$ 849.00
The PRS SE Studio Standard brings the tone, playability, and versatility of the Studio model to the SE Series and into an understated, all-mahogany design with a classic pickguard aesthetic.
The all-mahogany body delivers a rich, focused tonal foundation with organic midrange warmth. The addition of a vintage-style pickguard gives the SE Studio Standard a bold and timeless aesthetic. With its 22 fret, 25” scale length bolt-on maple neck, the PRS SE Studio Standard is instantly comfortable to players of all backgrounds.
At the heart of the SE Studio Standard is its versatile trio of pickups: 58/15 LT “S” humbucker in the treble position with two Narrowfield DD “S” pickups in the middle and bass positions. The SE Studio Standard excels at delivering everything from warm mids to sparkling highs and rich lows. The 5-way blade switch and push/pull tone control allow for an array of pickup configurations, giving you the tools to cover any musical style.
The PRS SE Studio Standard is a no-frills, all-purpose guitar for players who demand versatility, reliability, and timeless style in one finely crafted instrument. Whether you’re recording in the studio or performing on stage, this guitar will inspire you with its dynamic voice and nearly limitless possibilities.
| Body | |
| Body Construction | Solidbody |
| Body Wood | Mahogany |
| Top Carve | Flat Top |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Wide Thin |
| Neck Depth at the 1/2 Fret | 13/16" |
| Neck Depth at the 12 1/2 Fret | 57/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature "SE" |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Bolt-On |
| Hardware | |
| Bridge | PRS Patented Tremolo |
| Tuners | PRS Designed Tuners |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "Studio" |
| Electronics | |
| Treble Pickup | 58/15 LT "S" |
| Middle Pickup | Narrowfield DD "S" |
| Bass Pickup | Narrowfield DD "S" |
| Controls | Volume and Push/Pull Tone Controls with 5-Way Blade Pickup Switch |
| Additional Info | |
| Strings | PRS Classic 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Gig Bag |
$ 849.00 $ 1,010.00
The PRS SE Swamp Ash Special is a unique offering in the growing PRS SE Series. With a swamp ash body and 22-fret maple neck with maple fretboard, the SE Swamp Ash Special is a fresh face and versatile voice.
The 85/15 “S” pickups flank a PRS-Designed AS-01 Single Coil “S” pickup in the middle position. The AS-01 Single Coil features both alnico and steel (hence the name), which adds mass to the pickups helping to create a powerful sound. Paired with a push-pull tone control and 3-way pickup switch, this pickup/electronics package gives players an array of sounds to enjoy, and the addition of PRS’s patented tremolo adds a touch more versatility. The overall tone of the PRS SE Swamp Ash Special offers tight low- end, bright but mellow high-end, and a welcome twangy tone that can reach “hot country,” blues, and even jazz territory.
Serial Number: CTIF072768
Weight: 9.6lbs
Body
Neck
Hardware
Electronics
Misc.
$ 849.00
The PRS SE Swamp Ash Special is a unique offering in the growing PRS SE Series. With a swamp ash body and 22-fret maple neck with maple fretboard, the SE Swamp Ash Special is a fresh face and versatile voice.
The 85/15 “S” pickups flank a PRS-Designed AS-01 Single Coil “S” pickup in the middle position. The AS-01 Single Coil features both alnico and steel (hence the name), which adds mass to the pickups helping to create a powerful sound. Paired with a push-pull tone control and 3-way pickup switch, this pickup/electronics package gives players an array of sounds to enjoy, and the addition of PRS’s patented tremolo adds a touch more versatility. The overall tone of the PRS SE Swamp Ash Special offers tight low- end, bright but mellow high-end, and a welcome twangy tone that can reach “hot country,” blues, and even jazz territory.
Serial Number: CTIG003780
Weight: 7.6 lbs
Body
Neck
Hardware
Electronics
Misc.
$ 899.00
The SE Zach Myers is packed with features that will satisfy even the most demanding musicians. Featuring a chambered mahogany body with maple cap, flame maple veneer, and single f-hole, the SE Zach Myers provides smooth mid-range tones with a natural, resonant internal reverb. The resonance of the semi-hollow body paired with the smooth feel of the satin finish neck will make an immediate impression in your hands. Additional appointments to the SE Zach Myers signature model include a 22-fret, 24.594” scale length neck, PRS adjustable stoptail bridge, vintage-style tuners, and PRS-designed 245 “S” pickups paired with two volume and two tone controls and a 3-way toggle pickup switch. These pickups bring high-end clarity, low-end power, and an overall aggressive punch that maintains a certain sweetness.
Zach Myers, lead guitarist of the multi-platinum rock band Shinedown, picked up a PRS Custom 22 at the age of fifteen and announced his first SE signature model in 2010. As a guitarist who has rocked PRS on stage and teched for several PRS bands, Myers has an intimate understanding of how a guitar should feel and what the build quality should be. Those details have again created an eye-popping player’s guitar that can take a beating.
“When I was younger, I always wanted a “Private Stock” guitar, but I couldn’t afford one. When I told Paul the SE Zach Myers reminded me of that, he laughed, but also slightly agreed. The goal of the PRS SE Zach Myers has always been to make a guitar that stood out in the long line of amazing, affordable guitars that is the SE Series. The appointments we selected for this guitar, I feel, make it one of the best guitars you buy on the market right now – no matter the price point…even though this guitar is priced for everyone to afford. I hope players of all styles and levels enjoy it.” – Zach Myers
| Body | |
| Body Construction | Semi-Hollow Body with Single F-Hole |
| Top Wood | Maple |
| Veneer | Flame Maple |
| Back Wood | Mahogany |
| Top Carve | Shallow Violin |
| Body Binding | Cream |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 24.594” |
| Neck Wood | Mahogany w/ Satin Finish |
| Neck Construction | Multi-Ply |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Wide Fat |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature "SE" |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Hardware | |
| Bridge | PRS Adjustable Stoptail |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "Zach Myers" |
| Electronics | |
| Treble Pickup | 245 "S" |
| Bass Pickup | 245 "S" |
| Controls | Volume and Tone Control for Each Pickup and 3-Way Toggle Pickup Switch |
| Additional Info | |
| Strings | PRS Classic 9-42 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Gig Bag |
Sold Out
The SE Zach Myers is packed with features that will satisfy even the most demanding musicians. Featuring a chambered mahogany body with maple cap, flame maple veneer, and single f-hole, the SE Zach Myers provides smooth mid-range tones with a natural, resonant internal reverb. The resonance of the semi-hollow body paired with the smooth feel of the satin finish neck will make an immediate impression in your hands. Additional appointments to the SE Zach Myers signature model include a 22-fret, 24.594” scale length neck, PRS adjustable stoptail bridge, vintage-style tuners, and PRS-designed 245 “S” pickups paired with two volume and two tone controls and a 3-way toggle pickup switch. These pickups bring high-end clarity, low-end power, and an overall aggressive punch that maintains a certain sweetness.
Zach Myers, lead guitarist of the multi-platinum rock band Shinedown, picked up a PRS Custom 22 at the age of fifteen and announced his first SE signature model in 2010. As a guitarist who has rocked PRS on stage and teched for several PRS bands, Myers has an intimate understanding of how a guitar should feel and what the build quality should be. Those details have again created an eye-popping player’s guitar that can take a beating.
“When I was younger, I always wanted a “Private Stock” guitar, but I couldn’t afford one. When I told Paul the SE Zach Myers reminded me of that, he laughed, but also slightly agreed. The goal of the PRS SE Zach Myers has always been to make a guitar that stood out in the long line of amazing, affordable guitars that is the SE Series. The appointments we selected for this guitar, I feel, make it one of the best guitars you buy on the market right now – no matter the price point…even though this guitar is priced for everyone to afford. I hope players of all styles and levels enjoy it.” – Zach Myers
| Body | |
| Body Construction | Semi-Hollow Body with Single F-Hole |
| Top Wood | Maple |
| Veneer | Flame Maple |
| Back Wood | Mahogany |
| Top Carve | Shallow Violin |
| Body Binding | Cream |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 24.594” |
| Neck Wood | Mahogany w/ Satin Finish |
| Neck Construction | Multi-Ply |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Wide Fat |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature "SE" |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Hardware | |
| Bridge | PRS Adjustable Stoptail |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "Zach Myers" |
| Electronics | |
| Treble Pickup | 245 "S" |
| Bass Pickup | 245 "S" |
| Controls | Volume and Tone Control for Each Pickup and 3-Way Toggle Pickup Switch |
| Additional Info | |
| Strings | PRS Classic 9-42 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Gig Bag |
Sold Out
The Sonzera 20 is a moderately powered 20-watt combo amplifier with two independently controlled, footswitchable channels designed for maximum versatility. The clean channel delivers full, 3D tones reminiscent of American mid-1960’s amplifiers. The gain channel is related to the clean channel circuit-wise, so that it can be set up to act as a boosted clean channel or manipulated to make the channels sound like two completely different amps (the gain channel can be set from slight to very heavy distortion by simply using the drive and level controls). The bright switch on the gain channel has been carefully tailored to deliver familiar high-end snap and is particularly effective on the low strings, neck pickup settings, and with singlecoils, while the low-end response of the gain channel is full, tight, and clear.
Both channels on the Sonzera are designed to maximize note clarity and definition. The global presence control and the tone stacks allow players to dial in a variety of tones from bell-like chime to warmer, thicker tones. The Sonzera 20 Combo also features global spring reverb control that is designed to enhance notes without clouding them. The reverb can be turned on and off via the footswitch. The addition of a built-in effects loop allows players to use all their time-based effects with ease without negatively impacting the overall tone of the amp.
With robust construction, a wide range of tones, and steadfast controllability, the Sonzera 20 Combo is a solid gig- and studio- worthy amplifier.
GENERAL
TUBES
ELECTRONICS
PREAMP TUBE POSITIONS & FUNCTIONS
FRONT PANEL CONTROLS
BACK PANEL FEATURES
HARDWARE
MEASUREMENTS
ACCESSORIES
$ 5,840.00
The PRS Special Semi-Hollow offers players a versatile hum/”single”/hum configuration with two PRS McCarty III humbuckers and a PRS Narrowfield middle pickup.
McCarty III pickups were spec’d by Paul Reed Smith and the PRS New Products Engineering team. From our own hands-on research into coveted vintage pickup models to advancements in signal analyzation and “tuning” technology, these pickups incorporate every detail of pickup knowledge PRS has gained in recent years of R&D. PRS McCarty III pickups are vintage-inspired humbuckers that bring a vocal clarity to their full, warm tone. PRS Narrowfield pickup in the middle position delivers the bite of a single coil, so it cuts through the mix with plenty of clarity and punch – but without the hum.
Paired with a 5-way blade switch and two mini-toggles that tap the McCarty III humbuckers, this guitar can handle myriad sounds and styles (with twelve pickup combinations in total). Roll back the tone control for added growl, turn it up for some shimmer, and have fun exploring this versatile tonal palette. The volume level between the humbucking and single-coil settings remains very even, and the semi-hollow body with single f-hole provides a welcome airiness and depth to the guitar’s tone.
Additional specifications on the PRS Special Semi-Hollow include a maple top, mahogany back, 22-fret 25” scale length mahogany neck, rosewood fretboard, Phase III locking tuners with wing buttons, and the PRS Gen III patented tremolo.
Serial Number: 0412179
Weight: 7.2 lbs
| Body | |
| Body Construction | Semi-Hollow Body with Single F-Hole |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Hardware | |
| Bridge | PRS Patented Tremolo, Gen III |
| Tuners | PRS Phase III Locking Tuners with Wing Buttons |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "Special" |
| Electronics | |
| Treble Pickup | McCarty III |
| Middle Pickup | PRS Narrowfield® |
| Bass Pickup | McCarty III |
| Controls | Volume and Tone Controls with 5-Way Blade Pickup Switch and Two Mini-Toggle Coil-Tap Switches |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top and Back with Hybrid Hardware |
$ 3,500.00
The PRS Standard harkens back to Paul Reed Smith’s pre-factory all-mahogany guitars. Its all-mahogany construction promotes a warm, full, midrange-forward tone, and its “sinky” satin nitro finish brings a stripped-down look and roadworthy feel to the instrument.
The PRS Standard 24 features many classic PRS specifications, including a 25” scale length, Pattern Thin neck with a 24-fret, 10” radius rosewood fretboard, PRS Patented Tremolo, and PRS Phase III tuners with unplated brass shafts.
Under the hood, the PRS Standard 24 is outfitted with PRS DMO treble and bass pickups with volume and tone controls and a 5-way blade switch. PRS DMO (Dynamic, Musical, Open) pickups have a “wide open” sound with vocal character, meaning they deliver clear, pleasant-sounding tones across a wide range of frequencies (bass to treble) in each pickup. DMO pickups were personally designed by Paul Reed Smith and the PRS New Products Engineering team. From our own hands-on research into coveted vintage pickup models to advancements in signal analyzation and “tuning” technology, these pickups incorporate every detail of pickup knowledge PRS has gained in recent years of R&D.
Raise your standards with this stage- and studio-ready guitar.
| Body | |
| Body Construction | Solidbody |
| Body Wood | Mahogany |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 24 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Thin |
| Neck Depth at the 1/2 Fret | 53/64" |
| Neck Depth at the 12 1/2 Fret | 57/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Veneer | Rosewood |
| Headstock Logo | Signature, Inlaid |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Set |
| Finish | |
| Finish Type | Satin Nitro |
| Hardware | |
| Bridge | PRS Patented Tremolo, Gen III |
| Tuners | Phase III Locking Tuners w/ Wing Buttons |
| Hardware Type | Smoked Black |
| Nut | PRS |
| Truss Rod Cover | "Standard" |
| Electronics | |
| Treble Pickup | DMO Treble |
| Bass Pickup | DMO Bass |
| Controls | Volume and Tone Control with 5-Way Blade Pickup Switch |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | PRS ATA Multi-Fit Molded Case, D1 |
$ 5,600.00
The PRS Studio model is a modern take on a traditional single-single-hum guitar. With PRS’s proprietary Narrowfield pickups in the middle and bass positions and a 58/15 LT humbucking treble pickup, the PRS Studio offers punchy singlecoils, vintage scooped tones, and the chunky kick of a treble humbucker screaming in one instrument. This whole new scope of sounds (that are only possible with a three-pickup guitar) are easily accessible in the Studio model thanks to the push/pull tone control and 5-way blade switch. With seven combinations in all, the PRS Studio covers classic tones but maintains a unique voice making it a perfect “desert island” guitar.
Serial Number: 0381860
Weight: 7.4 lbs
| BODY | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Finish | High Gloss Nitro |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Set |
HARDWARE |
|
| Bridge | PRS Patented Tremolo, Gen III |
| Tuners | PRS Phase III Locking |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "Studio" |
| ELECTRONICS | |
| Treble Pickup | 58/15 LT |
| Middle Pickup | PRS Narrowfield® |
| Bass Pickup | PRS Narrowfield® |
| Controls | Volume and Push/Pull Tone Control with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
$ 4,680.00
The PRS Studio model is a modern take on a traditional single-single-hum guitar. With PRS’s proprietary Narrowfield pickups in the middle and bass positions and a 58/15 LT humbucking treble pickup, the PRS Studio offers punchy singlecoils, vintage scooped tones, and the chunky kick of a treble humbucker screaming in one instrument. This whole new scope of sounds (that are only possible with a three-pickup guitar) are easily accessible in the Studio model thanks to the push/pull tone control and 5-way blade switch. With seven combinations in all, the PRS Studio covers classic tones but maintains a unique voice making it a perfect “desert island” guitar.
Serial Number: 0387355
Weight: 8 lbs
| BODY | |
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| Finish | High Gloss Nitro |
| NECK | |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern |
| Neck Depth at the 1/2 Fret | 7/8" |
| Neck Depth at the 12 1/2 Fret | 61/64" |
| Neck Width at the Nut | 1 11/16" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| NECK/BODY ASSEMBLY | |
| Neck/Body Assembly Type | Set |
| HARDWARE | |
| Bridge | PRS Patented Tremolo, Gen III |
| Tuners | PRS Phase III Locking |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "Studio" |
| ELECTRONICS | |
| Treble Pickup | 58/15 LT |
| Middle Pickup | PRS Narrowfield® |
| Bass Pickup | PRS Narrowfield® |
| Controls | Volume and Push/Pull Tone Control with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
$ 2,899.00
The PRS Swamp Ash Special brings a unique look and sound to the PRS Bolt-On line up. Its swamp ash body is equipped with a versatile hum/“single”/hum pickup configuration. Two 58/15 LT pickups flank a PRS Narrowfield in the middle position, which adds a single-coil bite – without the hum. Paired with a volume, tone, 5-way blade switch, and dual mini-toggle coil-tap switches (for the first time on this model), the Swamp Ash Special has a total of twelve sound combinations. Roll back the tone control for added growl, turn it up for some shimmer, and have fun exploring this versatile tonal palette. The volume level between the humbucking and single-coil settings will remain even through it all.
Additional specifications for the Swamp Ash Special Maple include a 22-fret 25” scale length mahogany neck, maple fretboard for an added bright touch, Phase III locking tuners with unplated brass shafts, and the PRS Gen III patented tremolo.
Overall, the PRS Swamp Ash Special offers tight low-end, bright but mellow high-end, and a welcome twangy tone that can reach “hot country,” blues, and jazz territory. It is a versatile guitar to add to any arsenal.
| Body | |
| Body Construction | Solidbody |
| Body Wood | Swamp Ash |
| Top Carve | Violin |
| Neck | |
| Number of Frets | 22 |
| Scale Length | 25" |
| Neck Wood | Maple |
| Neck Construction | Scarfed |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Regular |
| Neck Depth at the 1/2 Fret | 27/32" |
| Neck Depth at the 12 1/2 Fret | 59/64" |
| Neck Width at the Nut | 1 21/32" |
| Neck Width at the Body | 2 1/4" |
| Fretboard Wood | Maple |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Decal |
| Neck/Body Assembly | |
| Neck/Body Assembly Type | Bolt-On |
| Finish | |
| Finish Type | High-Gloss Nitro |
| Neck Finish Type | Satin Nitro |
| Hardware | |
| Bridge | PRS Patented Tremolo |
| Tuners | Phase III Locking Tuners w/ Wing Buttons |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "Special" |
| Electronics | |
| Treble Pickup | 58/15 LT |
| Middle Pickup | PRS Narrowfield |
| Bass Pickup | 58/15 LT |
| Controls | Volume with Tone Control and 5-Way Blade Pickup Switch and Two Mini-Toggle Coil-Tap Switches |
| Additional Info | |
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Premium Gig Bag |
$ 349.00
The PRS Wind Through the Trees dual analog flanger pedal is best described as two flangers fighting each other, resulting in a sound reminiscent of the wind whipping through the trees. With Manual, Depth, and Rate controls per flanger as well as global Regeneration and Added Highs, Wind Through the Trees offers nearly endless tonal possibilities. Bottom line, Wind Through the Trees offers hours of fun for any player.
PRS pedals were created to be high-end pieces of audio gear.
Designed by PRS Guitars in Stevensville, MD, USA. Made in the USA.
| Pedal Type | Dual Analog Flanger |
| Analog/Digital | Analog |
| Inputs | (1) 1/4" Instrument |
| Outputs | (1) 1/4" Instrument |
| Bypass Switching | True Bypass |
| Amperage | 22 mA |
| Power Sources | 9V DC Power Supply, regulated and/or isolated (not included) |
| Batteries | (1) 9V (not included) |
| Length | 5.5" |
| Width | 1.5" |
| Height | 4.5" |
| Weight | 1.3 lbs |
$ 134.99 $ 188.98
The BigShot ABY makes it easy to run two amps on stage, without introducing noise or altering your tone. The pedal has two latching footswitches that allow you to choose which amp is active, or run through both simultaneously. The second amp output features a ground lift and an isolation transformer that can be engaged to eliminate buzz and hum from ground loops, while a 180° polarity reverse switch ensures both amps play back in phase to avoid frequency cancellation. When powered by an external 9V supply or pedalboard power brick, LEDs provide instant on-stage visual feedback - when power is unavailable, the passive audio circuit still works unaffected. Best of all, the BigShot ABY is true-bypass device, without any tone-altering buffers between the guitar and the amplifier to ensure you retain the pure tone of your instrument.
$ 134.99 $ 188.98
The BigShot i/o is an easy-to-use instrument selector that lets you quickly transition between any two instruments, while balancing the levels between them and feeding the output to your amplifier.
The BigShot i/o allows you to switch between instruments on stage without pops through your amp or the need to adjust levels, while featuring 100% true-bypass for the most demanding purist. Input-2 is equipped with a volume control that lets you reduce the input sensitivity of the louder instrument so that the levels are matched when played through your amplifier. When passive instruments are used, a unique three-position Bright switch lets you compensate for instruments that lack shine in the high frequencies. The BigShot i/o is also equipped with a separate tuner output; with a simple foot stomp, the sound going to the amp is muted and diverted to the tuner for quiet on-stage adjustments.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, true bypass | |
| Frequency response: | 20Hz – 20kHz | |
| Gain: | -0.3dB | |
| Features | ||
| Dim Switch, Bright Switch | ||
| Input Connectors: | ¼" jack for first instrument connection Input-2, ¼" jack with dim and bright controls | |
| Output Connectors: | ¼" jack is switchable between always-on, or engaged by Mute switch | |
| Extras: | Tuner/toggle switch | |
| General | ||
| Construction: | 14-gauge steel | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.9" x 3.6" x 2" (99 x 91.4 x 50.8mm) | |
| Weight: | 1.25 lb (0.56 kg) | |
| Shipping size (L x W x D): | 6.25" x 4.25" x 3" (158.7 x 108 x 76.2mm) | |
| Shipping weight: | 1.55 lb (0.70 kg) | |
| Power: | 9VDC, center pole negative | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
$ 349.99 $ 420.00
The BT-Pro V2 is a Bluetooth-enabled direct box that connects wirelessly to smartphones, tablets, and other mobile devices and provides a pair of balanced analog audio outputs to feed a PA system. Each BT-Pro V2 has a unique identifier, allowing multiple units to be used within the same building. The latest model of the BT-Pro can also be powered via 48V phantom from a mixing console.
The BT-Pro V2 makes it easy to quickly connect to any smartphone, tablet, or mobile device for high quality audio playback through a sound system. It wirelessly pairs over Bluetooth, eliminating the need to search for adaptor cables and providing you with the freedom to move around while staying connected. Superior audio quality is provided using the Bluetooth 5.0 protocol, allowing the BT-Pro to be used for playback even in critical listening environments. While the BT-Pro V2 is designed to last with a 14 gauge steel outer shell and high durability connectors and controls, it also has an enhanced reception range thanks to the plastic injection-molded insert, which allows wireless signals to pass through unimpeded. Balanced XLR outputs are provided for connection to pro audio equipment, with a level control to allow for easy volume adjustments, a headphone output for testing purposes, and a mono switch to reduce channel requirements when needed.
For ease of use in live sound applications, the BT-Pro can be powered via 48V phantom from the PA console. This provides the ability to use the included external power supply as a redundant backup, or to eliminate it from the setup altogether. Under 48V phantom power, the BT-Pro provides mic-level signals at the XLR outputs, but when the external power supply is used it is capable of generating line-level signals that can be connected to the line inputs of a PA console and avoid using additional mic-level channels. Each individual BT-Pro V2 also has a unique Bluetooth identifier, allowing multiple units to be successfully used in close proximity to one another. This makes it easy for commercial multi-room facilities to employ a number of BT-Pro units without any confusion when trying to connect to a receiver in a specific part of the building.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Active audio line driver | |
| Frequency response: | 20Hz to 20KHz | |
| Dynamic range: | 90dB | |
| Total harmonic distortion: | 0.05% | |
| Output Impedance: | 150Ω | |
| Signal to Noise: | 90dB | |
| Bluetooth Compliance: | Bluetooth 5.0 | |
| Data Compression: | SBC and AAC Codecs | |
| Features | ||
| Mono Sum, Ground lift, Level Control, Headphone | ||
| Input Connectors: | Bluetooth 5.0, Device range up to 100' | |
| Output Connectors: | XLR-M, 3.5mm TRS Headphone | |
| Extras: | Included power supply | |
| General | ||
| Construction: | 14 gauge steel outer shell, molded nylon insert | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 3.3” X 5” X 2” (84 x 127 x 51mm) | |
| Weight: | 1.1lbs (500g) | |
| Power: | USB-C connector (Power Only) or 48V Phantom | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |

$ 209.99 $ 252.00
The AC-Driver allows you to obtain great sounding results in a short amount of time, with powerful easy-to-use controls that allow you to set your levels and reduce on-stage feedback. An adjustable low cut filter removes excessive low frequencies, while a 180° phase switch helps correct feedback build-up from hot spots on stage. A variable notch filter targets and removes specific problem frequencies, and a mute footswitch provides a way to silently tune on stage or change instruments without any popping or noise in the PA.
$ 249.99 $ 349.98
The Highline Stereo is a two channel passive line isolator designed to connect guitar and amp modelers to a mixer for live touring and recording applications, featuring premium Jensen transformers for exceptional audio performance.
| Audio circuit type: | Passive, transformer based | |
| Transformer: | JT-11-YMPC | |
| Number of channels: | Two channels (dual mono) | |
| Frequency response: | 20Hz ~ 20KHz (± 0.05dB) | |
| Total harmonic distortion: | <0.05% from 20Hz ~ 20kHz / -10dB, 0.0008 @1kHz / -10dB | |
| Phase Deviation: | ±0.3° from 20Hz ~ 20kHz / -10dB | |
| Signal to Noise: | 112dB | |
| Features | ||
| Ground lift | ||
| Input Connectors: | XLR Sum, Thru Sum | |
| General | ||
| Construction: | 14-gauge steel outer shell & 16-gauge chassis | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 5" x 3.3" x 1.8" (127mm x 84.1mm x 45.5mm) | |
| Shipping size (L x W x D): | 6.5" x 4" x 3" (165mm x 102mm x 76mm) | |
| Power: | Passive, no power required | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
| Warranty: | Radial 3-Year, Transferable | |
$ 249.99 $ 300.00
The J48 is a high performance active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.
Most battery-powered guitars and basses will produce as much as 7 Volts when played at maximum volume, which can easily overload typical active direct boxes which have are only able to handle about 3 Volts. The J48 uses a unique switching power supply that raises the internal rail voltage so it can handle up to an incredible 9 Volts, resulting in improved signal handling and greater headroom. This additional headroom significantly reduces distortion of all types, allowing the natural tone and character of the instrument to shine through.
The Radial J48 has gained a tremendous following through the professional audio community. With significantly more headroom, lower distortion and unmatched durability, it is no wonder that the J48 has become the most specified direct box on stages around the world. As you will note with the specifications below, the J48 is exceptionally linear when tested both under laboratory conditions and when placed under the extra stress of 100 meters (300 feet) of cable. In the lab, the high frequency response actually exceeds 40kHz! This makes the J48 a perfect candidate for the most demanding studio recording while being the obvious choice for the artist on stage.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Proprietary analog circuit with low-noise op-amp | |
| Frequency response: | 20Hz ~ 20kHz | |
| Dynamic range: | 109dB | |
| Total harmonic distortion: | 0.002% @ -5dBu | |
| Intermodulation Distortion: | 0.003% @ -3dBu | |
| Phase Deviation: | +10º at 20Hz | 0º at 1kHz | -1º at 20kHz | |
| Input Impedance: | 220kΩ - ¼" input | |
| Output Impedance: | 200Ω - XLR output | |
| Equivalent Input Noise: | -103dBu | |
| Noise: | -99dB below 0dBu | |
| Maximum Input: | +10dBu | |
| Features | ||
| Input pad, Mono Sum, 180° polarity reverse, Ground lift, HPF | ||
| Input Connectors: | 1/4" | |
| Output Connectors: | Balanced XLR, 1/4" Thru | |
| General | ||
| Construction: | 14 gauge steel chassis and outer shell | |
| Size (L x W x D): | 3.3" x 5.0" x 2" (84 x 127 x 48mm) | |
| Weight: | 1.55 lb (720 g) | |
| Power: | 48V phantom - proprietary digital switching | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |

$ 249.99 $ 300.00
The JDI is a high performance passive direct box for live concert touring and professional studio recording applications, featuring a premium Jensen transformer for exceptional audio performance.
The Radial JDI is a passive direct box designed to handle extreme signal levels without distortion of any kind. At the heart, the Radial JDI employs the world class Jensen JT-DB-EPC audio transformer delivering a smooth, warm sounding Bessel curve, reminiscent of the finest vintage gear. Ruler flat from 10Hz to 40kHz and with virtually zero phase deviation, the JDI delivers the natural, pure sound of the instrument without artifact. By its no-power passive design, the Radial JDI performs both high-to-low impedance conversion and signal balancing over a magnetic bridge that passes signal while rejecting stray DC voltage. This makes the JDI particularly adept at eliminating hum and buzz caused by ground loops.
The Radial JDI is a phase coherent, passive direct box employing a nickel laminated Jensen® audio transformer with virtually zero phase distortion, huge dynamics handling and ruler flat response from 10Hz to 40kHz. The Radial JDI is quite simply the world’s finest passive direct box. With its heavy-duty steel shell and internal I-beam construction, the JDI is designed to work dependably for years in even the harshest of touring environments. Ideal for keyboards, bass and acoustic instruments of all kinds, the JDI Duplex and JD6 are also available for stereo and multi-channel applications.
| Specifications | ||
|---|---|---|
| Audio circuit type: | Passive, transformer based | |
| Transformer: | JT-DB-EPC | |
| Number of channels: | Single channel (mono) | |
| Frequency response: | 20Hz ~ 20KHz (± 0.2dB) | |
| Dynamic range: | 135dB | |
| Total harmonic distortion: | 0.05% from 20Hz ~ 20kHz @-10dB | |
| Phase Deviation: | 0.3° @ 100Hz; 3° @ 20Hz | |
| Input Impedance: | 140k Ohms, unbalanced | |
| Output Impedance: | 150 Ohms, balanced | |
| Maximum Input: | +21dB @ 20Hz ~ 20kHz | |
| Features | ||
| Input pad, Mono Sum, 180° polarity reverse, Ground lift, Speaker filter | ||
| General | ||
| Construction: | 14 gauge steel chassis & outer shell | |
| Finish: | Durable powder coat | |
| Size (L x W x D): | 5" x 3.3" x 1.8" (127mm x 84.1mm x 45.5mm) | |
| Weight: | 1.55 lbs (703 grams) | |
| Shipping size (L x W x D): | 6.5" x 4" x 3" (165mm x 102mm x 76mm) | |
| Shipping weight: | 1.92 lbs (870.9 grams) | |
| Power: | Passive, no power required | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |

$ 259.99 $ 363.98
The JDX 48™ is a direct box designed to capture the sound of an electric guitar amplifier by connecting between the amp head and the speaker cabinet, providing a balanced feed for the PA system that sounds like a well-placed microphone on your amp.
| Audio circuit type: | Discrete Class-A - Transformer Isolated | |
| Frequency response: | Shaped for guitar use | |
| Dynamic range: | 114dB | |
| Total harmonic distortion: | <0.015% (+10dBu input @ 1KHz | |
| Intermodulation Distortion: | 0.03% (+10dBu input @ 1KHz) | |
| Input Impedance: | 15kΩ | |
| Output Impedance: | 2kΩ (XLR out) | |
| Noise Floor: | -100dBu below 0dBu | |
| Maximum Input: | 120W @ 8Ω | |
| Maximum Output: | +14dBu (clip level) | |
| Features | ||
| 180° polarity reverse, Ground lift | ||
| Input Connectors: | One 1/4" input | |
| Output Connectors: | One XLR output, one 1/4" output | |
| Extras: | Bass extension lowers frequency response for bass guitar, 300W amp increases power handling from 100W to 300W, Active speaker emulation band-pass filter | |
| General | ||
| Construction: | 14-gauge steel chassis and outer shell | |
| Size (L x W x D): | 6.25" x 5" x 2" (159 x 127 x 51mm) | |
| Weight: | 2.80lbs (1.28 kg) | |
| Power: | 48V phantom or +15VDC/400mA adapter Included | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
| Warranty: | Radial 3-Year Transferable | |
$ 109.99 $ 132.00
The Radial Engineering Power-1 is clean power conditioning unit in a rugged rackmount enclosure, providing anyone with valuable electronic gear and audio equipment with superior filtering against interference along with peace-of-mind surge protection.
| Specifications | ||
|---|---|---|
| Voltage Rating: | IEC Power: 120V, 50/60Hz USB: 5V | |
| Load Rating: | IEC Power: 15A total, 15A per outlet USB: 1A | |
| Features | ||
| General | ||
| Size (L x W x D): | 19″ x 6.38″ x 1.47″ (482.6mm x 162.0mm x 37.4mm). Cord length: 9.5' (290cm) | |
| Weight: | 3.1kg (6.5lb) - includes cord | |
| Overload Protection: | American-made Metal Oxide Varistor (MOV), 15A circuit breaker | |
| Agency Listing: | Conforms to UL Std 1419, 60950-1 and 60065 in USA, CSA Std 60950-1, C22.2 No. 62368 in Canada | |
| Conditions: | For use in dry locations only between 5°C and 40°C | |
| Warranty: | Radial 3-Year, Transferable | |
$ 199.99 $ 240.00
The Power-2 features Radial Engineering’s superior interference filtering and peace-of-mind surge protection, along with an innovative slide-out tray with multicolor LED illumination that allows you to see the rest of your equipment rack with ease in any poorly-lit environment.
Radial Power clean surge suppressors give musicians, engineers, producers, studio owners, commercial facilities, and anyone working with valuable electronic equipment protection from power surges that can damage or destroy music equipment instantaneously. Eight rear panel outlets are provided (four with wall-wart spacing to accommodate any PSU size), along with an easily accessible front panel outlet and a USB charging port for powering personal devices. A unique tray slides out to illuminate rack equipment below, with ultra-bright LEDs in seven color options along with a built in dimmer to adjust as needed.
Unlike competitive products that utilize low quality MOV's (Metal Oxide Varistor) for surge protection, Radial Power units are built using a USA made MOV. This critical component has been proven to offer superior thermal protection and have a much longer lifespan than the alternatives. The Power-2 utilizes shunt mode technology and is non-ground contaminating for lower system noise. A high-rejection RF interference filter is used to keep high frequencies and AM radio signals out of the power line, preventing contamination of audio signals.
$ 199.99 $ 240.00
A high-quality, passive direct box that uses 2 proprietary custom-made transformers, one for each channel, for both impedance conversion and isolation. Linear from 20Hz-18kHz, with low distortion and virtually zero phase distortion makes it perfect for live or studio performances. Because of the transformer isolation, problems such as hum and buzz caused by ground loops are eliminated, making it very easy and hassle-free to use. Features include 1/4" thru/input, -15dB pad, and ground lift protected from damage by a protective front panel. Heavy-duty construction, baked enamel finish, and 600ohm balanced output. 3" x 5".
$ 639.99 $ 768.00
Take complete control over your tone, EQ settings, and effects with the PZ-Pro, a two channel instrument preamp, DI and switcher. Each channel features a separate equalizer strip complete with a filter section to reduce feedback on stage. The second channel of the PZ-Pro also features a microphone input to allow any dynamic or condenser microphone to be used, including clip-on instrument mics. Three footswitches provide the ability to toggle between each input channel, activate a built-in booster and an effects loop, or mute the signal for silent tuning on stage.
The PZ-Pro is designed for instrumentalists and performers who take a no-compromise approach when it comes to tone, both on stage and in the recording studio. Dual input channels allow you to switch between or blend together two sources, with full control over the sound of each input. Each channel has its own semi-parametric equalizer section and input level, along with individual filter controls to reduce feedback on stage. The second channel of the PZ-Pro also features a microphone input to allow any dynamic or condenser microphone to be used, including clip-on instrument mics or even vocal microphones. An FX Loop with a wet/dry knob provides the ability to blend in as much or as little pedal effects as desired, with a footswitch to bring them in and out of the signal chain at a moment's notice. Finally, once your tone is completely dialed-in, balanced XLR direct outs feed the PA system or a recording interface, with both Pre-EQ and Post-EQ outputs available.
The PZ-Pro is highly configurable, so you can adapt it to meet the needs of your performance, instead of changing your performance to fit the limitations of your gear. Connect magnetic pickups, instruments with on-board preamps, or piezo transducers, and optimize the sound of each with powerful EQ controls and a variable notch or high-pass filter. Blend an instrument mic with your pickups, switch between two instruments, or connect a vocal microphone and feed it through your guitar pedals. The FX loop can be assigned to channel A, B, or both at once, and you can activate it with a footswitch or assign it to be always on, saving footswitch control for the variable clean boost function. With the PZ-Pro, you get the durability and performance Radial is known for, along with all the features you need to put on an unforgettable show.