$ 5,200.00
Mark Holcomb, renowned for his groundbreaking work with progressive metal band Periphery, brings his signature style and precision to the PRS lineup with a guitar built for versatility and power. Holcomb’s innovative riffing, a cornerstone of Periphery’s dense triple-guitar sound, comes to life on stages worldwide with his PRS signature models.
A standout in the PRS family, the Mark Holcomb model features a mango top, a 25.5” scale length maple neck, and an ebony fretboard with a 20” radius—crafted for speed and precision. Equipped with Holcomb’s signature Seymour Duncan Scarlet and Scourge pickups, this guitar delivers focused low-end punch and crystal-clear articulation, ensuring complex chord voicings, coil-splitting, and drop tunings remain defined and dynamic. The 5-way blade switch unlocks a range of tones, from dual humbuckers in position three to coil-split options in positions two and four.
With satin black hardware and seven eye-catching finishes, the Mark Holcomb model doesn’t just sound exceptional—it looks the part too. Whether you’re shredding metal, chicken-pickin’, or exploring jazzy improvisations, this guitar delivers uncompromising performance and boundless fun, ready to meet the demands of any genre.
| Body | |
| Body Construction | Solidbody |
| Top Wood | Mango |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 24 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Mark Holcomb |
| Neck Depth at the 1/2 Fret | 53/64" |
| Neck Depth at the 12 1/2 Fret | 57/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Ebony |
| Fretboard Radius | 20” |
| Fretboard Inlay | Birds |
| Headstock Veneer | Ebony |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | Satin Nitro |
| Hardware | |
| Bridge | PRS Plate Style (String Through) |
| Tuners | PRS Phase III Locking Tuners w/ Wing Buttons |
| Hardware Type | Satin Black |
| Nut | PRS |
| Truss Rod Cover | "Mark Holcomb" |
| Electronics | |
| Treble Pickup | Mark Holcomb Signature Seymour Duncan "Scourge" |
| Bass Pickup | Mark Holcomb Signature Seymour Duncan "Scarlet" |
| Controls | Volume and Tone Control with 5-Way Blade Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 10-52 |
| Tuning | Drop-C (6 String): C, G, C, F, A, D |
| Case | Hardshell Case |
$ 2,849.00
The PRS Fiore model continues PRS Guitars’ journey into the bolt-on, single-coil guitar world. Developed with guitarist, composer, producer, and instructor Mark Lettieri, the PRS Fiore offers a modern aesthetic, effortless playability, and an addictive and sophisticated tonal canvas.
The PRS Fiore pickups were carefully voiced by Lettieri and PRS to allow players a platform to explore and find their voice. The Fiore-S single coil offers exceptional malleability in tone. Capable of capturing all the articulation found in everything from whisper-quiet melodies to full on funk and rock explosivity, this pickup reacts to each player's unique approach.
The Fiore-H humbucker fulfills Lettieri’s desire for extensive versatility in the treble position: enough power and punch for high-gain lead tones, but with a smooth top end that allows the pickup to be played clean, even with the volume knob wide open. Both the Fiore-S and -H work seamlessly together, producing balance, clarity, and that elusive ‘bloom’ in all five positions.
But the tone exploration doesn’t stop there. The Fiore model features a 5-way blade switch with traditional wiring (bridge / bridge + middle / middle / middle + neck / neck). The Fiore also features a single volume and two push/pull tone controls, which further adds to this guitar’s tone-shaping abilities.
Lettieri brought several personal design choices to this model, including a custom truss rod cover drawn by his very own mom. Other appointments include a Swamp Ash body, 22 fret maple neck with maple fretboard, and 25.5” scale length for classic look and feel.
| BODY | |
|---|---|
| Body Construction | Solidbody |
| Body Wood | Swamp Ash |
| Top Carve | Flat Top |
| NECK | |
|---|---|
| Number of Frets | 22 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Fiore |
| Neck Depth At The Nut | 27/32" |
| Width Of Fretboard At The Nut | 1 21/32" |
| Width Of Fretboard At The Body | 2 1/4" |
| Fretboard Wood | Maple |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Decal |
| NECK/BODY ASSEMBLY | |
|---|---|
| Neck/Body Assembly Type | Bolt-On |
| HARDWARE | |
|---|---|
| Bridge | 2-Point Steel Tremolo |
| Tuners | Vintage-Style, Locking |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | “Fiore” (flower) Logo |
| ELECTRONICS | |
|---|---|
| Treble Pickup | Fiore-H |
| Middle Pickup | Fiore-S |
| Bass Pickup | Fiore-S |
| Controls | One Volume and Two Push/Pull Tone Controls with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
|---|---|
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |
$ 5,540.00
Mark Tremonti is one of rock’s leading guitarists. As the guitarist of Alter Bridge and Creed, he has met extraordinary success and continues to grow as both a guitar player and songwriter. While Creed was on tour in support of their first record, My Own Prison, Mark was contacted by PRS and asked if he would like to try one of their guitars.
"I jumped at the idea to play one of PRS’ guitars. PRS was one of those guitars that I could never afford in high school or college and had always wanted to play one." PRS sent Mark a McCarty model which he instantly fell in love with. He played that guitar exclusively for a while, but ultimately wanted a guitar that was more suited to his playing style.
Mark Tremonti began to collaborate with PRS on his dream guitar that would soon become the Mark Tremonti Signature. He needed pickups that were a little more aggressive and could complement his rhythm playing which contains a lot of palm muting. The neck of the guitar needed to accommodate his style, influenced by thrash metal, shred, and traditional blues. PRS met these needs with the Pattern Thin neck carve
| BODY | |
|---|---|
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| NECK | |
|---|---|
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Thin |
| Neck Depth At The Nut | 53/64" |
| Width Of Fretboard At The Nut | 1 11/16" |
| Width Of Fretboard At The Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature |
| NECK/BODY ASSEMBLY | |
|---|---|
| Neck/Body Assembly Type | Set |
| HARDWARE | |
|---|---|
| Bridge | PRS Patented Tremolo, Gen III with Trem-Up Route or Adjustable Stoptail |
| Tuners | PRS Phase III Locking |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "Tremonti" |
| ELECTRONICS | |
|---|---|
| Treble Pickup | Tremonti |
| Bass Pickup | Tremonti |
| Controls | Volume and Tone Controls for Each Pickup with 3-Way Toggle Switch on Upper Bout |
| ADDITIONAL INFO | |
|---|---|
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |

$ 219.00
The PRS Mary Cries optical compressor pedal is intuitive and sounds incredible. Based on the storied LA-2A, Mary Cries will thicken your tone, help control signal peaks, lengthen sustain, and push your tone without losing definition or clarity. Depending on your settings, it can be used as a boost as well as a straightforward compressor.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
$ 5,600.00
The McCarty 594 is a versatile, vintage-inspired instrument with modern playability and reliability. Featuring a bound 22-fret Pattern Vintage neck and slightly thicker back for more enhanced tone and sustain, the McCarty 594 plays in tune, is intonated the entire length of the neck, and feels like a guitar you’ve been playing forever. Whether you are looking for rich, authentic humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to its McCarty III pickups and dual volume and push/pull tone controls.
McCarty III pickups were spec’d by Paul Reed Smith and the PRS New Products Engineering team. From our own hands-on research into coveted vintage pickup models to advancements in signal analyzation and “tuning” technology, these pickups incorporate every detail of pickup knowledge PRS has gained in recent years of R&D. PRS McCarty III pickups are vintage-inspired humbuckers that bring a vocal clarity to their full, warm tone. A zinc two-piece bridge with brass saddles and steel studs, bone nut, and PRS Phase III tuners with brass shafts anchor this guitar and stay true to the promise of the McCarty family.
“One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. These specifications make a huge difference in the guitar’s tone, sustain, and character.” – Paul Reed Smith.
In the late 1980’s, Paul Reed Smith called on Ted McCarty to consult with him on guitar design and production techniques. He not only served as a mentor but became a great friend of Paul and everyone he met at PRS. In 1994, PRS released the first McCarty, an instrument that incorporated the full spectrum of techniques and knowledge Paul had gained from Ted as well as his own experiences as a guitar builder.
| Body | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 24.594” |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Vintage |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 63/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood w/ Faux Bone Binding |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Hardware | |
| Bridge | PRS Two-Piece |
| Tuners | PRS Phase III Non-Locking Tuners w/ Wing Buttons |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | "McCarty 594" |
| Electronics | |
| Treble Pickup | McCarty III |
| Bass Pickup | McCarty III |
| Controls | Two Volume and Two Push/Pull Tone Controls with 3-Way Toggle Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
$ 4,820.00
The McCarty 594 is a versatile, vintage-inspired instrument that is effortlessly playable. Featuring a bound 22-fret Pattern Vintage neck and slightly thicker back for more enhanced tone and sustain, the McCarty 594 plays in tune, is intonated the entire length of the neck, and feels like a guitar you’ve been playing forever. Whether you are looking for rich, authentic humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to its 58/15 LT pickups, which have now been through the TCI (tuned capacitance and inductance) process, and dual volume and push/pull tone controls. A zinc two-piece bridge and vintage-style tuners anchor this guitar and stay true to the promise of the McCarty family.
“One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.
In the late 1980’s, Paul Reed Smith called on Ted McCarty to consult with him on guitar design and production techniques. He not only served as a mentor but became a great friend of Paul and everyone he met at PRS. In 1994, PRS released the first McCarty, an instrument that incorporated the full spectrum of techniques and knowledge Paul had gained from Ted as well as his own experiences as a guitar builder.
| BODY | |
|---|---|
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| NECK | |
|---|---|
| Number of Frets | 22 |
| Scale Length | 24.594” |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Vintage |
| Neck Depth At The Nut | 7/8" |
| Width Of Fretboard At The Nut | 1 11/16" |
| Width Of Fretboard At The Body | 2 1/4" |
| Fretboard Wood | Rosewood w/ Faux Bone Binding |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| NECK/BODY ASSEMBLY | |
|---|---|
| Neck/Body Assembly Type | Set |
| HARDWARE | |
|---|---|
| Bridge | PRS Two-Piece |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | "McCarty" |
| ELECTRONICS | |
|---|---|
| Treble Pickup | 58/15 LT |
| Bass Pickup | 58/15 LT |
| Controls | Two Volume and Two Push/Pull Tone Controls with 3-Way Toggle Pickup Switch on Upper Bout |
| ADDITIONAL INFO | |
|---|---|
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
$ 5,650.00
The McCarty 594 Hollowbody II brings a new set of features to one of our most beloved models: the Hollowbody II. With fully-hollow construction, the Hollowbody II is a resonant guitar with warm, woody tone. The details carried over from the McCarty 594 model impart even more vintage character to this already classic instrument. McCarty III pickups ensure that these guitars are clear and musical while dual volume and push/pull tone controls offer plenty of versatility with both humbucking and single-coil tones on tap.
McCarty III pickups were spec’d by Paul Reed Smith and the PRS New Products Engineering team. From our own hands-on research into coveted vintage pickup models to advancements in signal analyzation and “tuning” technology, these pickups incorporate every detail of pickup knowledge PRS has gained in recent years of R&D. PRS McCarty III pickups are vintage-inspired humbuckers that bring a vocal clarity to their full, warm tone. A zinc two-piece bridge with brass saddles and steel studs, bone nut, and PRS Phase III tuners with brass shafts anchor this guitar and stay true to the promise of the McCarty family.
Whether you are looking for rich, authentic humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 Hollowbody II will oblige with warmth and resonance. Additional appointments include, a bound, 22-fret, 24.594” scale length Pattern Vintage neck with rosewood fretboard and PRS trademark bird inlays.
In the late 1980’s, Paul Reed Smith called on Ted McCarty to consult with him on guitar design and production techniques. He not only served as a mentor but became a great friend of Paul and everyone he met at PRS. In 1994, PRS released the first McCarty, an instrument that incorporated the full spectrum of techniques and knowledge Paul had gained from Ted as well as his own experiences as a guitar builder.
| Body | |
| Body Construction | Hollowbody |
| Top Wood | Maple |
| Middle Wood | Mahogany |
| Back Wood | Maple |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 24.594” |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Vintage |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 63/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood w/ Faux Bone Binding |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Hardware | |
| Bridge | PRS Two-Piece |
| Tuners | PRS Phase III Non-Locking Tuners w/ Wing Buttons |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | "McCarty 594" |
| Electronics | |
| Treble Pickup | McCarty III |
| Bass Pickup | McCarty III |
| Controls | Two Volume and Two Push/Pull Tone Controls with 3-Way Toggle Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top and Back with Hybrid Hardware |
$ 5,600.00
The McCarty family of guitars is born from passion and precision: built passionately to embody vintage appointments and tone while utilizing the precision of PRS’s modern manufacturing techniques. Whether you are looking for rich, authentic humbucking tones or nuanced, sweet single-coil sounds, the McCarty Singlecut 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty Singlecut 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.
The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
“One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.
In the late 1980’s, Paul Reed Smith called on Ted McCarty to consult with him on guitar design and production techniques. He not only served as a mentor but became a great friend of Paul and everyone he met at PRS. In 1994, PRS released the first McCarty, an instrument that incorporated the full spectrum of techniques and knowledge Paul had gained from Ted as well as his own experiences as a guitar builder.
Serial Number: 0380265
Weight: 8.6 lbs
| BODY | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Finish | High Gloss Nitro |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 24.594” |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Vintage |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 63/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood w/ Faux Bone Binding |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Set |
| HARDWARE | |
| Bridge | PRS Two-Piece |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | "McCarty |
| ELECTRONICS | |
| Treble Pickup | 58/15 LT |
| Bass Pickup | 58/15 LT |
| Controls | Two Volume and Two Push/Pull Tone Controls with 3-Way Toggle Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
$ 4,820.00
The McCarty family of guitars is born from passion and precision: built passionately to embody vintage appointments and tone while utilizing the precision of PRS’s modern manufacturing techniques. Whether you are looking for rich, authentic humbucking tones or nuanced, sweet single-coil sounds, the McCarty Singlecut 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty Singlecut 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.
The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
“One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.
In the late 1980’s, Paul Reed Smith called on Ted McCarty to consult with him on guitar design and production techniques. He not only served as a mentor but became a great friend of Paul and everyone he met at PRS. In 1994, PRS released the first McCarty, an instrument that incorporated the full spectrum of techniques and knowledge Paul had gained from Ted as well as his own experiences as a guitar builder.
| BODY | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Finish | High Gloss Nitro |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 24.594” |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Vintage |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 63/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood w/ Faux Bone Binding |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Set |
| HARDWARE | |
| Bridge | PRS Two-Piece |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | "McCarty |
| ELECTRONICS | |
| Treble Pickup | 58/15 LT |
| Bass Pickup | 58/15 LT |
| Controls | Two Volume and Two Push/Pull Tone Controls with 3-Way Toggle Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |

$ 5,100.00
“Modern Eagle models have always been built to stand up to history while celebrating tonewoods and the discovery of new tones. The Modern Eagle V is a sophisticated instrument not only in its craftsmanship but in its electronic and mechanical design,” said Paul Reed Smith.
The Modern Eagle V offers highly musical tones for both recording and playing live. A mix of classic and modern, the Modern Eagle V is built on a tried-and-true foundation of a maple top and mahogany back, a 22 fret, 25” scale length, Pattern mahogany neck with rosewood fretboard, bone nut, PRS Phase III Tuners, and the PRS patented Gen III tremolo. Its innovative pickup and electronics configuration puts a while range of tones at your fingertips.
Utilizing a hum/single/hum (five-coil) pickup layout and unique electronics configuration, the Modern Eagle V gives players a vast array of tones in one guitar. The 5-way blade switch selects the pickups in intuitive groupings: treble, treble and middle, middle, middle and bass, and bass. There is a single volume and a push/pull tone control that activates both humbuckers when engaged; this allows players to access all three pickups simultaneously. Finally, the dual EQ mini-toggle switches act as tuned high-pass filters when engaged (in the up position), removing shelved low-end and allowing the high frequencies through for more clarity and musical highs.
| Body | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Hardware | |
| Bridge | PRS Patented Tremolo, Gen III |
| Tuners | PRS Phase III Locking Tuners with Wing Buttons |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | "Modern Eagle V" |
| Electronics | |
| Treble Pickup | TCI |
| Middle Pickup | NS-01 |
| Bass Pickup | TCI |
| Controls | Volume and Push/Pull Tone Controls with 5-Way Blade Pickup Switch and Two Mini-Toggle EQ Switches |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
$ 5,100.00
The Modern Eagle V is an innovative instrument that offers highly musical tones for both recording and playing live. Utilizing a hum/single/hum (five-coil) pickup layout and unique electronics configuration, the Modern Eagle V gives players a vast array of tones in one guitar. The 5-way blade switch selects the pickups in intuitive groupings: treble, treble and middle, middle, middle and bass, and bass. There is a single volume and a push/pull tone control that activates both humbuckers when engaged; this allows players to access all three pickups simultaneously. Finally, the mini toggles allow players to individually tap the humbucker coils, for additional single-coil sounds. This electronics design puts a whole set of classic and new tones at your fingertips.
Additional appointments include a maple top and mahogany back, a 22 fret, 25” scale length, Pattern mahogany neck with rosewood fretboard, bone nut, and PRS patented Gen III tremolo.
“Modern Eagle models have always been built to stand up to history while celebrating tonewoods and the discovery of new tones. The Modern Eagle V is a sophisticated instrument not only in its craftsmanship but in its electronic and mechanical design,” said Paul Reed Smith. “We’ve refined the pickup tones and are pleased to now add it to the Core lineup.”
Serial Number: 0393358
Weight: 7.8 lbs
| Body | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Hardware | |
| Bridge | PRS Patented Tremolo, Gen III |
| Tuners | PRS Phase III Locking Tuners with Wing Buttons |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | "Modern Eagle V" |
| Electronics | |
| Treble Pickup | TCI |
| Middle Pickup | NS-01 |
| Bass Pickup | TCI |
| Controls | Volume and Push/Pull Tone Controls with 5-Way Blade Pickup Switch and Two Mini-Toggle Coil-Tap Switches |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
$ 749.00
The PRS MT 15 is a commanding two-channel amp with balanced aggression and articulation. Powered by 6L6 tubes, the MT 15 has a large, bold sound, so you can dig in heavy with rhythms but also get singing lead tones out of one amp. Whether recording, practicing, writing, or playing a small room, this amp has everything you need.
The MT 15’s design started with heavier players in mind, but in the end, it has a lot to offer players of all genres. Like the PRS Archon amplifier, the MT 15 features five gain stages before the Master for full, lush distortion. The gain channel gets big, chunky tone with massive, tight low end, never losing its articulate note definition or great lead tone. The clean channel is bright and chimey, good with chords and fingerstyle playing – whether with a pick or not. The clean channel also features a push/pull boost control that adds a little overdrive for old school crunch.
No matter what tone you dial in, the MT 15 stays balanced across the spectrum with a sweet, smooth tone that won’t bite your head off. Additional features include an effects loop and bias adjusters that are accessible from the back panel for ease of servicing.
Despite its 15 watts, the MT 15 sounds more like 50W, so a half-power switch that takes the MT to 7 watts is a welcome edition. Bottom line, the amount of features, the hugeness of the sound, and the raw horsepower of the circuit make the MT 15 an impressive lunchbox hero. The MT 15 is Mark Tremonti’s first signature amplifier.

Sold Out
Introducing Myles Kennedy’s first signature model. Known for his work in Alter Bridge, Slash and the Conspirators, and his own solo recordings, Kennedy is an accomplished guitarist who brings blues and jazz style to rock guitar playing. This new signature model mirrors Kennedy’s rock sensibilities with a nod to historic designs. While the aesthetic may have players hearing chicken pickin’ in their heads – and this guitar can certainly reach twang territory – it is made to play like a rock machine.
“This guitar captures the spirit of my favorite older instruments. With that said, since we developed this guitar, most of my vintage instruments rarely see the light of day,” said Kennedy.
The PRS Myles Kennedy signature guitar features a swamp ash body, a 22-fret, 25.5” scale length maple neck with maple fretboard, and two PRS Narrowfield MK pickups. The PRS Narrowfield MK pickups were carefully voiced to capture the courage of humbuckers and the spank of single coils. PRS Narrowfields provided the perfect starting point for this design, with their ability to deliver thick single-coil sounds without the hum. These pickups are paired with a 5-way blade switch and a push/pull tone control that acts as a preset tone roll- off, bringing down the higher frequencies on the treble pickup so you can dig in to the fullest.
“I watched Myles throughout his career alternate between humbucking and single coil sounds without giving anything up on either side. These pickups took us months to dial in, and I think they capture that balance that Myles mastered beautifully,” said Paul Reed Smith.
Other features include a PRS plate-style steel bridge, vintage-style locking tuners, bone nut, and Kennedy’s “Geometric Owl” logo from his “Ides of March” solo release, representing wisdom and adaptability.
“I feel like we managed to touch on the elusive quality that makes you want to play with this guitar. It beckons you to take it off the wall or out of the case and make music.” – Myles Kennedy
| BODY | |
| Body Construction | Solidbody |
| Top Carve | Flat Top |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Neck Depth at the 1/2 Fret | 57/64" |
| Neck Depth at the 12 1/2 Fret | 31/32" |
| Neck Width at the Nut | 1 41/64" |
| Neck Width at the Body | 2 15/64" |
| Fretboard Wood | Maple |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Decal |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Bolt-On |
| HARDWARE | |
| Bridge | PRS Plate Style, Steel |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | Bone |
| ELECTRONICS | |
| Treble Pickup | Narrowfield MK |
| Bass Pickup | Narrowfield MK |
| Controls | Volume and Push/Pull Tone Control with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |
ELECTRONICS EXPLANATION FOR CONTROL DIAGRAM
P1 (Switch Down): Treble Humbucker P2: Treble Humbucker & Bass Coil Split P3: Treble & Bass Humbuckers
P4: Treble & Bass Coil Split
P5 (Switch Up): Bass Humbucker
Push/Pull: Not your typical coil-split push/pull! This push/pull acts as a preset tone roll off for the treble pickup, bringing the higher frequencies down to slightly darken the tone.
Active in positions 1-4.

$ 2,899.00
Introducing Myles Kennedy’s first signature model. Known for his work in Alter Bridge, Slash and the Conspirators, and his own solo recordings, Kennedy is an accomplished guitarist who brings blues and jazz style to rock guitar playing. This new signature model mirrors Kennedy’s rock sensibilities with a nod to historic designs. While the aesthetic may have players hearing chicken pickin’ in their heads – and this guitar can certainly reach twang territory – it is made to play like a rock machine.
“This guitar captures the spirit of my favorite older instruments. With that said, since we developed this guitar, most of my vintage instruments rarely see the light of day,” said Kennedy.
The PRS Myles Kennedy signature guitar features a swamp ash body, a 22-fret, 25.5” scale length maple neck with maple fretboard, and two PRS Narrowfield MK pickups. The PRS Narrowfield MK pickups were carefully voiced to capture the courage of humbuckers and the spank of single coils. PRS Narrowfields provided the perfect starting point for this design, with their ability to deliver thick single-coil sounds without the hum. These pickups are paired with a 5-way blade switch and a push/pull tone control that acts as a preset tone roll- off, bringing down the higher frequencies on the treble pickup so you can dig in to the fullest.
“I watched Myles throughout his career alternate between humbucking and single coil sounds without giving anything up on either side. These pickups took us months to dial in, and I think they capture that balance that Myles mastered beautifully,” said Paul Reed Smith.
Other features include a PRS plate-style steel bridge, vintage-style locking tuners, bone nut, and Kennedy’s “Geometric Owl” logo from his “Ides of March” solo release, representing wisdom and adaptability.
“I feel like we managed to touch on the elusive quality that makes you want to play with this guitar. It beckons you to take it off the wall or out of the case and make music.” – Myles Kennedy
| BODY | |
| Body Construction | Solidbody |
| Top Carve | Flat Top |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Neck Depth at the 1/2 Fret | 57/64" |
| Neck Depth at the 12 1/2 Fret | 31/32" |
| Neck Width at the Nut | 1 41/64" |
| Neck Width at the Body | 2 15/64" |
| Fretboard Wood | Maple |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Decal |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Bolt-On |
| HARDWARE | |
| Bridge | PRS Plate Style, Steel |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | Bone |
| ELECTRONICS | |
| Treble Pickup | Narrowfield MK |
| Bass Pickup | Narrowfield MK |
| Controls | Volume and Push/Pull Tone Control with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |
ELECTRONICS EXPLANATION FOR CONTROL DIAGRAM
P1 (Switch Down): Treble Humbucker P2: Treble Humbucker & Bass Coil Split P3: Treble & Bass Humbuckers
P4: Treble & Bass Coil Split
P5 (Switch Up): Bass Humbucker
Push/Pull: Not your typical coil-split push/pull! This push/pull acts as a preset tone roll off for the treble pickup, bringing the higher frequencies down to slightly darken the tone.
Active in positions 1-4.

Sold Out
The PRS NF 53 is a powerful guitar that combines classic tones with modern design. Inspired by one of Paul Reed Smith’s vintage guitars from 1953, the PRS NF 53 combines a swamp ash body and 22-fret, 25.5” scale length bolt-on maple neck with maple fretboard with a special set of PRS Narrowfield pickups. The PRS Narrowfield DD (Deep Dish) pickups are made with taller bobbins to fit more winds and extra metal pieces in between the magnets for a more focused, powerful tone.
Serial Number: 0387950
Weight: 7 lbs
| BODY | |
| Body Construction | Solidbody |
| Body Wood | Swamp Ash |
| Top Carve | Flat Top |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern 53 |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 31/32" |
| Neck Width at the Nut | 1 41/64" |
| Neck Width at the Body | 2 7/32" |
| Fretboard Wood | Maple |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Bolt-On |
| FINISH | |
| Finish Type | High-Gloss Nitro |
| Neck Finish Type | Semi-Gloss Nitro |
| HARDWARE | |
| Bridge | PRS Plate Style, Steel |
| Tuners | PRS Vintage-Style Non-Locking Tuners with Wing Buttons |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | NF 53 |
| ELECTRONICS | |
| Treble Pickup | Narrowfield DD |
| Bass Pickup | Narrowfield DD |
| Controls | Volume and Tone Controls with 3-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |
$ 2,899.00
The PRS NF 53 is a powerful guitar that combines classic tones with modern design. Inspired by one of Paul Reed Smith’s vintage guitars from 1953, the PRS NF 53 combines a swamp ash body and 22-fret, 25.5” scale length bolt-on maple neck with maple fretboard with a special set of PRS Narrowfield pickups. The PRS Narrowfield DD (Deep Dish) pickups are made with taller bobbins to fit more winds and extra metal pieces in between the magnets for a more focused, powerful tone.
Serial Number: 0384432
Weight: 6.6 lbs
| BODY | |
| Body Construction | Solidbody |
| Body Wood | Swamp Ash |
| Top Carve | Flat Top |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern 53 |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 31/32" |
| Neck Width at the Nut | 1 41/64" |
| Neck Width at the Body | 2 7/32" |
| Fretboard Wood | Maple |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Bolt-On |
| FINISH | |
| Finish Type | High-Gloss Nitro |
| Neck Finish Type | Semi-Gloss Nitro |
| HARDWARE | |
| Bridge | PRS Plate Style, Steel |
| Tuners | PRS Vintage-Style Non-Locking Tuners with Wing Buttons |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | NF 53 |
| ELECTRONICS | |
| Treble Pickup | Narrowfield DD |
| Bass Pickup | Narrowfield DD |
| Controls | Volume and Tone Controls with 3-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |
$ 2,699.00
The PRS NF 53 is a powerful guitar that combines classic tones with modern design. Inspired by one of Paul Reed Smith’s vintage guitars from 1953, the PRS NF 53 combines a swamp ash body and 22-fret, 25.5” scale length bolt-on maple neck with maple fretboard with a special set of PRS Narrowfield pickups. The PRS Narrowfield DD (Deep Dish) pickups are made with taller bobbins to fit more winds and extra metal pieces in between the magnets for a more focused, powerful tone.
Serial Number: 0400301
Weight: 8.4 lbs
| Body | |
| Body Construction | Solidbody |
| Body Wood | Swamp Ash |
| Top Carve | Flat Top |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 25.5" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern 53 |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 31/32" |
| Neck Width at the Nut | 1 41/64" |
| Neck Width at the Body | 2 7/32" |
| Fretboard Wood | Maple |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Bolt-On |
| Finish | |
| Finish Type | Satin Nitro |
| Neck Finish Type | Satin Nitro |
| Hardware | |
| Bridge | PRS Plate Style, Steel |
| Tuners | PRS Phase III Non-Locking Tuners with Wing Buttons |
| Hardware Type | Nickel |
| Nut | Bone |
| Truss Rod Cover | NF 53 |
| Electronics | |
| Treble Pickup | Narrowfield DD |
| Bass Pickup | Narrowfield DD |
| Controls | Volume and Tone Controls with 3-Way Blade Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |
$ 249.00
PRS ATA Hardshell Multi-fit Molded Cases provide your PRS guitar with the protection it deserves. These cases are formed from durable polyethylene and are built to military and ATA spec to give you peace of mind, whether you fly with your guitar or travel to local gigs, studios, and practice spots. All hardware is powder coated for longevity, and the ergonomic handle makes this guitar case easy to carry through the airport or to the stage. The proprietary zip-tie channel latch system provides a secure, TSA-friendly solution without the hassle of having to deal with unreliable locking systems of yesteryear.
The case’s interior features a custom-fit nest and neck cradle, designed with PRS Guitars’ engineering team to support PRS guitars. Additional interior appointments include black plush lining and two large, hinged accessory compartments to safely store your accessories.
Well-appointed and providing your PRS guitar with unmatched protection, PRS ATA Multi-Fit Molded Guitar Cases are the best choice for your prized PRS.
PRS ATA Hardshell Multi-Fit Molded Cases, D1 (Design 1) was designed to fit PRS classic-perimeter body shapes and many Singlecut designs, regardless of Series (Core, Bolt-On, S2, SE), including the following models:
PRS ATA Hardshell Multi-Fit Molded Cases, D2 (Design 2) was designed to fit PRS slab-body guitars, including the following models:

$ 5,060.00
Paul’s Guitar was designed from the ground up for one of the world’s foremost experts on everything tone — Paul Reed Smith himself. This guitar is essentially a production version of Paul’s personal number one instrument, sporting a time-tested tonewood combination of an incredibly warm-sounding slab of mahogany capped with a beautiful piece of carved figured maple for optimal clarity. Next, the rosewood-on-mahogany neck is carved into a robust PRS Pattern profile, then finished off with rock-solid PRS Phase III locking tuners. To achieve the most versatile sounds possible from a single guitar, Paul chose to outfit his signature 6-string with a pair of PRS TCI pickups — an innovative soapbar-style pickup that delivers both true single-coil spank and mellow humbucker power. Finally, Paul’s guitar sports a 1-piece stoptail bridge with brass inserts for superior string-to-body resonance and full, rich sustain. It may be "Paul's Guitar," but you'd be hard-pressed to find a guitarist who wouldn't want to make it their own!
$ 2,349.00
Gig-Ready Versatility
The S2 Custom 24-08 shares many of the same specifications as the S2 Custom 24 but adds a new level of versatility with its intuitive switching system. The platform for this guitar is a maple top, mahogany back and neck, and rosewood fretboard with bird inlays. It boasts 24 frets, a 25” scale length, and a Pattern Thin neck. The Maryland, USA-made TCI pickups are paired with a 3-way toggle switch and two mini-toggle coil tap switches that individually tap the humbuckers into true single coils for a total of eight pickup configurations. For classic PRS feel with expanded flexibility, check out the PRS S2 Custom 24-08.
After ten years, the PRS S2 Series is being updated with USA-made pickup and electronics for 2024 (and beyond). We are proud to bring this added value to what has become a fully integrated part of our manufacturing line and product offering.
| BODY | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Asymmetric Bevel |
| NECK | |
| Number of Frets | 24 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Thin |
| Neck Depth at the 1/2 Fret | 53/64" |
| Neck Depth at the 12 1/2 Fret | 57/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Decal |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Set |
| FINISH | |
| Finish Type | High-Gloss Nitro |
| HARDWARE | |
| Bridge | PRS Patented Tremolo |
| Tuners | PRS Low Mass Locking |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "S2 Custom" |
| ELECTRONICS | |
| Treble Pickup | TCI |
| Bass Pickup | TCI |
| Controls | Volume and Tone Controls with 3-Way Toggle Pickup Switch and Two Mini-Toggle Coil-Tap Switches |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |
Sold Out
The S2 McCarty 594 Thinline is an all-mahogany, thin-body guitar with a powerful voice. Whether you are looking for authentic humbucking tones or nuanced, sweet single-coil sounds, the S2 McCarty 594 Thinline can seamlessly master both sonic territories thanks to its 58/15 “S” pickups and dual volume and push/pull tone controls.
The S2 McCarty 594 Thinline is addictive to play, thanks in part to its all-mahogany body, versatile control layout, and bound 22-fret Pattern Thin neck. The distinctive, powerful voice is backed by modern construction, so it plays in tune, stays in tune, and is intonated the entire length of the neck. A zinc two- piece bridge and vintage-style tuners anchor this guitar and stay true to the promise of the McCarty family.
Designed to capture the heart of the McCarty family of instruments and stay true to the S2 Series spirit, the S2 McCarty 594 Thinline stands on its own as a gig-ready workhorse for the player who wants to cover a lot of musical ground.
Serial Number: S2071858
Weight: 6.6 lbs
| BODY | |
| Body Construction | Solidbody |
| Back Wood | Mahogany |
| Top Carve | Asymmetric Bevel |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 24.594” |
| Neck Wood | Mahogany |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Thin |
| Neck Depth at the 1/2 Fret | 53/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood w/ Faux Bone Binding |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Decal |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Set |
| HARDWARE | |
| Bridge | PRS Two-Piece |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "McCarty 594" |
| ELECTRONICS | |
| Treble Pickup | 58/15 "S" |
| Bass Pickup | 58/15 "S" |
| Controls | Two Volume and Two Push/Pull Tone Controls with 3-Way Toggle Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Gig Bag |
$ 2,049.00
The S2 McCarty 594 Thinline is an all-mahogany, thin-body guitar with a powerful voice. Whether you are looking for authentic humbucking tones or nuanced, sweet single-coil sounds, the S2 McCarty 594 Thinline can seamlessly master both sonic territories thanks to its Maryland, USA-made 58/15 LT pickups and dual volume and push/pull tone controls.
The S2 McCarty 594 Thinline is addictive to play, thanks in part to its all-mahogany body, versatile control layout, and bound 22-fret Pattern Thin neck. The distinctive, powerful voice is backed by modern construction, so it plays in tune, stays in tune, and is intonated the entire length of the neck. A zinc two-piece bridge and vintage-style tuners anchor this guitar and stay true to the promise of the McCarty family.
Designed to capture the heart of the McCarty family of instruments and stay true to the S2 Series spirit, the S2 McCarty 594 Thinline stands on its own as a gig-ready workhorse for the player who wants to cover a lot of musical ground.
After ten years, the PRS S2 Series is being updated with USA-made pickup and electronics for 2024 (and beyond). We are proud to bring this added value to what has become a fully integrated part of our manufacturing line and product offering. We have also updated our Vintage-Style tuners to include a new “Wing” button. While, aesthetically, these new buttons are designed to echo the 12th fret bird wingspan design, they were first and foremost designed for tonal reasons. Because these buttons are lighter weight than their metal predecessors, they are subtracting less energy from the vibrating strings, thus helping the guitar ring longer and at a more musical note. The removal of the tuner’s locking feature on non-tremolo-equipped guitars further decreases their weight.
Serial Number: S2077374
Weight: 7 lbs
| Body | |
| Body Construction | Solidbody |
| Body Wood | Mahogany |
| Top Carve | Asymmetric Bevel |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 24.594” |
| Neck Wood | Mahogany |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Thin |
| Neck Depth at the 1/2 Fret | 53/64" |
| Neck Depth at the 12 1/2 Fret | 57/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood w/ Faux Bone Binding |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Decal |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Hardware | |
| Bridge | PRS Two-Piece |
| Tuners | Vintage-Style Non-Locking with “Wing” Buttons |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "S2 McCarty 594" |
| Electronics | |
| Treble Pickup | 58/15 LT |
| Bass Pickup | 58/15 LT |
| Controls | Two Volume and Two Push/Pull Tone Controls with 3-Way Toggle Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |
$ 2,699.00
This 700-piece limited edition showcases reclaimed and salvaged woods on one of our most versatile models: the S2 Special Semi-Hollow. With each top boasting its own character and left as natural as possible, every instrument is rendered unique. That character paired with a wide spectrum of tones - from articulate single-coil sparkle to full, vintage-inspired humbucking warmth - results in a truly special instrument.
The woods featured on this model include a Peroba Rosa top, Cuban mahogany neck, and Guaribu fretboard. Peroba Rosa, typically used as siding in Brazil, was selected for the top wood. The density of this 100-150 year old wood combined with the semi-hollow body construction gives the S2 Special Semi-Hollow Reclaimed Limited Edition a unique sound that is punchy but also warm and full. The Cuban mahogany used for the necks was purchased from Puerto Rico; some of this wood was salvaged from trees blown down by Hurricane Maria in 2017. Finally, the Guaribu Preto fretboards are sourced from Brazil, where this wood was historically used as support beams for houses. These guitars are left Natural in color and finished in satin nitro. Any nail holes, wear, or discoloration have been left in the top wood to showcase its history.
"Wood is a crucial element to our guitar making heritage. Michael Reid, our Senior Wood Buyer, has been my curly maple wood provider and buyer since
1980 - before PRS was officially PRS - and we still work together as partners today. The deep relationships Michael has formed worldwide with our wood suppliers are remarkable. Guitars like this are a great way to highlight some of the interesting, personal stories from his travels and musical wood understanding," said Paul Reed Smith.
Beyond their unique wood appointments, these instruments maintain many of the S2 Special Semi-Hollow's standard specifications, including a 22-fret, 25" scale length Pattern Regular neck and hum/Narrowfield/hum pickup configuration. A 5-way blade switch and two mini-toggles allow players to tap the humbuckers, creating twelve distinct pickup combinations and ensuring endless sonic exploration.
Only 700 S2 Special Semi-Hollow Reclaimed Limited Edition guitars will be made in 2025.
BODY
NECK
NECK/BODY ASSEMBLY
FINISH
HARDWARE
ELECTRONICS
ADDITIONAL INFORMATION
FINISHES
$ 1,749.00
The PRS Standard harkens back to Paul Reed Smith’s pre-factory all-mahogany guitars. Its all-mahogany construction promotes a warm, full, midrange-forward tone, and its “sinky” satin nitro finish brings a stripped-down look and roadworthy feel to the instrument.
The PRS Standard 24 features many classic PRS specifications, including a 25” scale length, Pattern Thin neck with a 24-fret, 10” radius rosewood fretboard, PRS Patented Tremolo, and PRS Phase III tuners with unplated brass shafts.
Under the hood, the PRS Standard 24 is outfitted with PRS DMO treble and bass pickups with volume and tone controls and a 5-way blade switch. PRS DMO (Dynamic, Musical, Open) pickups have a “wide open” sound with vocal character, meaning they deliver clear, pleasant-sounding tones across a wide range of frequencies (bass to treble) in each pickup. DMO pickups were personally designed by Paul Reed Smith and the PRS New Products Engineering team. From our own hands-on research into coveted vintage pickup models to advancements in signal analyzation and “tuning” technology, these pickups incorporate every detail of pickup knowledge PRS has gained in recent years of R&D.
Raise your standards with this stage- and studio-ready guitar.
| Body | |
| Body Construction | Solidbody |
| Body Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 24 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Thin |
| Neck Depth at the 1/2 Fret | 53/64" |
| Neck Depth at the 12 1/2 Fret | 57/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Veneer | Rosewood |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | Satin Nitro |
| Hardware | |
| Bridge | PRS Patented Tremolo, Gen III |
| Tuners | Phase III Locking Tuners w/ Wing Buttons |
| Hardware Type | Smoked Black |
| Nut | PRS |
| Truss Rod Cover | "Standard" |
| Electronics | |
| Treble Pickup | DMO Treble |
| Bass Pickup | DMO Bass |
| Controls | Volume and Tone Control with 5-Way Blade Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | PRS ATA Multi-Fit Molded Case, D1 |