$ 2,149.00
Careful acoustic research has resulted in the full, rich, and warm sound of this popular model. Two single coil pickups on a full size body are accented by a traditionally shaped sound hole. The 21 fret Rosewood fingerboard is punctuated by dot inlay fret markers, with full double cutaways permitting access to all the frets. Standard output is monaural through a single jack plate.
| Body Type | Semi-Acoustic |
| No. Frets | 21 |
| Scale Length | 62.9 cm (24 3/4”) |
| Neck Width at Nut | 41.4 mm (1.63”) |
| Neck Width at 12th Fret | 49.05 mm (1.931”) |
| Crown Radius | 25.4 cm (10”) |
| Body Wood | Maple |
| Neck Wood | Maple & Walnut |
| Fingerboard Wood | Rosewood |
| Weight | 3.6 kg (8.0 lbs.) |
| Overall Length | 100.3 cm (39 1/2”) |
| Overall Width | 38.1 cm (15”) |
| Overall Depth | 38.1 mm (1 1/2”) |
| Neck Binding | No |
| Fret Marker Style | Dot |
| Tailpiece | ‘R’ |
| Bridge | 6 Saddle |
| Neck Type | Set-in |
| No. of Pickups | 2 |
| Type of Pickups | Hi-gain |
| Output Type | Mono |
| Machine Heads | Gotoh |
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General
Number of Strings: 12
Left-/Right-handed: Right-handed
Body
Body Type: Semi-hollowbody
Body Shape: 330/12
Body Material: Maple
Body Finish: High Gloss Polyester
Color: Fireglo
Neck
Neck Material: Maple
Neck Joint: Set Neck
Radius: 10"
Fingerboard Material: Rosewood
Fingerboard Inlay: Dots
Number of Frets: 21
Scale Length: 24.75"
Nut Width: 1.63"
Nut Material: Bakelite
Hardware
Bridge/Tailpiece: Rickenbacker 6-Saddle Bridge with "R" Trapeze Tailpiece
Tuners: Schaller
Electronics
Neck Pickup: Rickenbacker High Gain Single-coil
Bridge Pickup: Rickenbacker High Gain Single-coil
Controls: 2 x volume, 2 x tone, 1 x mix
Switching: 3-way toggle pickup switch
Miscellaneous
Strings: Rickenbacker, .010/.010, .013/.013, .020/.010, .026/.013, .036/.020, .046/.026
Case/Gig Bag: Hardshell Case
Manufacturer Part Number: 33500
$ 2,149.00
A natural spin on a classic, the W Series brings the same full, rich and warm sound that have made 330’s popular since the 1960’s. The iconic design is now strengthened with the natural character of walnut and polished with an oil finish. Two single coil pickups on a full size body are accented by a traditionally shaped sound hole. The 21 fret Maple fingerboard is punctuated by dot inlay fret markers, with full double cutaways permitting access to all the frets. Standard output is monaural through a single jack plate.
| Body Type | Semi-Acoustic |
| No. Frets | 21 |
| Scale Length | 62.9 cm (24 3/4”) |
| Neck Width at Nut | 41.4 mm (1.63”) |
| Neck Width at 12th Fret | 49.05 mm (1 .931”) |
| Crown Radius | 25.4 cm (10”) |
| Body Wood | Walnut |
| Neck Wood | Maple & Walnut |
| Fingerboard Wood | Maple |
| Weight | 3.6 kg (8.0 lbs.) |
| Overall Length | 100.3 cm (39 1/2”) |
| Overall Width | 38.1 cm (15”) |
| Overall Depth | 38.1 mm (1 1/2”) |
| Neck Binding | No |
| Fret Marker Style | Dot |
| Tailpiece | ‘R’ |
| Bridge | 6 Saddle |
| Neck Type | Set-in |
| No. of Pickups | 2 |
| Type of Pickups | Hi-gain |
| Output Type | Mono |
| Machine Heads | Gotoh |
Sold Out $ 2,722.00
This guitar broke all the rules of traditional styling when it appeared amid the 'British' sound of the 1960's. Subtly updated through the years, this Deluxe hollow body with its special contour around the entire body perimeter, is still perhaps the most comfortable guitar of all. The bound body and Rosewood fingerboard, inlayed with triangular pearloid markers, provide an exceptionally attractive appearance. Stereo output is standard. Also available with an additional pickup
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$ 3,099.00
The world's most popular twelve string electric guitar boasts all of the deluxe features of its Model 360 cousin. A standard for recording for more than thirty years, its haunting, melodic chorus has continued to benefit from evolution. The slimmed and re-contoured neck now makes the 360/12 easier to play than ever.
| Body Type | Semi-Acoustic |
| No. Frets | 21 |
| Scale Length | 62.9 cm (24 3/4”) |
| Neck Width at Nut | 41.4 mm (1.63”) |
| Neck Width at 12th Fret | 49.05 mm (1 .931”) |
| Crown Radius | 25.4 cm (10”) |
| Body Wood | Maple |
| Neck Wood | Maple & Walnut |
| Fingerboard Wood | Rosewood |
| Weight | 3.6 kg (8.0 lbs.) |
| Overall Length | 101 cm (39 3/4”) |
| Overall Width | 38.1 cm (15”) |
| Overall Depth | 38.1 mm (1 1/2”) |
| Neck Binding | Yes |
| Fret Marker Style | Triangle |
| Tailpiece | ‘R’ |
| Bridge | 6 Saddle |
| Neck Type | Set-in |
| No. of Pickups | 2 |
| Type of Pickups | Hi-gain |
| Output Type | Mono and Stereo |
| Machine Heads | Gotoh |
$ 2,999.00 $ 3,140.00
The world's most popular twelve string electric guitar boasts all of the deluxe features of its Model 360 cousin. A standard for recording for more than thirty years, its haunting, melodic chorus has continued to benefit from evolution. The slimmed and re-contoured neck now makes the 360/12 easier to play than ever.
| Body Type | Semi-Acoustic |
| No. Frets | 21 |
| Scale Length | 62.9 cm (24 3/4”) |
| Neck Width at Nut | 41.4 mm (1.63”) |
| Neck Width at 12th Fret | 49.05 mm (1 .931”) |
| Crown Radius | 25.4 cm (10”) |
| Body Wood | Maple |
| Neck Wood | Maple & Walnut |
| Fingerboard Wood | Rosewood |
| Weight | 3.6 kg (8.0 lbs.) |
| Overall Length | 101 cm (39 3/4”) |
| Overall Width | 38.1 cm (15”) |
| Overall Depth | 38.1 mm (1 1/2”) |
| Neck Binding | Yes |
| Fret Marker Style | Triangle |
| Tailpiece | ‘R’ |
| Bridge | 6 Saddle |
| Neck Type | Set-in |
| No. of Pickups | 2 |
| Type of Pickups | Hi-gain |
| Output Type | Mono and Stereo |
| Machine Heads | Gotoh |
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The Classic Rickenbacker bass - famous for its ringing sustain, treble punch and solid underlying bass. A subtle strip of binding graces the elegantly curved body and the Rosewood fingerboard. Deluxe triangular inlays and stereo capability are standard features.
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$ 2,299.00
This traditional Rickenbacker bass style with dot inlays and no binding was prized by Paul McCartney and Chris Squire when they got their first 4001S models in 1964. Players cherish its traditional look and rounded edges that many claim make it more comfortable than the 4003. The updated 4003S version comes with the improved dual trussrod system. Of course, the famous solid bass tones, ringing sustain and treble punch we’re known for make it a dream. It’s no wonder we’ve received a steady demand of requests to bring this back. This design was once exclusive to the British distributor Rose Morris in the six-ties. Iconic curves of maple form the body with a traditional Rosewood fingerboard. Dot inlays and no binding make this stand out from the standard 4003.
$ 2,299.00
This traditional Rickenbacker bass style with dot inlays and no binding was prized by Paul McCartney and Chris Squire when they got their first 4001S models in 1964. Players cherish its traditional look and rounded edges that many claim make it more comfortable than the 4003. The updated 4003S version comes with the improved dual trussrod system. Of course, the famous solid bass tones, ringing sustain and treble punch we’re known for make it a dream. It’s no wonder we’ve received a steady demand of requests to bring this back. This design was once exclusive to the British distributor Rose Morris in the six-ties. Iconic curves of maple form the body with a traditional Rosewood fingerboard. Dot inlays and no binding make this stand out from the standard 4003.
Specifications

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This is the walnut series version of the 4003S. The solid and natural look of a walnut body with a maple fingerboard. This version puts out even warmer bass tones than the maple version.
| Body Type | Solid |
| No. Frets | 20 |
| Scale Length | 84.5cm (33 1/4″) |
| Neck Width at Nut | 42.9 mm (1 11/16”) |
| Neck Width at 12th Fret | 54.0 mm (2 1/8”) |
| Crown Radius | 25.4 cm (10”) |
| Body Wood | Walnut |
| Neck Wood | Maple & Walnut |
| Fingerboard Wood | Maple |
| Weight | 4.1 kg (9.0 lbs.) |
| Overall Length | 113.8 cm (44 13/16”) |
| Overall Width | 34.3 cm (13 1/2”) |
| Overall Depth | 31.8 mm (1 1/4”) |
| Neck Binding | Yes |
| Fret Marker Style | Dot |
| Tailpiece | RIC |
| Bridge | V2 |
| Neck Type | Thru body |
| No. of Pickups | 2 |
| Type of Pickups | Hi-gain |
| Output Type | Mono |
| Machine Heads | Schaller |
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| Body Type | Solid |
| No. Frets | 21 |
| Scale Length | 62.9 cm (24 3/4”) |
| Neck Width at Nut | 41.4 mm (1.63”) |
| Neck Width at 12th Fret | 49.05 mm (1 .931”) |
| Crown Radius | 25.4 cm (10”) |
| Body Wood | Maple |
| Neck Wood | Maple |
| Fingerboard Wood | Rosewood |
| Weight | 3.6 kg (8.0 lbs.) |
| Overall Length | 94.0 cm (37”) |
| Overall Width | 33.7 cm (13 1/4”) |
| Overall Depth | 31.8 mm (1 1/4”) |
| Neck Binding | Yes |
| Fret Marker Style | Triangle |
| Tailpiece | ‘R’ |
| Bridge | 6 Saddle |
| Neck Type | Thru body |
| No. of Pickups | 2 |
| Type of Pickups | Hi-gain |
| Output Type | Mono and Stereo |
| Machine Heads | Gotoh |
$ 2,599.00
The Classic Rickenbacker bass has been strengthened with Walnut for a solid and natural look that keeps with the traditional character of the instrument made famous for its ringing sustain, treble punch and solid underlying bass. A subtle strip of binding graces the elegantly curved body and the Maple fingerboard. Deluxe triangular inlays and stereo capability are standard features.
| Body Type | Solid |
| No. Frets | 20 |
| Scale Length | 84.5cm (33 1/4″) |
| Neck Width at Nut | 42.9 mm (1 11/16”) |
| Neck Width at 12th Fret | 54.0 mm (2 1/8”) |
| Crown Radius | 25.4 cm (10”) |
| Body Wood | Walnut |
| Neck Wood | Maple & Walnut |
| Fingerboard Wood | Maple |
| Weight | 4.1 kg (9.0 lbs.) |
| Overall Length | 113.8 cm (44 13/16”) |
| Overall Width | 34.3 cm (13 1/2”) |
| Overall Depth | 31.8 mm (1 1/4”) |
| Neck Binding | Yes |
| Fret Marker Style | Triangle |
| Tailpiece | RIC |
| Bridge | V2 |
| Neck Type | Thru body |
| No. of Pickups | 2 |
| Type of Pickups | Hi-gain |
| Output Type | Mono and Stereo |
| Machine Heads | Schaller |
$ 999.00
**This amplifier is used and being sold on consignment. It is in good condition with some signs of wear. The price has been adjusted accordingly.
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$ 279.99 $ 329.99
It’s that simple. Rocktron’s world famous HUSH products have been used by professionals for nearly two decades to wipe out noise from preamps, stomp boxes, multi-effects, even those great hand built amps and preamps, without compromising tone.
Forget about noise gates, Rocktron’s HUSH Super C noise reduction is the ultimate noise exterminator for guitar players. With a minimum amount of controls, the Super C provides the maximum in performance, eliminating hiss, hum, crackle, and other annoying noise problems from your setup.
The Super C is a stereo noise reduction system in which a single set of HUSH Threshold and Gate Threshold controls are used to manipulate both channels simultaneously. The Super C is equipped with an effect IN/OUT (or bypass), and an input sensitivity switch conveniently located on the unit’s front panel.
With a dynamic range of 105dB and 72dB of effective noise reduction, the Super C becomes a valuable tool in every guitar player’s rack. Rocktron’s HUSH Super C leaves your tone intact. Your search for complete tonal nirvana need not take a turn for the worse just because you add much needed noise reduction.
Unlike those tone-squashing noise gates, Rocktron’s V.I.R. (Variable Integrated Release) circuitry allows every note you play shine through and sustain naturally. No typical gate "chop-off" here. The V.I.R. will track every detail and nuance and provide the necessary noise reduction with ease and simplicity.
HUSH has been THE name in noise reduction for guitar players for years and is equally at home on stage and in the studio. Make the Super C your choice and use a noise reduction system designed by guitar players for guitar players.
$ 439.00
Specifications
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**This amp is used and being sold on consignment. It is in good condition with some minor signs of cosmetic wear. Comes with the original carrying shoulder bag. The price has been adjusted accordingly.
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$ 123.99
CB-CS2 Carrying Case for CUBE Street EX made with water-repellent material.
$ 719.99 $ 815.98
With its compact size and battery-powered operation, Roland's CUBE Street was a huge hit among traveling musicians. Now, the new CUBE Street EX infuses the popular mobile amp with a huge performance upgrade that delivers more projection, more channels and more versatility. It offers 50W of power and a stereo speaker system with dual 8" woofers, and 2" tweeters provide clean, punchy sound for larger crowds, while four independent channels offer abundant connections for a variety of mics and instruments. Detailed sound adjustment is available with separate EQ and reverb controls, and great guitar tones are dialed in easily with the onboard COSM amps. Selectable power modes provide up to 20 hours of operation with eight AA batteries, and two CUBE Street EX units can be linked together for more sound coverage if needed. And with i-CUBE LINK, you can even plug in your iPhone or iPad to play backing music and record your performances.
COSM Models
The CUBE Street EX makes it easy for guitarists to plug in and get pro sounds immediately. COSM tones for electric guitar include Lead, Crunch, and Clean, plus an Acoustic Simulator for extra versatility from a single axe. There's also an AC preamp optimized for acoustic/electric guitar and a convenient built-in tuner. Chorus/delay and reverb effects are available as well, and these can be turned on/off with optional footswitches while performing.
$ 32.99
The Roland DP-2 Damper Pedal acts as amomentary footswitch for nonlatch footswitch operations such as sustaining notes on electronic keyboards. Black.$ 85.99 $ 120.00
The EV-5 Expression Pedal is designed for use with keyboards or other Expression-compatible instruments and devices, providing a more dynamic performance. You can set the minimum volume to the level of your choice, thereby determining the maximum effect of the pedal.
Cable Length: 2 m
Connector: TRS 1/4" plug
Main Control: Volume pedal
Additional Control: Minimum volume knob
Width: 86 mm (3-7/16")
Depth: 200 mm (7-7/8")
Height: 54 mm (2-3/16")
Weight: 400 g (0 lb 15 oz)
$ 1,399.99 $ 1,539.98
Roland takes digital hand percussion to a new dimension with the HandSonic HPD-20, a unique and versatile instrument that’s ideal for a wide range of music creators, from percussionists and drummers to electronic dance music performers, composers, and producers. Equipped with the renowned SuperNATURAL sound engine and potent multi-effects, the HPD-20 offers 850 dynamic, ready-to-play sounds, plus the ability to import your own custom sounds via USB flash memory. 13 pads provide ultra-sensitive response and flexible control options for playing onboard sounds and external MIDI instruments with an incredible range of expression. The HandSonic pad interface also excels in computer music applications, where it’s perfect for playing virtual instruments, recording MIDI and audio performances in DAW software, and much more. And with its convenient trigger inputs, you can easily expand the HPD-20 with a Roland pad and hi-hat controller to build a super-compact percussion set.

Sold Out $ 684.72
Legendary Tone for Your Home
The JC-22 Jazz Chorus delivers Roland’s classic JC clean tone and famous Dimensional Space Chorus effect in a compact amp that’s perfect for playing at home. Offering the essential features of the popular JC-40 in an even more scaled-down size, this versatile stereo amp is also great for intimate performances and recording. A high-quality reverb complements the onboard chorus, and there’s also a stereo input on the front panel for plugging in modelers, multi-effects, and stereo stomps. Built to the same standards of sound and durability that the long-running amp series is noted for, the JC-22 makes legendary JC tone more accessible than ever.
Iconic JC Clean Tone and Built-In Effects
Around the world, the Roland JC series is renowned as the benchmark in clean guitar amplification. With the JC-22, you can now have that authentic tone in a light, compact package. Two independent power amps and custom-designed speakers deliver the genuine clean sound of the larger JC amps, while the trademark Dimensional Space Chorus effect fills the room with immersive 3D sound. The amp also includes a great-sounding reverb that operates in true stereo for rich, expansive tone.
The Ultimate Home Amp
For playing and practicing at home, there’s no better platform than the JC-22. Its classic clean tone is ideal for use with all types of stompbox pedals, and you can even plug in stereo effects devices for wide, inspiring sound. The JC-22 works great with stereo-capable delay, reverb, and modulation pedals, and it’s also perfectly suited for advanced gear that employs amp modeling, multi-effects, and/or synth capabilities.
Connect and Control
The JC-22’s rear panel is filled with connectivity options. There’s an effects loop for patching in mono or stereo effects, and you even have your choice of series or parallel operation. Line Out jacks give you a convenient direct feed to a mixing console or recorder, while plugging into the Headphones jack automatically mutes the onboard speakers for quiet practice sessions with phones. There’s also support for optional footswitches, which allow you to turn the JC-22’s chorus and reverb effects on/off while playing.
$ 175.00
**This item is used and in good condition. Very light cosmetic wear can be seen. The price has been adjusted accordingly.
Roland KC-550 Replacement Speaker for Keyboard Amplifier - 15" / 8 ohm
A previously used item that exhibits signs of cosmetic wear and is fully operational and functions as intended.
Sold Out $ 3,639.98
The Roland RD-2000 is a dream come true for the performing keyboardist. It features dual sound engines that power Roland's best acoustic and electric pianos ever, plus the finest action they have ever put into a stage piano. There’s a massive selection of top-quality ensemble sounds to cover any musical task, as well as two wave expansion slots for adding even more sounds. And with its innovative modern interface, the RD-2000 is the perfect master controller for working with today’s software-based instruments—taking this industry-standard stage piano series to new levels of inspiration and creativity.
Incredibly Powerful Piano Engine
In a word, the RD-2000’s acoustic piano sounds are magnificent. Incorporating Roland’s latest piano technologies and long-running V-Piano research, the acoustic voice is incredibly natural, responsive, and richly detailed. The dedicated acoustic engine features full-keyboard polyphony, allowing you to realize authentic piano performances without no compromises. Via a second SuperNATURAL-based sound engine, the RD-2000 gives you access to a wide range of classic electric pianos from the ‘60s, ‘70s, and ‘80s. Included are newly developed recreations of the RD-1000 and MKS-20 sound module from the 1980s. Driven by Roland’s milestone SA technology, their unique musical voices are instantly recognizable from that era’s hit records. Vintage effects are also on hand for processing your EPs, including the famous BOSS CE-1 Chorus and Roland SDD-320 Dimension D.
Superb Playability
The PHA-50 progressive hammer-action keyboard with escapement is the ideal platform for playing the RD-2000’s responsive acoustic and electric pianos. This innovative keyboard features hybrid keys constructed of wood and molded materials, combining classic feel with rugged durability. Together with Roland’s advanced sensor mechanism and hammer-action design, the PHA-50 delivers authentic grand piano touch that’s right at home under your fingers.
Designed for the Stage
With its intuitive interface, navigating the RD-2000 during live performances is a breeze. Eight knobs and nine sliders provide instant control for sounds, effects, and more, and the knobs feature LED indicators for precise adjustment with instant visual feedback. The RD-2000 features eight assignable zones that allow you to map sounds to different key ranges, or create combination sounds with up to eight layers. And with the new Scene function, you can save 100 different snapshots of the entire keyboard setup and recall them with a quick button touch while performing.
Performance Powerhouse
Equipped with Roland’s classic pitch/mod lever and two modulation wheels, the RD-2000 provides expressive options for any performance style. The dual wheels are useful for detailed sound adjustment on external synths, and are independently assignable per program. The RD-2000’s dynamic encoder knobs bring a new level of control to your live performances. LED indicators show the current knob value at a glance, even on the darkest stages. They also respond to velocity, allowing you to execute precise edits with slow movements and quickly move through tones and parameters with fast movements.
Ensemble Sounds for Every Genre
In addition to its world-class pianos, the versatile RD-2000 includes over 1100 additional sounds for covering any style of music with just one keyboard. Roland’s SuperNATURAL technology provides highly expressive Virtual Tone Wheel organs, modern and vintage synths, clavinet, orchestral strings, brass, and many other sound types. At Roland’s Axial sound website, you’ll find even more sounds to load into the RD-2000’s two wave expansion slots, including selections from previous RD instruments. And if you’re stepping up from the RD-800, you’ll be pleased to know that all your Live Sets are fully compatible with the RD-2000.
Command and Control
The RD-2000 offers the most extensive controller features of any RD piano to date, making it the perfect solution for commanding a large-scale setup. With the ability to seamlessly integrate internal sounds, software-based instruments, hardware sound modules, and more, the RD-2000 is mission control for the most advanced stage shows. Via the RD-2000’s USB audio/MIDI interface, it’s easy to integrate software instruments with a studio DAW or a laptop running your favorite host software on stage. You can control soft synths with zones along with internal sounds, and route their audio through the RD-2000 to create a powerful hybrid rig. The interface supports 24-bit audio at rates up to 192 kHz, allowing you to access your highest quality sounds. The RD-2000 supports Roland’s newly developed RAINLINK protocol, which provides high-resolution velocity control for compatible software instruments. This ability is particularly effective for deriving the subtlest tonal nuances out of supported software-based pianos.
Built for Professional Performers
Combining the traditional RD-series appearance with elements of the V-Piano, the RD-2000 embodies both tradition and innovation. It’s designed from the ground up with the working pro in mind, with careful consideration of details regarding the interface workflow, sound organization, and physical layout of connectors, switches, knobs, and sliders. While the RD-2000’s feature upgrades are significant, its weight hasn’t changed from the previous RD generation. It’s still easy to transport from gig to gig, and the aluminum body is both handsome and extremely durable. The RD-2000’s four pedal inputs can be configured for damper pedals, expression pedals, and more. A DP-10 pedal is included for damper pedal operation.
SPECIFICATIONS
RD-2000 Digital Stage Piano
