31/32" |
| Neck Width at the Nut | 1 41/64" |
| Neck Width at the Body | 2 15/64" |
| Fretboard Wood | Maple |
| Fretboard Radius | 7.25” |
| Fretboard Inlay | Small Birds |
| Headstock Logo | Signature, Decal |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Bolt-On |
| FINISH | |
| Finish Type | High-Gloss Nitro |
| Neck Finish Type | Satin Nitro |
| HARDWARE | |
| Bridge | PRS Steel Tremolo |
| Tuners | Vintage-Style, Locking |
| Hardware Type | Nickel |
| Nut | Bone |
| ELECTRONICS | |
| Treble Pickup | 635JM |
| Middle Pickup | 635JM |
| Bass Pickup | 635JM |
| Controls | One Volume and Two Tone Controls with a 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |
Sold Out

$ 2,899.00
“As a watch collector, turquoise blue is a color that has always evoked excitement, so a limited edition Silver Sky in turquoise is the perfect crossover. I hope it brings a smile to both guitar players and watch enthusiasts alike.”
– John Mayer
Wild Blue was prototyped early on in the PRS x John Mayer relationship and has been waiting for its day in the sun since the original launch of the PRS Silver Sky in 2018. The Silver Sky Wild Blue Limited Edition is now the first Silver Sky to feature a matching, painted headstock.
The Silver Sky’s classic specs are maintained here, including an alder body and 25.5” scale length maple neck – though the Wild Blue limited will only come with a rosewood fretboard, complete with 7.25” radius and small bird inlays. Other appointments include a steel tremolo, bone nut, vintage-style locking tuners, and Mayer’s signature 635JM pickups.
PRS will make up to 1,000 Wild Blue Silver Sky guitars in 2026. This classic color now joins the ranks of only two previous limited-edition Silver Sky colors: Nebula and Lunar Ice.
| Body | |
| Body Construction | Solidbody |
| Body Wood | Alder |
| Top Carve | Flat Top |
| Neck | |
| Number of Frets | 22 |
| Fret Wire | PRS Medium Fret Wire |
| Width of Fret Crown | .085" |
| Height of Fret Crown | .045" |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | 635 JM-R |
| Neck Depth at the 1/2 Fret | 55/64" |
| Neck Depth at the 12 1/2 Fret | 63/64" |
| Neck Width at the Nut | 1 21/32" |
| Neck Width at the Body | 2 15/64" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 7.25” |
| Fretboard Inlay | Small Birds |
| Headstock Logo | Signature, Decal |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Bolt-On |
| Finish | |
| Finish Type | Satin Nitro |
| Hardware | |
| Bridge | PRS Steel Tremolo |
| Tuners | Vintage-Style, Locking |
| Hardware Type | Nickel |
| Nut | Bone |
| Electronics | |
| Treble Pickup | 635JM |
| Middle Pickup | 635JM |
| Bass Pickup | 635JM |
| Controls | One Volume and Two Tone Controls with a 5-Way Blade Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |
Sold Out
Serial Number: 0404718
Weight: 7.2 lbs
“It’s been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like.” – John Mayer
The PRS Silver Sky is an idealized version of a vintage single-coil guitar where every detail adds up and sets this guitar apart from the pack and the past. The result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith, the Silver Sky is based off of years of development. Incorporating Mayer and Smith’s favorite elements of 1963 and 1964 instruments with an eye toward modern references, the PRS Silver Sky delivers the warmth and familiarity of an old guitar with the finesse of a brand-new instrument.
| BODY | |
| Body Construction | Solidbody |
| Body Wood | Alder |
| Top Carve | Flat Top |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | 635JM (Maple Fretboard) |
| Neck Depth at the 1/2 Fret | 27/32" |
| Neck Depth at the 12 1/2 Fret | 31/32" |
| Neck Width at the Nut | 1 41/64" |
| Neck Width at the Body | 2 15/64" |
| Fretboard Wood | Maple |
| Fretboard Radius | 7.25” |
| Fretboard Inlay | Small Birds |
| Headstock Logo | Signature, Decal |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Bolt-On |
| FINISH | |
| Finish Type | High-Gloss Nitro |
| Neck Finish Type | Satin Nitro |
| HARDWARE | |
| Bridge | PRS Steel Tremolo |
| Tuners | Vintage-Style, Locking |
| Hardware Type | Nickel |
| Nut | Bone |
| ELECTRONICS | |
| Treble Pickup | 635JM |
| Middle Pickup | 635JM |
| Bass Pickup | 635JM |
| Controls | One Volume and Two Tone Controls with a 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |
$ 2,749.00
“It’s been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like.” – John Mayer
The PRS Silver Sky is an idealized version of a vintage single-coil guitar where every detail adds up and sets this guitar apart from the pack and the past. The result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith, the Silver Sky is based off of years of development. Incorporating Mayer and Smith’s favorite elements of 1963 and 1964 instruments with an eye toward modern references, the PRS Silver Sky delivers the warmth and familiarity of an old guitar with the finesse of a brand-new instrument.
Some of the more distinctive specifications include, the headstock shape, tuners, bridge, pickups, and neck and fretboard options. The headstock shape is based on PRS’s trademark design, but inverted both to accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The steel tremolo takes the patented PRS design and incorporates Gen III knife-edge screws. Setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch, the bridge’s increased contact with the body allows the guitar itself to be acoustically louder, which in turn improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
The Silver Sky comes with the option of a rosewood or maple fretboard. The maple fretboard option comes with the original 635JM neck shape, while the rosewood fretboard option has been subtly modified in the shoulders to feel more “rounded” in your hand. Both neck shapes were designed by researching vintage instruments and Mayer test-driving guitars on stage to find what felt right. The fretboard radius on both options is 7.25”.
Other high-quality specifications include a bone nut, a molded metal jack plate (curved to make plugging and unplugging a guitar cable hassle-free), retooled knobs, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use). PRS premium gig bag included.
BODY
NECK
HARDWARE
ELECTRONICS

$ 2,749.00
“It’s been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like.” – John Mayer
The PRS Silver Sky is an idealized version of a vintage single-coil guitar where every detail adds up and sets this guitar apart from the pack and the past. The result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith, the Silver Sky is based off of years of development. Incorporating Mayer and Smith’s favorite elements of 1963 and 1964 instruments with an eye toward modern references, the PRS Silver Sky delivers the warmth and familiarity of an old guitar with the finesse of a brand-new instrument.
Some of the more distinctive specifications include, the headstock shape, tuners, bridge, pickups, and neck and fretboard options. The headstock shape is based on PRS’s trademark design, but inverted both to accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The steel tremolo takes the patented PRS design and incorporates Gen III knife-edge screws. Setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch, the bridge’s increased contact with the body allows the guitar itself to be acoustically louder, which in turn improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
The Silver Sky comes with the option of a rosewood or maple fretboard. The maple fretboard option comes with the original 635JM neck shape, while the rosewood fretboard option has been subtly modified in the shoulders to feel more “rounded” in your hand. Both neck shapes were designed by researching vintage instruments and Mayer test-driving guitars on stage to find what felt right. The fretboard radius on both options is 7.25”.
Other high-quality specifications include a bone nut, a molded metal jack plate (curved to make plugging and unplugging a guitar cable hassle-free), retooled knobs, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use). PRS premium gig bag included.
| BODY | |
| Body Construction | Solidbody |
| Body Wood | Alder |
| Top Carve | Flat Top |
| Finish | Nitro |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | 635JM (Maple Fretboard) |
| Neck Depth at the 1/2 Fret | 27/32" |
| Neck Depth at the 12 1/2 Fret | 31/32" |
| Neck Width at the Nut | 1 41/64" |
| Neck Width at the Body | 2 15/64" |
| Fretboard Wood | Maple |
| Fretboard Radius | 7.25” |
| Fretboard Inlay | Small Birds |
| Headstock Logo | Signature, Decal |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Bolt-On |
| HARDWARE | |
| Bridge | PRS Steel Tremolo |
| Tuners | Vintage-Style, Locking |
| Hardware Type | Nickel |
| Nut | Bone |
| ELECTRONICS | |
| Treble Pickup | 635JM |
| Middle Pickup | 635JM |
| Bass Pickup | 635JM |
| Controls | One Volume and Two Tone Controls with a 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |

$ 1,599.00
Designed in collaboration with Ed Sheeran, this SE Hollowbody I Piezo Baritone model marries Sheeran’s passion for songwriting with his off stage love of painting. Limited to 1,000 pieces, the PRS SE “Cosmic Splash” features a wrap in the exact design of one of Sheeran’s “2025 Cosmic Carpark” paintings. The inlay is an ode to the musician’s upcoming run of albums, each named for a media symbol – Play, Pause, Rewind, Fast-Forward, and Stop – with the Play icon also featured on the truss rod cover.
“I started painting as a way to stay creative when I am off the road,” says Sheeran. “I often say ‘keep the faucet running’ when it comes to songwriting – it’s so important to stay in a creative headspace to get to the really good stuff. My hope is that people find this instrument as inspiring as I do. To have my artwork on it as well is such a treat.”
– Ed Sheeran
Of course, this guitar is more than just looks. With the PRS/LR Baggs Piezo system, PRS 85/15 “S” pickups, and a 27.7” baritone scale length, this SE Hollowbody I instrument brings warmth, depth, and dynamic range for players who want to explore new sonic territory from lush acoustic textures to powerful electric tones. Players can isolate or blend the piezo’s acoustic voice with electric power for endless creative options on the stage or in the studio.
As an added bonus, every guitar will ship with an 8” x 8” autographed print of the same Cosmic Carpark painting as is on the guitar body itself. Whether strumming rhythm chords, looping electric melodies, or driving massive baritone riffs, this limited-edition guitar delivers rich, articulate tone every time to help players get creative.
1,000 Piece Limited Edition
| Body | |
| Body Construction | Hollowbody, Flatback |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Shallow Violin |
| Neck | |
| Number of Frets | 22 |
| Fret Wire | PRS Standard Fret Wire |
| Width of Fret Crown | .104" |
| Height of Fret Crown | .046" |
| Scale Length | 27.7" |
| Neck Wood | Maple |
| Neck Construction | Multi-Ply |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Wide Fat |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Media Button Inlays |
| Headstock Logo | Signature "SE" |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Hardware | |
| Bridge | PRS Adjustable Stoptail Piezo |
| Tuners | PRS Designed Tuners |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | “Ed Sheeran” Play |
| Electronics | |
| Treble Pickup | 85/15 “S” |
| Bass Pickup | 85/15 “S” |
| Controls | Magnetic Volume, Piezo Volume, Tone Control & 3-Way Toggle Pickup Switch |
| Additional Info | |
| Strings | PRS Classic, 14-68 |
| Tuning | Standard B (6 string): B-E-A-D-F#-B |
| Case | Gig Bag |
$ 5,200.00
Mark Holcomb, renowned for his groundbreaking work with progressive metal band Periphery, brings his signature style and precision to the PRS lineup with a guitar built for versatility and power. Holcomb’s innovative riffing, a cornerstone of Periphery’s dense triple-guitar sound, comes to life on stages worldwide with his PRS signature models.
A standout in the PRS family, the Mark Holcomb model features a mango top, a 25.5” scale length maple neck, and an ebony fretboard with a 20” radius—crafted for speed and precision. Equipped with Holcomb’s signature Seymour Duncan Scarlet and Scourge pickups, this guitar delivers focused low-end punch and crystal-clear articulation, ensuring complex chord voicings, coil-splitting, and drop tunings remain defined and dynamic. The 5-way blade switch unlocks a range of tones, from dual humbuckers in position three to coil-split options in positions two and four.
With satin black hardware and seven eye-catching finishes, the Mark Holcomb model doesn’t just sound exceptional—it looks the part too. Whether you’re shredding metal, chicken-pickin’, or exploring jazzy improvisations, this guitar delivers uncompromising performance and boundless fun, ready to meet the demands of any genre.
| Body | |
| Body Construction | Solidbody |
| Top Wood | Mango |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 24 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Mark Holcomb |
| Neck Depth at the 1/2 Fret | 53/64" |
| Neck Depth at the 12 1/2 Fret | 57/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Ebony |
| Fretboard Radius | 20” |
| Fretboard Inlay | Birds |
| Headstock Veneer | Ebony |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | Satin Nitro |
| Hardware | |
| Bridge | PRS Plate Style (String Through) |
| Tuners | PRS Phase III Locking Tuners w/ Wing Buttons |
| Hardware Type | Satin Black |
| Nut | PRS |
| Truss Rod Cover | "Mark Holcomb" |
| Electronics | |
| Treble Pickup | Mark Holcomb Signature Seymour Duncan "Scourge" |
| Bass Pickup | Mark Holcomb Signature Seymour Duncan "Scarlet" |
| Controls | Volume and Tone Control with 5-Way Blade Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 10-52 |
| Tuning | Drop-C (6 String): C, G, C, F, A, D |
| Case | Hardshell Case |
$ 219.00
The PRS Mary Cries optical compressor pedal is intuitive and sounds incredible. Based on the storied LA-2A, Mary Cries will thicken your tone, help control signal peaks, lengthen sustain, and push your tone without losing definition or clarity. Depending on your settings, it can be used as a boost as well as a straightforward compressor.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
$ 5,540.00
Named after Ted McCarty, a pioneer of the electric guitar and musical instrument industry, the McCarty model embodies the most up-to-date findings from PRS and looks back to the golden age of the guitar. This vintage-appointed guitar features a bound, 22-fret Pattern neck and a slightly thicker back for enhanced tone and sustain. The PRS McCarty model is anchored by a stoptail bridge with brass inserts and non-locking PRS Phase III tuners with brass shafts for added resonance and sustain.
The PRS McCarty is outfitted with McCarty III treble and bass pickups. McCarty III pickups were spec’d by Paul Reed Smith and the PRS New Products Engineering team. From our own hands-on research into coveted vintage pickup models to advancements in signal analyzation and “tuning” technology, these pickups incorporate every detail of pickup knowledge PRS has gained in recent years of R&D. PRS McCarty III pickups are vintage-inspired humbuckers that bring a vocal clarity to their full, warm tone. Paired with a push/pull tone control and a 3-way toggle pickup switch, these pickups provide a complete palette of tones.
In the late 1980’s, Paul Reed Smith called on Ted McCarty to consult with him on guitar design and production techniques. He not only served as a mentor but became a great friend of Paul and everyone he met at PRS. In 1994, PRS released the first McCarty, an instrument that incorporated the full spectrum of techniques and knowledge Paul had gained from Ted as well as Paul’s own experiences as a guitar builder.
| Body | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 22 |
| Fret Wire | PRS Vintage Fret Wire |
| Width of Fret Crown | .110" |
| Height of Fret Crown | .050" |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood w/ Faux Bone Binding |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Hardware | |
| Bridge | PRS Stoptail w/ Brass Inserts |
| Tuners | PRS Phase III Non-Locking Tuners w/ Wing Buttons |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | "McCarty" |
| Electronics | |
| Treble Pickup | McCarty III |
| Bass Pickup | McCarty III |
| Controls | Volume and Push/Pull Tone Control w/ 3-Way Toggle Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
$ 5,540.00
Named after Ted McCarty, a pioneer of the electric guitar and musical instrument industry, the McCarty model embodies the most up-to-date findings from PRS and looks back to the golden age of the guitar. This vintage-appointed guitar features a bound, 22-fret Pattern neck and a slightly thicker back for enhanced tone and sustain. The PRS McCarty model is anchored by a stoptail bridge with brass inserts and non-locking PRS Phase III tuners with brass shafts for added resonance and sustain.
The PRS McCarty is outfitted with McCarty III treble and bass pickups. McCarty III pickups were spec’d by Paul Reed Smith and the PRS New Products Engineering team. From our own hands-on research into coveted vintage pickup models to advancements in signal analyzation and “tuning” technology, these pickups incorporate every detail of pickup knowledge PRS has gained in recent years of R&D. PRS McCarty III pickups are vintage-inspired humbuckers that bring a vocal clarity to their full, warm tone. Paired with a push/pull tone control and a 3-way toggle pickup switch, these pickups provide a complete palette of tones.
In the late 1980’s, Paul Reed Smith called on Ted McCarty to consult with him on guitar design and production techniques. He not only served as a mentor but became a great friend of Paul and everyone he met at PRS. In 1994, PRS released the first McCarty, an instrument that incorporated the full spectrum of techniques and knowledge Paul had gained from Ted as well as Paul’s own experiences as a guitar builder.
| Body | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 22 |
| Fret Wire | PRS Vintage Fret Wire |
| Width of Fret Crown | .110" |
| Height of Fret Crown | .050" |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood w/ Faux Bone Binding |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Hardware | |
| Bridge | PRS Stoptail w/ Brass Inserts |
| Tuners | PRS Phase III Non-Locking Tuners w/ Wing Buttons |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | "McCarty" |
| Electronics | |
| Treble Pickup | McCarty III |
| Bass Pickup | McCarty III |
| Controls | Volume and Push/Pull Tone Control w/ 3-Way Toggle Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
$ 5,600.00
The McCarty 594 is a versatile, vintage-inspired instrument with modern playability and reliability. Featuring a bound 22-fret Pattern Vintage neck and slightly thicker back for more enhanced tone and sustain, the McCarty 594 plays in tune, is intonated the entire length of the neck, and feels like a guitar you’ve been playing forever. Whether you are looking for rich, authentic humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to its McCarty III pickups and dual volume and push/pull tone controls.
McCarty III pickups were spec’d by Paul Reed Smith and the PRS New Products Engineering team. From our own hands-on research into coveted vintage pickup models to advancements in signal analyzation and “tuning” technology, these pickups incorporate every detail of pickup knowledge PRS has gained in recent years of R&D. PRS McCarty III pickups are vintage-inspired humbuckers that bring a vocal clarity to their full, warm tone. A zinc two-piece bridge with brass saddles and steel studs, bone nut, and PRS Phase III tuners with brass shafts anchor this guitar and stay true to the promise of the McCarty family.
“One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. These specifications make a huge difference in the guitar’s tone, sustain, and character.” – Paul Reed Smith.
In the late 1980’s, Paul Reed Smith called on Ted McCarty to consult with him on guitar design and production techniques. He not only served as a mentor but became a great friend of Paul and everyone he met at PRS. In 1994, PRS released the first McCarty, an instrument that incorporated the full spectrum of techniques and knowledge Paul had gained from Ted as well as his own experiences as a guitar builder.
| Body | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 24.594” |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Vintage |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 63/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood w/ Faux Bone Binding |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Hardware | |
| Bridge | PRS Two-Piece |
| Tuners | PRS Phase III Non-Locking Tuners w/ Wing Buttons |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | "McCarty 594" |
| Electronics | |
| Treble Pickup | McCarty III |
| Bass Pickup | McCarty III |
| Controls | Two Volume and Two Push/Pull Tone Controls with 3-Way Toggle Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
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“Modern Eagle models have always been built to stand up to history while celebrating tonewoods and the discovery of new tones. The Modern Eagle V is a sophisticated instrument not only in its craftsmanship but in its electronic and mechanical design,” said Paul Reed Smith.
The Modern Eagle V offers highly musical tones for both recording and playing live. A mix of classic and modern, the Modern Eagle V is built on a tried-and-true foundation of a maple top and mahogany back, a 22 fret, 25” scale length, Pattern mahogany neck with rosewood fretboard, bone nut, PRS Phase III Tuners, and the PRS patented Gen III tremolo. Its innovative pickup and electronics configuration puts a while range of tones at your fingertips.
Utilizing a hum/single/hum (five-coil) pickup layout and unique electronics configuration, the Modern Eagle V gives players a vast array of tones in one guitar. The 5-way blade switch selects the pickups in intuitive groupings: treble, treble and middle, middle, middle and bass, and bass. There is a single volume and a push/pull tone control that activates both humbuckers when engaged; this allows players to access all three pickups simultaneously. Finally, the dual EQ mini-toggle switches act as tuned high-pass filters when engaged (in the up position), removing shelved low-end and allowing the high frequencies through for more clarity and musical highs.
| Body | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Hardware | |
| Bridge | PRS Patented Tremolo, Gen III |
| Tuners | PRS Phase III Locking Tuners with Wing Buttons |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | "Modern Eagle V" |
| Electronics | |
| Treble Pickup | TCI |
| Middle Pickup | NS-01 |
| Bass Pickup | TCI |
| Controls | Volume and Push/Pull Tone Controls with 5-Way Blade Pickup Switch and Two Mini-Toggle EQ Switches |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
$ 749.00
The PRS MT 15 is a commanding two-channel amp with balanced aggression and articulation. Powered by 6L6 tubes, the MT 15 has a large, bold sound, so you can dig in heavy with rhythms but also get singing lead tones out of one amp. Whether recording, practicing, writing, or playing a small room, this amp has everything you need.
The MT 15’s design started with heavier players in mind, but in the end, it has a lot to offer players of all genres. Like the PRS Archon amplifier, the MT 15 features five gain stages before the Master for full, lush distortion. The gain channel gets big, chunky tone with massive, tight low end, never losing its articulate note definition or great lead tone. The clean channel is bright and chimey, good with chords and fingerstyle playing – whether with a pick or not. The clean channel also features a push/pull boost control that adds a little overdrive for old school crunch.
No matter what tone you dial in, the MT 15 stays balanced across the spectrum with a sweet, smooth tone that won’t bite your head off. Additional features include an effects loop and bias adjusters that are accessible from the back panel for ease of servicing.
Despite its 15 watts, the MT 15 sounds more like 50W, so a half-power switch that takes the MT to 7 watts is a welcome edition. Bottom line, the amount of features, the hugeness of the sound, and the raw horsepower of the circuit make the MT 15 an impressive lunchbox hero. The MT 15 is Mark Tremonti’s first signature amplifier.

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PRS ATA Hardshell Multi-fit Molded Cases provide your PRS guitar with the protection it deserves. These cases are formed from durable polyethylene and are built to military and ATA spec to give you peace of mind, whether you fly with your guitar or travel to local gigs, studios, and practice spots. All hardware is powder coated for longevity, and the ergonomic handle makes this guitar case easy to carry through the airport or to the stage. The proprietary zip-tie channel latch system provides a secure, TSA-friendly solution without the hassle of having to deal with unreliable locking systems of yesteryear.
The case’s interior features a custom-fit nest and neck cradle, designed with PRS Guitars’ engineering team to support PRS guitars. Additional interior appointments include black plush lining and two large, hinged accessory compartments to safely store your accessories.
Well-appointed and providing your PRS guitar with unmatched protection, PRS ATA Multi-Fit Molded Guitar Cases are the best choice for your prized PRS.
PRS ATA Hardshell Multi-Fit Molded Cases, D1 (Design 1) was designed to fit PRS classic-perimeter body shapes and many Singlecut designs, regardless of Series (Core, Bolt-On, S2, SE), including the following models:
PRS ATA Hardshell Multi-Fit Molded Cases, D2 (Design 2) was designed to fit PRS slab-body guitars, including the following models:
