$ 49.00 $ 59.00
Meet the durable, water-resistant ukulele that plays perfectly anywhere!
Inspired by the phenomenon of sea glass and its many vibrant shades, this colorful little soprano ukulele from our Waterman® Sea Glass Collection is:
Fits ALL Kala SOPRANO sized bags and cases.
SIZE: | Soprano |
TOP: | ABS Composite |
BACK & SIDES: | ABS Composite |
BINDING: | N/A |
FINISH: | Gloss |
FINGERBOARD: | ABS Composite |
HEADSTOCK: | Standard |
STRINGS: | Aquila Super Nylgut® |
ELECTRONICS: | N/A |
NUT & SADDLE: | ABS Composite |
Sold Out $ 369.00
Zebrawood gets its name and exotic look from the alternating tan and dark brown zebra-like stripes of the wood grain. The alluring Zebrawood offers well-def ined basses and trebles with good volume and balance that is perfect for the booming U•BASS®. Available in a fretted model.
Custom U•BASS® Gig Bag is included with purchase.
Fits ALL Kala BARITONE Ukulele Bags, UB-B, & Sonoma Coast BARITONE Cases
Fits U•BASS® specific bags and cases: UB-UBASS, DUB-UBASS, HC-UB, & HCT-UB
TOP: | Zebrawood |
BACK & SIDES: | Zebrawood |
BINDING: | Rosewood |
NECK: | Mahogany |
FINISH: | Satin |
FINGERBOARD: | Walnut |
HEADSTOCK: | Standard |
BRIDGE: | Walnut |
NUT: | Graph Tech NuBone® |
SADDLE: | Composite |
TUNERS: | Custom Black Die Cast |
STRINGS: | Aquila Thunderblack® |
ELECTRONICS: | U•BASS® Active EQ |
INCLUDES: | Padded Gig Bag |
STRAP BUTTON: | Black x1 |
Scale Length: 20.0 inches, Overall Instrument Length: 29.0 inches, Body Length: 13.875 inches, Number of Frets: 16, Width at Upper Bout: 7.75 inches, Width at Lower Bout: 10.125 inches, Width at Waist: 6.75 inches, Body Depth: 3.0 inches, Fingerboard Width at Nut: 1.75 inches, Fingerboard width at neck/body joint: 2.125 inches
$ 219.00 $ 238.00
The Ziricote Concert Ukulele features a rich, dark, chocolate brown wood finished in a high-gloss to make the details pop.
Fits ALL Kala CONCERT sized bags and cases
SIZE: | Concert |
TOP: | Ziricote |
BACK & SIDES: | Ziricote |
BINDING: | Black |
NECK: | Mahogany |
FINISH: | Gloss |
FINGERBOARD: | Rosewood |
HEADSTOCK: | Standard |
NUT & SADDLE: | Graph Tech NuBone® |
STRINGS: | Aquila Super Nylgut® |
ELECTRONICS: | N/A |
STRAP BUTTON: | Black x1 |
Scale Length: 14.8125 inches, Overall Instrument Length: 23.9375 inches, Body Length: 11.0625 inches, Number of Frets: 18, Width at Upper Bout: 6.0 inches, Width at Lower Bout: 8.25 inches, Width at Waist: 4.9375 inches, Body Depth: 2.75 inches, Fingerboard Width at Nut: 1.4375 inches, Fingerboard width at neck/body joint: 1.75 inches
$ 239.00 $ 260.00
The Ziricote Tenor Ukulele features a rich, dark, chocolate brown wood finished in a high-gloss to make the details pop.
Fits ALL Kala TENOR sized bags and cases
SIZE: | Tenor |
TOP: | Ziricote |
BACK & SIDES: | Ziricote |
BINDING: | Black |
NECK: | Mahogany |
FINISH: | Gloss |
FINGERBOARD: | Rosewood |
HEADSTOCK: | Standard |
NUT & SADDLE: | Graph Tech NuBone® |
STRINGS: | Aquila Super Nylgut® |
ELECTRONICS: | N/A |
STRAP BUTTON: | Black x1 |
Scale Length: 16.875 inches, Overall Instrument Length: 25.75 inches, Body Length: 11.75 inches, Number of Frets: 18, Width at Upper Bout: 7.0 inches, Width at Lower Bout: 9.3125 inches, Width at Waist: 5.625 inches, Body Depth: 3.125 inches, Fingerboard Width at Nut: 1.4375 inches, Fingerboard width at neck/body joint: 1.8125 inches
$ 4,900.00
This guitar is in very good condition for its age. Very small amount of play wear on top. A few small dings on back of body, see photos. Comes with lifton style Hardshell case.
Serial Number: B1257
Weight: 6.8lbs
Sold Out $ 249.00
The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley’s analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley’s most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.
The Reverb side of the pedal features 3 cavernous sounds:
The Delay side of the pedal incorporates Keeley’s popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion.
The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches.
Top-Mounted Jacks allow for a compact pedalboard layout.
True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Our buffers are engineered to retain your tone and to feed your amplifier a full-strength signal.
The New Caverns Delay Reverb V2 is entirely built in the US. Keeley’s veteran crew builds the most reliable and road-worthy gear.
Use 2 TRS Breakout cables for effects patching or to use the Caverns with a pro switching system.
$ 299.00 $ 349.99
Keeley Compressor Pro. The stomp-box sized compressor/limiter is made in Oklahoma, USA and engineered to be an indispensable tool for your musical endeavors. It is in no way limited to be used with only guitar. It has been designed to work as a studio compressor accepting any range of inputs and a frequency response and noise level matching the finest compressors made.
The Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument. In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload. The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums. Use it when creating a podcast or YouTube videos to maintain professional performance levels. Use it around the home to create tons of sustain while at low volumes or low gain settings!
THRESHOLD Control and LED – This is probably the most important control on the Comp Pro. It is adjusted to determine when the compressor is working or when sound is being passed through unaffected. The Threshold control is turned down or CCW until the THRESHOLD LED turns Red as you play your instrument. When the THRESHOLD LED turns Red the Comp Pro is actively compressing your signal. If the LED is Green, the Comp Pro is not compressing and sound is passed through unchanged.
Range of Adjustment is from -50dBu to +10dBu. 2.45mVRMS to 2.45VRMS – Pro Audio (studio) Levels are +4dBu Consumer Audio Levels are -10dBu. Passive guitar or bass pickups are typically about -25dBu to 2.5dBu.
RATIO Control – “the Compression Knob”, Ratio is the amount of compression you set the Comp Pro for. You can set it from No Compression (1:1) when all of the way off or CCW. You can set it as high as Infinite Compression (∞:1) which means that the output level will never increase in output level no matter how loud the input. This type of setting can be used for hard-limiting to protect recording or speakers or in some cases for guitar effects like chicken-pickin’.
ATTACK Control – Attack Times between 0.15ms and 150ms. Controls the time it takes for the Comp Pro to start compressing.
RELEASE Control – Release Times between 0.1s to 3s. Controls the time before the Comp Pro releases or stops compression .
GAIN Control – This is the output level of the compressor. It does not affect the compression controls like THRESHOLD, RATIO, ATTACK or RELEASE. It is for make-up gain if you set for heavy compression gain reduction. +20dB of boost is possible.
KNEE Switch – Hard Knee/Soft Knee. Hard Knee Compression follows a hard fast rule: If THRESHOLD is met, then Compress at this RATIO. Soft Knee is Komfort Kompression. It’s a way to keep compressed guitar or instrument parts sounding lively and dynamic, without the “blanket” of compression found in many types of compressors.
AUTO Switch – OFF/ON – Set to ON in most cases for automatic setting of Attack and Release Times. This will sound natural and work in a very large number of cases. The Comp Pro looks at the input signals like guitar, bass, vocals or drums and determines the correct attack and release times depending on what you’re playing and what signal levels are being detected.
SMOOTHING – Changes in signal level happen when the singer moves away from the microphone or when a guitar player may not use perfect technique in controlling their dynamics, i.e. less than perfect picking hand technique. To smooth changes in dynamics use the Comp Pro for low to medium compression. Set AUTO Switch to ON. Adjust the Compression RATIO Control to 2:1 to 4:1 for example. Set the Gain Reduction LEDS by adjusting the THRESHOLD Control to indicate 3-9 dB of gain reduction on the 7 Segment LED Bar. Adjust GAIN Control if needed. Set KNEE Switch to SOFT. Now play slow and steady chord work, list to how toggling the KNEE switch back and forth Hard/Soft affects your tone and the attack or punch of the notes as well as the release.
SUSTAIN – To add sustain to guitars or keyboards start with a higher Compression RATIO setting for example 10:1 to ∞:1, Set THRESHOLD Control so that THRESHOLD LED turns Red for average level of your guitar or performance, the LED stays red about half the time. You can set the KNEE Switch to HARD or SOFT, SOFT may seem more transparent.
CHICKEN PICKING COMPRESSION – Set RATIO Control to 5:1 to 10:1, a quick RELEASE Time of .5s to 1s. ATTACK Time for quick attack 10-50ms and THRESHOLD Control set to give you 9-12dB of Gain Reduction/Compression on the 7-Segment COMPRESSION LED Array. This will typically give you compression artifacts or effects like a breathing or pumping sound.
BASS BOOM AND SLAP – For a punchy bass guitar sound set the Comp Pro for a medium to high Compression RATIO (6:1 to 10:1) and adjust the THRESHOLD so that the -12dB and sometimes -20dB COMPRESSION LEDs are lit while playing. Set KNEE to Hard mode. That will make the bass punchy and slap a bit harder, reducing boominess. Try Soft KNEE for a a different feel. Set AUTO On.
PREVENT DIGITAL DISTORTION – Set Keeley Compressor Pro as a Hard Limiter by turning RATIO control all of the way up to Infinity to One compression ratio. Set KNEE for Hard. By adjusting the final Gain level to your clipping lights on the digital recorder, you can insure you won’t ruin recordings or get unwanted distortions.
SPEAKER PROTECT (Concerts, Churches, Sound Systems and P.A.s) – You can use the compressor as above as a Hard Limiter. If when playing you hear distortions from your sound reinforcement equipment you can reduce the THRESHOLD, increase RATIO, and reduce GAIN to achieve perfect results. This is where it might be nice to use your Keeley Compressor Pro as the last effect in your signal chain as it can prevent different effects from getting too loud or being added together to drastically increase output volume.
NEVER LEAVE HOME WITHOUT YOUR KEELEY COMP PRO – The Compressor Pro makes the perfect booster or driver for your rig! You can always set the RATIO control for 1:1 compression (otherwise known as No Compression) and use the GAIN to push your amp, pedals, speakers, or other guy out of the way! Once you have learned your new Comp Pro there will never be a reason not to use it.
Sold Out $ 259.99
The Fuzz Head from Keeley is a unique lead boost that combines the best of fuzz and overdrive effects. Transparent, dynamic, and fully tweakable, with an NPN Germanium transistor at its heart but much more up its sleeve.
With external Fuzz and Head controls, you can easily call up a number of dynamic fuzz and overdrive effects. The unique Si/Ge switch allows you to control a secondary clipping stage by adding a pair of diodes (one Germanium, one silicon) into the circuit for smoother clipping, more saturation, and loads of sustain.
Pedal tweakers will love the internal gain control, which sets the overall range of the external Fuzz control, and the internal tone control or sharpening high-end or cutting it back. A small, flathead screwdriver is all that's needed to fine tune your tone. Three swappable capacitors are also included with the Fuzz Head, so that if you must change the low-end response of the pedal, you can.
A killer lead boost that blends fuzz and overdrive.
$ 149.00 $ 249.00
Keeley Magnetic Echo – The Mag-Echo pedal simulates tube tape echo sounds by using the delay circuit and a little bit of modulation. Tape echos have long been regarded as a warm and very guitar friendly form of delay. The Mag-Echo achieves similar results by using a touch of Lo-Fi delay, a slightly filtered echo response to keep things warm, and some modulation. Modulation, or “Wow and Flutter” in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the heads. The modulation we use is similar to what we use in our Seafoam Chorus, a slight wavering of pitch on the trails of the repeats. With a simple set of controls for the delay – Time, Regen, and Level and with the “Wow and Flutter” controls – Depth and Rate you can create some very vintage or rather unique tones.
ECHO CONTROLS
Delay Time – This Time control roughly sets the length between your repeats between 40ms and 600ms. This range is well suited for classic, vintage delay sounds that are great for slap-back or medium length delay times.
Regen – This control sets the number of repeats. You can set this for a single slap back echo or turn it up for a runaway, self-oscillating or self-regenerating echoes. (Now go back and twist the Time control for some crazy sounds!)
Delay Level – The Level control is your mix, how loud you want to hear the echoes.
WOW AND FLUTTER CONTROLS
Depth – Turn this control to achieve deeper and deeper chorusing and pitch shifting on your echoes. As you raise the control the Depth and Rate LED will start to glow giving you a visual indication as to the amount of modulation you are applying to the repeats.
Rate – This is your Flutter control. It’s another way to control how poorly your tape echo is performing! Not that any tape deck was every in this bad of condition, but it sure sounds good to have a little pitch modulation on your echo! Using these controls gives you a nice way to create unique and very musical delays.
Whether you’re into Rockabilly slap-back echoes, experimental sounds, or just want a great classic rock sounding echo, the Magnetic Echo will sound great in your rig.
Keeley Electronics started to develop and produce this delay way back in 2005. But as things happened, we worked on other projects, always keeping an eye on the growing delay and echo market. We sure you will be very happy with the tone of this echo/delay/modulation effect.
$ 210.00
This pedal is in very good condition. Very little wear on pedal. Comes with original box. Does NOT come with power supply.
Effect Type: Boost
Boost Amount: +35dB
Controls: Footswitch, Volume Knob, Pulled out Volume Knob for Boost
$ 540.00 $ 626.00
The KEMPER Kabinet™ is especially designed for the PROFILER. The KEMPER Kabinet is a combination of the KEMPER Kone™ loudspeaker and an extensive speaker tone mining technology developed by KEMPER making it possible to digitally „imprint“ various speaker characteristics onto one single cabinet.
The KEMPER Kone is a 12“ full range speaker which is exclusively designed by Celestion for KEMPER. It is controlled and driven by the KEMPER PROFILER’s DSP to an ultra-linear (full range) frequency response, using a dedicated DSP algorithm. In contrast to the conventional idea of a full range system, the radiation pattern of the KEMPER Kone™ has been narrowed towards the physics of a classic guitar speaker chassis, so that even the full range sound carries a distinct guitar speaker character, unlike regular PA speakers or monitor speakers.
Among the imprints, you will find the finest choice of well-known guitar speakers from Celestion and many more, as well as some rare and very particular speakers. More speaker imprints may be added via future software updates.
The KEMPER Kabinet can be driven by the power amp of a PROFILER PowerHead™ or PowerRack™, as well as by utilizing any external solid state power amp. When using external stereo amplifiers, driving two Kabinets in stereo is possible.
The KEMPER Kone™ speaker is also available as a replacement speaker for existing guitar cabinets. The KEMPER Kone™ is available as a single unit and 2 and 4 speaker sets for 2 x 12“ and even 4 x 12“ guitar cabinets. Requests from third party cabinet manufacturers are welcome.
$ 1,899.00
The PROFILER™ Head guitar amp comes fully equipped with hundreds of studio grade amp profiles suitable for both Live and Studio artists. Dozens of high end professional stomp box emulations and effects. Lifetime free feature updates including new effects, additional content and other enhancements. Complimentary access to Rig Exchange, a cloud based service with over 5000 additional amp profiles.
This edition features a white face plate and green housing.
$ 2,350.00
The Kemper Profiler was designed to be a complete solution for all your guitar playing needs. You can use it just like you would a regular amplifier, or you could use it as a multi-effects unit, or even as the front end for your guitar-based studio.
Nearly all digital guitar amps available today offer the same features-simulations of classic and modern guitar amplifiers and stomp boxes, usually with some digital and studio effects thrown in for good measure. The Kemper Profiler doesn't simply include digital versions of guitar amps, but lets you make a "profile" of your own guitar amp to use inside the Kemper Profiler. You can also load profiles of other guitarists' amps into your Kemper Profiler.
If you want a more technical description: the Kemper Profiler analyzes the sonic characteristics of a reference amplifier. This process allows it to faithfully recreate the characteristic sound of virtually any guitar amp, and adopt the behavior and interaction of the components of the analyzed amplifier.
The Kemper Profiler doesn't just capture the sound of your guitar amp alone; you can also capture the sound of the cab and the mics (including the mic distance and angle). You can store 1000 amp profiles in total and it comes with 30 different stompbox effects as well as a master effects section with master delay and reverb.
Sold Out
The PROFILER Remote™ is the quintessential foot controller for your PROFILER. We’ve spent a tremendous amount of time creating a floor board that is both versatile and easy to operate. The tight integration between the PROFILER and the Remote allows you to control, administer and program without any knowledge about MIDI, or having to delve through cryptic data sheets.
The large, illuminated display is designed to be viewed from a distance, and the Remote's housing is built like a tank. Just what the doctor ordered for touring musicians on dark stages!
Five buttons allow you to directly access five different sounds ("Rigs") and entire Performances can be switched using a bank system. Dedicated buttons let you access the tuner, tap in the tempo, and enable the new, exclusive looper effect.
The Remote connects via a single Ethernet cable to your PROFILER. No extra power supply is required, and the included cable is seven meters long (21ft). Longer distances are possible if required.
Up to four continuous foot pedals can control multiple parameters inside your PROFILER. Four buttons switch effects on and off. Setting it up is easier to learn than putting a new contact into your cell phone. Click to choose, assign, done.
There is something magic about loopers. Doesn’t matter if you use them to create layered worlds of sound or to rehearse the complex middle-8 of your last composition.
With a single click on a button, the Remote turns into a fully-fledged looper control station. Loops can be recorded, overdubbed and deleted by using the buttons on the board. You can reverse, play at half speed and undo takes. The maximum duration of a loop is thirty seconds (or one minute in half speed). The Looper is exclusively available to Remote users.
Four buttons, individually assignable for each Rig, can control multiple effects at the same time. In order to associate an effect with a button, all you need to do is hold the Effect Button of your choice on the Remote and press an effect module button on your PROFILER at the same time. Done. Status color LEDs give you a great overview on assignments and purpose of a switch/ pedal.
The Remote connects to PROFILER with a single cable. We are using a Neutrik® etherCON® connector to ensure the most robust connection possible on stage. By using a powered ethernet hub, distances in excess of 100 m (300 ft) can be bridged with a simple Ethernet cable.
The four TRS connectors on the rear panel can be used for expression pedals and switches. Pedals can be used to control volume, wah, pitch and even combinations of multiple continuous parameters - all freely configurable by Rig. Multiple functional assignments can be assigned per expression pedal - for instance, volume + wah + pitch can easily be assigned to the one pedal.
The Remote allows you to trigger external MIDI gear by sending program change messages from the MIDI OUT of your PROFILER.
$ 1,799.00 $ 2,572.50
PROFILER STAGE™ is an ultra compact, full featured Profiling Amplifier designed for gigging guitar and bass players. PROFILER STAGE brings all of the power and versatility of the Profiler and Remote in a compact, highly portable format for the musician on the go. The sturdy metal housing weights just 10 lbs (4.6 kg) and the super small footprint is only 50% larger than a Remote Foot Controller.
Made with international touring in mind, the built in power supply automatically adjust to all local power standards. Professional musicians will love unique features such as two effect loops and dedicated stereo monitor and balanced main outputs. On top, to boost your performance, up to four pedals can be connected.
$ 5,999.99
$ 2,999.99
Sold Out $ 1,695.00
For more than 20 years the name Kentucky has been considered one of the best-valued, quality brands of mandolins on the market. The KM-750 mandolin has all the same features one would find on any vintage instrument costing thousands more. Let America’s Favorite Mandolin be your favorite too!
$ 599.99 $ 839.00
The B2 is a new generation of digital piano from KORG focused on accessibility and ease of use. Perfect as a first piano for a new player, we've paid special attention to the experience of playing a real piano. B2 is packed with carefully selected sounds, starting with legendary grand pianos from around the world. Software and a variety of connectors come standard for a truly modern piano experience.
B2 is in keyboard format and can be placed on a stand, the B2SP has an easily assembled stand and a three-pedal unit, and the B2N features a light-touch 88-note keyboard. This three-model lineup gives users the ability to pick the perfect piano for their needs. B2 is a piano for anyone from beginners to seasoned players looking for something comfortable to practice on.
SPECS
$ 599.99
The B2 is a new generation of digital piano from KORG focused on accessibility and ease of use. Perfect as a first piano for a new player, we've paid special attention to the experience of playing a real piano. B2 is packed with carefully selected sounds, starting with legendary grand pianos from around the world. Software and a variety of connectors come standard for a truly modern piano experience.
B2 is in keyboard format and can be placed on a stand, the B2SP has an easily assembled stand and a three-pedal unit, and the B2N features a light-touch 88-note keyboard. This three-model lineup gives users the ability to pick the perfect piano for their needs. B2 is a piano for anyone from beginners to seasoned players looking for something comfortable to practice on.
SPECS
$ 799.99
**This product is used and in full working condition. There is some signs of wear being a vintage piece. The devices have been attached to a piece of removable plywood. The price has been adjusted accordingly.
Serial Number: 400490
Made in Japan
$ 329.99
Imagine how much better life can be with a piano! Music, expression, entertainment, fulfillment - a piano can make every day more enjoyable. But a piano takes space, it’s heavy, it needs tuning, it can be too loud for some homes, so what can we do about this?
KORG is proud to announce an all new slim, lightweight piano that solves these problems all while delivering a great feel and outstanding piano sound!
Love music and piano even more. Start your new musical life with the Korg Liano!
The Liano is a mere 130 cm deep and just 7cm thick - including speakers! - while still offering a full-size 88-key keybed. You benefit from a slim, lightweight design, while keeping the important functionality and performance of a piano.
The main operations of the Liano are so easy to understand. Turn the front panel dial to quickly switch between one of eight sounds including piano, electric piano, organ, strings and more - it’s that simple. The star amongst the sounds is a renowned Italian grand piano with a beautiful tone, a piano featured at concerts worldwide. The Liano features two effects, a reverb and chorus, that add richness to the sound.
The speakers are located on the front panel to bring the sound directly to you. The bass reflex speaker features specially designed ports, providing a dynamic low-end sound that would otherwise be difficult to produce. And for silent practice there is also a convenient headphone socket.
Even with built-in speakers, the Liano can run on 6 x AA batteries, giving you approximately eight hours of playing time. Use Liano at home, school or outside at parties, on stage or in street performance - there is plenty of battery life and plenty of fun.
Note: Battery life depends on the type of batteries used and conditions of use.
$ 99.99 $ 199.98
A popular tuner redesigned to be even more accurate and easier to use.
The Pitchblack is one of the most popular tuner, loved by professionals and amateurs around the world. The Pitchblack Advance is Korg's next-generation model, a further evolution that features an advanced cutting-edge form and many of the functions and technologies developed for previous models of the Pitchblack series. Embracing both the traditional and the revolutionary, it represents the perfect summation of pedal tuners.
Featuring a slanted design that hints at a new age, the Pitchblack Advance retains the toughness that is characteristic of the series, in spite of becoming even lighter in weight. The display features high-brightness color LEDs, nearly doubling the size of the note name display and providing amazing visibility. Whether you're on a dimly lit stage or outdoors in bright sunlight, this display will always be easy to read.
When using strobe mode, the Pitchblack Advance allows ultra-high-precision tuning with ±0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.
Choose from four meter display modes to suit your playing style. In addition to the standard “Regular mode,” you can use “Strobe mode” or “Half-strobe mode” in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences, as well as “Mirror mode” in which two LEDs move from left and right to coincide in the center as you tune.
The true-bypass design allows the input sound to be output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or color your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.
If a separately sold AC adaptor is used, the DC OUT jack can supply power to another effect unit. Since a dedicated power supply circuit is provided for DC OUT, it can provide stable and noiseless 9V 200 mA power.
The Pitchblack Advance provides a stable playing environment for all players. When using a power supply, for example, noise can be caused by interference between different pedals using the same power supply. The Pitchblack Advance is equipped with a circuit that suppresses sudden changes in current, and also applies software control, thereby completely avoiding the occurrence of such noise.
The eight-year journey of the Pitchblack series has brought its high efficiency and long-life design to an even higher pinnacle. With approximately 30 hours on zinc-carbon batteries and approximately 60 hours on alkaline batteries, this unit achieves ultra-long-life operation that is six times greater than the Pitchblack. Even on a long tour or an extended recording session, it will continue to fulfill its role as your faithful partner.
Pitchblack Advance Tuner
$ 749.99 $ 1,099.99
The KORG wavestate wave sequencing synthesizer is now available at Guitar Center. The compact synth expands on KORG’s legendary Wavestation, adding Wave Sequencing 2.0, the next step in digital synthesis. Far from a nostalgic reissue, the wavestate was designed from the ground up by KORG R&D in California. It takes cues from sources as diverse as modular synths, groove boxes and algorithmic composition, delivering astonishing, ever-changing sounds with extensive hands-on control.