Pre-loaded with 100 presets, the CODE25 has all you need to find your sound at home. Its 25W mean it’s even powerful enough to start gigging with. Fully programmable via your phone and online, CODE25 is the amp for on the go.
$ 1,839.00 $ 2,299.00
The history of Rodríguez guitars is as rich as the wood from which they are crafted. Manuel Rodríguez — grandson of flamenco guitarist Manuel Rodriguez Perez Marequi and son of classical luthier Manuel Rodríguez Perez — learned the art of constructing a guitar firsthand. His apprenticeship began at the age of 13 in Madrid, where he also began exporting his finely crafted instruments to France, the United Kingdom, and the U.S. Fast forward to 1959, Manuel Sr. opened a shop Los Angeles, making classical guitars for a myriad of professional players, teachers, students, and even the Hollywood elite. He and his son moved back to Madrid in 1973 where Rodríguez guitars have been designed and built ever since. His son, Manuel Jr, continues on with the family tradition of crafting exquisite instruments with the fire and passion he learned from his heritage. Using only the finest tonewoods and expert craftsmanship, Manuel Rodríguez develops distinctive guitars fit for the world’s preeminent artists. Each instrument is as unique and individual as the musicians who play them. Embodying the skills he learned as an apprentice to the master luthiers of Spain, Manuel Jr. ensures each guitar is a work of art to be treasured for generations. “If that which cannot be repeated is art, then our guitars are also an artistic instrument. It is even more so when each artist constructs his guitar by creating exclusive ornamentation, using precious and unique woods, creating a mosaic, which distinguishes this soundhole from all the other soundholes. It is like a feather; a purfling that will never be repeated as far as color, thickness and taste are concern. We are therefore talking about an art piece that has a life of its own, produces elegant sound, and provides the guitarist with their own one-of-a-kind instrument to express their musical skill and harmonic knowledge. It is held in the hands and close to the body; it is an art piece of precious natural materials built to the luthier’s taste and woodworking skills; it is your trade, personality, and dignity in doing a good job.” — Manuel Rodríguez Jr.
The career of Manuel Rodríguez Pérez as a professional guitar-maker started back in 1905 when he was just 18 years old. He was an apprentice in Agustín de Andrés’ workshop. At that time, Julián Gómez Ramírez (who would later become the first skilled worker of José Ramírez guitars) worked there as well. Manuel Rodríguez Pérez then worked at Julián Gómez’s workshop and remained there until 1914 when World War I broke out. After Manuel’s return to Spain in 1914, he joined the workshop of José Ramírez I. After leaving the shop in 1930, Manuel went on to work with other famed luthiers (Santos Borreguero, Saturnino Rojas) and also handcrafted his own instruments on a special order basis.
In 1939, the Rodríguez family returned to Madrid. Soon after, Ramírez II called Marcelo and Manuel Rodríguez I to resume the activities in the Ramírez workshop. The workshop included a young Manuel Rodríguez II — who was just 13 years old at the time — as an apprentice. Manuel Rodríguez II undertook the task of handcrafting the inner parts of bandurrias, lutes and guitars, manufacturing sticks and bracings and also carrying out bel labrado (carving). On March 4th, 1954, shortly after joining the Ramirez workshop, Manuel Rodríguez II installed a workbench in his own house. He used it to fix instruments belonging to some of his amateur musician friends. This enabled him to manufacture his first guitars, bandurrias and lutes. He also produced a great amount of capos for the then popular flamenco musicians. The first guitar signed and labeled by Manuel Rodríguez II was a flamenco guitar. This was an evolution that made Manuel Rodríguez II’s name more widely known than his father’s – who only manufactured instruments for workshops and never signed any of them. In 1955, Manuel Rodríguez II set up his own workshop. During the following few years he exported guitars to France, United Kingdom and the USA. In June 1959, thanks to the support of a few UCLA professors, Manuel moved to Los Angeles. Manuel Rodríguez I passed away in 1958, having had the satisfaction of seeing his son firmly established in the trade. Many professional players, teachers and students visited his Hollywood shop from the summer of 1959 through the early ‘70s, when Manuel returned to Madrid.
1973 was the beginning of a new phase for Rodríguez guitars. Manuel Rodríguez Jr. decided to go beyond displaying and selling their guitars in their own workshop. He travelled and worked in London, visiting nearly every guitar expert, shop and school. Shortly thereafter, articles extolling the virtues of Rodriguez’ finely crafted instruments started appearing in international magazines, such as “Classic Guitar” and “Magazine Guitar International”. In 1994, Rodríguez founded their own guitar factory on the outskirts of Esquivias, in the province of Toledo, Spain, not far from Madrid. This is still a family-run company in which each member of the family plays an important role. In the late early 2000s, Manuel Jr noticed the trend in the market of moving production to make guitars more affordable: in an effort to keep his products competitive while maintaining the long-standing quality tradition of the Rodriguez name, he began a multi-year process of identifying a potential partner factory in Asia. Under the expert tutelage of Manuel Jr, this new factory partner has learned the exacting techniques pioneered and carried down by the Rodriguez family, and combined them with larger-scale production, allowing for lower-priced options while maintaining the expert build quality and superior sound that has become synonymous with the Rodriguez name. Of course, the facility in Spain still produces a largest portion of Rodriguez’ production, and continues the Rodriguez legacy. Over 100 years of knowledge, history, and passion find its way into each and every Rodriguez guitar.
$ 1,839.00 $ 2,299.00
The history of Rodríguez guitars is as rich as the wood from which they are crafted. Manuel Rodríguez — grandson of flamenco guitarist Manuel Rodriguez Perez Marequi and son of classical luthier Manuel Rodríguez Perez — learned the art of constructing a guitar firsthand. His apprenticeship began at the age of 13 in Madrid, where he also began exporting his finely crafted instruments to France, the United Kingdom, and the U.S. Fast forward to 1959, Manuel Sr. opened a shop Los Angeles, making classical guitars for a myriad of professional players, teachers, students, and even the Hollywood elite. He and his son moved back to Madrid in 1973 where Rodríguez guitars have been designed and built ever since. His son, Manuel Jr, continues on with the family tradition of crafting exquisite instruments with the fire and passion he learned from his heritage. Using only the finest tonewoods and expert craftsmanship, Manuel Rodríguez develops distinctive guitars fit for the world’s preeminent artists. Each instrument is as unique and individual as the musicians who play them. Embodying the skills he learned as an apprentice to the master luthiers of Spain, Manuel Jr. ensures each guitar is a work of art to be treasured for generations. “If that which cannot be repeated is art, then our guitars are also an artistic instrument. It is even more so when each artist constructs his guitar by creating exclusive ornamentation, using precious and unique woods, creating a mosaic, which distinguishes this soundhole from all the other soundholes. It is like a feather; a purfling that will never be repeated as far as color, thickness and taste are concern. We are therefore talking about an art piece that has a life of its own, produces elegant sound, and provides the guitarist with their own one-of-a-kind instrument to express their musical skill and harmonic knowledge. It is held in the hands and close to the body; it is an art piece of precious natural materials built to the luthier’s taste and woodworking skills; it is your trade, personality, and dignity in doing a good job.” — Manuel Rodríguez Jr.
The career of Manuel Rodríguez Pérez as a professional guitar-maker started back in 1905 when he was just 18 years old. He was an apprentice in Agustín de Andrés’ workshop. At that time, Julián Gómez Ramírez (who would later become the first skilled worker of José Ramírez guitars) worked there as well. Manuel Rodríguez Pérez then worked at Julián Gómez’s workshop and remained there until 1914 when World War I broke out. After Manuel’s return to Spain in 1914, he joined the workshop of José Ramírez I. After leaving the shop in 1930, Manuel went on to work with other famed luthiers (Santos Borreguero, Saturnino Rojas) and also handcrafted his own instruments on a special order basis.
In 1939, the Rodríguez family returned to Madrid. Soon after, Ramírez II called Marcelo and Manuel Rodríguez I to resume the activities in the Ramírez workshop. The workshop included a young Manuel Rodríguez II — who was just 13 years old at the time — as an apprentice. Manuel Rodríguez II undertook the task of handcrafting the inner parts of bandurrias, lutes and guitars, manufacturing sticks and bracings and also carrying out bel labrado (carving). On March 4th, 1954, shortly after joining the Ramirez workshop, Manuel Rodríguez II installed a workbench in his own house. He used it to fix instruments belonging to some of his amateur musician friends. This enabled him to manufacture his first guitars, bandurrias and lutes. He also produced a great amount of capos for the then popular flamenco musicians. The first guitar signed and labeled by Manuel Rodríguez II was a flamenco guitar. This was an evolution that made Manuel Rodríguez II’s name more widely known than his father’s – who only manufactured instruments for workshops and never signed any of them. In 1955, Manuel Rodríguez II set up his own workshop. During the following few years he exported guitars to France, United Kingdom and the USA. In June 1959, thanks to the support of a few UCLA professors, Manuel moved to Los Angeles. Manuel Rodríguez I passed away in 1958, having had the satisfaction of seeing his son firmly established in the trade. Many professional players, teachers and students visited his Hollywood shop from the summer of 1959 through the early ‘70s, when Manuel returned to Madrid.
1973 was the beginning of a new phase for Rodríguez guitars. Manuel Rodríguez Jr. decided to go beyond displaying and selling their guitars in their own workshop. He travelled and worked in London, visiting nearly every guitar expert, shop and school. Shortly thereafter, articles extolling the virtues of Rodriguez’ finely crafted instruments started appearing in international magazines, such as “Classic Guitar” and “Magazine Guitar International”. In 1994, Rodríguez founded their own guitar factory on the outskirts of Esquivias, in the province of Toledo, Spain, not far from Madrid. This is still a family-run company in which each member of the family plays an important role. In the late early 2000s, Manuel Jr noticed the trend in the market of moving production to make guitars more affordable: in an effort to keep his products competitive while maintaining the long-standing quality tradition of the Rodriguez name, he began a multi-year process of identifying a potential partner factory in Asia. Under the expert tutelage of Manuel Jr, this new factory partner has learned the exacting techniques pioneered and carried down by the Rodriguez family, and combined them with larger-scale production, allowing for lower-priced options while maintaining the expert build quality and superior sound that has become synonymous with the Rodriguez name. Of course, the facility in Spain still produces a largest portion of Rodriguez’ production, and continues the Rodriguez legacy. Over 100 years of knowledge, history, and passion find its way into each and every Rodriguez guitar.
$ 1,199.99 $ 1,630.00
Wherever you go – this modest sized cabinet is great for life on the move and provides you with a portable half-stack for clubs and mid-sized venues.
Versatile sound – not only can this cabinet offer amazing volume but it can also be configured in mono or stereo.
$ 1,599.99 $ 2,140.00
$ 1,599.99 $ 2,140.00
Two of the world's bestselling 4x12" cabinets, famed for their excellent sound. These cabinets are designed to deliver a big sound for live performances. Both cabinets have an authentic 60's design and pack plenty of power with 300W. Available in angled to create the perfect Marshall stack.
Excellent tone
Both cabinets are all-rounders and compliment a variety of effect. The 1960A is brighter than the 1960B which has a thicker low-end sound.
Versatility
This cabinet can switch between mono and stereo with two mono options for extra amp matching capability.
Sold Out
1978 Marshall JMP 100W Master volume head. Low hours on complete overhaul.
The head has been set up with the following:
12AX7 preamp tubes, and a quartet of matched EL34 tubes, all of which installed by a local amp engineer Dan, at Blitz.
Previous owner added two input jacks to the right of the stock jacks, effects loop circuit removed, send/return loops removed and replaced with push-in covers.
$ 6,000.00
This unit is in excellent condition. Very little wear on vinyl, grillcloth, and controls.
Will be sold as a 3-piece set, consisting of the 50W head, 1960AX 100W 4x12" cabinet, and PB100 Powerbrake attenuator.
Comes with cover for cabinet and foot switch.
Wattage: 50W
Controls: Power, Standby, Presence, Bass, Middle, Treble, High Treble/Loudness 1, Normal/Loudness 2
Channels: 2
Inputs: 4
Cabinet: 1960AX
Speakers: 4X12", Celestion Greenback
Ohm: 16
Attenuator: PB100, Power Brake 100
$ 699.00
*This amp is used but in good condition for its age. Has some nicks in the tolex and re-glued in a small area on the bottom (see picture). Has been recently serviced by a professional amp technician and is in good working order.
Whilst retaining the natural tone for which our valve amplifiers are renowned, the JCM600 models are loaded with modern day features to offer you maximum flexibility and versatility in a compact 60 Watt valve format.
Specifications
Sold Out $ 2,350.00
The Marshall 2525H Mini Jubilee head may scale down the size and volume of the highly-coveted Silver Jubilee amps of the late-'80s, but doesn't skimp on the raw tone of the original. Separate rhythm and lead channels pass through the classic Marshall tone stack, with separate master volume controls for each channel and a "Rhythm Clip" feature accessible by pulling on the input gain knob. The power stage is switchable between 20 and 5 watts, so you can keep your stage or studio volume at a more reasonable level while getting all of the roaring hard rock tones you've heard a million times over.
Features:
Sold Out $ 2,530.00
To pair with its Silver Jubilee 2555X reissue, Marshall is offering offering cosmetically correct speaker cabinets for the range based on the originals, featuring the same silver covering and Celestion Vintage 30 speakers. The 240W 2551AV slant-top 4x12" is the perfect accompaniment for the 2555.
First released in 1987 to celebrate 25 years of Marshall Amplification, and to commemorate Jim Marshall's 50th year in the music industry, the 2555 has become a legendary and much sought after amplifier due to its distinct looks, sound and features. The 2551AV is a modern day reissue, featuring all of the original panel features found on the 2555 and reproducing its signature tone perfectly.
FEATURES
Sold Out $ 340.00
The sound of the 1962 ‘Bluesbreaker’ amplifier became a legend, with the smooth tone, rich warmth and full character that gave guitarists more expression than ever before. The original Bluesbreaker pedal took this and put it in a stompbox. Today, this reissue accurately delivers timeless tones and style once again. It captures the magic of those classic vintage amps with added sweetness, crispness and extra edge to carry solos and squeeze out those vital harmonics.
General
$ 799.99 $ 1,070.00
$ 799.99 $ 1,070.00
Get 5 watts of legendary Marshall DSL tone, plus some great next-generation features.
The next generation of the Marshall DSL series has arrived! These DSL amps are laden with Marshall tone, features and functionality for the novice, as well as pros performing on the world’s biggest stages. The DSL series includes the following updated features:
Adjustable Power Output
The DSL models feature adjustable power settings, which delivers all-valve tone and feel, at any volume, from bedroom to stage. This technology adjusts power to the valves, instead of just turning off valve stages, allowing the amp to remain articulate and dynamic.
EQ Refinements
Some innovative tweaks to the EQ circuitry have given the new DSLs even greater tonal flexibility. The EQ section of the new DSLs can deliver exactly what your ears are looking for.
Emulated Output
Marshall's partnership with Softube has led to the creation of award-winning plug-ins, as well as exceptional tone in its CODE digital amps. The same team is responsible for the development of the new emulated output feature, found in the DSL series. Both the headphone out, and line out on the DSL models boast incredibly accurate emulation of Marshall's famed 1960 cabinet.
Reverb, Resonance and Master Volume
The DSL is now more versatile than ever, with features including discrete master volume controls for each channel, built-in reverb and resonance controls (the DSL1 and DSL5 do not offer resonance controls).
New Models
Additions to the range include the DSL1 head and combos, which offer all-valve Marshall DSL tone in a smaller package, plus a DSL20 combo and head.
$ 2,349.99 $ 3,280.00
Enhance your sound with the JVM205H. Packed full of versatile features, this 50W amp effortlessly showcases Marshall’s broad sound palette, from glistening cleans to heavy distortion. Let the green, orange and red LED lights guide you through each channel’s three gain modes and find the sound that will set you apart.
With two channels each with three gain modes giving you access to a wide range of sounds, the JVM205H has almost-endless options for refining your tone. Along with the three-way EQ in each channel, the Presence and Resonance controls let you shape the tone from the power amp.
$ 1,899.99
The Marshall 1960TV Cabinet has an angled front; 4 - 12" Greenback speakers; and a warmer, thicker sound than the 1960A. This 100W, mono, 16-ohm cabinet is 3 inches taller than a standard 1960A 4x12 cabinet which results in well defined mid range and a lowered resonant frequency for more prominent lows. The 25W Greenbacks are less in your face than the 75W Celestions in the 1960A. Although not a reissue -- it was never offered in the past -- this cab recreates the classic look and tones of yesteryear.
1960TV Cabinet
$ 99.99 $ 149.99
Marshall Major Headphones BLACK. Available in black/gold, pitch black and white. The major comes with 3.5mm jack plug and ¼” converter. They’re sturdy, deliver superior sound and are designed to be used all day, every day.$ 479.99 $ 580.00
$ 139.99 $ 190.00
Don’t be fooled by their simplicity, these Marshall MG amps deliver a range of classic and modern tones, with all the essential features that players need, and so much more. All the amps in this range are fitted with an emulated headphone output to make silent practice easier than ever. No matter what stage you’re playing on, these amps will look as great as they sound, thanks to their gold piping and gold metal finish.
With its highly portable format and custom 6.5" custom speaker, this MG10G 10W combo is perfect for practice or backstage warmups.
$ 229.99 $ 334.00
The MG series first made in appearance in the in the mid-00s, offering built-in digital effects, intuitive design and solid-state power in one of the most affordable packages Marshall had offered. This year, they've unveiled a revamp that tips its hat back to Marshall's roots: say hello to the Black and Gold series! Offering the crucial aspects that put the MG amps on the map, but with a tweaked modern sound and alluring brushed gold finish, this range happens to be as affordable as it is versatile!
This 15-watt offering is where the MG series comes into its own - this is no longer simply a practice amp. Marshall have added built-in digital effects, with two channels (clean and crunch) with a volume control for each, two overdrive voicings to choose from, shared EQ, a built-in tuner and much more. The list simply goes on - this tiny amp has got it all, allowing you to practice with convincing tones and versatile features at your disposal, all for a sensible price tag!
Sold Out $ 770.00
Great value and fantastic quality —what’s not to love about these 2x12’s? They pair well with most Marshall heads or can be used as an extension cabinet for a combo. They are fitted with two Celestion Seventy 80 speakers that definitely pack a punch.
This cabinet is also available in an angled form which is perfect for projecting sound or use on tight stages.
Plenty of power – the Celestion speakers pack enough power to deliver that iconic Marshall rock tone.
Superb speakers – these speakers add a tight low-end and a punchy mid-range to your sound. With excellent power handling, this cabinet is begging you to crank up that gain.
$ 599.99 $ 770.00
Voiced to be paired with the DSLR series of amplifiers, the Marshall MXR mono cabinets, featuring the iconic Marshall logo, are loaded with Celestion speakers, and come in a variety of sizes to complement any setup.
The MX212R comes loaded with a pair of 12" Celestion Seventy/Eighty speakers for a combined power handling of 160W.